Futurism

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A term coined by the Italian poet Filippo Tommaso Marinetti (1876 - 1944), Futurism emphasized discarding the static and irrelevant art of the past. It celebrated change, originality, and innovation in culture and society and glorified the new technology of the twentieth century, with emphasis on dynamism, speed, energy, and power. Russian Futurism, founded by Velimir Khlebnikov (1885 - 1922), a poet and a mystic, and Vladimir Mayakovsky (1893 - 1930), the leading poet of Russian Revolution of 1917 and of the early Soviet period, went beyond its Italian model with a focus on a revolutionary social and political outlook. In 1912 the Russian Futurists issued the manifesto "A Slap in the Face of Public Taste" that advocated the ideas of Italian futurism and attacked Alexander Pushkin, Fyodor Dostoyevsky, and Leo Tolstoy. With the Revolution of 1917, the Russian Futurists attempted to dominate postrevolutionary culture in hopes of creating a new art integrating all aspects of daily life within a vision of total world transformation; artists would respond to a call to transcend and remake reality through a revolutionized aesthetic, to break down the barriers that had heretofore alienated the old art and the old reality. Russian Futurism argued that art, by eliciting predetermined emotions, could organize the will of the masses for action toward desired goals. In 1923 Mayakovsky cofounded with Osip Brik the Dadaistic journal LEF. Soviet avant-garde architects led by Nikolai Ladovsky were also highly influenced by Futurism and the theory that humanity's "world understanding" becomes a driving force determining human action only when it is fused with world-perception, defined as "the sum of man's emotional values created by sympathy or revulsion, friendship or animosity, joy or sorrow, fear or courage." Only by sensing the world through the "feeling of matter" could one understand, and thus be driven to change, the world. The Futurists were initially favored by Anatoly Lunacharsky, the Soviet commissar of education, and obtained important cultural posts. But by 1930 they had lost influence within the government and within most of the literary community.

Bibliography

Janecek, Gerald. (1996). Zaum: The Transrational Poetry of Russian Futurism. San Diego, CA: San Diego State University Press.

Markov, Vladimir. (1968). Russian Futurism: A History. Berkeley: University of California Press.

—HUGH D. HUDSON JR.