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George Santayana (1863-1952), Spanish and American philosopher, developed a personal form of critical realism that was skeptical, materialistic, and humanistic.
George Santayana was unique among American and European philosophers during his long lifetime. While others strove to make philosophy "scientific" and to apply philosophy and science to society, Santayana proclaimed, "My philosophy neither is nor wishes to be scientific." He rejected the inherited genteel tradition in American thought as well as his contemporaries' pragmatism, idealism, and positivism. He openly disliked the liberal and democratic drift of Western civilization. In his philosophy he strove to combine philosophical materialism and a deep concern for spiritual values. A prolific writer with a graceful style, he also published several volumes of poetry, and his most popular book was a novel, TheLast Puritan (1936). He is singular among American philosophers for the special flavor of his thought and for his treatment of religion and art.
Life, Career, and Personality
As a girl Santayana's mother was taken to the Philippines, where she met and married George Sturgis, a Bostonian. Santayana later observed that this "set the background for my whole life." After being widowed, she tried to settle in Boston with her children but soon returned to Spain and remarried. The only child of this marriage was born in Madrid on Dec. 16, 1863, and christened Jorge Agustin de Santayana. He lived until the age of 9 in Á vila with his father, a lawyer and student of painting, then joined his mother, who was raising the children of her first marriage in Boston. Although he visited his father in Á vila and traveled in Europe frequently, Santayana lived and wrote in America for the next 40 years. As a boy he was quiet, studious, and lonely.
In spite of his connection to the Boston Sturgises and his American education, Santayana never felt fully at home in the United States. Indeed, he never felt fully at home anywhere. Dark-eyed, gentle, unobtrusive, witty, and very detached, he described himself as "a stranger at heart." His philosophy is clearly marked by a sense of detachment. "I have been involuntarily uprooted," he explained without regret. "I accept the intellectual advantages of that position, with its social and moral disqualifications."
Santayana's years at Harvard College, which he attended after Boston Latin School, were generally happy and satisfying. After graduating from Harvard in 1886, he studied philosophy in Germany. He returned to America in 1888 and completed the work for his doctorate in philosophy under the direction of Josiah Royce at Harvard. In 1889 Santayana joined Harvard's department of philosophy, with the apparent intention of retiring as soon as it was financially possible. When he inherited a modest legacy, he resigned his professorship in 1912.
Santayana lived the remainder of his life in Europe, traveling extensively and eventually settling in Italy. He spent his final years in Calvary Hospital, Rome, under the care of the Sisters of the Little Company of Mary. He died on Sept. 26, 1952.
His Philosophy
Santayana's true life was intellectual. "My career was not my life," he wrote. "Mine has been a life of reflection." His philosophy reflected the diversity of his own experience. Spanish Catholic by cultural inheritance and personal inclination, Protestant American by education and environment, disengaged by circumstances and temperament, he regarded his philosophy as a synthesis of these traditions. It is not surprising that his philosophy is full of ironies and ambiguities. At the same time, he was consistent in his concerns, if not in his opinions, and in the mood and tone of his philosophy. His primary orientation was spiritual, although not in the conventional sense, and his primary interest was moral, in the broadest sense.
The philosophy of Santayana is characterized by its skepticism, materialism, and humanism. His skepticism is evident throughout his writings: "My matured conclusion has been that no system is to be trusted, not even that of science in any literal or pictorial sense; but all systems may be used and, up to a certain point, trusted as symbols." His materialism or naturalism was "the foundation for all further serious opinions." Unlike that of so many contemporaries, Santayana's materialism depended not on science but on his own experiences and observations, for which he found philosophical confirmation in the works of Democritus, Lucretius, and Spinoza. In addition, in Greek ethics he found a vindication of order and beauty in human institutions and ideas. His systematic reading and thought culminated in the writing of his masterwork, The Life of Reason (5 vols., 1905-1906), which he intended as a critical history of the human imagination. He developed his philosophy further in Scepticism and Animal Faith (1923), which served as an introduction to his philosophical consummation, Realms of Being (4 vols., 1927-1940).
Santayana's materialism, the foundation of his philosophy, was the conviction that matter is the source of everything; he held that there are purely natural or materialistic causes of all the phenomena of existence. Consequently, thought is the product of material organization and process. Throughout The Life of Reason he assumed that the whole life of reason was generated and controlled by the animal life of man in the bosom of nature. One critic has described him as a nondeterministic fatalist who believed that dark, irrational, impersonal powers determined events. The human mind could not affect nature. Santayana wrote, "We are creatures and not creators." This important feature of his thought is clear in his conception of essences, which he defined as the obvious features that distinguish facts from each other. Apart from the events they may figure in, essences have no existence. Ironically, the mind cannot know existence; it can know only essences. This means that there is no necessary relation between what is perceived (or thought) and what exists. Consequently, "The whole life of imagination and knowledge comes from within." It is no wonder that Santayana was thoroughly skeptical about the possibility of attaining genuine knowledge.
It is also no wonder that Santayana believed that the works of the imagination "alone are good; and [that] the rest - the whole real world - is ashes in its mouth." Religion, science, art, philosophy were all works of the imagination. But religion he regarded as "the head and front of everything." In spite of his sympathies, Santayana was not a practicing Catholic and did not believe in the existence of God. He considered religion a work of the imagination: "Religion is valid poetry infused into common life." The truth of religion was irrelevant, for all religions were imaginative, poetic interpretations of experience and ideals, not descriptions of existing things. The value of religion was moral, as was the value of art.
Beauty, to Santayana, was a moral good. He valued the arts precisely because they are illusory. Like religion, he explained, genuine art expresses ideals that are relevant to human conditions. "Of all reason's embodiments," Santayana exulted, "art is … the most splendid and complete." "This is all my message," he wrote by way of summary, "that morality and religion are expressions of human nature; that human nature is a biological growth; and finally that spirit, fascinated and tortured, is involved in the process, and asks to be saved."
His Influence
Santayana had few disciples, but his philosophy has attracted considerable critical attention since his death. The grace and beauty of his prose and the strength of his intellect partly account for this interest. In addition, in the intellectual climate of the years following World War II his philosophy of disillusion struck a sympathetic chord. Santayana, like others of his generation, found himself confronted with a choice between Catholicism and complete disillusion. He did not hesitate or complain: "I was never afraid of disillusion, and I have chosen it."
Further Reading
Santayana's autobiography, Persons and Places (3 vols., 1944-1953), reveals his personality, character, and some of his key ideas. It is supplemented by his Letters, edited by Daniel Cory (1955). An excellent anthology is Irwin Edman, ed., The Philosophy of Santayana: Selections from All the Works of George Santayana (1936; rev. ed. 1953).
Valuable critical and descriptive essays on his philosophy and Santayana's replies are in Paul Arthur Schilpp, ed., The Philosophy of George Santayana (1940; 2d ed. 1951). Although there is no full intellectual biography of Santayana, Mossie M. Kirkwood, Santayana: Saint of the Imagination (1961), is a pleasant introduction. Willard E. Arnett, George Santayana (1968), compares Santayana's philosophy with that of his contemporaries.
| Philosophy Dictionary: George Santayana |
Santayana, George (1863-1952) Man of letters and philosopher. Santayana was born in Madrid, but his mother having emigrated to the USA, was educated as a student of James's at Harvard. James described his doctoral dissertation on Lotze as the ‘perfection of rottenness’ (Santayana in turn described James's Varieties of Religious Experience as ‘slumming’); in spite of this Santayana taught at Harvard until 1912, when he retired to Europe. In early works such as The Sense of Beauty (1896) and the five-volume The Life of Reason (1905-6) he follows a naturalistic, psychological method, but later (in the four-volume Realms of Being, 1927-40) he developed an idiosyncratic combination of Platonism and materialism. He is remembered as much for his works of literature and criticism as for his contributions to philosophy.
| Columbia Encyclopedia: George Santayana |
Life
Santayana emigrated to the United States in 1872. A graduate of Harvard (1886), he taught in the department of philosophy from 1889 until 1912. After resigning from Harvard he returned to Europe, eventually settling in Italy where he lived in a convent after the outbreak of World War II until his death. He detached himself from the social turmoil of the 20th cent., secluding himself from relationships with either people or events.
Philosophy
Santayana's philosophic stance has been given the apparently opposite descriptions of materialism and Platonism. The contradiction is partly understandable as resulting from his view of the mind as being firmly placed in and responsive to a physical, biological context, and his simultaneous emphasis on and high evaluation of the mind's rational and imaginative vision of physical reality. In an important early work, The Sense of Beauty (1896), he enunciated a qualified hedonism that placed high value on aesthetic pleasure; it was a pleasure that was understood to be an irrational expression of vital interests but was distinguished from direct, sensual pleasures.
The Life of Reason (1905-6) investigates the mind's evolving attempts to define its relationship to its natural context. In that work he saw the relationship of thought and reality as one of ideal correspondence. Santayana's earlier work is marked by a psychological approach to the life of the mind. With the publication of Scepticism and Animal Faith (1923) and The Realms of Being, a four-volume work (The Realm of Essence, 1927; The Realm of Matter, 1930; The Realm of Truth, 1937; The Realm of Spirit, 1940; 1-vol. ed. 1942), he adopted a more classical philosophic approach, making ontological distinctions between the objects of mental activity. Against Cartesian skepticism and idealism he advanced the notion of "animal faith" as the basis of the life of reason.
Religion he viewed as an imaginative creation of real value but without absolute significance. Although he continued to value imaginative and rational consciousness he warned against the mind's tendency to confer substantial reality and causal efficacy on its own creations. His personal withdrawal from active life was paralleled in his philosophy by a decided moral detachment. The whole of Santayana's philosophic writing displays a characteristic richness of style; he also wrote poetry, a volume of which appeared in 1923. His only novel, The Last Puritan (1935), had great popular success. His Dominations and Powers, on political philosophy, was published in 1951.
Bibliography
See The Works of George Santayana (15 vol., 1936-40) and The Philosophy of Santayana, ed. by I. Edman (rev. ed. 1953, repr. 1973); his letters (ed. by D. Cory, 1955; repr. 1973); his memoirs, Persons and Places (3 vol., 1944-53). See also B. J. Singer, The Rational Society (1970); T. N. Munson, The Essential Wisdom of George Santayana (1962, repr. 1983); W. E. Arnett, Santayana and the Sense of Beaury (1955, repr. 1984).
| Works: Works by George Santayana |
| 1894 | Sonnets and Other Verses. The Harvard professor of philosophy from 1889 until 1912 publishes his first book, a poetry collection. A second volume, A Hermit of Carmel and Other Poems, would appear in 1901. |
| 1896 | The Sense of Beauty. Santayana's initial philosophical work is the first American treatise on aesthetics. It asserts that the beautiful is pleasure objectified. |
| 1899 | Lucifer: A Theological Tragedy. When Santayana's verse drama fails to attract attention, he abandons his poetic ambitions for prose after producing a final collection, A Hermit of Carmel, in 1901. |
| 1900 | Interpretations of Poetry and Religion. Santayana's first volume of literary criticism explores the connection between the poetic imagination and spirituality. It includes his assessment of Emerson and Whitman. |
| 1905 | The Life of Reason. Santayana's most important early work is this five-volume study (completed in 1906) of rationalism in Western consciousness, institutions, and culture. |
| 1920 | Character and Opinion in the United States. After leaving America for Europe, Santayana offers his reflections on American values and characteristics, including reminiscences of his former Harvard colleagues William James and Josiah Royce. |
| 1922 | Soliloquies in England and Later Soliloquies. The philosopher meditates on diverse topics in this collection of essays written mainly during the war, while he was at Oxford and Cambridge. It also includes some postwar reflections on ethical and political concerns. |
| 1923 | Scepticism and Animal Faith. With this introductory volume, the philosopher begins his masterwork, the Realms of Being series, made up of The Realm of Essence (1927), The Realm of Matter (1930), The Realm of Truth (1937), and The Realm of Spirit (1940). |
| 1925 | Dialogues in Limbo. The philosopher offers a series of imitative Socratic dialogues on various topics. |
| 1931 | The Genteel Tradition at Bay. The philosopher critiques the New Humanism by comparing its tenets with Renaissance humanism and suggesting that the ideas of Irving Babbitt and Paul Elmer More are an attempt to reimpose the rigid, morally absolutist views of the genteel tradition. |
| 1935 | The Last Puritan. The philosopher's only novel offers a fictionalized treatment of Santayana's own background and many of his central ideas. |
| 1936 | Obiter Scripta. A miscellany of the philosopher's essays, lectures, and reviews on both philosophical and literary subjects. |
| 1940 | The Realm of Spirit. The philosopher examines skepticism and faith in the fourth and final volume of his ambitious series, which defines his philosophical system. |
| 1944 | Persons and Places. The initial installment of the philosopher's three-volume memoirs (The Background of My Life), to be followed by The Middle Span (1945) and My Host the World (1953). In the first volume Santayana traces his mixed Spanish and Boston Brahmin heritage, upbringing, and education, ending with his graduation from Harvard. One reviewer calls it "the most tranquil book of this stormy year." |
| Quotes By: George Santayana |
Quotes:
"Advertising is the modern substitute for argument; its function is to make the worse appear the better."
"There is no cure for birth and death save to enjoy the interval. The dark background which death supplies brings out the tender colors of life in all their purity."
"Our dignity is not in what we do, but what we understand."
"Perhaps the only true dignity of man is his capacity to despise himself."
"The diseases which destroy a man are no less natural than the instincts which preserve him."
"The great difficulty in education is to get experience out of ideas."
See more famous quotes by
George Santayana
| Wikipedia: George Santayana |
| Western Philosophy 20th century philosophy |
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George Santayana |
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| Full name | Jorge Agustín Nicolás Ruiz de Santayana y Borrás |
| Born | December 16, 1863 Madrid, Spain |
| Died | September 26, 1952 (aged 88) |
| School/tradition | Pragmatism, Naturalism |
| Notable ideas | Lucretian materialism, Skepticism, natural aristocracy, Realms of Being |
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George Santayana (December 16, 1863, Madrid, Spain – September 26, 1952, Rome, Italy), was a philosopher, essayist, poet, and novelist. A lifelong Spanish citizen, Santayana was raised and educated in the United States, wrote in English and is generally considered an American man of letters. Of his nearly 89 years, he spent 39 in the U.S. Santayana is perhaps best known as an aphorist, most famously for his oft-misquoted remark "Those who cannot remember the past are condemned to repeat it,"[1] (sometimes called Santayana's Law of Repetitive Consequences). Similarly, a quote of Santayana's: "Only the dead have seen the end of war."[2] is often falsely attributed to Plato.
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Born Jorge Agustín Nicolás Ruiz de Santayana y Borrás, 16 December 1863, he spent his early childhood in Ávila, Spain. His mother, Josefina Borrás was the daughter of a Spanish official in the Philippines. He was the only child of his mother's second marriage. She had previously been the widow of George Sturgis, a Boston merchant with whom she had five children, two of whom died in infancy. She lived in Boston following her husband's death in 1857, but in 1861 went with her three surviving children to live in Madrid. There she encountered Agustín Ruiz de Santayana, an old friend from her years in the Philippines, and married him in 1862. Ruiz de Santayana was a colonial civil servant, painter, and minor intellectual.
The family lived in Madrid and Ávila until 1869, when Santayana's mother returned to Boston with her three Sturgis children, leaving Jorge, then five, with his father in Spain. Jorge and his father followed her in 1872, but his father, finding neither Boston nor his wife's attitude to his liking, soon returned alone to Ávila, where he remained for the rest of his life. Jorge did not see him again until summer vacations while he was a student at Harvard. Thus from the time he was five, Jorge's parents lived apart. Sometime during this period, Jorge's first name became George, the English equivalent.
He attended Boston Latin School and Harvard University, studying under William James and Josiah Royce, whose colleague he subsequently became. After graduating from Harvard, Phi Beta Kappa[3] in 1886, he studied for two years in Berlin, returning to Harvard to write a thesis on Rudolf Hermann Lotze and teach philosophy, thus becoming part of the Golden Age of the Harvard philosophy department. Some of his Harvard students became famous in their own right, including T. S. Eliot, Gertrude Stein, Wallace Stevens, Walter Lippmann, W. E. B. Du Bois, and Harry Austryn Wolfson. From 1896 to 1897, he studied at King's College, Cambridge.[4]
In 1912, his careful savings added to a legacy from his mother allowed him to resign his Harvard position and spend the rest of his life in Europe. After some years in Ávila, Paris and Oxford, he began, after 1920, to winter in Rome, eventually living there year-round until his death. During his 40 years in Europe, he wrote 19 books and declined several prestigious academic positions. Many of his visitors and correspondents were Americans, including his assistant and eventual literary executor, Daniel Cory. In later life, Santayana was financially comfortable, in part because his 1935 novel, The Last Puritan, had become an unexpected best-seller. In turn, he financially assisted a number of writers including Bertrand Russell, with whom he was in fundamental disagreement, philosophically and politically. Santayana never married.
Santayana's main philosophical work consists of The Sense of Beauty (1896), his first book-length monograph and perhaps the first major work on aesthetics written in the United States; The Life of Reason five volumes, 1905–6), the high point of his Harvard career; Scepticism and Animal Faith (1923); and The Realms of Being (4 vols., 1927–40). Although Santayana was not a pragmatist in the mold of William James, Charles Sanders Peirce, Josiah Royce, or John Dewey, The Life of Reason arguably is the first extended treatment of pragmatism ever penned.
Like many of the classical pragmatists, and because he was also well-versed in evolutionary theory, Santayana was committed to a naturalist metaphysics, in which human cognition, cultural practices, and social institutions have evolved so as to harmonize with the conditions present in their environment. Their value may then be adjudged by the extent to which they facilitate human happiness. The alternate title to The Life of Reason, "the Phases of Human Progress", is indicative of this metaphysical stance.
Santayana was an early adherent of epiphenomenalism, but also admired the classical materialism of Democritus and Lucretius (of the three authors on whom he wrote in Three Philosophical Poets, Santayana speaks most favorably of Lucretius). He held Spinoza's writings in high regard, without subscribing to the latter's rationalism or pantheism.
Although an agnostic, he held a fairly benign view of religion in contrast to thinkers like Bertrand Russell who held that religion was harmful in addition to being false. His views on religion are outlined in his books Reason in Religion, The Idea of Christ in the Gospels, and Interpretations of Poetry and Religion. Santayana described himself as an "aesthetic Catholic", and spent the last decade of his life at the Convent of the Blue Nuns of the Little Company of Mary on the Celian (Caelius) Hill at 6 Via Santo Stefano Rotondo in Rome, cared for by the Irish sisters there.
Santayana's one novel, The Last Puritan, is a Bildungsroman, that is, a novel that centers on the personal growth of the protagonist. His Persons and Places is an autobiography. These works also contain many of his tarter opinions and bons mots. He wrote books and essays on a wide range of subjects, including philosophy of a less technical sort, literary criticism, the history of ideas, politics, human nature, morals, the subtle influence of religion on culture and social psychology, all with considerable wit and humor. While his writings on technical philosophy can be difficult, his other writings are far more readable, and all of his books contain quotable passages. He wrote poems and a few plays, and left an ample correspondence, much of it published only since 2000.
In his temperament, judgments and prejudices, many of which do not sit well with present-day fashions, Santayana was very much the Castilian Platonist, cold, aristocratic and elitist, a curious blend of Mediterranean conservative (similar to Paul Valéry) and cultivated Anglo-Saxon, aloof and ironically detached. Russell Kirk discussed Santayana in his The Conservative Mind from Edmund Burke to T. S. Eliot. Like Alexis de Tocqueville, Santayana observed American culture and character from a foreigner's point of view. Like Ralph Waldo Emerson, he wrote philosophy in a literary way. Even though he declined to become an American citizen and happily resided in fascist Italy for decades, he is usually considered an American writer by Americans. He himself admitted to being most comfortable, intellectually and aesthetically, at Oxford.
His materialistic, skeptical philosophy was never in tune with the Spanish world of his time. In the post-Franco era he is gradually being recognized and translated. Ezra Pound includes Santayana among the many cultural references in The Cantos, notably in Canto LXXXI and Canto XCV. Chuck Jones used Santayana's description of fanaticism as "redoubling your effort after you've forgotten your aim" to describe his cartoons starring Wile E. Coyote and Road Runner.[5]
Santayana is remembered in large part for his aphorisms, many of which are so common as to have become clichéd. His philosophy has not fared quite as well; though he is regarded by most as an excellent prose stylist, Professor John Lachs (who is sympathetic with much of Santayana's philosophy) writes in his book 'On Santayana' that the latter's eloquence may ultimately be the cause of this neglect.
Nonetheless, Santayana influenced those around him, like Bertrand Russell, who in his critical essay admits that Santayana single-handedly steered him away from the ethics of G.E. Moore. He also influenced many of his prominent students, perhaps most notably the eminent poet Wallace Stevens. And, no doubt, any who study the philosophies of naturalism or materialism in the 20th Century come inevitably to Santayana, whose mark upon them has been great.
Santayana is quoted by Canadian-American sociologist Erving Goffman as a central influence in the thesis of his famous 1959 book The Presentation of Self in Everyday Life.
The Santayana Edition:
The balance of this edition is published by the MIT Press.
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