Career Highlights: Gilda, Detective Story, Paths of Glory
First Major Screen Credit: Follow the Boys (1944)
Biography
Born in Rhode Island, George Macready graduated from Brown University. He was briefly a New York newspaperman before embarking upon a theatrical career on the advice of director Richard Boleslawski. Making his Broadway debut in a 1926 staging of The Scarlet Letter, Macready acted with Katherine Cornell in Romeo and Juliet and The Barretts of Wimpole Street and with Helen Hayes in Victoria Regina. When he entered films in 1943, the probing eye of the camera emphasized the sinister scar on Macready's cheek (the result of an automobile accident). Thus, he had very little choice but to specialize in cold, aristocratic screen villainy. His most complex film role was the evil, sexually ambivalent nightclub manager in Gilda (1946), who evidently has a yearning for both Rita Hayworth and Glenn Ford. On television from 1948, Macready appeared in over 200 video productions, again working the evil side of the street often as not. Off-screen, Macready was a dedicated art connoisseur, who during the war years established a profitable Los Angeles gallery with his friend and fellow actor Vincent Price. Far from distressed at being typed as a villain, George Macready relished his niche: "I like heavies," he once noted, adding, "I think there's a little bit of evil in all of us." ~ Hal Erickson, All Movie Guide
His first film was Commandos Strike at Dawn in 1942, featuring Paul Muni. His voice and appearance, including a scar on his cheek (the result of a car accident), made him ideal as a cultured villain. Two performances in particular stand out. As Ballin Mundson in Gilda (1946), he is part of a deadly love triangle with the characters played by co-stars Rita Hayworth and Glenn Ford. He would again play opposite Ford several years later in the post-war adventure The Green Glove (1952). Stanley Kubrick's anti-war classic, Paths of Glory (1957), provided his other great role, self-serving French World War I General Paul Mireau, who is brought down by Kirk Douglas's Colonel Dax. In 1964, Macready appeared with Kirk Douglas again in John Frankenheimer's Seven Days in May.
In 1948, Macready turned to television. He portrayed Martin Peyton in the popular soap operaPeyton Place (1965-1968). In all, he made more than 200 appearances in the new medium.
One of Macready's most effective film roles was also one of his last - the role of Cordell Hull in the 1970 film Tora! Tora! Tora!, a painstakingly accurate depiction of the events leading up to and the attack on Pearl Harbor.
A cultured and expert art collector, he and his good friend, fellow-actor Vincent Price, were partners in a Los Angelesart gallery in the 1940s.
The veteran actor is father of actor/producer Michael Macready and the grandfather of U.S. gymnastJohn Macready.