The fleur-de-lis (or fleur-de-lys; plural: fleurs-de-lis) is a stylised design of an iris flower which is used both decoratively and symbolically. It may be purely ornamental or it may be "at
one and the same time political, dynastic, artistic, emblematic
and symbolic",[1] especially in heraldry. While it has appeared on countless European coats of arms and
flags over the centuries, the fleur-de-lis is particularly associated with the French monarchy.
It is an enduring symbol of France, but, being regarded most notably as the emblem of the
monarchy, was not adopted officially by any of the French republics. In
North America the fleur-de-lis is often associated with areas formerly settled by France,
such as Quebec and Louisiana and with the Francophones in other Canadian provinces. It is also the emblem of the Swiss Municipality of Schlieren, Zürich.
It appears on military insignia and the logos of many different organizations, and during the
20th century it was adopted by various Scouting organizations worldwide for their
badges. Architects and designers may use it alone or as a repeated motif in a wide range of contexts, from ironwork to bookbinding.
As a religious symbol it may represent the Holy Trinity, or be an iconographic attribute of the archangel Gabriel, notably in representations
of the Annunciation.[2] It is also associated with the Virgin Mary.
The symbol is also often used on a compass rose to mark the north direction, a tradition started by Flavio Gioja.
Origins
Fleur-de-lis is literally translated from French as "flower of the lily", and is widely thought to be a stylized version of
the species Iris pseudacorus. Decorative ornaments that resemble the fleur-de-lis have appeared in the artwork from the
earliest civilizations.
"The use for ornamental or symbolic purposes of the stylised flower usually called fleur de lis is common to all eras and all
civilizations. It is an essentially graphic theme found on Mesopotamian cylinders,
Egyptian bas-reliefs, Mycenean potteries, Sassanid textiles, Gaulish coins, Mameluk coins, Indonesian clothes, Japanese emblems
and Dogon totems. The many writers who have discussed the topic agree that it has little to do graphically with the lily, but
disagree on whether it derives from the iris, the broom, the lotus or the furze, or whether it represents a trident, an
arrowhead, a double axe, or even a dove or a pigeon. It is in our opinion a problem of little importance. The essential point is
that it is a very stylised figure, probably a flower, that has been used as an ornament or an emblem by almost all civilizations
of the old and new worlds."[3]
It has consistently been used as a royal emblem, though different cultures have interpreted its meaning in varying ways.
Gaulish coins show the first designs which look similar to modern fleurs-de-lis.[4]
Royal symbol
15th century picture of an angel sending the fleurs-de-lis to Clovis
King Clovis I
According to legend, the French monarchy first adopted the fleur-de-lis for their royal coat of
arms as a symbol of purity on the conversion of the Frankish King Clovis I to the Christian religion in 493.[5] The story takes various forms, many of which relate to Clovis' conversion, and support the claim of
the anointed Kings of France that their authority came directly from God, without the mediation of either the Emperor or the Pope.
Some versions of the legend enhance the mystique of royalty by describing a vial of oil sent from heaven to anoint and
sanctify Clovis as king,[6] perhaps brought by a
dove to Saint Remigius. Another variation says a lily
appeared at Clovis' baptismal ceremony as a gift of blessing from an apparition of the Blessed Virgin Mary, who is often associated with the flower.[7] Clovis' Burgundian wife, Clothilda, later to be
Saint Clothilda, is usually significant in these stories. As well as her part in encouraging her husband to become a Christian,
her presence helps emphasise the importance of Burgundy's support for the monarch.[8]
A story which places less emphasis on Christianity and the divine right of the
French kings tells of Clovis putting a flower in his helmet just before his victory at the Battle of Vouillé, leading him to choose the fleur-de-lis as a royal symbol.[9]
From Frankish to French kings
Through this connection to Clovis, the fleur-de-lis has been taken to symbolize all the Christian Frankish kings, most famously Charlemagne. In the 14th century
French writers asserted that the monarchy of France, which developed from the Kingdom of the West
Franks, could trace its heritage back to the divine gift of royal arms received by Clovis. This story has remained
popular, even though scepticism started in the 17th century and modern scholarship has established that the fleur-de-lis was a
religious symbol before it was a true heraldic symbol.[10]
Along with true lilies, it was associated with the Virgin Mary, and in the 12th
century Louis VI and Louis VII started
to use the emblem, on sceptres for example, so connecting their rulership with this symbol of saintliness. Louis VII ordered the use of fleur-de-lis clothing in his son Philip's coronation in 1179,[11] while the first visual evidence of clearly heraldic use dates from 1211: a seal showing the future Louis VIII and his shield strewn with
the "flowers".[12] Until the late 14th century the French
royal coat of arms was Azure semé-de-lys Or (a blue shield "seeded" (semé) with small golden fleurs-de-lis), but Charles V of France changed the design from an all-over scattering to a group of three in about
1376. These two coats are known in heraldic jargon as France Ancient and France Modern respectively.
In the reign of King Louis IX (St. Louis) the three petals of the flower were said
to represent faith, wisdom and chivalry, and to be a sign of divine favour bestowed on France.[13] During the next century, the 14th, the tradition of Trinity symbolism was
established in France, and then spread elsewhere.
In 1328, King Edward III of England inherited a
claim to the crown of France, and about 1340 he accordingly quartered France Ancient with the arms of the Kingdom of England. After the kings of France adopted France
Modern, the kings of England imitated them from about 1411.[14] The monarchs of England (and later of Great Britain) continued to quarter the
French arms until 1801, when George III
abandoned his formal claim to the French throne.
King Charles VII ennobled Joan of Arc's
family on 29 December of 1429 with an inheritable symbolic denomination. The Chamber of Accounts in France registered the
family's designation to nobility on 20 January, 1430. The grant permitted the family to change their surname to du Lys.
France Modern remained the French royal standard, and with a white background was the French national flag until the
French Revolution, when it was replaced by the tricolor of modern-day France. The fleur-de-lis was restored to the French flag in 1814, but replaced once again after the revolution against Charles X of
France in 1830. In a very strange turn of events after the end of the French Second Empire, where a flag apparently influenced the course of history, Henri, Comte de Chambord, was offered the throne as King of
France, but he would agree only on condition that the French give up the tricolor and bring back
the white flag with fleurs-de-lis.[15] His condition was
rejected and France became a republic.
France Modern was also on the coat of arms of the old French province of Île-de-France (for instance, as a badge on the uniforms of the local
gendarmerie).
Other European monarchs and rulers
Fleurs-de-lis feature prominently in the Crown Jewels of England
and Scotland. In English heraldry, they are used in many different ways, and can be
the cadency mark of the sixth son. The tressure flory-counterflory (flowered border) has been a prominent
part of the design of the Scottish royal arms and flag since James I of
Scotland.
The treasured fleur-de-luce he claims
To wreathe his shield, since royal James
- –Sir Walter Scott, The Lay of the Last Minstrel[16]
In Florentine fleurs-de-lis, the stamens are always posed
between the petals. This heraldic charge is often known as the Florentine lily to
distinguish it from the conventional design. As an emblem of the city, it is therefore found in icons of the bishop
Zenobius.[17] The currency of Florence, the fiorino, was decorated
with it, and it influenced the appearance and name of the Hungarian forint and other
florins. Elsewhere in Italy, fleurs-de-lis have been used for some papal crowns and coats of arms, Farnese Dukes of Parma, and by some doges of Venice.
The fleur-de-lis was also the symbol of the house of Kotromanic, a ruling house
in medieval Bosnia allegedly in recognition of the Angevin, where the flower is thought of as a
Lilium bosniacum. It was used on the Bosnia and Herzegovina flag between 1992 and 1998. Today, fleur-de-lis is a national symbol of
Bosniaks, one of three Bosnian constitutive
ethnic groups (other two being Serbs and Croats).
National symbol of Bosniaks
Other countries using the emblem heraldically include Serbia and
Spain in recognition of the Bourbons.
The heraldic fleur-de-lis is widespread: among the numerous cities which use it as a symbol are some whose names echo the word
'lily', for example, Lille, France and Liljendahl, Finland. This
is called canting arms in heraldic terminology. As a dynastic emblem it has also been very
widely used: not only by noble families but also, for example, by the Fuggers medieval banking
family.
North America
Fleurs-de-lis crossed the Atlantic along with Europeans going to the New World, especially with French settlers, and these are now used for the flags of Quebec, Nova Scotia, Detroit
and elsewhere. The Acadiana region and various cities in southern Louisiana, such as Lafayette, New Orleans and Baton Rouge, also use the
fleur-de-lis. So do several places whose name came from one of the French King Louis: amongst them, Louisville, Kentucky and St. Louis, Missouri where the three-petalled symbol also denotes
the convergence of three rivers (the Mississippi, Missouri and Illinois).
Symbolism in religion and art
In the Middle Ages the symbols of lily and fleur-de-lis (lis is French for
"lily") overlapped considerably in religious art. Michel Pastoureau, the historian,
says that until about 1300 they were found in depictions of Jesus, but gradually they took on
Marian symbolism and were associated with the Song
of Solomon's "lily among thorns" (lilium inter spinas), understood as a reference to Mary. Other scripture and
religious literature in which the lily symbolizes purity and chastity also helped establish the flower as an iconographic attribute of the Virgin. The fleur could also draw its
design from Jewish tradition. The design is very similar to a lulav,
made with a palm frond which sticks up straight and the branches of willow and myrtle trees, which are not as rigid.
In medieval England, from the mid-12th century, a noblewoman's seal often showed the lady with a fleur-de-lis, drawing on the
Marian connotations of "female virtue and spirituality".[18] Images of Mary holding the flower first appeared in the 11th century on coins issued by cathedrals
dedicated to her, and next on the seals of cathedral chapters, starting with Notre Dame de Paris in 1146. A
standard portrayal was of Mary carrying the flower in her right hand, just as she is shown in that church's Virgin of Paris statue (with lily), and in the centre of the stained
glass rose window (with fleur-de-lis sceptre) above its main entrance. The flowers may be "simple fleurons, sometimes garden lilies, sometimes genuine
heraldic fleurs-de-lis".[19] As attributes of the
Madonna, they are often seen in pictures of the Annunciation, famously in those of Botticelli and
Filippo Lippi. Lippi also uses both flowers in other related contexts: for instance, in
his Madonna in the Forest.
The three petals of the heraldic design reflect a widespread association with the Holy
Trinity,[20] a tradition going back to 14th
century France,[21] added onto the earlier belief that
they also represented faith, wisdom and chivalry.
"Flower of light" symbolism has sometimes been understood from the archaic variant fleur-de-luce (see Latin lux,
luc- = "light"), but the Oxford English Dictionary suggests this arose
from the spelling, not from the etymology.[22]
Modern usage
- Also see North America section above.
Fleur-de-lis on an old concrete wall
Some modern usage of the fleur-de-lis reflects "the continuing presence of heraldry in everyday life", often intentionally,
but also when users are not aware that they are "prolonging the life of centuries-old insignia and emblems".[23]
Fleurs-de-lis feature on military badges like those of the Israeli Intelligence
Corps and the First World War Canadian
Expeditionary Force . They may be chosen for sports teams, especially when it echoes a local flag, as with the former
Quebec Nordiques NHL hockey team and the New Orleans Saints football team, and in coats of arms and logos for universities (like the University of Louisiana at Lafayette and Saint Louis University and Washington
University in Missouri), schools (in St. Peter, Minnesota) and companies (like the Royal Elastics shoe company). The
Madison Scouts Drum and Bugle Corps have a fleur-de-lis as their
official logo, with members and past members sporting exclusive fleur-de-lis tattoos. The Lincolnshire, England flag has a
fleur-de-lis in the middle. It is also one of the symbols of the national women's fraternity, Kappa Kappa Gamma.
The symbol may be used in less traditional ways. After Hurricane Katrina many New
Orleanians of varying ages and backgrounds were tattooed with "one of its cultural emblems" as a
"memorial" of the storm, according to a researcher at Tulane University.[24] The US Navy Blue Angels
have named an elegant looping flight demonstration manoeuvre after the flower as well, and there are even two surgical procedures
called "after the fleur."
Symbol of Scouting
The fleur-de-lis is the main element in the logo of most Scouting organizations,
representing a major theme in Scouting: the outdoors and wilderness.[25] The three petals or leaves represent the threefold Scout
Promise (duty to God and the King (or to God and my Country), to help others and to obey the Scout Law) in much the same way as the three leaves of the trefoil represent
the threefold promise for the Guides. Robert Baden-Powell,
the founder of the Scouting movement, explained that the Scouts adopted the fleur-de-lis symbol from its use in the compass rose because it "points in the
right direction (and upwards) turning neither to the right nor left, since these lead backward again".
In literature
The symbol has featured in modern fiction on historical and mystical themes, as in the bestselling novel The Da Vinci Code and other books discussing the Priory of
Sion. It recurs in French literature, where examples well-known in English translation include the Fleur de Lys character
in the Hunchback of Notre Dame by Victor
Hugo, and the reference in Dumas' The Three Musketeers to the old custom of branding a
criminal with the sign. (Fleurdeliser in French). In Elizabethan English
literature it is a standard name for an iris, a usage which lasted for centuries,[26] but occasionally refers to lilies or other flowers. It also appeared in the novel A Confederacy of Dunces by John Kennedy Toole on a
sign composed by the main character.
- The lilly, Ladie of the flowring field,
- The Flowre-deluce, her louely Paramoure
- Edmund Spenser, Faerie Queene,
1590[27]
See also
References
- ^ Michel Pastoureau, Heraldry: its origins and meaning translated by
Francisca Garvie (Thames and Hudson 1997), ISBN 0-500-30074-7, p.98
- ^ Hall, James (1974). Dictionary of Subjects & Symbols in Art.
Harper & Row. ISBN 0-06-433316-7. p.124.
- ^ Michel Pastoureau (2006) Traité d'Héraldique, "Treatise on Heraldry", translated by François R. Velde
- ^ Michel Pastoureau, Heraldry: its origins and meaning p.99
- ^ Lewis, Philippa & Darley, Gillian (1986) Dictionary of
Ornament
- ^ Ralph E. Giesey, Models of Rulership in French Royal Ceremonial in
Rites of Power: Symbolism, Ritual, and Politics Since the Middle Ages ed. Wilentz (Princeton 1985) p43
- ^ A.C.
Fox-Davies, A Complete Guide to Heraldry (London 1909) p273
- ^ British Library
commentary on the legend presented in the Bedford Book of Hours.
- ^ François R. Velde
- ^ Michel Pastoureau, Heraldry: its origins and meaning p.99-100
- ^ Fox-Davies, A Complete Guide to Heraldry p274
- ^ Michel Pastoureau, Heraldry: its origins and meaning p.100
- ^ Chronicles of Guillaume de Nangis quoted in Nouvelle collection des mémoires pour servir a l'histoire de France (1839)]
- ^ Fox-Davies
- ^ Pierre
Goubert, The Course of French History, translator Maarten Ultee, (Routledge 1991) p.267
- ^ Sir Walter Scott (1833) The Complete Works of Sir Walter Scott,
Volume 1 of 7, Canto Fourth, VIII, NY: Conner and Cooke
- ^ Hall, James (1974). Dictionary of Subjects & Symbols in Art.
Harper & Row. ISBN 0-06-433316-7. p.124.
- ^ Susan M. Johns, Noblewomen, Aristocracy and Power in the
Twelfth-Century Anglo-Norman Realm (Manchester 2003) p130
- ^ Michel Pastoureau, Heraldry: its origins and meaning p.100
- ^ F.R.Webber, Church Symbolism 1938 (Kessinger 2003) p.178
- ^ Michel Pastoureau, Heraldry: its origins and meaning p.99
- ^ A "fanciful derivation", Oxford English Dictionary (1989)
- ^ Michel Pastoureau, Heraldry: its origins and meaning p.93-94
- ^ Times-Picayune, July 16 2006
- ^ Walton, Mike The World Crest Badge...(and why do we *all* wear it?). 1999.
- ^ OED
- ^ Edmund Spenser, Faerie Queene 2:vi
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