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nd support ICT proper functioning and expressivity. - Iginla S.L. (MEGATREE CONCEPT)

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nd support ICT proper functioning and expressivity. - Iginla S.L. (MEGATREE CONCEPT)

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Friede is an a cappella piece for mixed choir (SSAATTBB).

Optionally, Friede can be performed with a mixed choir and a small orchestra. However, using an orchestra in Friede does not really improve the expressivity of the piece.

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ability, appeal, articulation, command of language, delivery, diction, dramatic, expression, expressiveness, expressivity, facility, fervor, flow, fluency, force, forcefulness, gift of gab, grandiloquence, loquacity, meaningfulness, mellifluousness, oration, oratory, passion, persuasiveness, poise, power, rhetoric, spirit, style, vigor, vivacity, volubility, wit, wittiness

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AnswerBipolar disorder is a result of a chemical imbalances in the brain. Essentially, certain cells in the brain fire signals at too high a rate and this is often associated with the neurotransmitters serotonin, dopamine and norepinephrine. There are environmental factors that can lead to depression as well.

It is primarily due to genetic vulnerability. It tends to run in families. Significant stressors can precipitate symptoms, whereas absence of these can lead to remission. In some individual with "incomplete penetrance" of relevant genes or "variable expressivity", bipolar disorder may be manifested only when stressors are particularly high.

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Chromaticism

In music, the use of all 12 tones, especially for heightened expressivity. A standard key or mode principally employs 7 tones, leaving 5 tones for discretionary use. Use of all 12 tones in a given piece increased in the 18th and 19th centuries. Strictly controlled chromaticism, as in the ornamentation of Frédéric Chopin, did not threaten the perception of tonality. However, from the mid-19th century on, complaints were heard with ever greater frequency that it was difficult to perceive what a given piece's tonal centre was, the chromaticism in the works of Richard Wagner being the most notorious. The virtual breakdown in tonality in the works of advanced composers led to the free atonality of Arnold Schoenberg and his followers in the early 20th century.

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