Dictionary:
folk·tale or folk tale (fōk'tāl') ![]() |
| Literary Dictionary: folktale |
folktale, a story passed on by word of mouth rather than by writing, and thus partly modified by successive re‐tellings before being written down or recorded. The category includes legends, fables, jokes, tall stories, and fairy tales or Märchen. Many folktales involve mythical creatures and magical transformations.
| English Folklore: folktales |
This term can be used either broadly or narrowly. In the broad sense it applies to all prose narratives following traditional storylines, which are told orally, or were so told in previous generations. It thus covers fairytales, legends of all types, memorates, fables, tall tales, and humorous anecdotes. The original author is always unknown; in the rare cases where an individual who shaped the current version has been identified, the tellers are unaware of this (e.g. The Three Bears). Most tales seem to have been formed by recombining traditional elements (‘motifs’) and/ or transferring an established plot (‘tale-type’) from one hero, or one location, to another.
The narrow definition restricts itself to the avowedly fictional narratives in the above list, excluding legends and memorates, since these claim to be true. From an English point of view, this is regrettable, since legends make up a very high proportion of our corpus of traditional narratives and still circulate vigorously, while memorates are a major source for the study of current beliefs.
The basic catalogue of folktales in the narrow sense is The Types of the Folktale by Antti Aarne and Stith Thompson (1961); see also Stith Thompson's The Folktale (1977). Its system was applied to British material in Baughman, 1966; it is used in the works of Katharine Briggs and other recent British folklorists.
See also CONTEMPORARY LEGENDS, FABLES, LEGENDS, MEMORATES, STORYTELLING, TALL STORIES.
| Columbia Encyclopedia: folktale |
Bibliography
See S. Thompson, The Folktale (1946); V. O. Binner, American Folktales (1966) and International Folktales (1967); R. M. Dorson, America in Legend (1974); H. Courlander, A Treasury of African Folklore (1975), A Treasury of Afro-American Folklore (1976), and The Tiger's Whisker and Other Tales from Asia and the Pacific (1995); A. Clarkson and G. B. Cross, World Folktales (1984).
| Wikipedia: Folklore |
Folklore culture, including stories, music, dance, legends, oral history, proverbs, jokes, popular beliefs, customs, and so forth within a particular population comprising the traditions (including oral traditions) of that culture, subculture, or group. It is also the set of practices through which those expressive genres are shared. The academic and usually ethnographic study of folklore is sometimes called folkloristics. The word 'folklore' was first used by the English antiquarian William Thoms in a letter published by the London Journal Athenaeum in 1846.[1] In usage, there is a continuum between folklore and mythology. Stith Thompson made a major attempt to index the motifs of both folklore and mythology, providing an outline into which new motifs can be placed, and scholars can keep track of all older motifs.
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Folklore can be divided into four areas of study: artifact (such as voodoo dolls), describable and transmissible entity (oral tradition), culture, and behavior (rituals). These areas do not stand alone, however, as often a particular item or element may fit into more than one of these areas.[2]
Folklore can contain religious or mythic elements, it equally concerns itself with the sometimes mundane traditions of everyday life. Folklore frequently ties the practical and the esoteric into one narrative package. It has often been conflated with mythology, and vice versa, because it has been assumed that any figurative story that does not pertain to the dominant beliefs of the time is not of the same status as those dominant beliefs.[citation needed] Thus, Roman religion is called "myth" by Christians. In that way, both "myth" and "folklore" have become catch-all terms for all figurative narratives which do not correspond with the dominant belief structure.
Sometimes "folklore" is religious in nature, like the tales of the Welsh Mabinogion or those found in Icelandic skaldic poetry. Many of the tales in the Golden Legend of Jacob de Voragine also embody folklore elements in a Christian context: examples of such Christian mythology are the themes woven round Saint George or Saint Christopher. In this case, the term "folklore" is being used in a pejorative sense. That is, while the tales of Odin the Wanderer have a religious value to the Norse who composed the stories, because it does not fit into a Christian configuration it is not considered "religious" by Christians who may instead refer to it as "folklore."
"Folktales" is a general term for different varieties of traditional narrative. The telling of stories appears to be a cultural universal, common to basic and complex societies alike. Even the forms folktales take are certainly similar from culture to culture, and comparative studies of themes and narrative ways have been successful in showing these relationships. Also it is considered to be an oral tale to be told for everybody.
On the other hand, folklore can be used to accurately describe a figurative narrative, which has no sacred or religious content. In the Jungian view, which is but one method of analysis, it may instead pertain to unconscious psychological patterns, instincts or archetypes of the mind. This may or may not have components of the fantastic (such as magic, ethereal beings or the personification of inanimate objects). These folktales may or may not emerge from a religious tradition, but nevertheless speak to deep psychological issues. The familiar folktale, "Hansel and Gretel," is an example of this fine line. The manifest purpose of the tale may primarily be one of mundane instruction regarding forest safety or secondarily a cautionary tale about the dangers of famine to large families, but its latent meaning may evoke a strong emotional response due to the widely understood themes and motifs such as “The Terrible Mother”, “Death,” and “Atonement with the Father.”
There can be both a moral and psychological scope to the work, as well as entertainment value, depending upon the nature of the teller, the style of the telling, the ages of the audience members, and the overall context of the performance. Folklorists generally resist universal interpretations of narratives and, wherever possible, analyze oral versions of tellings in specific contexts, rather than print sources, which often show the work or bias of the writer or editor.
Contemporary narratives common in the Western world include the urban legend. There are many forms of folklore that are so common, however, that most people do not realize they are folklore, such as riddles, children's rhymes and ghost stories, rumors (including conspiracy theories), gossip, ethnic stereotypes, and holiday customs and life-cycle rituals. UFO abduction narratives can be seen, in some sense, to refigure the tales of pre-Christian Europe, or even such tales in the Bible as the Ascent of Elijah to heaven. Adrienne Mayor, in introducing a bibliography on the topic, noted that most modern folklorists are largely unaware of classical parallels and precedents, in materials that are only partly represented by the familiar designation Aesopica: "Ancient Greek and Roman literature contains rich troves of folklore and popular beliefs, many of which have counterparts in modern contemporary legends" (Mayor, 2000).
Vladimir Propp's classic study Morphology of the Folktale (1928) became the basis of research into the structure of folklore texts. Propp discovered a uniform structure in Russian fairy tales. His book has been translated into English, Italian, Polish and other languages. The English translation was issued in USA in 1958, some 30 years after the publication of the original. It was met by approving reviews and significantly influenced later research on folklore and, more generally, structural semantics.Though his work was based on syntagmatic structure, it gave the scope to understand the structure of folktale where he discovered thirty one function of folktale[3]
Elements such as dolls, decorative items used in religious rituals, hand-built houses and barns, and handmade clothing and other crafts are considered to be folk artifacts, grouped within the field as "material culture." Additionally, figures that depict characters from folklore, such as statues of the three wise monkeys may be considered to be folklore artifacts, depending on how they are used within a culture.[4] The operative definition would depend on whether the artifacts are used and appreciated within the same community in which they are made, and whether they follow a community aesthetic.
Folklorist William Bascom states that folklore has many cultural aspects, such as allowing for escape from societal consequences. In addition, folklore can also serve to validate a culture (romantic nationalism), as well as transmit a culture's morals and values. Folklore can also be the root of many cultural types of music. Folk, country, blues, and bluegrass all originate from American folklore. Examples of artists which have used folklore to produce beautiful music would be: Bill Monroe, Flatt and Scruggs, Old Crow Medicine Show, Jim Croce, and many others. Folklore can also be used to assert social pressures, or relieve them, in the case of humor and carnival. And the vampie came and stole the girl away from her parent's and she loved the vampie for doing this safeing her from a life of cruel and unusual treatment......
In addition, folklorists study medical, supernatural, religious, and political belief systems as an essential, often unspoken, part of expressive culture.
Many rituals can sometimes be considered folklore, whether formalized in a cultural or religious system (e.g. weddings, baptisms, harvest festivals) or practiced within a family or secular context. For example, in certain parts of the United States (as well as other countries) one places a knife, or a pair of scissors, under the mattress to "cut the birth pains" after giving birth. Additionally, children's counting-out games can be defined as behavioral folklore.[5]
National or ethnic
Roinn an Bhealoidis: Department of Folklore and Ethnology, 5 Elderwood, College Road, Cork, Ireland.
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| Translations: Folktale |
Nederlands (Dutch)
volksvertelling
Français (French)
n. - conte folklorique
Deutsch (German)
n. - Volksmärchen
Ελληνική (Greek)
n. - λαϊκός μύθος, θρύλος
Italiano (Italian)
leggenda popolare
Português (Portuguese)
n. - conto (m) popular
Русский (Russian)
народная сказка
Español (Spanish)
n. - cuento popular
Svenska (Swedish)
n. - folksaga
中文(简体)(Chinese (Simplified))
民间故事
中文(繁體)(Chinese (Traditional))
n. - 民間故事
日本語 (Japanese)
n. - 民間説話, フォークテール
العربيه (Arabic)
(الاسم) حكايه شعبيه
עברית (Hebrew)
n. - אגדת עם, מעשייה עממית
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| The Soldier's Tale (music) | |
| Märchen (folktale or fairy story) | |
| oicotype |
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![]() | Dictionary. The American Heritage® Dictionary of the English Language, Fourth Edition Copyright © 2007, 2000 by Houghton Mifflin Company. Updated in 2009. Published by Houghton Mifflin Company. All rights reserved. Read more | |
![]() | Literary Dictionary. The Concise Oxford Dictionary of Literary Terms. Copyright © Chris Baldick 2001, 2004. All rights reserved. Read more | |
![]() | English Folklore. A Dictionary of English Folklore. Copyright © 2000, 2003 by Oxford University Press. All rights reserved. Read more | |
![]() | Columbia Encyclopedia. The Columbia Electronic Encyclopedia, Sixth Edition Copyright © 2003, Columbia University Press. Licensed from Columbia University Press. All rights reserved. www.cc.columbia.edu/cu/cup/. Read more | |
![]() | Wikipedia. This article is licensed under the Creative Commons Attribution/Share-Alike License. It uses material from the Wikipedia article "Folklore". Read more | |
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