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Francesca da Rimini

 
American Theater Guide: Francesca Da Rimini

Francesca Da Rimini (1855), a tragedy by George H. Boker. [ Broadway Theatre, 8 perf.] In hopes of putting an end to the long feud between Guelfs and Ghibellines, Lanciotto (E. L. Davenport) of Rimini is engaged to Francesca (Elizabeth Ponisi) of Ravenna. Lanciotto is a spindly hunchback whose brother Paolo (Mr. Lanergan) has often had to defend him from cruel jibes. The brothers love each other, so Lanciotto asks Paolo to go to Ravenna to bring back the bride. Paolo and Francesca fall in love, but at first both attempt to constrain themselves. The sight of Lanciotto, however, drives Francesca into the handsome Paolo's arms. When the vicious jester, Pepe (Charles Fisher), reports the rendezvous to Lanciotto, Lanciotto kills him. In a jealous fury he rushes to find Paolo and Francesca in an embrace. He kills them, too, then stabs himself. Derived from an incident in Dante, the drama was only moderately successful at first. Fine revivals by Lawrence Barrett in 1882 and Otis Skinner in 1901 led to a further appreciation of its merits. Boker's modern biographer, Professor Sculley Bradley, has written in Literary History of the United States, “In Francesca da Rimini . . . Boker found his masterpiece. Of seven plays on this theme in four languages, his is the only one to conceive the pathos of the deformed husband, Lanciotto, without sacrificing the enduring appeal of the young lovers, Paolo and Francesca, and to recognize that callous society, not fate, was the agent of the tragedy. . . . With this play, romantic tragedy in America achieved the dignity of art.”

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Music Encyclopedia: Francesca da Rimini
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Symphonic fantasia by Tchaikovsky (op.32) after a picture by Doré (1876).

Opera in a prologue, two scenes and an epilogue by Rakhmaninov to a libretto by Modest Tchaikovsky (1906, Moscow).

Opera in four acts by Zandonai to a libretto by T. Ricordi after d′Annunzio (1914, Turin).



 
Columbia Encyclopedia: Francesca da Rimini
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Francesca da Rimini (fränchĕs'kä dä rē'mēnē), fl. 13th cent., Italian beauty, daughter of Guido da Polenta of Ravenna. She was married by proxy to the hunchbacked lord of Rimini, Gianciotto Malatesta; the proxy, Gianciotto's young and handsome brother Paolo, became Francesca's lover. Gianciotto, discovering their guilt, killed them. The story is immortalized in Dante's Divine Comedy and is the subject of many other literary and artistic works and of Tchaikovsky's symphonic poem.
Dictionary: Francesca da Ri·mi·ni   (də rĭm'ə-nē, dä rē'mē-nē) pronunciation, Died c. 1285.
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Italian noblewoman. Unhappily married, she fell in love with her brother-in-law. When her husband learned of the affair, he murdered his wife and brother, a tragedy recounted in Dante's Inferno.


Wikipedia: Francesca da Rimini
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Jean Auguste Dominique Ingres, Gianciotto Discovers Paolo and Francesca (1819).
Gustave Doré, from his illustrations to the Divine Comedy (1857): Dante faints at the pitifulness of Francesca da Rimini's plight, while the hurricane of souls that she and her lover are trapped in surround the scene.

Francesca da Rimini or Francesca da Polenta (1255 – 1285) was the daughter of Guido da Polenta, lord of Ravenna. She was a historical contemporary of Dante Alighieri, who portrayed her as a character in the Divine Comedy.

Contents

Arranged marriage

Guido I da Polenta had been at war with the Malatesta family. When a peace was negotiated, Guido wanted to solidify it by marrying his daughter Francesca to the Malatestan heir, Giovanni Malatesta (Gianciotto), son of Malatesta da Verucchio, lord of Rimini. Giovanni was brave but deformed. Guido knew Francesca would refuse Giovanni, so the wedding was performed by proxy through Giovanni's handsome brother, Paolo.

Francesca fell in love with Paolo and was unaware of the deception until the morning after the wedding day.

According to Dante, Francesca and Paolo were seduced by reading the story of Lancelot and Guinevere, and became lovers. Subsequently they were surprised and murdered by Giovanni before they were able to repent. However, it is likely that the adultery was much more calculated. Both Francesca and the also-married Paolo had their own children. Dante used the romance of Lancelot in order to fit within the scheme of lyric love poetry, which Francesca emulates in her lines of Inferno's Canto V.

Related works

Poetry

Theatre and opera

Music

Art

Notes

  1. ^ Produced by Sir George Alexander at the St. James' Theatre beginning 6 March 1902. Mason, p. 237.

References

  • Mason, A. E. W. (1935). Sir George Alexander & The St. James' Theatre. Reissued 1969, New York: Benjamin Blom.
  • Singleton, Charles S. (1970). The Divine Comedy, Inferno/Commentary. Princeton University Press. ISBN 0-691-01895-2. 

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Copyrights:

American Theater Guide. The Oxford Companion to American Theatre. Copyright © 2004 by Oxford University Press, Inc. All rights reserved.  Read more
Music Encyclopedia. The Concise Grove Dictionary of Music. Copyright © 1994 by Oxford University Press, Inc.. All rights reserved.  Read more
Columbia Encyclopedia. The Columbia Electronic Encyclopedia, Sixth Edition Copyright © 2003, Columbia University Press. Licensed from Columbia University Press. All rights reserved. www.cc.columbia.edu/cu/cup/ Read more
Dictionary. The American Heritage® Dictionary of the English Language, Fourth Edition Copyright © 2007, 2000 by Houghton Mifflin Company. Updated in 2007. Published by Houghton Mifflin Company. All rights reserved.  Read more
Wikipedia. This article is licensed under the Creative Commons Attribution/Share-Alike License. It uses material from the Wikipedia article "Francesca da Rimini" Read more