For more information on Frank O'Connor, visit Britannica.com.
| Britannica Concise Encyclopedia: Frank O'Connor |
For more information on Frank O'Connor, visit Britannica.com.
| Irish Literature Companion: Frank O'Connor |
O'Connor, Frank (pseudonym of Michael O'Donovan) (1903-1966), short-story writer, translator, and novelist. Born in Cork, he was raised in poverty by his mother largely in the absence of his father, a British soldier and Irish nationalist. O'Connor's formal education ended at 12, but thereafter he read voraciously, encouraged by Daniel Corkery, who directed him to Russian fiction, Gaelic poetry, and nationalism. During the Civil War O'Connor took the Republican side and was interned in Gormanstown in 1923. The romantic idealism of the struggle for independence coupled with the barbarism of guerilla warfare and a general sense of betrayal shaped two of his most powerful books: his first volume of short stories, Guests of the Nation (1931), and the highly partisan study of Michael Collins, The Big Fellow (1937). After his release O'Connor became a librarian and quickly established himself as a disruptive presence in Dublin literary circles. He came under the influence of W. B. Yeats, with whom he established the Irish Academy of Letters in order to oppose censorship. Guests of the Nation was followed by a novel, The Saint and Mary Kate (1932), and The Wild Bird's Nest (1932), a volume of translations from the Irish published by the Cuala Press from which Yeats happily adapted material as the need arose. The genial but detached narrator of O'Connor's short stories emerged in a second collection, Bones of Contention (1936), while the poems in Three Old Brothers (1936) were more stilted and mannered. In the Train (1937) and Moses' Rock (1938) were written for the Abbey Theatre, which he served as a director 1935-9. In 1939 O'Connor married the Welsh actress Evelyn Bowen, and settled in Woodenbridge, Co. Wicklow. Crab Apple Jelly (1944) focuses on the frustrations and repressions of respectable middle-class Ireland in tales such as ‘The Lucys’ and ‘The Mad Lomasneys’. Much of his best work in the 1940s was banned under the Censorship Act as indecent, notably the novel Dutch Interior (1940) and a vigorous translation of Brian Merriman's Cúirt an Mheán-Oíche, as The Midnight Court (1945). Also proscribed were two volumes of short stories: The Common Chord (1947), a collection focused on the theme of love, and Traveller's Samples (1951). In 1951 he was invited to lecture in the USA, and there he married Harriet Rich. Out of his university teaching in America grew three critical works: The Mirror in the Roadway (1956), a study of the novel; The Lonely Voice, an analysis of the short story (1962); and The Backward Look (1967), a history of Irish literature from the earliest times. His attachment to Gaelic poetic tradition culminated in the collection of translations, Kings, Lords and Commons (1959).
Bibliography
James Matthews, Voices: A Life of Frank O'Connor (1983).
| Columbia Encyclopedia: Frank O'Connor |
Bibliography
See his autobiography, An Only Child (1961); biography by J. McKeon (1999).
| Director: Frank O'Connor |
| Filmography: Frank O'Connor |
| Wikipedia: Frank O'Connor |
| Frank O'Connor | |
|---|---|
| Born | Michael Francis O'Connor O'Donovan 17 September 1903 Cork City, Ireland |
| Died | 10 March 1966 (aged 62) Dublin, Ireland |
| Occupation | Short story writer, playwright |
| Nationality | Irish |
|
Influences
|
|
|
Influenced
|
|
Frank O’Connor (born Michael Francis O'Connor O'Donovan) (17 September 1903 – 10 March 1966) was an Irish author of over 150 works, who was best known for his short stories and memoirs.
Contents |
Raised an only child in Cork, Ireland, to Minnie O'Connor and Michael O'Donovan, O'Connor's early life was marked by his father's alcoholism, indebtness and ill-treatment of his mother. O'Connor's childhood was shaped in part by his mother, who supplied much of the family's income because his father was unable to keep steady employment due to his drunkenness.He was in the balloon making industry.
In 1918 O'Connor joined the First Brigade of the Irish Republican Army and served in combat during the Irish War of Independence. He opposed the Anglo-Irish Treaty of 1921 and joined the Anti-Treaty IRA during the Irish Civil War, working in a small propaganda unit in Cork City. He was one of twelve thousand Anti-Treaty combatants who were interned by the government of the new Irish Free State, O'Connor's imprisonment being in Gormanston, County Meath between 1922 and 1923.
Following his release, O'Connor took various positions including that of Irish teacher, theatre director, and librarian. In 1935, O'Connor became a member of the Board of Directors of the Abbey Theatre in Dublin, founded by William Butler Yeats and other members of the Irish National Theatre Society.[1] In 1937, he became managing director of the Abbey. Following Yeats's death in 1939, O'Connor's long-standing conflict with other board members came to a head and he left the Abbey later that year.[2] In 1950, he accepted invitations to teach in the United States, where many of his short stories had been published in The New Yorker and won great acclaim.[3]
Frank O'Connor had a stroke while teaching at Stanford University in 1961, and later died from a heart attack in Dublin, Ireland on 10 March 1966. He was buried in Deans Grange Cemetery on 12 March 1966.[4]
O'Connor was perhaps Ireland's most complete man of letters, best known for his varied and comprehensive short stories but also for his work as a literary critic, essayist, travel writer, translator and biographer.[5] He was also a novelist, poet and dramatist.[6]
From the 1930s to the 1960s he was a prolific writer of short stories, poems, plays, and novellas. His work as an Irish teacher complemented his plethora of translations into English of Irish poetry, including his initially banned translation of Brian Merriman's Cúirt an Mheán Oíche ("The Midnight Court"). Many of O'Connor's writings were based on his own life experiences — his character Larry Delaney in particular. O'Connor's experiences in the Irish War of Independence and the Irish Civil War are reflected in The Big Fellow, his biography of Irish revolutionary leader Michael Collins, published in 1937, and one of his best-known short stories, Guests of the Nation (1931), published in various forms during O'Connor's lifetime and included in Frank O'Connor — Collected Stories, published in 1981.
O'Connor's early years are recounted in An Only Child, a memoir published in 1961 which has the immediacy of a precocious diary. U.S. President John F. Kennedy remarked anecdotally from An Only Child at the conclusion of his speech at the dedication of the Aerospace Medical Health Center in San Antonio on November 21, 1963: "Frank O'Connor, the Irish writer, tells in one of his books how, as a boy, he and his friends would make their way across the countryside, and when they came to an orchard wall that seemed too high and too doubtful to try and too difficult to permit their voyage to continue, they took off their hats and tossed them over the wall--and then they had no choice but to follow them. This nation has tossed its cap over the wall of space and we have no choice but to follow it."[7]
O'Connor continued his autobiography through his time with the Abbey Theatre in Dublin, which ended in 1939, in his book, My Father's Son, which was published in 1968, after O'Connor's death.
Neil Jordan's award winning film The Crying Game was inspired in part by O'Connor's short story, Guests of the Nation. The story is set during the Irish War of Independence and chronicles the doomed friendship between the members of an I.R.A. unit and the two British Army hostages whom they are guarding.
Incomplete - to be updated
This entry is from Wikipedia, the leading user-contributed encyclopedia. It may not have been reviewed by professional editors (see full disclaimer)
| Guests of the Nation | |
| Dutch Interior | |
| Little Miss No-Account (1918 Film) |
| Who was the protagonist in The Drunkard by Frank O'Connor? | |
| Judas by frank o'Connor? | |
| What is the theme of 'Your Oedipus Complex' by Frank O'Connor? |
Copyrights:
![]() | Britannica Concise Encyclopedia. Britannica Concise Encyclopedia. © 2006 Encyclopædia Britannica, Inc. All rights reserved. Read more | |
![]() | Irish Literature Companion. The Concise Oxford Companion to Irish Literature. Copyright © 1996, 2000, 2003 by Oxford University Press. All rights reserved. Read more | |
![]() | Columbia Encyclopedia. The Columbia Electronic Encyclopedia, Sixth Edition Copyright © 2003, Columbia University Press. Licensed from Columbia University Press. All rights reserved. www.cc.columbia.edu/cu/cup/. Read more | |
![]() | Director. Copyright © 2009 All Media Guide, LLC. All rights reserved. Read more | |
![]() | Wikipedia. This article is licensed under the Creative Commons Attribution/Share-Alike License. It uses material from the Wikipedia article "Frank O'Connor". Read more |
Mentioned in