(b Maiolati, 14 Nov 1774; d there, 24 Jan 1851). Italian composer and conductor. During his early career (1796-1802) he produced operas for Rome, Venice, Florence, Naples and Palermo with little success. Only in Paris (from 1803) and under the patronage of Joséphine did he gain public attention, notably with the triumphant première of his Gluckian tragédie lyrique La vestale (1807). Fernand Cortez, a spectacular historical pageant meant to glorify Napoleon, failed in its first version (1809) but won a place in the repertory when revised (1817). For two years (1810-12) he was an effective director of the Théâtre-Italien, though problems created by his proud and truculent personality led to his dismissal. His last tragédie lyrique for the Opéra, Olimpie (1819), was a colossal failure. In Berlin (1820-42), as Generalmusikdirektor, he was supported only by the king and came into conflict with Weber, while his complex and grandiose works were outpaced by the newer styles of Rossini and his arch rival Meyerbeer. His most important German opera was the last, Agnes von Hohenstaufen (1837), moving away from solo numbers to massive ensembles and a more continuous construction. His style in general however was a synthesis of newer French and Italian elements implanted into the traditional French framework, with triumphal processions, temple rituals and oath-swearings; a large part is played in his operas by calculated musical coups de théâtre.
works:
Dramatic music
- La vestale (1807)
- Fernand Cortez (1809, rev. 1817)
- Olimpie (1819), rev. as Olympia (1821)
- Nurmahal (1822)
- Agnes von Hohenstaufen (1829, rev. 1837)
- c 10 others
- 2 stage works
- contributions to other composers works
- occasional choral works
- sacred pieces
- songs, duets
- orch pieces
- marches for military band
- pf music





