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| Britannica Concise Encyclopedia: Fenian cycle |
For more information on Fenian cycle, visit Britannica.com.
| Celtic Mythology: Fenian Cycle |
A large body of verse and prose romances centring on the exploits of the mythic hero Fionn mac Cumhaill and his warriors, the Fianna Éireann, a kind of freelance militia, constituting one of four major cycles of early Irish tradition, along with the Mythological and Ulster Cycles and the Cycle of the Kings. The Fenian is the most popular, extensive, and long-lived of the four, appearing first in 8th-century texts, and flourishing in both written and oral traditions in Ireland as well as in the oral traditions of Gaelic Scotland and the Isle of Man.
Although Fionn mac Cumhaill, his family, and followers were once thought to be historical, they are now understood to have their roots in pre-Christian religion. Many other elements in the narratives, however, such as the training of hunters and warriors, the service of armed men under various kings, and the conflict between old ways and the values of the new religion, Christianity, do reflect historical experience. Fenian stories have been recorded from all parts of Ireland and Gaelic Scotland, but internal references imply that episodes occur most often in Leinster and Munster. Fionn and his family, the Clan Baíscne, are most often seen in conflict with the Clan Morna, identified with Connacht. From about the 11th century, texts attributed much of the action of the Fenian Cycle to the 3rd-century reign of Cormac mac Airt and his son Cairbre Lifechair. Fionn, his son Oisín, grandson Oscar, and leading members of the Fianna, such as Caílte the great runner, and the handsome Diarmait ua Duibne, are usually portrayed as living away from the centres of power, often at the isolated Hill of Allen in Co. Kildare. This is because Fenian stories were perpetuated by a separate caste of storytellers from those who told narratives from the Ulster Cycle; this separateness also explains why several episodes and narratives from the Fenian Cycle run parallel with those in the Ulster.
Although enormously popular with Irish and Scottish Gaelic common people over many centuries, the Fenian Cycle has been less esteemed by critics and informed modern readers; Seán Ó Faoláin once called it ‘the sow's ear’ of Irish literature. Many stories have a breathless, Boys' Own Paper sense of adolescent adventure. Some of this quality was borrowed by James Macpherson in his bogus ‘translations’, The Poems of Ossian (1760–3), concatenated texts of Scottish Fenian ballads passed off as a lost epic. Gerard Murphy (1953) points out, however, that Fenian stories from oral tradition are more exaggerated and cruder than those from the more restrained manuscript tradition. In their fullness, however, Fenian narratives depict a wide range of tone and emotion. Especially popular were stories of the bruiden type, in which the heroes are magically entrapped in an enchanted castle or cave and cannot escape. Many Fenian stories describe Fionn and his heroes repulsing challengers and invaders, some of whom hail from distant lands, ‘Spain’, ‘Greece’, etc., and some who may be identified with various Scandinavians. This attributed service in the defence of Ireland explains the 19th-and 20th-century association of the word ‘Fenian’ with Irish nationalism. As early as the 12th-century Acallam na Senórach [Colloquy of the Elders], Oisín is portrayed as having survived the death of Fionn by several centuries, and now contends with St Patrick about the values of pre-Christian society, stressing bravery, generosity, and freedom of the older order. The tone is both polemical and elegiac. In such narratives, the action of earlier generations is retold from Oisían's point of view, causing the entire Cycle to be called ‘Ossianic’, employing Macpherson's rendering of the name.
Important personages frequently mentioned in the Fenian Cycle, along with Fionn, his son Oisín, grandson Oscar, and his followers, the Fianna Éireann, include: Aacute;bartach, Aacute;eda
See also ACALLAM NA SENÓRACH [The Colloquy of the Elders]; BRUIDHEAN CHAORTHAINN [The House of the Quicken Trees]; BRUIDHEAN BHEAG NA HALMHAINE [The Little Brawl of the Hill of Allen]; CATH FIONNTRÁGHA [The Battle of Ventry]; CATH GABHRA [The Battle of Gabhair/Gowra]; DUANAIRE FINN [The Poem-Book of Fionn]; EACHTRA AN AMADÁIN MHÓIR [The Adventure of the Great Fool]; EACHTRA BHODAIGH AN CHÓTA LACHTNA [The Adventure of the Churl in the Grey Coat]; FEIS TIGHE CHONÁIN [The Feast at Conán's House]; FOTHA CATHA CHNUCHA [The Cause of the Battle of Cnucha]; MACGNÍMARTHA FINN [The Boyhood Deeds of Fionn]; TÓRAIGHEACHT DHIARMADA AGUS GHRÁINNE [The Pursuit of Diarmait and Gráinne]; TÓRAIGHEACHT AN GHIOLLA DHEACAIR [The Pursuit of the Hard Gilly/Difficult Servant].
Bibliography
| Wikipedia: Fenian Cycle |
| Series on Celtic mythology |
| Gaelic mythology |
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Irish mythology |
| Brythonic mythology |
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British Iron Age religion |
| Religious vocations |
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Samhain, Calan Gaeaf |
The Fenian Cycle or Fiannaidheacht (modern Irish: Fiannaíocht), also known as the Fionn Cycle, Finn Cycle, Fianna Cycle, Finnian Tales, Fian Tales, Féinne Cycle, Feinné Cycle and Ossianic Cycle, is a body of prose and verse centering on the exploits of the mythical hero Fionn mac Cumhaill and his warriors the Fianna Éireann. It is one of the four major cycles of Irish mythology along with the Mythological Cycle, the Ulster Cycle, and the Historical Cycle. Put in chronological order, the Fenian cycle is the third cycle, between the Ulster and Historical cycles. The Fenian cycle is often called the Ossianic cycle because Fionn's son, Oisín, was supposed to have written most of the poems in the cycle. The cycle also contains stories about other Fianna members, including Caílte, Diarmuid, Oisín's son Oscar, and Fionn's enemy, Goll mac Morna.
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Cormac mac Art, the High King of Ireland formed the Fianna, a coalition of clans, for the protection of the kingdom. The Fianna was dominated by Clan Bascna, led by Cumhal, and Clan Morna, led by Goll, with Liath Luachra, the treasurer. After the Battle of Knock, Cumhal is killed by the Morna, and Clan Bascna's treasure bag is stolen. Cumhal's wife, Muirne, runs away and has a son, Demna, who is cared for by two warrior women, Liath and the druidess Bodhmall. Muirne marries the king of Kerry.
Demna got the name Fionn because of his fair hair, and as soon as he came of age he set off for revenge. He kills Liath Luachra, and retrieves the treasure bag, which he then gives to the survivors of the Battle of Knock. While studying with the poet Finn Eces, Fionn accidentally eats the Salmon of Wisdom, and is admitted to the court of the High King at Tara, after passing three strenuous tests. After he was admitted, Fionn became the leader of Clan Bascna.
Every Samhain, the goblin Aillén mac Midgna, or Aillén the Burner, would terrorize Tara, playing music on his harp that left every warrior helpless. Using a magic spear that rendered him immune to the music, Fionn killed the goblin. As a reward, Fionn was made the leader of the Fianna, replacing Goll, who had to swear fealty to him.
Fionn was hunting a fawn, but when he caught it, his hounds Bran and Sceolang wouldn't let him kill it, and that night it turned into a beautiful woman, Sadbh, who had been transformed into a fawn by the druid Fer Doirich. The spell had been broken by the Dun of Allen, Fionn's base, where, as long as she remained within she was protected by the spell. They were married. Some while later, Fionn went out to repulse some invaders and Sadbh stayed in the Dun. Fer Doirich impersonated Fionn, tempting Sadbh out of the Dun, whereupon she immediately became a fawn again. Fionn searched for her, but all he found was a boy, who he named Oisín, who had been raised by a fawn. Oisín became famous as a bard, but Sadbh was never seen again.
Between the birth of Oisin and the Battle of Gabhra is the rest of the cycle, which is very long and becomes too complicated for a short summary. Eventually the High King Cormac, dies and his son Cairbre Lifechair wants to destroy the Fianna, because he does not like paying the taxes for protection that the Fianna demanded, so he raises an army with other dissatisfied chiefs and provokes the war by killing Fionn's servant. Goll sides with the king against Clan Bascna at the battle. Some stories say five warriors murdered Fionn at the battle, while others say he died in the battle of the Ford of Brea, killed by Aichlech Mac Dubdrenn. In any case, only twenty warriors survive the battle, including Oisín and Caílte.
In the introduction to his Fianaigecht, Kuno Meyer listed the relevant poems and prose texts between the seventh and fourteenth centuries[1] and further examples can be adduced for later ages:
Seventh century:
Late eighth or early ninth century:
Ninth century:
Tenth century:
Eleventh century:
Twelfth century:
Thirteenth and fourteenth centuries:
Late Fifteenth and early Sixteenth centuries:
Seventeenth century:
Eighteenth century:
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