Trakl, Georg (Salzburg, 1887-1914, Cracow), grew up in a comfortable middle-class environment, left grammar school early and trained as a pharmacist. He took to drugs and eventually became an addict; he was particularly attached to his similarly addicted pianist sister, who died in 1917. Trakl qualified in 1910, served a year as a volunteer (see Einjähriger) in the army medical service, but experienced considerable difficulty in finding an appointment. He was greatly helped by friends, especially L. von Ficker (1880-1967), who also published his early poems in his periodical Der Brenner.
Trakl's first volume of verse was Gedichte (1913); Sebastian im Traum (1915) was published posthumously. His poetry is at all times rich, heavily loaded with imagery of autumn and its associated colours, but is devoid of any affectation, such as commonly accompanies the fin de siècle mood. Trakl was acutely conscious that his world, both personal and external, was breaking apart (‘entzweibricht’ is his own word), and this gave rise to a state of suffering (Leid), which is the keynote of his poetry. Deep anxiety about his sister and about his own subsistence (drugs and drink made him dependent on the help of friends), then the outbreak of war, his call-up as a reserve officer in the medical services, and the primitive and inadequate conditions in which he had to tend excessive numbers of men wounded in the battle of Grodek in Galicia, all overtaxed his resources, and he was sent to hospital at Cracow, where he died of an overdose of cocaine. Whether he intended his death is uncertain. Trakl's poetry developed in his last year or two from the strophic form of the early poems to a hymnic mode, which, while owing something to Hölderlin, is in its stark spareness, concentrated and elliptical syntax, and quivering personal tone, his own unique creation. His quality was early recognized by Rilke, and his influence on later, especially Expressionist, poetry was considerable. Among poems which should be mentioned are ‘Seele des Lebens’, ‘Verklärter Herbst’, ‘An die Verstummten’, ‘Unterwegs’, ‘Klage’, and ‘Grodek’, one of the most celebrated poems of the 1914-18 War. Poems left in his papers were published in 1939 as Aus goldenem Kelch.




