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George Farquhar

 
Britannica Concise Encyclopedia: George Farquhar
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(born 1678, Londonderry, County Derry, Ire. — died April 29, 1707, London, Eng.) Irish playwright. His early experience as an actor in Dublin was the source of the originality of dialogue and stage sense that gave his work its great comic power. His plays, written for the London stage and enthusiastically received, included Love and a Bottle (1699), The Constant Couple (1699), and Sir Harry Wildair (1701). His real contribution to English drama came with The Recruiting Officer (1706) and particularly The Beaux' Stratagem (1707), in which he introduced a verbal vigour and love of character reminiscent of Elizabethan dramatists.

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Irish Literature Companion: George Farquhar
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Farquhar, George (?1677-1707), dramatist. Born near Derry, he attended TCD from 1694. Encouraged by Robert Wilkes, he left for London, taking with him the text of his first play, Love and a Bottle (1698), which was produced at Drury Lane. His next, The Constant Couple (1699), ran for fifty three nights, and led to a sequel, Sir Harry Wildair (1701). In the interim he produced The Inconstant (1699). The Twin Rivals (1702) was the last of his plays to première at Drury Lane. In 1704 he joined the army, and went on duty as a recruiting officer in the Shrewsbury region. From October 1704 to July 1705 he was in Ireland recruiting in Kildare and Dublin. The Recruiting Officer (1706) was not successful, and Farquhar was reduced to borrowing from Wilkes while writing The Beaux' Stratagem (1707).

 
Columbia Encyclopedia: George Farquhar
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Farquhar, George (fär'kər, -kwər), 1678-1707, Irish dramatist, b. Londonderry (now Derry), Ireland. After his short career as an actor ended when he severely wounded a fellow actor in a stage duel, he wrote (1698) his first comedy, Love and a Bottle. His next play, The Constant Couple (1699), established his reputation. His experiences as an army officer are reflected in The Recruiting Officer (1706). He was on his deathbed when he completed his masterpiece, The Beaux' Stratagem (1707), a witty, realistic comedy set in the country. His plays, written in an atmosphere of genial merriment, represent the transition between the licentiousness of Restoration drama and the sentimentality of the 18th cent.

Bibliography

See his complete works (ed. by C. A. Stonehill, 1930); studies by E. Rothstein (1967) and E. James (1972).

Dictionary: Far·quhar   (fär'kwər) pronunciation, George
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1678-1707.

Irish playwright of the Restoration whose comedic works include The Recruiting Officer (1706) and The Beaux' Stratagem (1707).


Quotes By: George Farquhar
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Quotes:

"I have fed purely upon ale; I have eat my ale, drank my ale, and I always sleep upon ale."

"When the blind lead the blind, no wonder they both fall into -- matrimony."

"Money is the sinews of love, as of war."

"Those who know the least obey the best."

"Poetry is a mere drug, Sir."

"There's no scandal like rags, nor any crime so shameful as poverty."

See more famous quotes by George Farquhar

Wikipedia: George Farquhar
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For other uses of Farquhar, see Farquhar (disambiguation).
George Farquhar

George Farquhar
Born 1677 or 1678
Derry, Ireland
Died April 29, 1707
London, England
Occupation Dramatist
Nationality Irish
Genres Comedy
Spouse(s) Margaret Pemell

George Farquhar (1677 or 1678[1] – April 29, 1707) was an Irish dramatist. He is noted for his contributions to late Restoration comedy, particularly for his plays The Recruiting Officer (1706) and The Beaux' Stratagem (1707).

Contents

Early life

Born in Derry, Farquhar was one of seven children born to William Farquhar, a clergyman of modest means.[2] The author of "Memoirs of Mr. George Farquhar," a biographical sketch prefixed to certain 18th century editions[3] of his works, claims that Farquhar

“ discovered a Genius early devoted to the Muses. When he was very young, he gave Specimens of his Poetry; and discovered a Force of Thinking, and Turn of Expression, much beyond his Years."[4] ”

He entered Trinity College, Dublin at age 17 as a sizar under the patronage of the Bishop of Dromore[5], who may have been related to Farquhar's mother.[2] Farquhar may have initially intended to follow his father's profession and become a clergyman,[6] but was "unhappy and rebellious as a student" and left college after two years to become an actor.[7] His 18th century biographer claims that the departure was because "his gay and volatile Disposition could not long relish the Gravity and Retirement of a College-life," [4] but another story of uncertain veracity has him being expelled from Trinity College due to a "profane jest."[8]

Engraving of a performance of George Farquhar by Michiel van der Gucht after unknown artist, published 1711

Acting career

Farquhar joined a company performing on the Dublin stage, probably through his acquaintance with the well-known actor Robert Wilks.[8] However, Farquhar was reportedly not that impressive as an actor. We are told that "his Voice was somewhat weak"[4] and that "his movements [were] stiff and ungraceful."[9] But he was well-received by audiences and thought to continue in this career "till something better should offer."[4] Some of the roles reportedly played by Farquhar were Lennox in Shakespeare's Macbeth, Young Bellair in The Man of Mode by George Etherege, Lord Dion in Philaster by Beaumont and Fletcher, and Guyomar in The Indian Emperor by John Dryden.[8]

But while he was performing in the Dryden play, an accident on stage put an end to Farquhar's acting career. As Guyomar, Farquhar was supposed to "kill" Vasquez, one of the Spanish generals in the drama. Forgetting to exchange his sword for a foil before enacting this scene, Farquhar severely wounded Price, the actor playing Vasquez. Although Price recovered, Farquhar resolved after this mishap to give up acting for good.[4][8][10]

Writing career

Farquhar then left for London, "possibly with a draft of his first play in his portmanteau (suitcase)."[7] Some writers tie his move to that of his friend Wilks, who had received an offer from the manager of Drury Lane to come to London and join that theater,[11] and Wilks is also credited with encouraging Farquhar's efforts at writing plays.[12][13]

Farquhar's first comedy, Love and a Bottle, was premiered in 1698; "for its sprightly Dialogue and busy Scenes," it is said to have been "well received by the Audience."[12] Called a "licentious piece" by one scholar[7], and cited as proof that Farquhar had "absorbed the stock topics, character-types, and situations of Restoration comedy" by another[6], the play deals with Roebuck, "An Irish Gentleman of a wild roving Temper" who is "newly come to London."[14] The general character of the play can be evaluated by considering that in the opening scene, Roebuck tells his friend Lovewell that he has left Ireland due to getting a woman pregnant with twins (a boy and a girl) and to Roebuck's father trying to force Roebuck to marry the woman; however, Roebuck remarks, "Heav'n was pleas'd to lessen my Affliction, by taking away the She-brat."[15]

After the favorable reception of Love and a Bottle, Farquhar decided to devote himself to playwriting. He also at this point received a commission in the regiment of the Earl of Orrery, so his time for the next few years was divided between the vocations of soldier and dramatist.[11] It was also at about this time that Farquhar discovered Anne Oldfield, who was reading aloud a scene from The Scornful Lady at her aunt's tavern. Impressed, he brought her to the notice of Sir John Vanbrugh, and this led to her theatrical career, during which she was the first performer of major female roles in Farquhar's last comedies.[16]

In 1700, Farquhar's The Constant Couple was acted at Drury Lane and proved a great success,[17] helped considerably by his friend Wilks' portrayal of the character of Sir Henry Wildair[12] (a performance that Farquhar himself praised generously in his "Preface to the Reader" when the play was published).[18] The playwright followed up with a sequel, Sir Harry Wildair, the following year, and in 1702 wrote both The Inconstant, or the Way to Win Him and The Twin Rivals. Also in 1702, Farquhar published Love and Business, a collection that included letters, verse, and A Discourse Upon Comedy.[19]

The next year, he married Margaret Pemell, "a widow with three children, ten years his senior," who reportedly tricked him into the marriage by pretending to have a great fortune.[20] His 18th century biographer records that "though he found himself deceived, his Circumstances embarrassed, and his Family increasing, he never upbraided her for the Cheat, but behaved to her with all the Delicacy and Tenderness of an indulgent Husband."[21] He was engaged in recruiting for the army for the next three years, writing little except The Stage Coach in collaboration with Peter Motteux; this was an adaptation of a French play.[22] He drew on his recruiting experience for his next comedy, The Recruiting Officer (1706).[21] However, Farquhar had to sell his army commission to pay debts, reportedly after the Duke of Ormond advised him to do so, promising him another but failing to keep his promise.[23]

Early in 1707, Farquhar's friend Wilks visited him;[24] Farquhar was ill and in distress, and Wilks is said to have "cheered him with a substantial present, and urged him to write another comedy."[23] This comedy, The Beaux' Stratagem, premiered on March 8, 1707;[24] we know from Farquhar's own statement prefacing the published version of the play that he wrote it during his sickness:

“ The reader may find some faults in this play, which my illness prevented the amending of; but there is great amends made in the representation,

which cannot be match'd, no more than the friendly and indefatigable care of Mr. Wilks, to whom I chiefly owe the success of the play.[25]

 ”

Farquhar died on April 29, 1707, not quite two months after the opening of this last play.[26] He was buried in the Church of St. Martin in the Fields, London, on May 3.[23]

Works referencing Farquhar

  • The 1987 play, Our Country's Good by Timberlake Wertenbaker, revolves around the story of 18th century Australian convicts attempting to put on Farquhar's The Recruiting Officer. Wertenbaker's play is based on a novel by Thomas Keneally.[27]
  • Bertolt Brecht set his adaptation of The Recruiting Officer, called Pauken und Trompeten, in America during the Civil War.[27]
  • In Act III of She Stoops to Conquer by Oliver Goldsmith, Kate Hardcastle asks her maid, "Tell me, Pimple, how do you like my present dress? Don't you think I look something like Cherry in the Beaux Stratagem?" A theatrical notice in the New York Times for February 7, 1885 remarked that at that date Goldsmith's allusion was "all that the stage [had] known of George Farquhar for many a year."[28]
  • Alexander Pope famously refers to the playwright in the "The First Epistle of the Second Book of Horace, Imitated," where he comments (line 288), "What pert low Dialogue has Farqu'ar writ!" (It has been argued that this is not an attack by Pope on Farquhar, but an illustration of "how seldom ev'n the best succeed" two lines earlier.)[29]

See also

References

  1. ^ The explanation for the dual birth year appears in Louis A. Strauss, ed., A Discourse Upon Comedy, The Recruiting Officer, and The Beaux’ Stratagem by George Farquhar (Boston: D.C. Heath & Co., 1914), p. v. Strauss notes that "Our sole source of information as to the time of his birth is the entry of his matriculation in the register of Trinity College" on July 17, 1694, where "His age is given as 17." Earlier biographers took this to mean Farquhar was in his 17th year--hence born in 1678--and Strauss favors this date. But later writers, such as William Myers, ed., George Farquhar: The Recruiting Officer and Other Plays, ISBN 0192822497 (Oxford: Oxford University Press, 1995), p. vii, give the dual year, and John Ross, ed., George Farquhar: The Recruiting Officer (New Mermaids), 2nd ed., ISBN 0713633492 (London: A&C Black, 1991), p. xiii, gives a birthdate of "ca. 1677" for the playwright.
  2. ^ a b Strauss, Louis A., editor (1914). A Discourse Upon Comedy, The Recruiting Officer, and The Beaux’ Stratagem by George Farquhar. Boston: D.C. Heath & Co.. pp. v. http://books.google.com/books?id=mB1MAAAAMAAJ. 
  3. ^ Alex. Charles Ewald quotes from a slightly different version of these "Memoirs" in the introduction to his edition of The Dramatic Works of George Farquhar (London: John C. Nimmo, 1892), Vol. 1, p. vi-vii, and Strauss, op. cit, p. vi et seq., cites from but does not quote a biographical writing by "T. Wilkes" given in the 1775 Dublin edition of Farquhar which agrees in some but not all details with the version quoted in this article (referenced in the next note).
  4. ^ a b c d e Anonymous (1772). "Memoirs of Mr. George Farquhar," in The Works of the Late Ingenious Mr. George Farquhar... ("The Tenth Edition"). London: John Rivington et al.. Vol. I, p. iii. http://books.google.com/books?id=kDTUMPTssgsC. 
  5. ^ Ewald, Alex. Charles, editor (1892). The Dramatic Works of George Farquhar. London: John C. Nimmo. Vol. I, p. v. http://books.google.com/books?id=oIQ4AAAAIAAJ. 
  6. ^ a b Ross, John, editor (1991). George Farquhar: The Recruiting Officer (New Mermaids, 2nd edition). London: A&C Black. xiii. ISBN 0713633492. 
  7. ^ a b c Myers, William, editor (1995). George Farquhar: The Recruiting Officer and Other Plays. Oxford: Oxford University Press. vii. ISBN 0192822497. http://books.google.com/books?id=B_efAAAACAAJ. 
  8. ^ a b c d Strauss, Louis A., editor (1914). A Discourse Upon Comedy, The Recruiting Officer, and The Beaux’ Stratagem by George Farquhar. Boston: D.C. Heath & Co.. pp. vi. http://books.google.com/books?id=mB1MAAAAMAAJ. 
  9. ^ Ewald, Alex. Charles, editor (1892). The Dramatic Works of George Farquhar. London: John C. Nimmo. Vol. I, p. vi. http://books.google.com/books?id=oIQ4AAAAIAAJ. 
  10. ^ Ewald, Alex. Charles, editor (1892). The Dramatic Works of George Farquhar. London: John C. Nimmo. Vol. I, p. vi-vii. http://books.google.com/books?id=oIQ4AAAAIAAJ. 
  11. ^ a b Ewald, Alex. Charles, editor (1892). The Dramatic Works of George Farquhar. London: John C. Nimmo. Vol. I, p. vii. http://books.google.com/books?id=oIQ4AAAAIAAJ. 
  12. ^ a b c Anonymous (1772). "Memoirs of Mr. George Farquhar," in The Works of the Late Ingenious Mr. George Farquhar... ("The Tenth Edition"). London: John Rivington et al.. Vol. I, p. iv. http://books.google.com/books?id=kDTUMPTssgsC. 
  13. ^ Strauss, Louis A., editor (1914). A Discourse Upon Comedy, The Recruiting Officer, and The Beaux’ Stratagem by George Farquhar. Boston: D.C. Heath & Co.. vii. http://books.google.com/books?id=mB1MAAAAMAAJ. 
  14. ^ Farquhar, George (1772). "Love and a Bottle," in The Works of the Late Ingenious Mr. George Farquhar... ("The Tenth Edition"). London: John Rivington et al.. Vol. I, p. 114 (Dramatis Personae). http://books.google.com/books?id=kDTUMPTssgsC. 
  15. ^ Farquhar, George (1772). "Love and a Bottle," in The Works of the Late Ingenious Mr. George Farquhar... ("The Tenth Edition"). London: John Rivington et al.. Vol. I, p. 121. http://books.google.com/books?id=kDTUMPTssgsC.  Most of these plot details are pointed out by William Myers, op. cit., p. vii.
  16. ^ Strauss, Louis A., editor (1914). A Discourse Upon Comedy, The Recruiting Officer, and The Beaux’ Stratagem by George Farquhar. Boston: D.C. Heath & Co.. viii. http://books.google.com/books?id=mB1MAAAAMAAJ. 
  17. ^ Ewald, Alex. Charles, editor (1892). The Dramatic Works of George Farquhar. London: John C. Nimmo. Vol. I, p. viii. http://books.google.com/books?id=oIQ4AAAAIAAJ. 
  18. ^ Ewald, Alex. Charles, editor (1892). The Dramatic Works of George Farquhar. London: John C. Nimmo. Vol. I, p. 123. http://books.google.com/books?id=oIQ4AAAAIAAJ. 
  19. ^ Strauss, Louis A., editor (1914). A Discourse Upon Comedy, The Recruiting Officer, and The Beaux’ Stratagem by George Farquhar. Boston: D.C. Heath & Co.. pp. ix. http://books.google.com/books?id=mB1MAAAAMAAJ. 
  20. ^ Myers, William, editor (1995). George Farquhar: The Recruiting Officer and Other Plays. Oxford: Oxford University Press. viii. ISBN 0192822497. http://books.google.com/books?id=B_efAAAACAAJ. 
  21. ^ a b Anonymous (1772). "Memoirs of Mr. George Farquhar," in The Works of the Late Ingenious Mr. George Farquhar... ("The Tenth Edition"). London: John Rivington et al.. Vol. I, p. vi. http://books.google.com/books?id=kDTUMPTssgsC. 
  22. ^ Strauss, Louis A., editor (1914). A Discourse Upon Comedy, The Recruiting Officer, and The Beaux’ Stratagem by George Farquhar. Boston: D.C. Heath & Co.. pp. x. http://books.google.com/books?id=mB1MAAAAMAAJ. 
  23. ^ a b c Strauss, Louis A., editor (1914). A Discourse Upon Comedy, The Recruiting Officer, and The Beaux’ Stratagem by George Farquhar. Boston: D.C. Heath & Co.. pp. xi. http://books.google.com/books?id=mB1MAAAAMAAJ. 
  24. ^ a b Myers, William, editor (1995). George Farquhar: The Recruiting Officer and Other Plays. Oxford: Oxford University Press. pp. ix. ISBN 0192822497. http://books.google.com/books?id=B_efAAAACAAJ. 
  25. ^ Strauss, Louis A., editor (1914). A Discourse Upon Comedy, The Recruiting Officer, and The Beaux’ Stratagem by George Farquhar. Boston: D.C. Heath & Co.. pp. 198. http://books.google.com/books?id=mB1MAAAAMAAJ. 
  26. ^ Ewald, Alex. Charles, editor (1892). The Dramatic Works of George Farquhar. London: John C. Nimmo. Vol. I, p. xii. http://books.google.com/books?id=oIQ4AAAAIAAJ. 
  27. ^ a b Myers, William, editor (1995). George Farquhar: The Recruiting Officer and Other Plays. Oxford: Oxford University Press. pp. xi. ISBN 0192822497. http://books.google.com/books?id=B_efAAAACAAJ. 
  28. ^ "Daly's Theatre" in the New York Times for February 7, 1885, accessed on December 19, 2007
  29. ^ Myers, William, editor (1995). George Farquhar: The Recruiting Officer and Other Plays. Oxford: Oxford University Press. xiii, note 15. ISBN 0192822497. http://books.google.com/books?id=B_efAAAACAAJ. 

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