- The scientific study of music, especially traditional or non-Western music, as an aspect of culture.
- The comparative study of music of different cultures.
ethnomusicologist eth'no·mu'si·col'o·gist n.
Dictionary:
eth·no·mu·si·col·o·gy (ĕth'nō-myū'zĭ-kŏl'ə-jē) ![]() |
| Music Encyclopedia: Ethnomusicology |
A branch of Musicology in which emphasis is given to the study of music in its cultural context; the anthropology of music. It had its origins during the late 19th century in Europe and the USA with the work of Carl Stumpf, Erich M. von Hornbostel, Curt Sachs, Alexander J. Ellis, Jesse Walter Fewkes, Franz Boas and others. Early studies dealt largely with the psychology of music, the reconstruction of world music history, the distribution of musical styles and instruments and, in the USA, with the analysis of American Indian music. Modern research combines anthropological techniques of fieldwork and ethnography with a variety of humanistic approaches, especially from musicology and aesthetics.
| Britannica Concise Encyclopedia: ethnomusicology |
For more information on ethnomusicology, visit Britannica.com.
| Music: Ethnomusicology |
The study of varioustypes of music in relation to their geographic, racial, and cultural context.
| Wikipedia: Ethnomusicology |
Ethnomusicology is a branch of musicology defined as "the study of social and cultural aspects of music and dance in local and global contexts." [1]
Coined by Jaap Kunst from the Greek words ἔθνος ethnos (nation) and μουσική mousike (music), it is often considered the anthropology or ethnography of music. Jeff Todd Titon has called it the study of "people making music."[2] Although it is often thought of as a study of non-Western musics, ethnomusicology also includes the study of Western music from an anthropological or sociological perspective. Bruno Nettl (1983) believes it is a product of Western thinking, proclaiming "ethnomusicology as western culture knows it is actually a western phenomenon." [3] Nettl believes that there are limits to the extraction of meaning from a culture's music because of a Western observer's perceptual distance from the culture; however, the growing prevalence of scholars who study their own musical traditions, and an increasing range of different theoretical frameworks and research methodologies has done much to address criticisms such as Nettl's.
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While musicology's traditional subject has been the history and literature of Western art music, ethnomusicologists study all music as a human social and cultural phenomenon. The primary precursor to ethnomusicology, comparative musicology, emerged in the late 19th century and early 20th century through the practice of people such as Béla Bartók, Zoltán Kodály, Constantin Brǎiloiu, Vinko Zganec, Franjo Ksaver, Carl Stumpf, Erich von Hornbostel, Curt Sachs and Alexander J. Ellis[4]. Comparative musicology and early ethnomusicology tended to focus on non-Western music that was transmitted through oral traditions. But, in more recent years, the field has expanded to embrace all musical styles from all parts of the world.
The Society for Ethnomusicology has been the primary academic organization for the discipline of ethnomusicology since its inception in 1955.
Ethnomusicologists often apply theories and methods from cultural anthropology, cultural studies and sociology as well as other disciplines in the social sciences and humanities. Though some ethnomusicologists primarily conduct historical studies, the majority are involved in long-term participant observation. Therefore, ethnomusicological work can be characterized as featuring a substantial, intensive ethnographic component. And there is much involvement.
Some ethnomusicological works are created not necessarily by 'ethnomusicologists' proper, but instead by anthropologists examining music as an aspect of a culture. A well-known example of such work is Colin Turnbull's study of the Mbuti pygmies. Another is Jaime de Angulo, a linguist who intensively studied the music of the natives of Northern California.[5] Additionally, Anthony Seeger, professor at the University of California, Los Angeles, studied the music and society of the Suya people in Mato Grosso, Brazil.[6]
Many universities in North America and Europe now offer ethnomusicology classes and act as centers for ethnomusicological research. The following list includes graduate and undergraduate degree-granting programs (number in parentheses indicates year the program was founded). [7]
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![]() | Dictionary. The American Heritage® Dictionary of the English Language, Fourth Edition Copyright © 2007, 2000 by Houghton Mifflin Company. Updated in 2007. Published by Houghton Mifflin Company. All rights reserved. Read more | |
![]() | Music Encyclopedia. The Concise Grove Dictionary of Music. Copyright © 1994 by Oxford University Press, Inc.. All rights reserved. Read more | |
![]() | Britannica Concise Encyclopedia. Britannica Concise Encyclopedia. © 2006 Encyclopædia Britannica, Inc. All rights reserved. Read more | |
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