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Female Trouble

 
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Female Trouble

  • Director: John Waters
  • AMG Rating: starstarstar
  • Genre: Comedy
  • Movie Type: Gay & Lesbian Films, Crime Comedy
  • Themes: Crime Sprees
  • Main Cast: Divine, Divine, David Lochary, Mary Vivian Pearce, Mink Stole, Edith Massey
  • Release Year: 1975
  • Country: US
  • Run Time: 95 minutes

Plot

A riotously funny bad-taste epic from director John Waters, Baltimore's "Prince of Puke," this sick classic tells the depraved life story of obese criminal Dawn Davenport (Divine), from her bad-girl youth as a go-go dancer on Baltimore's infamous Block to her death in the electric chair. Mink Stole is terrific as Dawn's bratty daughter Taffy, conceived following a romp on a junkyard mattress with a fat derelict in soiled underpants (also played by Divine). Mary Vivian Pearce and David Lochary co-star as crazed owners of a beauty-parlor who are convinced that "crime equals beauty," and they take Dawn under their wings, forcing her to mainline liquid eyeliner to enhance her appeal. Edith Massey steals the film as Dawn's obsessive neighbor, Ida, who wants her nephew to be gay (because heterosexuals lead "sick and boring lives") and throws acid in Dawn's face when she marries him. A hilariously appalling film, Female Trouble is just as disgusting and far funnier than Waters' previous Pink Flamingos, if not as notorious. ~ Robert Firsching, All Movie Guide

Review

John Waters' follow-up to the notorious Pink Flamingos is slicker and believe it or not, even more twisted. Despite its low-budget nature, Female Trouble's script and direction are much more ambitious: The surprisingly complex story packs a novel's worth of plot into 98 minutes without ever feeling overwritten, and Waters fills each frame of the film with outrageously gaudy sets, costumes, makeup, and hairdos that create a convincingly surreal atmosphere of bad taste (special kudos must also be directed to production designer Vincent Peranio and costume/makeup whiz Van Smith, who each played a crucial role in creating this world). However, Female Trouble is so consistently over-the-top and hysterically shrill in its pursuit of sick humor that it might frighten off even the hardiest cult film addicts. The characters are written in a way that makes them all unsympathetic, the film's theme of "crime equals beauty" is likely to make even the most liberal-minded viewers squirm, and the story plays sordid themes like child abuse, incest, and mutilation for laughs of the darkest variety. Just the same, those brave enough to stick with Female Trouble will find the film has its rewards: Waters works in some clever visual references to Russ Meyer and Herschell Gordon Lewis and the supporting cast is full of memorable turns, especially Edith Massey's jaw-dropping work as Gator's anti-heterosexual mother. Best of all, Female Trouble is graced with Divine's most impressive performance. He goes about his transformation from spoiled teen to crazed murderess with the kind of fearless bravado that few actors ever attempt and puts on a display of go-for-broke histrionics that would put Joan Crawford to shame: Highlights include a sex scene where Divine plays both participants and the hilarious "nightclub act" that climaxes with Divine attempting to execute the audience. In short, Female Trouble is required viewing for anyone with a serious interest in John Waters or Divine but casual moviegoers should approach the film with extreme caution. ~ Donald Guarisco, All Movie Guide

Cast

Cookie Mueller - Concetta; Susan Walsh - Chiclett; Michael Potter - Gater; Ed Peranio - Wink; Paul Swift - Butterfly; George Figgs - Dribbles; Susan Lowe - Vikki; George Hulse - Teacher; Roland Hertz - Dawn's Father; Betty Woods - Dawn's Mother; Hilary Taylor - Taffy as Child; Channing Wilroy - Prosecutor; Seymour Avigdor - Defense Lawyer; Elizabeth Coffey - Earnestine; Danny Mills; Sally Turner - Divine's double

Credit

Van Smith - Costume Designer, John Waters - Director, Charles Roggero - Editor, John Waters - Cinematographer, John Waters - Producer, John Waters - Screenwriter

Similar Movies

The Dark Backward; The Living End; Private Parts; Sweet Movie; Hustler White; Meet the Feebles; Gummo; Hedwig and The Angry Inch
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Female Trouble

US release poster
Directed by John Waters
Produced by John Waters
Written by John Waters
Starring Divine
David Lochary
Mary Vivian Pearce
Mink Stole
Edith Massey
Cookie Mueller
Susan Walsh
Michael Potter
Music by John Waters
Bob Harvey
Cinematography John Waters
Editing by John Waters
Charles Roggero
Distributed by New Line Cinema
Dreamland
Release date(s) October 4, 1974
Running time Original cut
97 min.
16mm cut
92 min.
Theatrical cut
89 min.
Country  United States
Language English
Budget $25,000

Female Trouble (1974) is a American comedy film written, produced, and directed by John Waters starring Divine, David Lochary, Mary Vivian Pearce, Mink Stole, Edith Massey, Michael Potter, Cookie Mueller, and Susan Walsh.[1]

The film is dedicated to Manson Family member Charles "Tex" Watson. Waters' prison visits to Watson inspired the "crime is beauty" theme of the film, and Waters includes a wooden toy helicopter that Watson made for him in the film's opening credits.

Contents

Plot

1960 Baltimore. Juvenile delinquent Dawn Davenport (Divine), a regular troublemaker at her all girls school, receives a failing Geography grade and a sentence of writing lines for fighting, lying, cheating, and eating in class.

On Christmas morning, Dawn fails to get the cha-cha heel shoes she wants for Christmas. After breaking into a violent rage and pushing her mother into the Christmas tree, Dawn runs away from home and, while hitchhiking, gets picked up by Earl Peterson (also Divine), a fat man driving an Edsel station wagon. Peterson drives Davenport to a dump, where they have sex. When she later finds herself pregnant and demands money from him, he tells her, "Go fuck yourself", which Divine had indeed done by playing both roles.

Dawn gives birth to her daughter Taffy and works as a waitress, go-go dancer, hooker, and petty thief - working the latter two jobs with delinquent friends Chicklette (Susan Walsh) and Concetta (Cookie Mueller) through the mid '60s. 1968, Taffy is now eight years old and driving her mother to violence (beating her with a car antenna). Dawn complains to Chicklette and Concetta about the demands of motherhood, and they suggest she cheer herself up by getting her hair done by a stylist named Gator (Michael Potter), who lives with his morbidly obese aunt, Ida (Edith Massey) who constantly pleads with him to "turn queer".

Dawn becomes a client of Gator's at the Lipstick Beauty Salon, owned by the fascists Donald (David Lochary) and Donna Dasher (Mary Vivian Pearce). Dawn and Gator marry, but five years later, in 1974, their marriage is complicated by the fact that Taffy (Mink Stole), now fourteen years old, hates Gator. When Taffy catches her mother and stepfather having sex, Gator suggests she join them in bed, to which Taffy replies, "I wouldn't suck your lousy dick if I was suffocating and there was oxygen in your balls!"

Fed up with Gator's infidelities and his penchant for reading magazines while penetrating her with tools such as hammers and pliers, Dawn leaves Gator and starts divorce proceedings. She seeks solace at the Lipstick Beauty Salon, where the diabolical Dashers ask her to be a "glamorous guinea pig" for a "beauty experiment": they want to test Jean Genet's theory that "crime equals beauty". At their behest, Dawn performs several crimes including knocking her daughter unconscious with a chair after a fight which almost embarrasses Dawn. Soon Ida bursts into Dawn's house and disfigures her face with acid, after Gator leaves to start applying for a job in the auto industry in Michigan.

Dawn lands in the hospital and though hideously disfigured, the Dashers and her other friends convince her she's pretty and discourage her from having reconstructive plastic surgery. After leaving the hospital, Dawn returns to find her home redecorated by the Dashers, who've kidnapped and confined Ida to an oversized bird cage. At this point Dawn amputates Ida's hand. Taffy comes home and after becoming unhinged at the sight of a grown woman in a bird cage with a bloody stump, pleads with her mother to reveal the identity of her real father, which she reluctantly does.

Taffy finds her father living in a dilapidated house and drinking excessively. She stabs him to death with a butcher knife after he tries to sexually assault her. When Taffy returns home and announces she is joining the Hare Krishna movement, Dawn warns her she will kill her if she does.

Dawn, who now has grotesque hair, make-up and outfits provided by the Dashers, creates a nightclub act. Backstage on opening night, Taffy appears after freeing Ida from the bird cage. Upon discovering that Taffy is now a Hare Krishna, Dawn strangles her to death while the Dashers and their minions cheer her on.

Dawn performs her nightclub act, which includes jumping on a trampoline and wallowing in a playpen filled with dead fish. She revels in the ideal that beauty is an art form born from crime:

I framed Leslie Bacon! I called the heroin hot line on Abbie Hoffman! I bought the gun that Bremer used to shoot Wallace! I had an affair with Juan Corona! I blew Richard Speck, and I'm so fuckin’ beautiful I can't stand it myself !!!

She then yells out, "Who wants to be famous, Who wants to die for art?", and commences shooting into the crowd. Several people are wounded and others are trampled while fleeing the scene. Police allow the Dashers to leave after Donald and Donna claim they're upright citizens caught in a bloody rampage. Dawn flees into a forest but is soon arrested by the police.

At Dawn's trial, the Dashers are granted "total immunity" by the judge in exchange for their testimony against her. They claim to be shocked by Dawn's crime spree, although they engineered and encouraged it. Ida testifies against Dawn for kidnapping her and amputating her hand, when actually the Dashers kidnapped Ida and told Dawn to cut off her hand (even providing her with the axe). After Dawn is found guilty and sentenced to die in the electric chair, the Dashers are seen paying Ida for her testimony.

In jail awaiting execution, Dawn has a lesbian affair with another prisoner (Elizabeth Coffey). Dawn tells her lover being executed will make her famous, "like winning an Academy Award". Indeed, when a delirious Dawn is strapped to the electric chair, she gives a speech as if she were winning an Oscar.

I'd like to thank all the wonderful people that made this great moment in my life come true. My daughter Taffy, who died in order to further my career. My friends Chicklette and Concetta who should be here with me today. All the fans who died so fashionably and gallantly at my nightclub act. And especially all those wonderful people who were kind enough to read about me in the newspapers and watch me on the television news shows. Without all of you, my career could never have gotten this far. It was you that I burn for and it is you that I will die for! Please remember, I love every fucking one of you!

After receiving a fatal electric shock, Dawn is immortalized as her distorted face is shown in freeze frame with the end credits rolling over it.

Cast

Alternate versions

The initial 16 mm release of the film which was shown at colleges ran 92 minutes. However, when the film was blown up to 35mm and shown theatrically, it was cut to 89 minutes. This version was the only version seen in the United States for many years. However, a recent restoration was done of the original cut, which runs 97 minutes. (It has played at this 97-minute length in Europe, however, since its initial release.)

The 97-minute version was shown only in selected theaters and was included in an out-of-print DVD set paired with Pink Flamingos (Female Trouble is still available on DVD as a single disc and as part of a DVD box set, Very Crudely Yours, John Waters). This version also has a soundtrack remixed in stereo surround. The 97-minute version contains some additional scenes, including the chase through the woods, as well as an appearance by Sally Turner, the Elizabeth Taylor look-alike customer in the Lipstick Beauty Salon. (Turner served as Divine's double in the junkyard sex scene between Dawn Davenport and Earl Peterson.)

Production notes

  • The lyrics to the title song "Female Trouble", sung by Divine, were written by Waters and set to a pre-existing piece of music.
  • The unique production design is by Dreamlander Vincent Peranio, who created Davenport's apartment in a condemned suite above a friend's store.
  • Divine chose to perform his own stunts, the most difficult of which involved doing flips on a trampoline during his nightclub act. Waters took Divine to a YMCA, where he took lessons until the act was perfected.
  • The birth scene was saved until the end of shooting, when Dreamlander Susan Lowe gave birth to a son. The umbilical cord was fashioned out of prophylactics filled with liver, while the baby (Ramsey McLean) was doused in fake blood. The scene created quite a scandal for Lowe's mother-in-law, who arrived on the set in a state of confusion.[2]
  • Although Dawn Davenport received the death penalty at the end of the film, capital punishment in the United States was suspended from 1972 to 1976 due to the Supreme Court's ruling in the case of Furman v. Georgia.
  • On the 2004 DVD Director's Special Comments, Waters states that the original working title of the film was Rotten Mind, Rotten Face.[2]

References

  1. ^ "Female Trouble". IMDb. http://www.imdb.com/title/tt0072979/. Retrieved 2008-09-12. 
  2. ^ a b John Waters. (2004) (DVD). FemaleTrouble DVD Special Ed.. New Line Cinema. 

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