
[Middle English filtre, from Old French, from Medieval Latin filtrum, of Germanic origin.]
filterer fil'ter·er n.A procedure that converts one time series into another. A simple example is a moving average, which, because it is a linear combination of the terms in the time series, is described as a linear filter. A filter that removes short-term random fluctuations is called a low-pass filter, and one that removes long-term fluctuations is called a high-pass filter.
A device for separating solid particles from a liquid or gas. The simplest laboratory filter for liquids is a funnel in which a cone of paper (filter paper) is placed. Special containers with a porous base of sintered glass are also used. See also Gooch crucible.
To strain a liquid through a porous paper, fine cloth, etc., to remove small particles, as in making coffee or clarifying fruit juice to make jelly. Water may be filtered through charcoal to remove unpleasant flavours and colours; bacterial filters for water have pores fine enough to remove bacteria.
Definition: separate to refine; seep through
Antonyms: collect, combine, mix
1. A device to separate solids, such as dust, from air.
2. A device to separate solids from liquids.
3. A charcoal filter.
4. A layer or combination of layers of pervious materials designed and installed in such a manner as to provide drainage, yet prevent the movement of soil particles due to flowing water.
5. See heat filter. 6. See light filter.
Some photographers always use filters; others never do. Claims by either side to a greater purity of vision are spurious.
In monochrome, the classic ‘sky’ filters (yellow, orange, red, in increasing order of effect) not only darken blue skies, but alter other tonal relationships and cut through haze. Deep yellow and orange filters are often reckoned to give good tonal relationships for the majority of outdoor shots: it is instructive to go through any Ansel Adams book and see how often he used such filters.
Other filters for monochrome are used to lighten their own colour, or darken complementary colours. For example, deep red will lighten a red rose, making it easier to hand-colour; weak red will lighten a florid complexion; green will lighten foliage and darken red brick; and so forth.
Until the advent of orthochromatic films, ‘sky’ filters were all but useless, and with ortho films, the effect of even a yellow filter is greater than with panchromatic. Filter factors, the extent to which exposure must be increased to compensate for the light absorbed by the filter, vary from film to film and from subject to subject. With experience, the photographer may well halve or double the ‘average’ exposure correction factor.
Neutral-density (ND) filters are equally useful in both colour and monochrome, when a long exposure is desired and for whatever reason it is not practicable to reduce the aperture below a certain level. They may be described in stops; in filter factors; or in terms of log density. Thus a weak ND filter may be 1 stop, 2×, D = 0.3, while a stronger one may be three stops, 8×, D = 0.9. The importance of knowing which description is used is obvious. Cheap NDs sometimes introduce colour casts, usually green.
For shooting colour out of doors, especially transparencies where the final picture is a camera original, the most useful filter is often a polarizer. As well as suppressing obvious reflections, these can darken blue skies and (by suppressing white-light reflections) increase overall colour saturation.
The other filter most often used in professional outdoor colour photography is the ‘grey grad’ or graduated filter, clear at one end, and neutral grey at the other. The density of the dark side, and the abruptness of the transition, can vary widely: some photographers carry several grey grads to achieve different effects. Coloured ‘effects’ grads such as the tobacco grad are all too easy to overuse.
In the studio, weak colour-correction (CC) filters are often employed. These are available in a wide range of (numbered) strengths, in both additive and subtractive primary colours: red, green, blue (RGB) and cyan, magenta, yellow (CMY). Thus CC05R is a weak red, CC50G a strong green, and CC20Y a middling yellow. A special case for colour correction is for daylight-balanced films under tungsten lighting (for which a blue filter is required) or for tungsten-balanced films under daylight (amber). These are often used with CC filters to get the best possible result. Balancing any film for fluorescents is difficult, but a CC30M is often a good starting point.
Most modern glass filters are dyed in the mass, so the colour goes all through the filter, but optical resin filters are often dip coated with colour (grads have to be) and a few filters, especially polarizers, are sandwiched in glass. Gelatin filters (literally of dyed gelatin) and their rather tougher acetate cousins are widely used for studio photography or for highly specialized filtration such as tri-cut colour, or infrared.
Traditionalists distinguish between filters (which change the colour of the light) and screens (which do not), such as polarizers, soft-focus attachments, and neutral density.
Any filter will slightly reduce lens resolution, but except for the very worst filters, this varies from the negligible to the imperceptible: even optical resin filters, often derided by the ignorant, are extremely unlikely to have any significant adverse effect on image quality. This can be confirmed by photographing a test chart with and without the filter, rather than relying on what ‘everyone knows’. Clean gels have no perceptible effect, and the effect of glass is measurable only in the laboratory.
High-quality filters are more often coated than cheaper ones, though the importance of this can be overstated; they are likely to be mechanically stronger; and if they are in brass threaded mounts, as the best are, then there is less danger of their binding in the filter threads of lenses.
In digital photography, filtration effects can be applied by means of image-processing software like Adobe Photoshop, or in-camera.
— Roger W. Hicks
Bibliography
Network consisting of capacitors, resistors and/or inductors used to pass certain frequencies and block others.
(DOD, NATO) In electronics, a device which transmits only part of the incident energy and may thereby change the spectral distribution of energy: a. High pass filters transmit energy above a certain frequency; b. Low pass filters transmit energy below a certain frequency; c. Band pass filters transmit energy of a certain bandwidth; d. Band stop filters transmit energy outside a specific frequency band.
| film badge, filipin, filial generation | |
| filter membrane, filter paper, filter press |
A device for eliminating certain elements, as (1) particles of certain size from a solution, (2) bacteria and fungi from suspensions of virus, or (3) rays of certain wavelength from a stream of radiant energy.
A material placed in the useful beam to absorb preferentially the less energetic (less penetrating) radiations.

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In Unix and Unix-like operating systems, a filter is a program that gets most of its data from its standard input (the main input stream) and writes its main results to its standard output (the main output stream). Unix filters are often used as elements of pipelines. The pipe operator ("|") on a command line signifies that the main output of the command to the left is passed as main input to the command on the right.
The classic filter would be grep, which at it simplest prints to its output any lines containing a character string. Here's an example:
cut -d : -f 1 /etc/passwd | grep foo
This finds all registered users that have "foo" as part of their username by using the cut command to take the first field (username) of each line of the Unix system password file and passing them all as input to grep, which searches its input for lines containing the character string "foo" and prints them on its output.
Here is a Perl equivalent to the above, which prints the whole line from the passwd file:
perl -ne 'print if m/^[^:]*foo/' /etc/passwd
Or, to print only the username, without the rest of the line:
perl -ane '$_ = shift @F; print "$_\n" if /foo/' -F: /etc/passwd
Common Unix filter programs are: cat, cut, grep, head, sort, uniq and tail. Programs like awk and sed can be used to build quite complex filters because they are fully programmable.
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Dansk (Danish)
n. - filter, filtrerapparat
v. tr. - filtrere, filtrere fra
v. intr. - sive, filtrere
idioms:
Nederlands (Dutch)
filter, (uit)filtreren, druppelen (figuurlijk), voorsorteren
Français (French)
n. - filtre, (Tech) filtre, (Audio, Phot, Télécom) filtre, (Cosmét) filtre (solaire), (GB, Transp) voie (de stockage)
v. tr. - filtrer, épurer
v. intr. - filtrer, suinter, (GB, Transp) passer sur la voie de gauche pour tourner, pénétrer dans (une zone)
idioms:
Deutsch (German)
n. - Filter
v. - filtern, durchsickern, sich einordnen
idioms:
Ελληνική (Greek)
n. - φίλτρο
v. - διυλίζω, φιλτράρω/-ομαι, (μτφ.) διεισδύω, διαρρέω
idioms:
Italiano (Italian)
colare, trapelare, filtro
idioms:
Português (Portuguese)
n. - filtro (m)
v. - filtrar
idioms:
Русский (Russian)
процеживать, фильтровать, фильтр, цедилка, светофильтр
idioms:
Español (Spanish)
n. - filtro
v. tr. - filtrar, colar, infiltrarse
v. intr. - filtrar, colar, infiltrarse
idioms:
Svenska (Swedish)
n. - filter, grön pil för svängande trafik
v. - filtrera, filtreras, svänga av från stillastående fil (trafik)
中文(简体)(Chinese (Simplified))
滤波器, 滤光器, 过滤器, 过滤, 走漏, 渗透, 滤过, 渗入
idioms:
中文(繁體)(Chinese (Traditional))
n. - 濾波器, 濾光器, 篩檢程式
v. tr. - 過濾, 走漏, 滲透
v. intr. - 濾過, 走漏, 滲入
idioms:
한국어 (Korean)
n. - 여과기, 필터
v. tr. - 거르다, 여과하다
v. intr. - 여과하다, 스며들다
idioms:
日本語 (Japanese)
n. - ろ過器, ろ過用材料, フィルター
v. - ろ過する, 漏れる, しみとおる, ゆっくり進む
idioms:
العربيه (Arabic)
(الاسم) فلتر , مصفاة , مرشحه (فعل) يصفي , يرشح
עברית (Hebrew)
n. - מסנן, פילטר
v. tr. - סינן
v. intr. - הסתנן, חדר