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Fenian Cycle

 

Irish tales and ballads centring on the deeds of the legendary Finn MacCumhaill (MacCool) and his war band, the Fianna Éireann. An elite volunteer corps of warriors and huntsmen skilled in poetry, the Fianna flourished in the 3rd century. Fenian lore attained its greatest popularity c. 1200, when its outstanding story, "The Colloquy of the Old Men", was written down. The cycle remains a vital part of Irish folklore and contains many of the country's best-loved folktales.

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Celtic Mythology: Fenian Cycle
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Fionn Cycle, Finn Cycle, Fianna Cycle, Finnian Tales, Fian Tales, Féinne Cycle, Feinné Cycle, Ossianic Cycle, Fianaigecht

A large body of verse and prose romances centring on the exploits of the mythic hero Fionn mac Cumhaill and his warriors, the Fianna Éireann, a kind of freelance militia, constituting one of four major cycles of early Irish tradition, along with the Mythological and Ulster Cycles and the Cycle of the Kings. The Fenian is the most popular, extensive, and long-lived of the four, appearing first in 8th-century texts, and flourishing in both written and oral traditions in Ireland as well as in the oral traditions of Gaelic Scotland and the Isle of Man.

Although Fionn mac Cumhaill, his family, and followers were once thought to be historical, they are now understood to have their roots in pre-Christian religion. Many other elements in the narratives, however, such as the training of hunters and warriors, the service of armed men under various kings, and the conflict between old ways and the values of the new religion, Christianity, do reflect historical experience. Fenian stories have been recorded from all parts of Ireland and Gaelic Scotland, but internal references imply that episodes occur most often in Leinster and Munster. Fionn and his family, the Clan Baíscne, are most often seen in conflict with the Clan Morna, identified with Connacht. From about the 11th century, texts attributed much of the action of the Fenian Cycle to the 3rd-century reign of Cormac mac Airt and his son Cairbre Lifechair. Fionn, his son Oisín, grandson Oscar, and leading members of the Fianna, such as Caílte the great runner, and the handsome Diarmait ua Duibne, are usually portrayed as living away from the centres of power, often at the isolated Hill of Allen in Co. Kildare. This is because Fenian stories were perpetuated by a separate caste of storytellers from those who told narratives from the Ulster Cycle; this separateness also explains why several episodes and narratives from the Fenian Cycle run parallel with those in the Ulster.

Although enormously popular with Irish and Scottish Gaelic common people over many centuries, the Fenian Cycle has been less esteemed by critics and informed modern readers; Seán Ó Faoláin once called it ‘the sow's ear’ of Irish literature. Many stories have a breathless, Boys' Own Paper sense of adolescent adventure. Some of this quality was borrowed by James Macpherson in his bogus ‘translations’, The Poems of Ossian (1760–3), concatenated texts of Scottish Fenian ballads passed off as a lost epic. Gerard Murphy (1953) points out, however, that Fenian stories from oral tradition are more exaggerated and cruder than those from the more restrained manuscript tradition. In their fullness, however, Fenian narratives depict a wide range of tone and emotion. Especially popular were stories of the bruiden type, in which the heroes are magically entrapped in an enchanted castle or cave and cannot escape. Many Fenian stories describe Fionn and his heroes repulsing challengers and invaders, some of whom hail from distant lands, ‘Spain’, ‘Greece’, etc., and some who may be identified with various Scandinavians. This attributed service in the defence of Ireland explains the 19th-and 20th-century association of the word ‘Fenian’ with Irish nationalism. As early as the 12th-century Acallam na Senórach [Colloquy of the Elders], Oisín is portrayed as having survived the death of Fionn by several centuries, and now contends with St Patrick about the values of pre-Christian society, stressing bravery, generosity, and freedom of the older order. The tone is both polemical and elegiac. In such narratives, the action of earlier generations is retold from Oisían's point of view, causing the entire Cycle to be called ‘Ossianic’, employing Macpherson's rendering of the name.

Important personages frequently mentioned in the Fenian Cycle, along with Fionn, his son Oisín, grandson Oscar, and his followers, the Fianna Éireann, include: Aacute;bartach, Aacute;eda (2), Aicher, Aacute;ine (2), Baillgel, Barrán, Bébinn (2), Cairbre Lifechair, Cethern, Cochrann, Conán mac Lia, Conán mac Morna, Conarán, Cormac mac Airt, Crimthann, Crónánach, Cuilenn, Cúldub, Cumhall mac Trénmóir, Dáire (4), Dáire Derg, Dáire Donn, Diarmait ua Duibne, Doirend, Eithne (1), Erc (3), Eacute;taín (3), Iuchra (2), Liath Luachra, Mongfhind (2) (Mong Bán), Muirenn Muncháem, Nuadu Airgetlám, Nuadu Necht, Tadg mac Nuadat, and Uirne.

See also ACALLAM NA SENÓRACH [The Colloquy of the Elders]; BRUIDHEAN CHAORTHAINN [The House of the Quicken Trees]; BRUIDHEAN BHEAG NA HALMHAINE [The Little Brawl of the Hill of Allen]; CATH FIONNTRÁGHA [The Battle of Ventry]; CATH GABHRA [The Battle of Gabhair/Gowra]; DUANAIRE FINN [The Poem-Book of Fionn]; EACHTRA AN AMADÁIN MHÓIR [The Adventure of the Great Fool]; EACHTRA BHODAIGH AN CHÓTA LACHTNA [The Adventure of the Churl in the Grey Coat]; FEIS TIGHE CHONÁIN [The Feast at Conán's House]; FOTHA CATHA CHNUCHA [The Cause of the Battle of Cnucha]; MACGNÍMARTHA FINN [The Boyhood Deeds of Fionn]; TÓRAIGHEACHT DHIARMADA AGUS GHRÁINNE [The Pursuit of Diarmait and Gráinne]; TÓRAIGHEACHT AN GHIOLLA DHEACAIR [The Pursuit of the Hard Gilly/Difficult Servant].

Bibliography

  • Collections: John Campbell (ed.), Leabhar na Féinne: Heroic Gaelic Ballads (London, 1872)
  • James MacDougall (ed.), The Fians, etc., Waifs and Strays in Celtic Tradition, iv (London, 1891)
  • Kuno Meyer (ed.), Fianaigecht (Dublin, 1910)
  • Duanaire Finn: The Book of the Lays of Finn, i, ed. Eóin MacNeill (London, 1908)
  • ii, ed. Gerard Murphy (London, 1933)
  • iii, ed. Gerard Murphy (Dublin, 1953)
  • Neil Ross (ed.), Heroic Poetry from the Book of the Dean of Lismore (Edinburgh, 1939).
  • Studies: Bo Almqvist, Séamas Ó Catháin, and Pádraig Ó Héalaí (eds.), Fiannaíocht: Essays on the Fenian Tradition of Ireland and Scotland (Dublin, 1987)
  • James MacKillop, Fionn mac Cumhaill: Celtic Myth in English Literature (Syracuse, NY, 1986)
  • Gerard Murphy, ‘Introduction’, Duanaire Finn III (Dublin, 1953), pp. x-cxxii
  • Joseph Falaky Nagy, The Wisdom of the Outlaw (Berkeley, Calif., 1985)
  • Cormac Ó Cadhlaigh, An Fhinnuidheacht (Dublin, 1938)
  • Dáithí Ó hÓgáin, Fionn Mac Cumhaill (Dublin, 1988)
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The Fenian Cycle or Fiannaidheacht (modern Irish: Fiannaíocht), also known as the Fionn Cycle, Finn Cycle, Fianna Cycle, Finnian Tales, Fian Tales, Féinne Cycle, Feinné Cycle and Ossianic Cycle, is a body of prose and verse centering on the exploits of the mythical hero Fionn mac Cumhaill and his warriors the Fianna Éireann. It is one of the four major cycles of Irish mythology along with the Mythological Cycle, the Ulster Cycle, and the Historical Cycle. Put in chronological order, the Fenian cycle is the third cycle, between the Ulster and Historical cycles. The Fenian cycle is often called the Ossianic cycle because Fionn's son, Oisín, was supposed to have written most of the poems in the cycle. The cycle also contains stories about other Fianna members, including Caílte, Diarmuid, Oisín's son Oscar, and Fionn's enemy, Goll mac Morna.

Contents

Plot Summary

Cormac mac Art, the High King of Ireland formed the Fianna, a coalition of clans, for the protection of the kingdom. The Fianna was dominated by Clan Bascna, led by Cumhal, and Clan Morna, led by Goll, with Liath Luachra, the treasurer. After the Battle of Knock, Cumhal is killed by the Morna, and Clan Bascna's treasure bag is stolen. Cumhal's wife, Muirne, runs away and has a son, Demna, who is cared for by two warrior women, Liath and the druidess Bodhmall. Muirne marries the king of Kerry.

Fionn's rise

Demna got the name Fionn because of his fair hair, and as soon as he came of age he set off for revenge. He kills Liath Luachra, and retrieves the treasure bag, which he then gives to the survivors of the Battle of Knock. While studying with the poet Finn Eces, Fionn accidentally eats the Salmon of Wisdom, and is admitted to the court of the High King at Tara, after passing three strenuous tests. After he was admitted, Fionn became the leader of Clan Bascna.

Fionn and Aillén

Every Samhain, the goblin Aillén mac Midgna, or Aillén the Burner, would terrorize Tara, playing music on his harp that left every warrior helpless. Using a magic spear that rendered him immune to the music, Fionn killed the goblin. As a reward, Fionn was made the leader of the Fianna, replacing Goll, who had to swear fealty to him.

Fionn and Sadb

Fionn was hunting a fawn, but when he caught it, his hounds Bran and Sceolang wouldn't let him kill it, and that night it turned into a beautiful woman, Sadbh, who had been transformed into a fawn by the druid Fer Doirich. The spell had been broken by the Dun of Allen, Fionn's base, where, as long as she remained within she was protected by the spell. They were married. Some while later, Fionn went out to repulse some invaders and Sadbh stayed in the Dun. Fer Doirich impersonated Fionn, tempting Sadbh out of the Dun, whereupon she immediately became a fawn again. Fionn searched for her, but all he found was a boy, who he named Oisín, who had been raised by a fawn. Oisín became famous as a bard, but Sadbh was never seen again.

The Battle of Gabhra

Between the birth of Oisin and the Battle of Gabhra is the rest of the cycle, which is very long and becomes too complicated for a short summary. Eventually the High King Cormac, dies and his son Cairbre Lifechair wants to destroy the Fianna, because he does not like paying the taxes for protection that the Fianna demanded, so he raises an army with other dissatisfied chiefs and provokes the war by killing Fionn's servant. Goll sides with the king against Clan Bascna at the battle. Some stories say five warriors murdered Fionn at the battle, while others say he died in the battle of the Ford of Brea, killed by Aichlech Mac Dubdrenn. In any case, only twenty warriors survive the battle, including Oisín and Caílte.

Associated works

In the introduction to his Fianaigecht, Kuno Meyer listed the relevant poems and prose texts between the seventh and fourteenth centuries[1] and further examples can be adduced for later ages:

Seventh century:

  • poem attributed to Senchán Torpéist, along with Finn’s pedigree, in a genealogical tract of the Cocangab Már ‘The Great Compilation’ (Rawlinson B 502 and the Book of Leinster).

Late eighth or early ninth century:

  • "The Quarrel between Finn and Oisin"
  • "Finn and the Man in the Tree"
  • Reicne Fothaid Canainne

Ninth century:

  • "How Finn obtained knowledge and the Death of the Fairy Culdub"
  • Bruiden Âtha Í
  • "Find and the jester Lomnae"
  • Cormac's Glossary, entry for rincne: Finn as member of Lugaid Mac Con’s 'fian,
  • "Ailill Aulom, Mac Con and Find ua Báiscne"
  • Poem ascribed to Maelmuru Othna in the dindsenchas of Áth Liac Find, where Finn is called 'mac Umaill'.
  • Poem ascribed to Flannacán mac Cellaig, king of Bregia, in the Yellow Book of Lecan (125a), on Finn's death on Wednesday.
  • Story according to which Mongán was Finn.

Tenth century:

  • Triads of Ireland: anecdote about Finn and the boar of Druimm Leithe.
  • Poem ascribed to Cináed úa Hartacáin on the cemetery of the Brug on the Boyne: on Finns death.
  • Two poems on the dindsenchas of Almu.
  • Poem on the dindsenchas of Fornocht
  • Poem on the dindsenchas of Ráith Chnámrossa
  • Poem ascribed to Fergus Fínbél on the dindsenchas of Tipra Sengarmna
  • "Finn and Gráinne"
  • "Finn and the Phantoms" (prose)
  • Poem on Leinstermen and their expeditions against the Leth Cuinn
  • Poems on winter and summer
  • Poem ascribed to Erard mac Coisse
  • Tochmarc Ailbe
  • Aithed Gráinne ingine Corbmaic la Díarmait húa mDuibni (lost)
  • Úath Beinne Étair
  • Úath Dercce Ferna or Echtra Fhind i nDerc Ferna (lost)
  • "The Death of Finn" (fragment).

Eleventh century:

  • Poem by Cúán úa Lothcháin on the dindsenchas of Carn Furbaidi and Slíab Uillenn
  • Treatise on Irish metrics, on Finn as one of twelve famous poets.
  • Fotha Catha Cnucha (Lebor na hUidre)
  • Poem "Finn and the Phantoms"
  • Poem on the birth of Oisín (two quatrains in LL)
  • Notes on Félire Óengusso
  • Text on Irish Ordeals
  • Poem by Gilla Coemain, "Annálad anall uile" (first line)
  • Annals of Tigernach, AD 283, on Finn's death.

Twelfth century:

  • Tesmolta Cormaic ui Chuinn ocus Aided Finn meic Chumail
  • Boróma
  • Prose Dindsenchas
  • Poem in LL on a hound from Irúaith
  • Poem on the dindsenchas of Snám Dá Én
  • Poem attributed to Finn on the dindsenchas of Róiriu i nHúib Failge
  • Macgnímartha Finn, "The Boyhood Deeds of Finn"
  • Poem attributed to Oisín
  • Poem by Gilla in Chomdéd
  • Poem by Gilla Modutu
  • Bannsenchas Érenn
  • Story of Mac Lesc mac Ladáin and Finn
  • Poem attributed to Finn on the dindsenchas of Mag Dá Géise
  • Poem ascribed to Oscur on the battle of Gabair Aichle
  • Poem attributed to Cáilte, written in the so-called bérla na filed 'the poets' language'.
  • Poem attributed to Oisín on the conversion of the fiana
  • Poem attributed to Cáilte on the dindsenchas of Tonn Clidna.
  • Áirem muintire Finn
  • Fianṡruth
  • Poem attributed to Finn on the deeds of Goll mac Mornai Glinne Garad.

Thirteenth and fourteenth centuries:

Late Fifteenth and early Sixteenth centuries:

  • Cath Finntrágha ("The Battle of Ventry")
  • "Book of the Dean of Lismore" (Scottish)

Seventeenth century:

Eighteenth century:

  • Collections made in the Scottish Highlands by Alexander Pope, Donald MacNicol, Jerome Stone, James McLagan, and others

References

  1. ^ Kuno Meyer. Fianaigecht. xi-xxxi

Primary sources

  • Mac Neill, Eoin and Gerard Murphy (ed. and trans.). Duanaire Finn: The Book of the Lays of Fionn. 3 vols. Irish Texts Society 7, 28 and 43. London, 1908-53.
  • Meyer, Kuno (intro, ed. and tr.). Fíanaigecht, being a Collection of Hitherto Unedited Irish Poems and Tales Relating to Finn and his Fiana, with an English Translation. Todd Lecture Series 16. Dublin: Dublin Institute for Advanced Studies, 1910.

Secondary sources

  • Carey, John (ed.). Duanaire Finn: Reassessments. Irish Texts Society Supplementary Series 13. London, 2003.
  • Dooley, Ann. "The Date and Purpose of Acallam na Senórach." Éigse 34 (2004): 97-126.
  • McCone, K.R. "Werewolves, Cyclopes, Díberga and Fíanna: Juvenile Delinquency in Early Ireland." Cambridge Medieval Celtic Studies 12 (1986): 1-22.
  • MacCana, Proinseas. "Fianaigecht in the Pre-Norman Period." Béaloideas 54-55 (1986-87): 75-99.
  • Meyer's introduction in Fianaigecht (see above).
  • Murphy, Gerard. The Ossianic Lore and Romantic Tales of Medieval Ireland: Fianaíocht agus Rómánsaíocht. Cork, 1955. Revised by Brian Ó Cuív (2d edn), Irish Life and Culture 11. Cork, 1971.
  • Nagy, Joseph Falaky. The Wisdom of the Outlaw: The Boyhood Deeds of Finn in Gaelic Narrative Tradition. Berkeley and Los Angeles, 1985.

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Copyrights:

Britannica Concise Encyclopedia. Britannica Concise Encyclopedia. © 2006 Encyclopædia Britannica, Inc. All rights reserved.  Read more
Celtic Mythology. A Dictionary of Celtic Mythology. Copyright © James MacKillop 1998, 2004. All rights reserved.  Read more
Wikipedia. This article is licensed under the Creative Commons Attribution/Share-Alike License. It uses material from the Wikipedia article "Fenian Cycle" Read more