Flip Wilson

• Born: December 08, 1933, Jersey City, NJ
• Died: November 25, 1998, Malibu, CA
• Active: '60s, '70s
• Genres: Comedy
• Instrument: Vocals
• Representative Albums: "Live at the Village Gate," "Funny & Live at the Village Gate," "You Devil You"

Biography

Cast in the mold of Bill Cosby, Flip Wilson was one of the most popular comics in the late '60s and early '70s, propelled by frequent appearances on The Ed Sullivan Show and talk shows. His star rose to the top with the very successful Flip Wilson Show, which often featured the comedian in the guise of Geraldine, a hip, sassy Black woman. "The devil made me do it" became a major catchphrase at the time. His records highlight Wilson during the early years as well as when his show was popular, with Flip; the Flip Wilson Show and Geraldine; Don't Fight the Feeling, featuring actual skits and guests from the show. ~ Larry Lapka, All Music Guide

Funny & Live at the Village Gate Buy this CD

Live at the Village Gate Buy this CD

• Born: Dec 08, 1933 in Jersey City, New Jersey
• Died: Nov 25, 1998 in Malibu, California
• Occupation: Actor
• Active: '70s-'90s
• Major Genres: Comedy
• Career Highlights: Uptown Saturday Night, Zora is My Name!, Skatetown, USA
• First Major Screen Credit: The Ed Sullivan Show: Episode 0928 (1967)

Biography

Whether saucily sashaying across the stage in a wig, high heels, and dress proclaiming, "What you see is what you get!" or piously exclaiming, "The Devil made me do it," Flip Wilson was one of America's funniest comics of the late '60s and early '70s. With a top-rated comedy/variety show, he was also one of the first black television superstars.

Born Clerow Wilson, he was one of 24 children. Because his family was extremely poor, Wilson spent much of his youth in foster homes and reform schools until, at age 16, he lied about his age and joined the Air Force. Claiming that he was always "flipped out," Wilson's barracks mates gave him his famous nickname. Discharged in 1954, Wilson started working as a bellhop in San Francisco's Manor Plaza Hotel. At the Plaza's nightclub, Wilson found extra work playing a drunken patron in between regularly scheduled acts. His inebriated character proved popular and Wilson began performing it in clubs throughout California. At first Wilson would simply ad-lib on-stage, but in time, he added written material and his act became more sophisticated. As a standup comedian, Wilson started out working small blacks-only clubs and gradually worked his way up to such major theaters as the Apollo and the Regal. In 1965, Redd Foxx plugged Wilson's act to Johnny Carson, saying he considered the young comic the funniest one around. Carson booked Wilson and soon he was appearing frequently on other shows, including Ed Sullivan. Wilson also recorded several best-selling comedy albums. He launched The Flip Wilson Show in 1970 and for its first two years the show was number two in the Nielsen ratings. The show ran through 1974. That year Wilson made his screen debut in Sidney Poitier's Uptown Saturday Night. Wilson appeared in two more films and gave up his acting career, though he did reappear for a season in the short-lived People Are Funny and the domestic sitcom Charlie & Co. (1984-1985). ~ Sandra Brennan, All Movie Guide

Zora is My Name! Buy this Movie	The Fish That Saved Pittsburgh Buy this Movie	Pinocchio Buy this Movie	Milton Berle's Mad World of Comedy Buy this Movie
Uptown Saturday Night Buy this Movie	Cancel My Reservation Buy this Movie

comedian

Personal Information

Born Clerow Wilson in Jersey City, New Jersey, December 8, 1933; Died of liver cancer, Malibu, California, November 25, 1998; father's name Clerow; divorced; children. Nickname "Flip" derived from expression "to flip out." Military Service: Joined United States Air Force at age 16; reached rank of Airman First Class by year of discharge, 1954.
Military/Wartime Service: Joined United States Air Force at age 16; reached rank of Airman First Class by year of discharge, 1954.

Career

Comedian and television variety show host. Performed routines while employed as bellhop, San Francisco, mid-1950s; toured small comedy clubs, late 1950s-early 1960s; appeared on Tonight Show, 1966; appeared on Rowan & Martin's Laugh-In, late 1960s; starred in variety show special, 1969; became famous for Geraldine character, late 1960s; host, The Flip Wilson Show, 1970-74; Films include: Cancel My Reservation, 1972, Uptown Saturday Night, 1974, Skatetown, U.S.A., 1979, Fish That Saved Pittsburgh, 1979; starred in Charlie & Co.; made guest appearances on The Drew Carey Show, Living Single, 227, Here's Lucy, The Andy Williams Show, Love, American Style.

Life's Work

A trailblazer of a comedian, Flip Wilson was one of America's most popular entertainers in the first half of the 1970s. He created comic characters that have remained indelibly etched in the public mind, and enriched the American language with such catch phrases as "The Devil made me do it!" Wilson was the first African American performer to catch on as host of a major weekly network variety show on television, and, like the musical artists of the Motown label with whom he shared a mainstream appeal, brought blacks to a new level of exposure and acceptance in the American entertainment industry, paving a future path for such smooth comedian/hosts as Arsenio Hall and Keenen Ivory Wayans. Having suffered the effects of a shattered family life, Wilson all but abandoned his career at the peak of his fame so that he could take a part in raising his own children.

Born Clerow Wilson in Jersey City, New Jersey, on December 8, 1933, he was one of a large family--published accounts have given a number of Wilson children as high as 24. When Wilson was five years old, his father, also named Clerow, took him to see a comedy team called Stump and Stumpy. "When I heard the roar of the laughter, a voice in me went off," Wilson told People. "I thought, `That's what I want to be,'" he continued. But the family was mired in extreme poverty. "We were so poor, even the poorest looked down on us," Wilson was quoted as saying in the New York Times. Two years later, he ended up in a foster home when his mother abandoned her crowd of children. After running away more than a dozen times, he was sent to reform school.

Entertained Airmen

Wilson quit school at age 16 and joined the U.S. Air Force, lying about his age to gain entrance. His growing storytelling abilities amused his fellow troops, and they bestowed upon him the nickname "Flip," derived from the expression "to flip out." Discharged from the Air Force in 1954 after having reached the rank of Airman First Class, Wilson worked as a bellhop in a San Francisco hotel that featured an in-house nightclub. He persuaded the manager to let him perform a short comedy routine--Wilson pretended to be a drunk who wandered onto the stage--between acts of the floor show. He was immediately hired, and his comedy career was launched.

That night in San Francisco proved to be the beginning of ten years of hard touring, crossing the country to perform in small clubs and theaters, at first mostly to black audiences. Wilson's following grew, and by the mid-1960s he was known well enough to take his chances in New York. He did several stints as Master of Ceremonies at Harlem's famed Apollo Theater, and made an impression on veteran black New York show business figures. When comedian and vaudevillian Redd Foxx, later the star of television's Sanford and Son, was asked in 1965 by Tonight Show host Johnny Carson who was the funniest comic of the current scene, Foxx immediately named Wilson and catapulted him to a new level of success.

Appeared on Laugh-In

A Tonight Show booking for Wilson himself ensued promptly, and it was followed by appearances on The Ed Sullivan Show and on the adventurous Rowan and Martin's Laugh-In, where Wilson's "Here Come de Judge" routine anticipated his later uncanny ability to wring maximum comic effect out of a simple one-line phrase. In late 1968 or 1969, Wilson starred in a variety show special. Although previous black stars as recognizable as Nat "King" Cole and Sammy Davis Jr. had failed in variety show outings, he was given his own show. The Flip Wilson Show debuted September 17, 1970, on the NBC network. By its second season the show had risen to the Number Two position in the weekly Nielsen ratings, and Wilson was earning upwards of a million dollars a year.

Neither the most uproariously funny nor the most profound comedian of his time, Wilson nevertheless rose to the top of the world of comedy. His strength was that he looked both backward and forward in his approach. Wilson's comic style drew on long traditions of black theater, with its emphasis on storytelling, impersonation, and a near-musical sense of the entertainment that could be wrung out of a single phrase. Yet as a host, Wilson would not have been out of place in the 1990s, easily and quick-wittedly interacting with guests of all races, chatting with no less a mainstream figure than John Wayne while still giving needed airtime to black stars such as Foxx, Aretha Franklin, and James Brown.

Created Geraldine Character

In the public mind, Wilson was most identified with the characters he created on stage and on screen, most famously Geraldine--in the words of Washington Post writer Bruce Britt, "'a streetwise soul sister' clad in mini-skirt and copper-colored wig who brimmed with sheer enthusiasm and favored the unforgettable statements "What you see is what you get," and, most famously, "The Devil made me do it!" "The secret of my success with Geraldine," the Post quoted Wilson as saying, "is that she's not a put-down of women. She's smart, she's trustful, she's loyal, she's sassy ... women can like Geraldine, men can like Geraldine, everyone can like Geraldine." Another of Wilson's stock characters was the Rev. Leroy, of the Church of What's Happening Now, whom Wilson said he modeled on a preacher he had heard in church as a child.

As Britt pointed out in the Washington Post, "[h]is humor was steeped in inner-city traditions, yet it was nonthreatening enough for mainstream consumption." Wilson avoided politics, and rarely ventured into the sexual territory mined by his young contemporary Richard Pryor. He excelled at long shaggy-dog stories and in insult-based vaudeville humor with a long tradition on the black stage. In one routine, he portrayed a woman riding on a train who becomes incensed when another passenger tells her that her baby is "ugly." She complained to the conductor, who tries to set things right by offering the woman a free meal. "And a banana for your monkey," he added for the punchline.

Although it is sometimes reported that Wilson's show was knocked into decline by competition from CBS's The Waltons in 1974, the show remained in the ratings Top Ten when Wilson decided to leave. His motivations were simple, and, in the intense world of Hollywood, most unusual: he wanted to devote himself to family life. Married and divorced twice, he had five children. "I wanted the whole cookie and I got it," he was quoted as saying in his New York Times obituary. "Now I want to spend more time with my children--make sure they don't go through what I did."

Apart from occasional guest slots and two short-lived series in the 1980s, Wilson stayed true to his word, entering a near-total retirement. Perhaps in the heyday of television's Saturday Night Live comedy series he could rejoice at the similarities of actor Dana Carvey's Church Lady to his own Geraldine. Wilson died of liver cancer at his home in Malibu, California, on November 25, 1998. "I've had all that you could ask for," he had told People a year before his death. "The fat lady has sung, and there's a standing ovation."

Further Reading

• Boston Globe, November 28, 1998, p. G1.
• Christian Science Monitor, September 17, 1998, p. 9.
• Jet, September 1, 1997, p. 60; October 5, 1998, p. 58.
• Los Angeles Times, November 28, 1998, p. 6.
• New York Times, November 26, 1998.
• People, December 14, 1998, p. 69.
• U.S. News & World Report, December 7, 1998, p. 16.
• Variety, December 7, 1998. p. 65.
• Washington Post, November 27, 1998, p. B6; November 28, 1998, p. F1.

— James M. Manheim

Quotes:

"Get well cards have become so humorous that if you don't get sick you're missing half the fun."

"What you see is what you get."

"You can't expect to hit the jackpot if you don't put a few nickels in the machine."

"If you think nobody cares if you're alive, try missing a couple of car payments."

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