A superior soloist, accompanist, and interpreter of ballads, Fred Hersch started playing piano when he was four. He moved to New York in 1977 and worked as a sideman with many players including Stan Getz, Joe Henderson, Toots Thielemans, Art Farmer, Jane Ira Bloom, Eddie Daniels, and Janis Siegel, in addition to leading his own groups. During 1980-1986, he taught at the New England Conservatory and became part of the faculty at the New School. In addition, Hersch has recorded extensively as a leader, including for Sunnyside, Concord, Angel/EMI, Red, and Chesky, issuing Songs We Know in 1998. Songs Without Words followed three years later. Since that time, Hersch has remained quite active, releasing a bevy of albums including the three-disc Songs Without Words in 2001, the ambitious Walt Whitman-inspired project Leaves of Grass in 2005, and Night & the Music in 2007. In 2009, Live at Jazz Standard appeared on Sunnyside, billed under the Fred Hersch Pocket Orchestra, as did the solo bossa nova-themed effort Fred Hersch Plays Jobim. ~ Scott Yanow, All Music Guide
Hersch began playing piano at a very young age, growing up in the North Avondale neighborhood of Cincinnati, Ohio. He also had an early interest in mandolin. By age 12, Fred had written his first symphony. He studied at Grinnell College in the mid 1970s and began playing in jazz clubs in Cincinnati. He later graduated from New England Conservatory of Music in Boston. His teachers included Sophia Rosoff. He moved to New York City in the late 1970s where he soon found a place playing with artists including Stan Getz, Joe Henderson, Lee Konitz, Art Farmer, and Charlie Haden.
Hersch soon began recording his own records and composing music. Like a number of jazz pianists who have come of age over the past 20 years, he is strongly influenced by the work of Bill Evans, though Hersch has also been at pains to distance himself from Evans' influence. Although Hersch has played in a number of different instrumental combinations, he also plays as a solo performer, and many of his albums--such as Live at the Bimhuis (2005)--are solo recitals. In 2006 he was invited by club owner Lorraine Gordon to perform the first-ever solo piano booking at the legendary Village Vanguard jazz club in New York City.
Hersch's also works as a vocal accompanist and has recently recorded duo work with Jay Clayton, Nancy King, and Karin Oberlin.
In 1986 he was diagnosed with HIV.[1] Since then, Hersch has campaigned and performed for several AIDS-related charities and causes. Along with Gary Burton and Andy Bey, Hersch is one of the few openly gay jazz musicians.[1]