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Georg Christoph Lichtenberg

 
German Literature Companion: Georg Christoph Lichtenberg

Lichtenberg, Georg Christoph (Oberramstadt, 1742-99, Göttingen), a pastor's son, was crippled by an accident in childhood. He studied mathematics and science at Göttingen University. After visiting England, where he attracted the attention of George III, he was appointed to an assistant professorship in physics at Göttingen in 1770. Lichtenberg visited England again in 1774-5, acquiring an interest in English life and art which was to find expression later in a comprehensive interpretation of Hogarth's engravings (Ausführliche Erklärung der Hogarthschen Kupferstiche, 14 instalments, 1794-1835, of which Lichtenberg was responsible for the first five, 1794-9). In 1775 he was appointed Professor Ordinarius at Göttingen, and he spent the remainder of his life there, though the pattern of his private affairs departed from the Göttingen norm; for he took Maria Dorothea Stechard, a 15-year-old girl, into his house as his mistress in 1780, and, after her death in 1782, replaced her with Margarete Kellner, whom he married in 1789.

Lichtenberg wrote no major creative works. His first important writing is a brilliant satire on Lavater's Physiognomische Fragmente, appearing under the title Über Physiognomik, wider die Physiognomen (1778). The famous parody Fragment von Schwänzen (1783) is also directed against Lavater, as is the earlier satire Von Konrad Photorin (1773). From 1778 Lichtenberg edited the Göttinger Taschenkalender and from 1780 the Göttingisches Magazin, in which Georg Forster collaborated. His aphorisms, which are his finest achievement, were scattered throughout these and other publications, until he systematically arranged them in volumes known (and by him at times referred to) as ‘Sudelbücher’. They were first published in Vermischte Schriften (9 vols.) in 1800-6 and became known as aphorisms only through A. Leitzmann at the beginning of the 20th c., though they rarely correspond to the usual definition of the term. They are equally notable for the dispassionate clarity with which they analyse and ironically spotlight foibles, muddle, and obscurantism, and for the simple, relaxed directness of their form. Lichtenberg's irony is directed against hypocrisy, false sentiment, pretentiousness, and emotional inflation, in whatever intellectual camp these are to be found. He is one of the sharpest intellects and finest prose writers of the 18th c.; that he has been somewhat neglected is partly because he wrote only in minor forms and partly because the correlation between the two cultures (arts and sciences), of which he was convinced, has been widely ignored until our own scientific age.

Lichtenberg's Gesammelte Werke (2 vols.), ed. W. Grenzmann, appeared in 1949, Aphorismen, Briefe, Satiren, ed. H. Nette, in 1948, Schriften und Briefe (6 vols.), ed. W. Promies, 1967-92, and an edition of correspondence, Briefwechsel (planned in 5 vols.), ed. U. Joost and A. Schöne, in 1983 ff.

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Philosophy Dictionary: Georg Cristoph Lichtenberg
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Lichtenberg, Georg Cristoph (1742-99) German scientist and philosopher. Lichtenberg was born near Darmstadt, the seventeenth child of a Protestant clergyman. Curvature of the spine affected him from childhood. He attended the university of Göttingen from 1763, and apart from brief travels, including visits to England, he remained there for the rest of his life, teaching mainly mathematics and physics. His philosophical reputation rests on his aphorisms, which he collected in notebooks throughout his adult life. Probably the most famous is his remark on Descartes's cogito, seized upon admiringly by later empiricists such as Mach: ‘We should say, “it thinks”, just as we say, “it thunders”. Even to say cogito is too much if we translate it with “I think”. To assume the “I”, to postulate it, is a practical need.’ Lichtenberg held the modern-sounding doctrine that the task of philosophy was not to resolve disputes such as that between realism and idealism, but to enable us to get beyond them. He also wrote that his entire philosophy was a correction of linguistic usage. Wittgenstein is known to have admired his work and adopted a similar aphoristic style. Some of his works are collected in The Lichtenberg Reader, trs. H. Mautner and H. Hatfield (1959).

 
Columbia Encyclopedia: Georg Christoph Lichtenberg
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Lichtenberg, Georg Christoph ('ôrkh krĭs'tôf lĭkh'tənbĕrk), 1742-99, German physicist and satirist. He taught at the Univ. of Göttingen, where his special field was electricity. Lichtenberg made several visits to England and was influenced by the satire of Swift and by the English theater. He satirized the pseudoscience of Lavater and attacked the Sturm und Drang writers. He also wrote witty commentaries on Hogarth's engravings.
Quotes By: Georg C. Lichtenberg
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Quotes:

"He was then in his fifty-fourth year, when even in the case of poets reason and passion begin to discuss a peace treaty and usually conclude it not very long afterwards."

"One is rarely an impulsive innovator after the age of sixty, but one can still be a very fine orderly and inventive thinker. One rarely procreates children at that age, but one is all the more skilled at educating those who have already been procreated, and education is procreation of another kind."

"It is in the gift for employing all the vicissitudes of life to one's own advantage and to that of one's craft that a large part of genius consists."

"Affectation is a very good word when someone does not wish to confess to what he would none the less like to believe of himself."

"Once the good man was dead, one wore his hat and another his sword as he had worn them, a third had himself barbered as he had, a fourth walked as he did, but the honest man that he was -- nobody any longer wanted to be that."

"If we make a couple of discoveries here and there we need not believe things will go on like this for ever. Just as we hit water when we dig in the earth, so we discover the incomprehensible sooner or later."

See more famous quotes by Georg C. Lichtenberg

Wikipedia: Georg Christoph Lichtenberg
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Georg Christoph Lichtenberg

Georg Christoph Lichtenberg
Born 1 July 1742(1742-07-01)
Ober-Ramstadt near Darmstadt, Hessen
Died 24 February 1799
Göttingen
Nationality German
Fields Scientist, satirist and aphorist

Georg Christoph Lichtenberg (1 July 1742 – 24 February 1799) was a German scientist, satirist and Anglophile. As a scientist, he was the first to hold a professorship explicitly dedicated to experimental physics in Germany. Today, he is remembered for his posthumous notebooks, which he himself called Sudelbücher, a description modeled on the English bookkeeping term "waste books",[1] and for his discovery of the strange treelike patterns now called Lichtenberg figures.

Contents

Life

Lichtenberg was the youngest of seventeen children of pastor Johann Conrad Lichtenberg. His father, ascending through the ranks of the church hierarchy, eventually became superintendent for Darmstadt. Unusually for a priest in those times, he seems to have possessed a fair amount of scientific knowledge. Georg Christoph Lichtenberg was educated at his parents' house until ten years of age, when he joined the Lateinschule in Darmstadt. His intelligence and wit became obvious at a very early age. He wanted to study mathematics, but his family could not afford to pay for lessons. In 1762 his mother applied to Ludwig VIII, Landgrave of Hesse-Darmstadt, who granted sufficient funds. In 1763, Lichtenberg entered Göttingen University, where in 1769 he became extraordinary professor of physics, and six years later ordinary professor. He held this post till his death.

Lichtenberg became a hunchback owing to a malformation of the spine. This left him unusually short, even by eighteenth-century standards. Over time this malformation grew worse, ultimately affecting even his breathing.

One of the first scientists to introduce experiments with apparatus in their lectures, Lichtenberg was a most popular and respected figure in the European intellectual circles of his time. He maintained good relations with most of the great figures of that era, including Goethe and Kant. In 1784 Alessandro Volta visited Göttingen especially to see the man and his experiments. The eminent mathematician Karl Friedrich Gauss was one of the hearers of his lectures. In 1793 he was elected a member of the Royal Society.

As a physicist, today he is remembered for his investigations in electricity, for discovering branching discharge patterns on dielectrics now called Lichtenberg figures. In 1777, he built a large electrophorus in order to generate static electricity through induction.[2] One of the largest ever made, it was 6 feet (2 m) in diameter and could produce 15 inch (38 cm) sparks. With it, he discovered the basic principle of modern Xerography copy machine technology. This discovery was also the forerunner of modern day Plasma Physics.[citation needed] By discharging a high voltage point near an insulator, he was able to record strange tree-like patterns in fixed dust. These Lichtenberg figures are considered today to be examples of fractals.

He was one of the first to introduce Benjamin Franklin's lightning rod to Germany by installing such devices to his house in Göttingen and his garden sheds. He also proposed the standardized paper size system used all over the world today (except in the US and Canada), known as ISO 216, which has A4 as the most commonly used size.[3]

Invited by his students, he visited England twice, from Easter to early summer 1770 and from August 1774 to Christmas 1775, where he was received cordially by George III and Queen Charlotte. He led the King through the royal observatory in Richmond, upon which the king proposed that he become professor of philosophy. He also met with participants of Cook's voyages. Great Britain impressed him, and he became a well-known Anglophile after the visits.

He had many romances. Most of the women were from poor families. In 1777 he met Maria Stechard, then aged 13, who lived with the professor permanently after 1780. She died in 1782.[4] In the following year he met the Margarethe Kellner (1768–1848). He married her in 1789, in order to give her a pension, as he thought he was to die soon. She gave him six children, and outlived him by 49 years.

Lichtenberg was prone to procrastination. He failed to launch the first ever hydrogen balloon, and although he always dreamed of writing a novel à la Fielding's Tom Jones, he never finished more than a few pages. He died at the age of 56, after a short illness.

Lichtenberg's monument at the marketplace in Göttingen.

Waste books

The "waste books" (Sudelbücher in German) are the notebooks he kept from his student days until the end of his life. Each volume was accorded a letter of the alphabet from A, which begun in 1765, to L, which broke off at Lichtenberg's death in 1799.

These notebooks first became known to the world after the man's death, when the first and second editions of Lichtenbergs Vermischte Schriften (1800-06 and 1844-53) were published by his sons and brothers. Since the initial publications, however, notebooks G and H, and most of notebook K, were destroyed or disappeared. Those missing parts are believed to contain sensitive materials. The manuscripts of the remaining notebooks are now preserved in Göttingen University.

The notebooks contain quotations that struck Lichtenberg, titles of books to read, autobiographical sketches, and short or long reflections. It is those reflections that help Lichtenberg earn his posthumous fame. Today he is regarded as one of the best aphorists in the Western intellectual history.

Some scholars have attempted to distil a system of thought out of Lichtenberg's scattered musings. However, Lichtenberg was not a professional philosopher, and had no need to present, or to have, any consistent philosophy.

The waste books nevertheless reveal a critical and analytical way of thinking and emphasize on experimental evidence in physics, through which he became one of the early founders and advocates of modern scientific methodology.

The more experience and experiments are accumulated during the exploration of nature, the more faltering its theories become. It is always good though not to abandon them instantly. For every hypothesis which used to be good at least serves the purpose of duly summarizing and keeping all phenomena until its own time. One should lay down the conflicting experience separately, until it has accumulated sufficiently to justify the efforts necessary to edifice a new theory. (Lichtenberg: waste book JII/1602)

The reflections also include keen observations on human nature, à la the 17th-century French moralists.

Schopenhauer admired Lichtenberg for what he had written in his notebooks greatly. He called Lichtenberg one of those who "think ... for their own instruction", who are "genuine thinkers for themselves in both senses of the words".[5] Other admirers of Lichtenberg's notebooks include Nietzsche, Freud and Wittgenstein.[6] Lichtenberg is not read by many outside Germany. Leo Tolstoy held Lichtenberg's writings in high esteem, expressing his perplexity of "why the Germans of the present day neglect this writer so much."[7] The Chinese scholar and wit Qian Zhongshu quotes the Waste books in his works several times.[8] A crater on the Moon is named Lichtenberg in his honour.

Other works

As a satirist, Lichtenberg takes high rank among the German writers of the 18th century. His biting wit involved him in many controversies with well-known contemporaries, such as the Swiss physiognomist Johann Kaspar Lavater whose science of physiognomy he ridiculed, and Johann Heinrich Voss, whose views on Greek pronunciation called forth a powerful satire, Über die Pronunciation der Schöpse des alten Griechenlandes.

In 1777, Lichtenberg opposed the apparent misrepresentation of science by Jacob Philadelphia. Lichtenberg considered him to be a magician, not a physicist, and created a satirical poster that was intended to prevent Philadelphia from performing his exhibition in Göttingen. The placard, called "Lichtenberg's Avertissement", described extravagant and miraculous tricks that were to be performed. As a result, Philadelphia left the city without a performance.

In 1784 he took over the publication of the textbook Anfangsgründe der Naturlehre ("Foundations of the Natural Sciences") from his friend and colleague Johann Christian Erxleben upon his premature death in 1777. Until 1794, three further editions had followed. For many years, the Anfangsgründe remained the standard textbook for physics in German.

He contributed to the Göttinger Taschen Calender from 1778 onwards, and to the Göttingisches Magazin der Wissenschaften und Literatur, which he edited for three years (1780–1782) with J. G. A. Forster. The Göttinger Taschen Calendar, beside being a usual Calendar for everyday usage, contained not only short writings on natural phenomena and new scientific discoveries (which would be termed popular science today), but also essays in which he contests quackery and superstition. In the spirit of enlightenment, he strives to educate the common people to use logic, wit and the power of their own senses.

Based on his visits to England, his Briefe aus England, with admirable descriptions of Garrick's acting, are the most attractive of his writings published during his lifetime. He also published from 1794 to 1799 an Ausführliche Erklärung der Hogarthischen Kupferstiche, in which he described the satirical details in William Hogarth's prints.

Freud (in his "Why War?" letter to Einstein) mentions Lichtenberg's invention of a "Compass of Motives" in a discussion on the combination of human compounded motives and quotes him as saying, "The motives that lead us to do anything might be arranged like the thirty-two winds and might be given names on the same pattern: for instance, 'food-food-fame' or 'fame-fame-food'."

Selected bibliography

Works published during his lifetime

  • Briefe aus England, 1776–78
  • Über Physiognomik, wider die Physiognomen, 1778
  • Göttingisches Magazin der Wissenschaften und Litteratur, 1780–85 (ed. by Georg Christoph Lichtenberg and Georg Forster)
  • Über die Pronunciation der Schöpse des alten Griechenlandes, 1782
  • Ausführliche Erklärung der Hogarthischen Kupferstiche, 1794–1799

Complete works in German

  • Schriften und Briefe, 1968–72 (4 vols., ed. by Wolfgang Promies)

English translations

  • The Lichtenberg Reader, 1959 (trans. and ed. by Franz H. Mautner and Henry Hatfield)
  • The World of Hogarth. Lichtenberg's Commentaries on Hogarth's Engravings, 1966 (trans. by Innes and Gustav Herdan)
  • Hogarth on High Life. The Marriage à la Mode Series, from Georg Christoph Lichtenberg's Commentaries, 1970 (trans. and ed. by Arthur S. Wensinger and W. B. Coley)
  • Aphorisms, 1990 (trans. with an introduction and notes by R. J. Hollingdale), ISBN 0-14-044519-6, reprinted as The Waste Books, 2000, ISBN 9780940322509

Notes

  1. ^ Lichtenberg explained the purpose of his "waste book" in his notebook E: Die Kaufleute haben ihr Waste book (Sudelbuch, Klitterbuch glaube ich im deutschen), darin tragen sie von Tag zu Tag alles ein was sie verkaufen und kaufen, alles durch einander ohne Ordnung, aus diesem wird es in das Journal getragen, wo alles mehr systematisch steht ... Dieses verdient von den Gelehrten nachgeahmt zu werden. Erst ein Buch worin ich alles einschreibe, so wie ich es sehe oder wie es mir meine Gedancken eingeben, alsdann kan dieses wieder in ein anderes getragen werden, wo die Materien mehr abgesondert und geordnet sind.'
  2. ^ Harris, William Snow (1867). A Treatise on Frictional Electricity in Theory and Practice. London: Virtue & Co.. http://books.google.com/books?id=tehLAAAAMAAJ&pg=PA86. , p.86
  3. ^ In one of his letters dated 25 October 1786 to Johann Beckmann.
  4. ^ The relation between the man and his "little daughter" was made into a novel by Gert Hofmann. The work has been translated by his son Michael Hofmann into English, with the title Lichtenberg and the Little Flower Girl.
  5. ^ Arthur Schopenhauer, trans. R.J. Hollingdale, Essays and Arphorisms, Harmondsworth: Penguin Books, 1970, p. 93.
  6. ^ For Lichtenberg's influences on German writers, see Dieter Lamping, Lichtenbergs literarisches Nachleben, Göttingen: Vandenhoeck & Ruprecht, 1992.
  7. ^ Carl Brinitzer, trans. Bernard Smith, A Reasonable Rebel, New York: Macmillan, 1960, p. 194.
  8. ^ For example, in his essay Zhongguo Shi Yu Zhongguo Hua (中国诗与中国画 "Chinese poetry and Chinese paintings").

References

  • BLOCH, K (1953), "Medical remarks in Georg Christoph Lichtenberg's writings.", Die Medizinische 29-30: 960–1, 1953 25 Jul, PMID 13086258 
  • Gresky, W (1978), "2 letters by the Bernese Professor Johann Georg Tralles to Georg Christoph Lichtenberg (1786)", Gesnerus 35 (1-2): 87–106, PMID 352823 
  • Eulner, H H (1982), "Zur Geschichte der Meeresheilkunde: Georg Christoph Lichtenberg und das Seebad Cuxhaven.", Medizinhistorisches Journal 17 (1-2): 115–28, PMID 11611016 
  • Grupe, G (1984), "Identification of the skeleton of Georg Christoph Lichtenberg", Anthropologischer Anzeiger; Bericht über die biologisch-anthropologische Literatur 42 (1): 1–9, 1984 Mar, PMID 6372678 
  • Tomlinson, C (1992), "G. C. Lichtenberg: dreams, jokes, and the unconscious in eighteenth-century Germany.", Journal of the American Psychoanalytic Association 40 (3): 761–99, PMID 1401720 

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