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George Van Eps

 
Artist: George Van Eps
George Van Eps

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  • Born: August 07, 1913, Plainfield, NJ
  • Died: November 29, 1998, Newport Beach, CA
  • Active: '50s, '60s, '70s, '80s, '90s
  • Genres: Jazz
  • Instrument: Guitar, Guitar (7 String Acoustic)
  • Representative Albums: "Seven & Seven," "Mellow Guitar," "Hand-Crafted Swing"

Biography

George Van Eps was a quiet legend among jazz guitarists, one who as far back as the 1930s pioneered a harmonically sophisticated chordal/lead style that was eclipsed in influence by the single-string idioms of Charlie Christian and Django Reinhardt. Yet Van Eps, like his brassy colleague Les Paul, also stood apart from them as an iconoclastic inventor, designing a seven-string guitar in the late 1930s that adds an extra bass string. Thus, Van Eps was able to play bass lines simultaneously with chords and lead solos, a jazz equivalent of fingerpicking country guitarists like Merle Travis and Chet Atkins. Van Eps puckishly referred to his style of playing as "lap piano," and his seven-string guitar has been adopted by a select few figures like Howard Alden and Bucky and John Pizzarelli.

Van Eps came from a talented musical family; his father Fred was a famous master of the ragtime banjo and a sound engineer, his mother played the piano, and he had three brothers, Bobby, Freddy and John, who were also professional musicians. Self-taught on the banjo, Van Eps began playing professionally at 11, and after falling under the influence of Eddie Lang two years later, he learned the guitar well enough to play alongside Lang for six months as a teenager. From there, Van Eps worked with Freddy Martin (1931-33), Benny Goodman (1934-35) and Ray Noble (1935-36) before moving to Hollywood to become a freelance musician, author of a how-to guitar book, and instrument designer. After returning to Noble in 1940-41, Van Eps worked in his father's recording lab for two years before returning to the freelance arena, where, among other things, he worked for Paul Weston and took part in the 1950s film and TV series Pete Kelly's Blues.

Van Eps only made a handful of recordings as a leader or unaccompanied soloist, including Mellow Guitar (Columbia, 1956) and My Guitar, George Van Eps' Seven-String Guitar and Soliloquy for Capitol in the late 1960s. A bout of serious illness in the early 1970s, plus a 1977 hand injury that resulted in three broken fingers, reduced his activities. However, Van Eps returned to the studio in 1991 for the first of three exquisite duo albums for Concord Jazz with his former student Howard Alden, mixing venerable standards with a few Van Eps originals, and he shared a solo guitar album with Johnny Smith in 1994. Even in his 80s, he remained an eloquent exponent of easygoing modern swing, dying of pneumonia on November 29, 1998. ~ Richard S. Ginell, All Music Guide
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George Van Eps (7 August 191329 November 1998) (often called "the Father of the Seven String Guitar") was an American swing and Mainstream jazz guitarist noted both for his recordings as a leader, and for his work as a session musician. He was also the author of instructional books that explored his approach to guitar-based harmony. He was well known as a pioneer of the seven-string guitar, which allowed him to incorporate sophisticated bass lines into his improvisation. He was a strong influence on later seven-string players such as Howard Alden, Bucky Pizzarelli, and John Pizzarelli (Bucky's son). He is the son of the legendary classic banjo player Fred Van Eps.

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Learn More
Mellow Guitar (1956 Album by George Van Eps)
Seven & Seven (1992 Album by George Van Eps & Howard Alden)
No Amps Allowed (1985 Album by Howard Alden With Jack Lesberg)

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Artist. Copyright © 2009 All Media Guide, LLC. Content provided by All Music Guide ®, a trademark of All Media Guide, LLC. All rights reserved.  Read more
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