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Francisco Asenjo Barbieri

(b Madrid, 3 Aug 1823; d there, 17 Feb 1894). Spanish composer and musicologist. From 1850 he concentrated on the zarzuela, writing more than 60 and infusing them with Spanish folk music; a few, such as Pan y toros (1864), El barberillo de Lavapiés (1874) and Jugar con fuego (1851), are still among the most popular. He was also important as a bibliophile, assembling the richest music library in Spain and publishing transcriptions of 15th- and 16th-century Spanish manuscripts.



 
 
Wikipedia: Francisco Asenjo Barbieri

Francisco Asenjo Barbieri (August 3, 1823February 19, 1894) was a well-known composer of the popular Spanish opera form, zarzuela. His works include: El barberillo de Lavapiés, Jugar con fuego, Pan y toros, Los diamantes de la corona, and El Diablo en el poder.

He was born and died in Madrid, appropriately, since the themes are characters of his operas are often distinctly Spanish and Madrileñan. Among the characters featured by Barbieri are bullfighters, manolos and manolas, and even (in Pan y toros) the famous Spanish painter, Francisco Goya.

The character of much of Barbieri’s work is farcical, utilizing mistaken identity and other devices to entertain the audience. His themes deal largely with the ins and outs of love, and the relations between the upper and lower classes in nineteenth-century Spain, but there is also a distinct political character to much of his work. The zarzuelas Barberillo and Pan both contain plots to overthrow the government.

In addition to his compositions, Barbieri was also an accomplished musician. He was the founder of La España Musical (a society for the promotion of Spanish operetta) and the Society for Orchestral Music.

References

  • Webber, Christopher. The Zarzuela Companion. Lanham, MD: Scarecrow, 2002.

 
 

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