Died: Jul 02, 1989 in Santa Monica, Los Angeles, California
Occupation: Director, Actor
Active: '50s-'80s
Major Genres: Drama, Adventure
Career Highlights: Planet of the Apes, Patton, The Boys From Brazil
First Major Screen Credit: Studio One: The Man Who Had Influence (1950)
Biography
Born in Japan to American Protestant missionaries, director Franklin J. Schaffner first set foot on American soil at age five. After spending his childhood in Lancaster, Pennsylvania, Schaffner studied pre-law at Franklin and Marshall College, then moved on to Columbia University's law school. After World War II navy service, Schaffner decided to abandon law; virtually by a fluke, he received an assistant director's job with the March of Time, a filmed news service. From there Schaffner went to CBS' news, sports and public affairs department. Producer Worthington Miner took note of some of the documentaries Schaffner had assembled at CBS, and put the young director in charge of the fledgling TV network's dramatic department. Among Schaffner's TV directorial credits were such top-level anthologies as Studio One, Playhouse 90 and DuPont Show of the Month. Hollywood producer Jerry Wald was impressed by Schaffner's TV output and hired the director to helm the 1963 film The Stripper. The following year, Schaffner directed the film he personally considered his finest: The Best Man (1964), which won several awards (but not the Oscar it deserved). Schaffner's first big-budget project was The Warlord (1965); the director later credited this period epic with sparking his fascination with different cultures. One couldn't find a culture more different than the simian society of Planet of the Apes (1968), a film that Schaffner was engaged to direct after Blake Edwards pulled out. The box-office success of Planet prompted 20th Century-Fox to assign Schaffner another potential blockbuster, the Oscar-winning Patton (1970). It is at this point that Schaffner's Hollywood career truly peaked; with the exception of such films as Papillon (1973), most of the director's subsequent projects were of diminishing quality. By 1982, a weary Schaffner was trying to make a workable film out of the Luciano Pavoratti disaster Yes, Giorgio. Just before his death in 1989, Franklin Schaffner returned to the small, intimate type of film with which he began his career with the uneven but occasionally worthwhile Welcome Home. ~ Hal Erickson, All Movie Guide
Returning home after the war, he found work in the television industry with March of Time and then joined the CBS network. He won directing Emmys for his work on the original 1954 CBS teleplay, Twelve Angry Men. Schaffner earned two more Emmy awards for his work on the 1955 TV adaptation of the Broadway play, The Caine Mutiny Court Martial, shown on the anthology series Ford Star Jubilee. He won his fourth Emmy Award for his work on the series, The Defenders.
Schaffner was elected President of the Directors Guild of America in 1987.
Personal life
Schaffner married Helen Jane Gilchrist in 1948. The couple had two children, Jennie and Kate.
Schaffner died on July 2, 1989 at the age of 69. He was released 10 days before his death from a hospital where he was being treated for lung cancer. Obituaries stated he died of cancer.
Critical perception
Screenwriter William Goldman identified Schaffner in 1981 as being one of the three best directors (then living) at handling 'scope' (epicness) in films. The other two were David Lean and Richard Attenborough.[1]