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Fay Wray

 
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Actor: Fay Wray
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  • Born: Sep 15, 1907 in Alberta, Canada
  • Died: Aug 08, 2004 in Manhattan, New York City, New York
  • Occupation: Actor
  • Active: '20s-'30s, '50s
  • Major Genres: Drama, Comedy
  • Career Highlights: King Kong, The Wedding March, The Mystery of the Wax Museum
  • First Major Screen Credit: The Coast Patrol (1925)

Biography

The daughter of a Canadian rancher, Fay Wray was raised in California. While attending Hollywood High School, Wray appeared in the annual Pilgrimage Play. Exhilarated by this brush with show business, she decided to try her luck as a film actress, and spent the next few months leaving her pictures and resumé with various studio casting agencies. She managed to land a few western ingenue roles and a handful of bit parts in Hal Roach's 2-reel comedies, but full stardom didn't come her way until 1928, when she was selected by Erich Von Stroheim to play the main female lead in The Wedding March. This led to a contract with Paramount Pictures, where she was briefly groomed as one-half of a romantic screen team with Gary Cooper. Surviving the talkie explosion, she continued working steadily into the early 1930s, appealingly conveying what one biographer would describe as "the contradictory qualities of virtue and sex appeal."

Beginning in 1932, Wray developed into the talkie era's first "scream queen," playing the imperiled heroine in five back-to-back horror/fantasy classics. In Doctor X (1932), Vampire Bat (1933) and Mystery of the Wax Museum (1933), she was cast opposite the satanic-featured Lionel Atwill, playing his daughter in the first-named film and his intended victim in the remaining two. In The Most Dangerous Game, Wray and Joel McCrea were hunted down like animals by demented sportsman Leslie Banks. And then came Fay's opportunity to play opposite "the tallest, darkest leading man in Hollywood"--King Kong (1933). It was in this film that the auburn-haired Wray donned a blonde wig to portray Ann Darrow, the wide-eyed, writhing, screaming object of the Mighty Kong's affections. While King Kong is the film for which Wray will always be remembered (as late as 1996, she was still making annual pilgrimages to the Empire State Building to commemorate the anniversary of the film's premiere), it must be noted that she was certainly capable of playing roles with more depth and dimension than Ann Darrow. She was excellent as Gary Cooper's bitchy ex-flame in One Sunday Afternoon (1933) and as a dim-witted, voracious artist's model in The Affairs of Cellini (1934). Still, she felt typecast after King Kong, and in 1935 headed for England, hoping to find better film opportunities; instead, it was back to damsels in distress, most notably in the 1935 seriocomic thriller Bulldog Jack.

During her Hollywood heyday, Wray was married to screenwriter John Monk Saunders, but their marriage ended in 1937. After a lengthy romance with playwright Clifford Odets, Wray married again, this time to another screenwriter, Robert Riskin. When Riskin became seriously ill in the late 1940s, Wray retired from acting to care for her invalid husband. She returned before the cameras in 1953, co-starring with Paul Hartman and Natalie Wood in the TV sitcom Pride of the Family. After Riskin's death in 1955, she made a film comeback in character roles, most memorably as philandering psychiatrist Charles Boyer's long-suffering wife in The Cobweb (1955). Throughout her acting career, she also kept busy as a writer and musician, and at one point co-wrote a play with no less than Sinclair Lewis. Curtailing her professional activities after her third marriage to a Los Angeles physician, Wray retired after portraying Henry Fonda's sister in the 1980 TV movie Gideon's Trumpet. In 1989, Fay Wray published her long-awaited autobiography, an endearingly overwritten tome titled On the Other Hand. ~ Hal Erickson, All Movie Guide
Wikipedia: Fay Wray
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Fay Wray

Wray in a publicity photo for King Kong, ca. 1933.
Born Vina Fay Wray
September 15, 1907(1907-09-15)
Cardston, Alberta, Canada
Died August 8, 2004 (aged 96)
New York City, New York, U.S.
Occupation Actress
Years active 1923–1980
Spouse(s) John Monk Saunders (1928–1939, div.)
Robert Riskin (1942–1955, his death)
Sanford Rothenberg (1971–1991, his death)

Fay Wray (born Vina Fay Wray; September 15, 1907 – August 8, 2004) was a Canadian-American actress. Through her acting career that spanned 57 years, Wray attained international stardom as an actress in horror film roles, leading to many considering her as the first "scream queen".

After appearing in minor film roles, Wray gained media attention being selected as one of the "WAMPAS Baby Stars". The attention of this led to Wray being signed to Paramount Pictures as a teenager. There she made more than a dozen films. After leaving Paramount Pictures, she signed deals with various film companies, in these deals being cast in her first horror film roles. In one of her most well-known film company deals, under RKO Radio Pictures, Inc., she would star in the film which she would be most identified, King Kong (1933). After the success of King Kong, Wray would be cast in more minor film roles and appears in television roles in a period of roughly four decades, leading up to her final acting role in 1980.

Wray died of natural causes in her sleep at the age of 96.

Contents

Life and career

Early life

Wray was born on a ranch near Cardston, Alberta, Canada to Elvina Marguerite Jones, who was from Salt Lake City, and Joseph Heber Wray, who was from Kingston upon Hull, England.[1] She was one of six children.[2] Her family returned to the United States a few years after she was born; they moved to Salt Lake City in 1912[3] and moved to Lark, Utah in 1914. In 1919, they moved to Salt Lake City again, before moving to Hollywood, California, where Fay attended Hollywood High School.

Early acting career and signing at Paramount Pictures

In 1919, Wray appeared in her first film at the age of 16, landing a role in a short historical film sponsored by a local newspaper.[4] In the 1920s, Wray landed a major role in the silent films such as The Coast Patrol (1925)[5], as well as various roles as short subjects in silent films.

In 1926, American film association the Western Association of Motion Picture Advertisers selected Wray as one of the "WAMPAS Baby Stars", a group of women who they believed to be on the threshold of movie stardom. Wray then started to star major roles in various films for Universal Pictures.

The following year in 1927, Wray was signed to a contract with Paramount Pictures In 1928, director Erich von Stroheim cast Wray as the main female lead in his film The Wedding March, released under Paramount. The film's high budget and production values sent Hollywood in a buzz for its high budget and production values. It was a financial failure, but it gave Wray her first lead role. Wray stayed with Paramount to make more than a dozen more films, staying there to make the transition from silent films to "talkie" films.[6]

Casting in horror films and King Kong

The film poster for King Kong (1933), probably Wray's greatest-known film.

After leaving Paramount, Wray signed to various film companies. It was under these deals that Wray was cast in various horror films, including Doctor X. However, her greatest known films were produced under her deal with RKO Radio Pictures, Inc., where she made some of her most memorable films. Her first film under RKO was The Most Dangerous Game (1932), a horror film in which she co-starred with Joel McCrea.

The Most Dangerous Game was followed by Wray's most memorable film, King Kong. Wray was approached by director Merian C. Cooper to play the role of Ann Darrow, the blonde captive of King Kong in the film. Wray was paid $10,000 dollars to play the role.[7] Wray wore a blonde wig over her naturally dark hair for the role. The film was a commercial success, saving RKO from bankruptcy. Wray was reportedly proud that the film saved RKO from bankruptcy.[8] Wray's role would become the role she would be most associated with. For her appearances in various horror films, many have considered Wray as the first "scream queen".

Later career

She continued to star in various films but by the early 1940s her appearances grew sporadic. She retired from acting in 1942, after her second marraige.[9] However, due to financial problems she had to continue acting.[7] Over the next three decades, Wray appeared in minor film roles and also appeared frequently on television, before ending her acting career with her final role in the made-for TV movie Gideon's Trumpet (1980).

Later years and death

In 1988, her autobiography, On the Other Hand, was published. In her later years of her life, Wray continued to make public appearances. Wray was a special guest at the 70th Academy Awards, where the show's host, Billy Crystal, introduced her as the "Beauty who charmed the Beast". She was the only 1920s Hollywood actress in attendance that evening. In January 2003, a 95-year old Wray appeared at the 2003 Palm Beach International Film Festival to celebrate the film Rick McKay documentary film Broadway: The Golden Age, by the Legends Who Were There, where she was also honored with a "Legend in Film" award.[10] In her later years, she also visited the Empire State Building frequently, once visiting in 1991 as a guest of honor at the building's 60th anniversary,[10] and also visiting in May 2004,[11] which was among her final public appearances. Her final public appearance was at an after-party at the Sardi's restaurant in New York City, following the premiere of the documentary film Broadway: The Golden Age, by the Legends Who Were There.[12]

Wray's gravestone at the Hollywood Forever Cemetery.

In 2004, Wray was approached by director Peter Jackson to appear in a small cameo for the 2005 remake of King Kong. She met with Naomi Watts, who was to play the role of Ann Darrow, whom Wray originally played. Before filming of the remake commenced, however, Wray died in her sleep of natural causes on August 8, 2004, in her Manhattan apartment. Her friend Rick McKay, said that "she just kind of drifted off quietly as if she was going to sleep... she just kind of gave out."[13] She was 96 years old, only 38 days shy of her 97th birthday. Wray was interred at the Hollywood Forever Cemetery in Hollywood, California.

Two days after her death, the lights of the Empire State Building were extinguished for 15 minutes in her memory.[14]

Honors

Wray was honored with a "Legend in Film" award at the 2003 Palm Beach International Film Festival.[10] For her contribution to the motion picture industry, Wray was honored with a star on the Hollywood Walk of Fame at 6349 Hollywood Blvd. She received a star posthumously on Canada's Walk of Fame in Toronto on June 5, 2005. A small park near Lee's Creek on Main Street in Cardston, Alberta, her birthplace, was named "Fay Wray Park" in her honor. The small sign at the edge of the park on Main Street has a silhouette of King Kong on it, remembering her role in the film King Kong. A large oil portrait of Wray by Alberta artist Neil Boyle is on display in the Empress Theatre in Fort Macleod, Alberta. In May 2006, Wray became one of the first four entertainers to ever be honored by Canada Post by being featured on a postage stamp.

Personal life

Wray was married three times - to the writers John Monk Saunders and Robert Riskin and to the neurosurgeon Dr. Sanford Rothenberg (January 28, 1919 - January 4, 1991).[15]

She had three children: Susan Saunders, Victoria Riskin, and Robert Riskin Jr. She became a naturalized citizen of the United States in 1935.

Filmography

  • Blind Husbands (1919)
  • Gasoline Love (1923) (short subject)
  • Thundering Landlords (1925) (short subject)
  • No Father to Guide Him (1925) (short subject)
  • The Coast Patrol (1925)
  • Sure-Mike (1925) (short subject)
  • What Price Goofy (1925) (short subject)
  • Isn't Life Terrible? (1925) (short subject)
  • Chasing the Chaser (1925) (short subject)
  • Madame Sans Jane (1925) (short subject)
  • Unfriendly Enemies (1925) (short subject)
  • Your Own Back Yard (1925) (short subject)
  • Moonlight and Noses (1925) (short subject)
  • Should Sailors Marry? (1925) (short subject)
  • WAMPAS Baby Stars of 1926 (1926) (short subject)
  • One Wild Time (1926) (short subject)
  • Don Key (A Son of a Burro) (1926) (short subject)
  • The Man in the Saddle (1926)
  • Don't Shoot (1926) (short subject)
  • The Wild Horse Stampede (1926)
  • The Saddle Tramp (1926) (short subject)
  • The Show Cowpuncher (1926) (short subject)
  • Lazy Lightning (1926)
  • Loco Luck (1927)
  • A One Man Game (1927)
  • Spurs and Saddles (1927)
  • A Trip Through the Paramount Studio (1927) (short subject)
  • The Honeymoon (1928) (unreleased)
  • The Legion of the Condemned (1928)
  • Street of Sin (1928)
  • The First Kiss (1928)
  • The Wedding March (1928)
  • Thunderbolt (1929)
  • The Four Feathers (1929)
  • Pointed Heels (1929)
  • Behind the Make-Up (1930)
  • Paramount on Parade (1930)
  • The Texan (1930)
  • The Border Legion (1930)
  • The Sea God (1930)
  • Captain Thunder (1930)
  • The Conquering Horde (1931)
  • Three Rogues (1931)
  • The Slippery Pearls (1931) (short subject)
  • Dirigible (1931)
  • The Finger Points (1931)
  • The Lawyer's Secret (1931)
  • The Unholy Garden (1931)
  • Hollywood on Parade (1932) (short subject)
  • Stowaway (1932)
  • Doctor X (1932)

Television appearances

Wray appeared in the first season of the CBS series Perry Mason in "The Case Of The Prodigal Parent"[16] (Episode 1-36) aired June 7, 1958.

In 1959, she played Tula Marsh in the episode "The Second Happiest Day" of the CBS anthology Playhouse 90. In 1960, she appeared as Clara in the episode "Who Killed Cock Robin?" of the ABC detective series 77 Sunset Strip. And in 1963, she played as Mrs. Brubaker in the episode "You're So Smart, Why Can't You Be Good?" episode of the NBC medical drama about psychiatry, The Eleventh Hour.

Cultural references

  • In The Rocky Horror Picture Show, extraterrestrial transvestite mad scientist Frank N. Furter sings "Whatever happened to Fay Wray? / That delicate satin-draped frame / As it clung to her thigh / How I started to cry / 'Cause I wanted to be dressed just the same".
  • Mentioned in the chorus of the Jimmy Ray song "Who Wants To Know?"
  • Type O Negative, on their album Bloody Kisses, has a track titled "Fay Wray Come Out to Play"
  • Mentioned repeatedly in Thomas Pynchon's Gravity's Rainbow

See also

Footnotes

External links


 
 
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King Kong (Movie Monster)
The Clairvoyant (1935 Mystery Film)
Wildcat Bus (1940 Crime Film)

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