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Gabriela Mistral

 
Gabriela Mistral
Gabriela Mistral, 1941.
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Gabriela Mistral, 1941. (credit: Library of Congress, Washington, D.C.)
(born April 7, 1889, Vicuña, Chile — died Jan. 10, 1957, Hempstead, N.Y., U.S.) Chilean poet. Mistral combined writing with a career as a cultural minister and diplomat and as a professor in the U.S. Her reputation as a poet was established in 1914 when she won a prize for three "Sonnets of Death." Her passionate lyrics, with love of children and of the downtrodden as principal themes, are collected in such volumes as Desolation (1922), Destruction (1938), and The Wine Press (1954). In 1945 she became the first Latin American to win the Nobel Prize for Literature.

For more information on Gabriela Mistral, visit Britannica.com.

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Biography:

Gabriela Mistral

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Gabriela Mistral (1889-1957) was a Chilean poet and educator. Her poetry earned her the Nobel Prize for literature in 1945.

Gabriela Mistral was born Lucila Godoy Alcaya on April 6, 1889, at Vicuña, a small town in northern Chile. Her parents were schoolteachers, but her father abandoned the family when she was 3. Tutored by her mother and a stepsister, also a teacher, she began instructing in 1904, achieving success in numerous high schools. In 1922 the Mexican minister of education, José Vasconcelos, invited her to assist in his reform program, and the apex of this career came the following year, when she was awarded the Chilean title "Teacher of the Nation." In 1925 she retired but remained active.

Gabriela Mistral devoted much time to diplomatic activity, serving as honorary consul at Madrid, Lisbon, Nice, in Brazil, and at Los Angeles. She also served as a representative to the League of Nations and the United Nations. In fulfillment of these responsibilities, she visited nearly every major country in Europe and Latin America. She also continued her early literary pursuits.

First literary recognition came in 1914 with Sonnets on Death (Sonnets de la muerte). The suicide in 1909 of her first love occasioned the poem, and shortly afterward her second love married someone else, causing her early poetry to reflect personal anguish.

In 1922 Gabriela Mistral's first book, Desolation (Desolación), a collection of poems previously published in newspapers and magazines, was released through the efforts of Federico de Onís, Director of the Hispanic Institute of New York. Motherhood, religion, nature, morality, and love of children are present with an overriding theme of personal sorrow. Thus, her international reputation was established, and critics marked her poetry - direct and simple without adornment - as a turn from modernism in Latin America.

Two years later her second book, Tenderness (Ternura), appeared; it contained some of the poems from Desolation and several new ones. Fourteen years passed before the next, Felling (Tala), appeared. It was much happier in tone, containing among other themes American scenes, "lullabies" for children, and a metaphysical acceptance of death - all written in a much more polished style than that of the works previously noted.

Her last book, Wine Press (Lagar), in 1954, dealt with most of the subjects previously treated but in a different manner. The winning of the Nobel Prize for literature in 1945 did not assuage the loss by suicide of her nephew, adopted and raised as her son, and of her good friends Stefan Zweig and his wife. Furthermore, by 1944 she had developed diabetes. The tone of much of her last poetry was that of one patiently awaiting death with complete faith in God.

Gabriela Mistral went to the United States for medical aid in 1946, living in various locales and, after her appointment to the United Nations, moving to Long Island. It was there that she died of cancer on Jan. 10, 1957.

Further Reading

Margot Arce de Vázquez, Gabriela Mistral: The Poet and Her Work, translated by Helene Masslo Anderson (1964), contains a portion on the life of the poet, and other biographical data are contained in her critical analysis of the works. Arturo Torres Rioseco, Gabriela Mistral (1962), presents a personal view of his friend of some 30 years. Additional biographical sketches in English appear in standard anthologies of Latin American literature.

Additional Sources

Castleman, William J., Beauty and the mission of the teacher: the life of Gabriela Mistral of Chile, teacher, poetess, friend of the helpless, Nobel laureate, Smithtown, N.Y.: Exposition Press, 1982.

Gazarian-Gautier, Marie-Lise, Gabriela Mistral, the teacher from the Valley of Elqui, Chicago: Franciscan Herald Press, 1975.

 
Columbia Encyclopedia:

Gabriela Mistral

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Mistral, Gabriela (gäbrēā'lä mēsträl'), 1889-1957, Chilean poet whose original name was Lucila Godoy Alcayaga. She was a teacher in and director of rural schools in Chile before she attained wider acclaim as an educator. Mistral was noted for her revision of the Mexican school system under José Vasconcelos. Subsequently, she served as Chilean consul in various European and Latin American cities and represented her country at the League of Nations and the United Nations. The mystery of childbearing, the sorrow of a tragic love, and a burning desire for justice are recurrent themes of her fluent and lyric verse. The early Sonetos de la muerte [sonnets of death] (1915) is considered one of her finest achievements. Desolación (1922), Tala (1938), and Lagar (1954) are three of her major volumes. Selected Poems, translated by Langston Hughes, was published in 1957. In 1945, Mistral received the Nobel Prize in Literature, the first Latin American to be so honored.

Bibliography

See studies by M. C. Preston (1964) and M. C. Taylor (1968).

Wikipedia:

Gabriela Mistral

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Gabriela Mistral

Born Lucila de María del Perpetuo Socorro Godoy Alcayaga
April 7, 1889(1889-04-07)
Vicuña, Chile
Died January 10, 1957 (aged 67)
Hempstead, New York, USA
Occupation Poet, Diplomat, Educator, Feminist
Nationality Chilean
Writing period 1922-1957
Notable award(s) Nobel Prize in Literature
1945

Gabriela Mistral (April 7, 1889 — January 10, 1957) was the pseudonym of Lucila de María del Perpetuo Socorro Godoy Alcayaga, a Chilean poet, educator, diplomat, and feminist who was the first Latin American to win the Nobel Prize in Literature, in 1945. Some central themes in her poems are nature, betrayal, love, a mother's love, sorrow and recovery, travel, and Latin American identity as formed from a mixture of Native American and European influences. Gabriela Mistral was of Basque and Amerindian descent.[1]

Contents

Early life

Mistral was born in Vicuña, Chile, but was raised in the small Andean village of Montegrande, where she attended the Primary school taught by her older sister, Emelina Molina. She respected her sister greatly. Her father, Juan Gerónimo Godoy Villanueva, was also a schoolteacher. He abandoned the family before she was three years old, and died, long since estranged from the family, in 1911. Throughout her early years she was never far from poverty. By age fifteen, she was supporting herself and her mother, Petronila Alcayaga, a seamstress, by working as a teacher's aide in the seaside town of Compañia Baja, near La Serena, Chile.

In 1904 Mistral published some early poems, such as Ensoñaciones, Carta Íntima ("Intimate Letter") and Junto al Mar, in the local newspaper El Coquimbo: Diario Radical, and La Voz de Elqui using a range of pseudonyms and variations on her civil name.

Perhaps as early as 1900, while living with her sister and mother in the Valle de Elqui, or as late as 1906, while working as a teacher, Mistral met Romelio Ureta, a railway worker, who killed himself in 1909. The profound effects of death were already in the poet's work; writing about his suicide led the poet to consider death and life more broadly than previous generations of Latin American poets. While Mistral had passionate friendships with various men and women, and these impacted her writings, she was secretive about her emotional life.

An important moment of formal recognition came on December 22, 1914, when Mistral was awarded first prize in a national literary contest Juegos Florales in Santiago, with the work Sonetos de la Muerte (Sonnets of Death). She had been using the pen name Gabriela Mistral since June 1908 for much of her writing. After winning the Juegos Florales she infrequently used her given name of Lucila Godoy for her publications. She formed her pseudonym from the two of her favorite poets, Gabriele D'Annunzio and Frédéric Mistral or, as another story has it, from a composite of the Archangel Gabriel and the Mistral wind of Provence.

Career as an educator

Mistral's meteoric rise in Chile's national school system plays out against the complex politics of Chile in the first two decades of the 20th century. In her adolescence, the need for teachers was so great, and the number of trained teachers was so small, especially in the rural areas, that anyone who was willing could find work as a teacher. Access to good schools was difficult, however, and the young woman lacked the political and social connections necessary to attend the Normal School: She was turned down, without explanation, in 1907. She later identified the obstacle to her entry as the school's chaplain, Father Ignacio Munizaga, who was aware of her publications in the local newspapers, her advocacy of liberalizing education and giving greater access to the schools to all social classes.

Although her formal education had ended by 1900, she was able to get work as a teacher thanks to her older sister, Emelina, who had likewise begun as a teacher's aide and was responsible for much of the poet's early education. The poet was able to rise from one post to another because of her publications in local and national newspapers and magazines. Her willingness to move was also a factor. Between the years 1906 and 1912 she had taught, successively, in three schools near La Serena, then in Barrancas, then Traiguen in 1910, in Antofagasta, Chile in the desert north, in 1911. By 1912 she had moved to work in a liceo, or high school, in Los Andes, where she stayed for six years and often visited Santiago. In 1918 Pedro Aguirre Cerda, then Minister of Education, and a future president of Chile, appointed her to direct a liceo in Punta Arenas. She moved on to Temuco in 1920, then to Santiago, where in 1921, she defeated a candidate connected with the Radical Party, Josefina Dey del Castillo to be named director of Santiago's Liceo #6, the newest and most prestigious girls' school in Chile.

Controversies over the nomination of Gabriela Mistral to the highly coveted post in Santiago were among the factors that made her decide to accept an invitation to work in Mexico in 1922, with that country's Minister of Education, José Vasconcelos. He had her join in the nation's plan to reform libraries and schools, to start a national education system. That year she published Desolación in New York, which further promoted the international acclaim she had already been receiving thanks to her journalism and public speaking. A year later she published Lecturas para Mujeres (Readings for Women), a text in prose and verse that celebrates Latin America from the broad, Americanist perspective developed in the wake of the Mexican Revolution.

Following almost two years in Mexico she traveled from Laredo, Texas to Washington D.C., where she addressed the Pan American Union, went on to New York, then toured Europe: In Madrid she published Ternura (Tenderness), a collection of lullabies and rondas written for an audience of children, parents, and other poets. In early 1925 she returned to Chile, where she formally retired from the nation's education system, and received a pension. It wasn't a moment too soon: The legislature had just agreed to the demands of the teachers union, headed by Mistral's lifelong rival, Amanda Labarca Hubertson, that only university-trained teachers should be given posts in the schools. The University of Chile had granted her the academic title of Spanish Professor in 1923, although her formal education ended before she was 12 years old. Her auto-didacticism was remarkable, a testimony to the flourishing culture of newspapers, magazines, and books in provincial Chile, as well as to her personal determination and verbal genius.

International work and recognition

Mistral's international stature made it highly unlikely that she would remain in Chile. In mid-1925 she was invited to represent Latin America in the newly formed Institute for Intellectual Cooperation of the League of Nations. With her relocation to France in early 1926 she was effectively an exile for the rest of her life. She made a living, at first, from journalism and then giving lectures in the United States and in Latin America, including Puerto Rico. She variously toured the Caribbean, Brazil, Uruguay, and Argentina, among other places.

Mistral lived primarily in France and Italy between 1926 and 1932. During these years she worked for the League for Intellectual Cooperation of the League of Nations, attending conferences of women and educators throughout Europe and occasionally in the Americas. She held a visiting professorship at Barnard College of Columbia University in 1930-1931, worked briefly at Middlebury College and Vassar College in 1931, and was warmly received at the University of Puerto Rico at Rio Piedras, where she variously gave conferences or wrote, in 1931, 1932, and 1933.

Like many Latin American artists and intellectuals, Mistral served as a consul from 1932 until her death, working in Naples, Madrid, Lisbon, Nice, Petrópolis, Los Angeles, Santa Barbara, Veracruz, Rapallo and Naples, and New York. As consul in Madrid, she had occasional professional interactions with another Chilean consul and Nobel Prize winner, Pablo Neruda, and she was among the earlier writers to recognize the importance and originality of his work, which she had known while he was a teenager and she was school director in his hometown of Temuco. Along with Neruda, Gabriela Mistral became a supporter of the Popular Front which led to the election of her long-time friend and patron, the Radical Pedro Aguirre Cerda in 1938.

She published hundreds of articles in magazines and newspapers throughout the Spanish-speaking world. Among her confidants were Eduardo Santos, President of Colombia, all of the elected Presidents of Chile from 1922 to her death in 1957, Eduardo Frei Montalva, Chilean elected president in 1964 and Eleanor Roosevelt.

The poet's second major volume of poetry, Tala, appeared in 1938, published in Buenos Aires with the help of longtime friend and correspondent Victoria Ocampo. The proceeds for the sale were devoted to children orphaned by the Spanish Civil War. This volume includes many poems celebrating the customs and folklore of Latin America as well as Mediterranean Europe. Mistral uniquely fuses these locales and concerns, a reflection of her identification as "una mestiza de vasco," her European Basque-Indigenous Amerindian background.

On August 14, 1943, Mistral's 17-year-old son, Juan Miguel Godoy, killed himself. The grief of this death, as well as her responses to tensions of World War II and then the Cold War in Europe and the Americas, are all reflected in the last volume of poetry published in her lifetime, Lagar, which appeared in a truncated form in 1954. A final volume of poetry, Poema de Chile, was edited posthumously by her friend Doris Dana and published in 1967. Poema de Chile describes the poet's return to Chile after death, in the company of an Indian boy from the Atacama desert and an Andean deer, the huemul. This collection of poetry anticipates the interests in objective description and re-vision of the epic tradition just then becoming evident among poets of the Americas, all of whom Mistral read carefully.

In November 15, 1945, Mistral became the first Latin American, and fifth woman, to receive the Nobel Prize in Literature. She received the award in person from King Gustav of Sweden on December 10, 1945. In 1947 she received a doctor honoris causa from Mills College, Oakland, California. In 1951 she was awarded the National Literature Prize in Chile.

Poor health somewhat slowed Mistral's traveling. During the last years of her life she made her home in the town of Roslyn, New York; in early January 1957 she transferred to Hempstead, New York, where she died from pancreatic cancer on January 10, 1957, aged 67. Her remains were returned to Chile nine days later. The Chilean government declared three days of national mourning, and hundreds of thousands of Chileans came to pay her their respects.

Some of Mistral's best known poems include Piececitos de Niño, Balada, Todas Íbamos a ser Reinas, La Oración de la Maestra, El Ángel Guardián, Decálogo del Artista and La Flor del Aire.

Work

  • Sonetos de la Muerte (1914)
  • Desolación (1922)
  • Lecturas para Mujeres (1923)
  • Ternura (1924)
  • Nubes Blancas y Breve Descripción de Chile (1934)
  • Tala (1938)
  • Antología (1941)
  • Lagar (1954)
  • Recados Contando a Chile (1957)
  • Poema de Chile (1967, published posthumously)
  • Mistral may be most widely quoted in English for Su Nombre es Hoy (His Name is Today):
“We are guilty of many errors and many faults, but our worst crime is abandoning the children, neglecting the fountain of life. Many of the things we need can wait. The child cannot. Right now is the time his bones are being formed, his blood is being made, and his senses are being developed. To him we cannot answer ‘Tomorrow,’ his name is today.”

See also

References

External links


 
 

 

Copyrights:

Britannica Concise Encyclopedia. Britannica Concise Encyclopedia. © 1994-2009 Encyclopædia Britannica, Inc. All rights reserved.  Read more
Biography. © 2006 through a partnership of Answers Corporation. All rights reserved.  Read more
Columbia Encyclopedia. The Columbia Electronic Encyclopedia, Sixth Edition Copyright © 2003, Columbia University Press. Licensed from Columbia University Press. All rights reserved. www.cc.columbia.edu/cu/cup/ Read more
Wikipedia. This article is licensed under the Creative Commons Attribution/Share-Alike License. It uses material from the Wikipedia article "Gabriela Mistral" Read more