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František Drtikol

 
Art Encyclopedia: Frantisek Drtikol

(b Pr?bram, 3 March 1883; d Prague, 13 Jan 1961). Bohemian photographer and painter. He wanted to become a painter, but his father insisted on a more secure future and made him train as a photographer at the studio of Anton?n Matas in Pr?bram. In 1901 he took a two-year course at the Lehr- und Versuchsanstalt f?r Photographie in Munich. At that time the city was an important centre of Jugendstil. He was successful in his studies, and upon finishing he won the first prize. He then worked in the professional studios of T. Schumann in Karlsruhe, Albert B?se in Chur, Switzerland, and Josef Faix in Prague. In 1907, after three years of military service, he founded his own studio in Pr?bram. It was not, however, a commercial success, and in 1910 he moved to Prague and established a studio in Vodickova Street, specializing in portrait photography. He made excellent portraits of prominent politicians and cultural figures. In 1911 he published a portfolio of oleo (oil pigment) prints, Z dvorku a dvorecku star? Prahy. Drtikol's own creative work in his Prague studio, with which he came to prominence, was devoted to the female nude. At first, these were influenced by Jugendstil, but later he adopted a style more related to Art Deco, the former voluptuousness of the female body's curves giving way to almost geometrical compositions in which the same curves formed a part of geometrical patterns, more simplified and even distorted, in a variety of artistic experiments that even approached Constructivism. As he grew more and more interested in the mystical, his photographs became more stylized, and in the 1930s he finally substituted plywood figures in order to achieve the forms, shapes and positions required. He referred to this work as 'Photopurism

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Photography Encyclopedia: František Drtikol
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Drtikol, František (1883-1961), Czech photographer, painter, and mystic who studied photography at Munich's Lehr-und Versuchsanstalt für Photographie 1901-3. In 1910, after military service, and jobs in various Munich studios, he opened a studio in Prague in partnership with Augustin Skarda. Here he made acclaimed portraits of leading writers and artists, a series on early aviators, and Art Nouveau pictorialist rhythmic studies, sold through the Artel Cooperative. The studio was also used for the development of Drtikol's best-known work, his experimental nudes, which achieved a transition from Jugendstil to modernist, Bauhaus aesthetics, by using strong lighting contrasts with graphic, geometrically shaped sets and props. They were published as Žena ve Svetle (1930), now recognized as one of the classic books of photographic nudes.

Drtikol abruptly gave up the studio and photography in 1935 to study painting, meditation, and Oriental philosophy. Astonishingly, although he was probably the first Czech photographer to achieve world renown, there was no solo exhibition of his work in his lifetime. However, it was brought to light again in an exhibition organized by Anna Fárová in Prague in 1972.

— Robert Ashby

Bibliography

  • Fárová, A., František Drtikol: Photograph des Art Deco, introd. M. Heiting (1993).
  • František Drtikol: fotograf, malir, mystik (1998)
Wikipedia: František Drtikol
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František Drtikol (3 March 1883, Příbram – 13 January 1961, Prague) was a Czech photographer of international renown. He is especially known for his characteristically epic photographs, often nudes and portraits.

Life and work

From 1907 to 1910 he had his own studio, until 1935 he operated an important portrait photostudio in Prague on the fourth floor of one of Prague's remarkable buildings, a Baroque corner house at 9 Vodičkova, now demolished. Drtikol made many portraits of very important people and nudes which show development from pictorialism and symbolism to modern composite pictures of the nude body with geometric decorations and thrown shadows, where it is possible to find a number of parallels with the avant-garde works of the period. These are reminiscent of Cubism, and at the same time his nudes suggest the kind of movement that was characteristic of the futurism aesthetic.

He began using paper cut-outs in a period he called "photopurism". These photographs resembled silhouettes of the human form. Later he gave up photography and concentrated on painting. After the studio was sold Drtikol focused mainly on painting, Buddhist religious and philosophical systems. In the final stage of his photographic work Drtikol created compositions of little carved figures, with elongated shapes, symbolically expressing various themes from Buddhism. In the 1920s and 1930s, he received significant awards at international photo salons. Drtikol has published:

  • "Le nus de Drtikol" (1929)
  • Žena ve světle (Woman in the Light)

Sources

  • Anna Fárová: "František Drtikol.Photograph des Art Deco", 1986.
  • Vladimír Birgus: "Drtikol. Modernist Nudes", 1997.
  • Vladimír Birgus and Jan Mlčoch: "Akt in Czech Photography", 2001.
  • Alessandro Bertolotti: "Books of nudes", 2007.

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Art Encyclopedia. The Concise Grove Dictionary of Art. Copyright © 2002 by Oxford University Press, Inc.. All rights reserved.  Read more
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