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Frank Silvera

 
Actor: Frank Silvera
  • Born: Jul 24, 1914 in Kingston, Jamaica
  • Died: Jun 11, 1970 in Pasadena, California
  • Occupation: Actor
  • Active: '50s-'60s
  • Major Genres: Drama, Western
  • Career Highlights: Uptight, Killer's Kiss, The Miracle of Our Lady of Fatima
  • First Major Screen Credit: The Fighter (1952)

Biography

Jamaican-born Frank Silvera attended Northeastern Law School before inaugurating his acting career. One of the few black actors of the 1950s who was able to avoid being typecast by the color of his skin, Silvera played a wide variety of ethnic types, from Latin to Middle Eastern to Oriental. He made his film bow in 1952's Viva Zapata, and shortly thereafter was prominently cast in two of Stanley Kubrick's seminal films, Fear and Desire (1953) and Killer's Kiss (1955). Silvera was founder of The Theatre of Being, which was devoted to helping young African-American actors get started in show business; he also directed several stage plays in New York and Los Angeles. Frank Silvera was electrocuted in his home at the age of 56, while trying to repair an electrical appliance. At the time of his death, he was a regular on the TV series The High Chapparal. ~ Hal Erickson, All Movie Guide
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Frank Silvera (July 24, 1914June 11, 1970) was an American actor and theatrical director.

Jamaican-born, he attended Northeastern Law School before becoming an actor after studying his craft at the Actors Studio.

As a light-skinned African American, Silvera escaped the professional ghetto many black actors found themselves in during the 1950s and 1960s. Because of his appearance, and possibly because of his surname (which connoted a Portuguese Jewish heritage), Silvera was cast in a wide variety of ethnic roles in film, and was cast without regards to his color in the theater. He played the father of Ben Gazzara and Anthony Franciosa on Broadway in Micahel V. Gazzo's A Hatful of Rain (a role portrayed by Lloyd Nolan on screen). Until the 1960s, Silvera played "white" characters on Broadway, such as his Tony-nominated performance as the father Monsieur Duval in The Lady of the The Camelias in 1963. He threw off color-blind casting in 1965, when he financed his own production of The Amen Corner by the great African American writer James Baldwin. He was the Founder of "The Theatre of Being", a Los Angeles-based theater dedicated to helping black actors get a foothold in show business. He also appeared in the episode of The Twilight Zone "Person or Persons Unknown".

In films and on television, he was also cast without regards to his color, though mostly as Latinos, even appearing as a Polynesian in the 1962 version of Mutiny on the Bounty that starred Marlon Brando, with whom Silvera co-starred in Viva Zapata!, One-Eyed Jacks and The Appaloosa as Mexican characters. He appeared in two Stanley Kubrick-directed films, Fear and Desire (1953) and Killer's Kiss (1955) as either "white" or racially indeterminate (his "race" didn't matter as B+W film stock didn't register his "race" -- just the actor and his performance). In 1960, he guest starred in the episode "Music to Hurt By" in James Whitmore's The Law and Mr. Jones legal drama on ABC.

At a lecture at the University of Maryland (ca 1971), while appearing in a production of King Lear, he told of his attempt to get a part in a TV drama as a black elevator operator. The producer rejected him as being too light-skinned. He left the producer's office, then returned. "Am I light enough to play one of the white parts?" He got the job.

Frank Silvera was accidentally electrocuted in his home at the age of fifty-six while he was attempting to repair an electrical appliance. At the time of his death, he was appearing on the NBC western series, The High Chaparral as the Mexican squire Don Sebastian Montoya.

Frank appears in the well respected Hombre(1967) based on the Elmore Leonard novel. Silvera's Mexican bandit has some excellent verbal and other crossfire with star Paul Newman. Many film fans mistake Silvera's portrayal for that of Eli Wallach.


In 1973, Morgan Freeman, director/actress Billie Allen and journalist Clayton Riley honored Sivera and his efforts to support African American actors and playwrights by co-founding the Frank Silvera Writer's Workshop Foundation, Inc. The organization still sponsors promising African American playwrights. In 2005, the workshop was among 406 New York City arts and social service institutions to receive part of a $20 million grant from the Carnegie Corporation, which was made possible through a donation by New York City mayor Michael Bloomberg. [1] [2]

External links

Workshop Foundation, Inc.


 
 

 

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