Flanders & Swann

Michael Flanders

Donald Swann

The British duo "Flanders and Swann" were the actor and singer Michael Flanders (1922–1975) and the composer, pianist and linguist Donald Swann (1923–1994) who collaborated in writing and performing comic songs.

Between 1956 and 1967 they performed some of their songs in their long-running two-man revues At The Drop Of A Hat and At the Drop of Another Hat. Both revues were recorded in concert along with several studio-based tracks.

The musical partnership

Flanders and Swann both attended Westminster School - where in July and August 1940 they staged a revue called Go To It^[1] - and Christ Church, Oxford, two institutions which are linked by ancient tradition but the pair went their separate ways during World War II. However, a chance meeting in 1948 led to a musical partnership writing songs and light opera, Flanders providing the words and Swann composing the music. Their songs have been sung by performers such as Ian Wallace and Joyce Grenfell.

In December 1956, Flanders and Swann hired the New Lindsey Theatre, Notting Hill, to perform their own two-man revue At The Drop Of A Hat, which opened on New Year's Eve. Flanders sang a selection of the songs that they had written, interspersed with comic monologues, and accompanied by Swann on the piano. An unusual feature of their act was that, due to Flanders' having contracted poliomyelitis in 1943, both men remained seated for their shows: Swann remained behind his piano, and Flanders used a wheelchair.

The show was successful and transferred the next month to the Fortune Theatre, where it ran for over two years, before touring in the UK, the USA, Canada and Switzerland.

In 1963 Flanders and Swann opened in a second revue, At The Drop Of Another Hat. Over the next four years they toured a combination of the two shows in the UK, Australia, New Zealand, Hong Kong, the USA and Canada, before finishing up at the Booth Theatre on Broadway. On April 9 1967 they performed their last live show together. Ten days later, they moved into a studio and recorded the show for television.

Over the course of 11 years, Flanders and Swann gave nearly 2,000 live performances. Although their performing partnership ended in 1967, they remained friends afterwards and collaborated on occasional projects.

Timeline

source: Sleeve notes to the CD box set "The Complete F & S"

Songs of Flanders and Swann

Flanders and Swann's songs are characterised by wit, gentle satire, complex rhyming schemes, and memorable choruses. They wrote over eighty comic songs together; the following selection gives an indication of their range:

• "All Gall" — a political satire based on the long career of Charles de Gaulle. At the time of writing, de Gaulle had recently vetoed the UK's first application to join the European Economic Community.
• "First and Second Law" — perhaps the only comic song ever written about thermodynamics.
• "Ill Wind" — Flanders' words sung to a slightly cut version, with cadenza, of the rondo finale of Mozart's Horn Concerto in E flat major, K. 495. An excerpt from "Ill Wind" Help with listening to audio
• "A Song of Reproduction" — satire on the (then very topical) mania for do-it-yourself hi-fi. ("Raise the ceiling four feet, move the fireplace from that wall to that wall, you'll still only get the stereophonic effect if you sit in the bottom of that cupboard.")
• "Have some Madeira M'Dear" — a song about seduction, full of complex word-play, including three oft-quoted examples of syllepsis.
• "Misalliance" — a political allegory concerning a love affair between a honeysuckle and a bindweed.
• "P** P* B**** B** D******" or "Pee Po Belly Bum Drawers" — a song comparing the use of profanity among the intelligentsia to playground swearing.
• "Slow Train" — a nostalgic song about the railway stations closed by Dr Beeching.
• "The Gasman Cometh" — relating the visits of a succession of tradesmen, each coming to repair the damage done by the previous tradesman.
• "The Hippopotamus" — one of Flanders and Swann's best known songs ("Mud, mud, glorious mud"), and one of a range of songs that they wrote about different beasts, including "The Gnu", "The Warthog" and "The Armadillo".
• "The Reluctant Cannibal" — an argument between father and son, disputing the topic of cannibalism (Son: "Eating people is wrong", Father: "Must have been someone he ate" — "he used to be a regular anthropophaguy").
• "A Transport of Delight" — with an increasing refrain about the "Big six-wheeler, scarlet painted, London Transport, diesel-engined, ninety-seven–horse-power om-ni-bus".
• "20 tons of TNT" — possibly the catchiest song ever written about thermonuclear weapons.
• "The War of 14–18" — a translation of a French song by Georges Brassens, this song 'celebrates' World War I.
• "The Wompom" — a tale about a fictitious creature/plant/raw material and the British Industry that stems from it.
• "In The Desert" ("Верблюды", lit. = "camels") — a "traditional Russian" song, performed by Donald Swann, with an English-language translation after every line.
• "The cockerel" (Το Κοκορаκη) — A modern-Greek children's song, equivalent to "Old MacDonald's Farm" adding a new animal noise for each verse. Flanders, feigning impatience with it, says sarcastically "We must have it in full some night. Alternate it with The Ring Cycle".
• "The Song of Patriotic Prejudice" — (The English, the English, the English are best, I wouldn't give tuppence for all of the rest.)

Songs in At the Drop of a Hat

• "A Transport of Delight" 5:53
• "Song of Reproduction" 7:06
• "The Gnu Song" 3:26
• "Design for Living" 3:52
• "Je Suis Le Ténébreux" 2:27
• "Songs for Our Time" ("Philological Waltz" / "Satellite Moon" / "A Happy Song") 4:16
• "A Song for the Weather" 2:05
• "The Reluctant Cannibal" 3:55
• "Greensleeves" (monologue) 7:51
• "Misalliance" 3:55
• "To Kokoraki" 5:05
• "Madeira M'Dear" 3:52
• "Too Many Cookers" 3:12
• "Vanessa" 3:55
• "Tried by the Centre Court" (monologue) 3:45
• "The Youth of the Heart" 4:17
• "The Hippopotamus Song" 3:12

Songs in At the Drop of Another Hat

Recorded during a performance at the Haymarket Theatre, London, in 1963.

• "The Gas Man Cometh" 6:44
• "Sounding Brass" 2:53
• "Los Olividados" (monologue) 6:38
• "In the Desert" 3:45
• "Ill Wind" 5:01
• "First and Second Law" 2:56
• "All Gall" 3:53
• "Horoscope" 1:10
• "Friendly Duet" 2:20
• "Bedstead Men" 3:16
• "By Air" (monologue) 6:17
• "Slow Train" 5:26
• "A Song of Patriotic Prejudice" 2:51
• "Built-Up Area" (monologue) 3:22
• "In the Bath" 2:34
• "Sea Fever" 3;55
• "Hippo Encore" 1:16

Songs in The Bestiary of Flanders & Swann

This collection was recorded in studio, with no audience.

• "The Warthog" (The Hog Beneath the Skin) 4:14
• "The Sea Horse" 1:31
• "The Chameleon" 1:01
• "The Whale" (Mopy Dick) 3:29
• "The Sloth" 3:14
• "The Rhinoceros" 2:36
• "Twosome: Kang & Jag" (Kangaroo and Jaguar) 2:04
• "Dead Ducks" 0:41
• "The Elephant" 2:40
• "The Armadillo" 3:52
• "The Spider" 2:21
• "Threesome: Duck Billed Platypus/The Humming Bird/The Portuguese Man-O'-War" 1:05
• "The Wild Boar" 2:23
• "The Ostrich" 2:56
• "The Wompom" 5:52

Songs in Tried by the Centre Court

Fifteen songs that were part of the stage show at one time or another, released 1977. Seven of them were included on the 'Bestiary' CD (as The Extiary) to make up the running time.

• "Twice Shy" 4:12
• "Commonwealth Fair" 4:06
• "P** P* B**** B** D******" 6:20
• "Paris" 4:05
• "Eine Kleine Nachtmusik Cha-cha-cha" 0:31
• "The Hundred song" 1:09
• "Food for Thought" 3:55^[2]
• "Bed" 3:19

Songs in And Then We Wrote

A BBC Radio production, 1974

• Introduction
• In The D'Oyly Cart
• Prehistoric Complaint
• The Album
• There's A Hole In My Budget
• Seven Ages Of Woman
• Fragments
• Pillar To Post
• Guide To Britten
• Excelsior
• Rain On The Plage
• Last Of The Line
• Rockall
• The Lord Chamberlain's Regulations

Songs released as a single

These were the only two songs recorded with musical instruments other than the piano. They were also included in The Extiary.

• Side A: "20 Tons of TNT" 2:30
• Side B: "The War of 14-18" 2:15^[3]

Monologues

Flanders' comic monologues include:

• "By Air" — about the vogue for air travel. "I agree with the old lady who said, 'If God had meant us to fly, He would never have given us the railways.'"
• "Tried by the Centre Court" — a Wimbledon match between Miss L. Hammerfest and Miss J. Hunter-Dunn. "They are bashing a ball with the gut of a cat".
• "Greensleeves" — about the background to the composition of the famous English air. An annotated version, explaining all the jokes, is here.
• "Los Olividados" — describing a festival akin to bull-fighting, where the bull is replaced with an olive.
• "Built-up Area" — a prehistoric inhabitant of Salisbury Plain complains about a new development.

Footnotes

1. ^ http://www.donaldswann.co.uk/hatshow.html
2. ^ Written specially for the New York tour and recorded in New York
3. ^ Translation of a satirical song by Georges Brassens

External links

• Flanders and Swann web site

Listen to this article (info/dl)

This audio file was created from an article revision dated 2006-03-03, and may not reflect subsequent edits to the article. (Audio help)

More spoken articles

   

• Flanders and Swann: At the Drop of a Hippopotamus - A show which tours UK theatres with a production of Flanders and Swann songs.
• A tribute to the songs and monologues of Flanders and Swann by actors Mark Marlowe and Jonathan Roberts

Donate to Wikimedia