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Actor:

George Sorel

  • Born: 1899
  • Died: Jan 19, 1948
  • Occupation: Actor
  • Active: '30s-'40s
  • Major Genres: Drama, Comedy

Biography

European character actor George Sorel made his first American film appearance in 1936. Usually showing up unbilled as gendarmes and maître d's, Sorel was afforded rare screen billing for his one scene and one line as Walter Woolf King's valet in Laurel and Hardy's Swiss Miss (1938). He flourished during WWII thanks to his rather shifty, sinister features, which permitted him to play many a Nazi or collaborator. One of George Sorel's most extensive assignments was in the 1946 Universal serial Lost City of the Jungle; when the serial's principal heavy, Lionel Atwill, died during production, Sorel was called in to double for Atwill in several transitional scenes. ~ Hal Erickson, All Movie Guide

 
 
Biography: Georges Sorel

The French philosopher and political and social thinker Georges Sorel (1847-1922) has been said to have inspired both Communist and Fascist ideologists.

Georges Sorel, born into a bourgeois family in Normandy, became a civil engineer working for the government. At the age of 45 he retired on a small pension and spent the remainder of his life living in the suburbs of Paris studying, reflecting, and writing.

Sorel belonged to the generations of Frenchmen who were greatly affected by the French defeat of 1870 and the civil war of the Paris Commune in the following year. He meditated on the ways whereby society could be held together. His first published work was on the Bible and on the educational value of the biblical story. Then he wrote about Socrates, the arrogant intellectual who by his questioning undermined the certainties of others, and about the decline of the ancient world. During the 1890s Sorel fell under the influence of Marxism and admired a philosophy which he considered to be objective. But he was quickly caught up in the Dreyfus Affair and with the movement which sought to put right the injustice which had been committed in imprisoning a Jewish army officer, Capt. Alfred Dreyfus, as a spy. This led him to proceed to a revision of Marxism and reappraise socialism in terms of action.

In Sorel's two most famous works, Reflections on Violence and The Illusions of Progress (both 1908), he expressed his scorn for the bourgeoisie and for bourgeois values. He believed that the proletariat was now ready to seize power, not through Socialist politicians or parliamentary and trade union politics, since these were a part of bourgeois deceit and decadence, but through the general strike. However, they would have to isolate themselves, indulge in class war, and engage in physical clashes with employers and with the state authorities. In this way the workers would become pure and heroic, would be held together by their struggle, and would found a new civilization.

Thus Sorel emphasized violence, emotion, and myth as the means of overthrowing the prevailing decadence and demoralization. On the type of society which would emerge after the general strike had made its break-through, Sorel was vague. But he believed that once the organized workers had succeeded, their cohesion and enthusiasm would engender further cooperation and progress.

Before 1914 Sorel became interested in the movement of monarchist nationalism; he admired Lenin; and he made some equivocal references to Benito Mussolini, who came to power within a few weeks of Sorel's death.

Further Reading

Studies of Sorel include Richard D. Humphrey, Georges Sorel: Prophet without Honor (1951); James H. Meisel, The Genesis of Georges Sorel (1951); and Irving L. Horowitz, Radicalism and the Revolt against Reason: The Social Theories of Georges Sorel (1961). Also useful is H. Stuart Hughes, Consciousness and Society (1958).

Additional Sources

Meisel, James Hans, The genesis of Georges Sorel: an account of his formative period, followed by a study of his influence, Westport, Conn.: Greenwood Press, 1982, 1951.

Portis, Larry, Georges Sorel, London: Pluto Press, 1980.

 
Political Dictionary: Georges Sorel

(1847-1922) French philosopher and social theorist of syndicalism whose Reflections on Violence (1906) put forward a highly original conception of the role of apocalyptic vision (‘myth’) in sustaining revolutionary struggle. He argued that the general strike must be grasped as the great mobilizing myth capable of uniting the proletariat in its efforts to overthrow capitalism.

— Keith Taylor

 
Britannica Concise Encyclopedia: Georges-Eugène Sorel

(born Nov. 2, 1847, Cherbourg, France — died Aug. 30, 1922, Boulogne-sur-Seine) French author and revolutionary. Trained as a civil engineer, he was 40 before he became interested in social issues. He discovered Marxism in 1893 but was disgusted by what he saw as the left's exploitation of the Alfred Dreyfus affair. By 1902 he was an enthusiastic supporter of revolutionary syndicalism. Sorel's thought is characterized by a moralistic hatred of social decadence and resignation. He held that human nature was not innately good; he therefore concluded that a satisfactory society was not likely to evolve but would have to be brought about by revolutionary action. After 1909 Sorel became disenchanted with syndicalism, and with some hesitation he joined the monarchist movement, which sought to reestablish a traditional morality. After the outbreak of the Russian Revolution of 1917, Sorel declared himself for the Bolsheviks, who he thought might be capable of precipitating the moral regeneration of mankind. His most important work, Reflections on Violence (1908), develops his notion of violence as the revolutionary denial of the existing social order. Sorel's ideas were appropriated (and perverted) by Benito Mussolini, who used them in support of fascism.

For more information on Georges-Eugène Sorel, visit Britannica.com.

 

Sorel, Georges (1847-1922). A powerful and original political thinker, unclassifiable as either ‘Right’ or ‘Left’, Sorel was, through his revolt against reason, to have a profound influence on 20th-c. ideologies. He started late; in 1892 he resigned from the civil service in order to study. He was a revolutionary syndicalist, and his Réflexions sur la violence (1908) depicted violence as alone being capable, through the use of ‘myths’ such as that of the general strike, of revitalizing decadent modern society. In the years before World War I Sorel moved nearer to the authoritarian Right. He has been seen as a precursor of fascism.

[Richard Griffiths]

 
Philosophy Dictionary: Georges Sorel

Sorel, Georges (1847-1922) French engineer, philosopher, and social theorist. Sorel is principally remembered for Réflexions sur la violence (1908, trs. as Reflections on Violence, 1914). Sorel argues that one cannot deplore violence in the hands of opponents of the state (itself no stranger to the violence of war and legal coercion) without understanding the situation and the aims of those who use it. Perhaps the most scandalous part of the doctrine was Sorel's recognition that violence might equally be used against those who, appearing to sympathize with a movement, in fact lure it into collaboration with the system that it aims to overthrow. Sorel also perceived the central role of myth and image in creating a dramatic focus for political emotions: myths are the product of vigorous and living social forces, which may transform societies in ways that are necessary to create their own truth. Although Sorel was a theorist of the left, his contempt for democratic liberalism was most closely echoed by the violent and myth-governed fascist regimes of the 20th century.

 
Columbia Encyclopedia: Sorel, Georges
(zhôrzh sôrĕl') , 1847–1922, French social philosopher. An engineer before he devoted himself to writing, Sorel found in the political and social life of bourgeois democracy the triumph of mediocrity and espoused various forms of socialism, chiefly revolutionary syndicalism. In his best-known work, Reflections on Violence (1908, tr. 1912), which became the basic text of syndicalism, Sorel expounded his theory of “violence” as the creative power of the proletariat that could overcome “force,” the coercive economic power of the bourgeoisie. He supported belief in myths about future social developments, arguing that such belief promoted social progress. Sorel supported at various times such disparate alternatives to the existing order as extreme French monarchism and the Bolshevik Revolution.

Bibliography

See J. J. Roth, The Cult of Violence: Sorel and the Sorelians (1980); J. R. Jennings, Georges Sorel (1985).

 
Wikipedia: Georges Sorel
Georges Eugène Sorel (1847-1922)
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Georges Eugène Sorel (1847-1922)

Georges Eugène Sorel (2 November, 184729 August, 1922) was a French philosopher and theorist of revolutionary syndicalism.

Biography

Sorel was born in Cherbourg, son of a bankrupted wine merchant. He studied in the École Polytechnique in Paris. He became chief engineer with the Department of Public Works and retired in 1892. He was active on the side of Dreyfusards during the Dreyfus Affair.

Sorel had ties of friendship to Antonio Labriola and wrote a preface to the French translation of Labriola's Essays on the Materialist Conception of History. Although Labriola attacked Sorel's work, his books were praised by other Italian thinkers such as Vilfredo Pareto and Benedetto Croce, and he had links to the Italian nationalist-syndicalist movement from which Fascism branched.

Politics

Sorel had been politically monarchist and traditionalist before embracing orthodox Marxism in the 1890s, but throughout his career continued to support values more commonly associated with conservatism. In his earliest writings he attempted to fill in what he believed were gaps in Marxist theory, but ultimately created an extremely heterodox variation of the ideology. He criticised what he saw as Marx's rationalist and utopian tendencies, believing them to be out of keeping with the pessimistic and irrationalist core of Marxism - a philosophy he considered closer in spirit to early Christianity than to the French Revolution. He rejected Marxist theories of historical materialism, dialectical materialism, and proletarian internationalism. He did not see Marxism as 'true' in a scientific sense, as orthodox Marxists did; rather, it was 'true' in that it promised a redemptive role for the proletariat within a terminally decadent society.

Sorel came to favour the anarcho-communism of Bakunin. Like Proudhon, he saw socialism as primarily a moral question. He was also heavily influenced by Henri Bergson who developed the importance of myth and criticized scientific materialism, by the cult of greatness and hatred of mediocrity found in Nietzsche, and by the ability to recognise the potential corruption of democracy found in liberal conservatives such as Tocqueville, Taine and Renan. Despite his disdain for social democracy, Sorel also held great respect for Eduard Bernstein, and agreed with many of his criticisms of orthodox Marxism.

Sorel's was a voluntarist Marxism: he rejected those Marxists who believed in inevitable and evolutionary change, emphasising instead the importance of will and preferring direct action. (He may even have coined the phrase, "direct action".) These approaches included general strikes, boycotts, sabotage, and constant disruption of capitalism with the goal being to achieve worker control over the means of production. Sorel's belief in the need for a deliberately-conceived "myth" to sway crowds into concerted action was put into practice by mass fascist movements in the 1920s. The epistemic status of the idea of "myth" is of some importance, and is essentially that of a working hypothesis, with one fundamental peculiarity: it is an hypothesis which we do not judge by its closeness to a "Truth", but by the practical consequences which stem from it. Thus, whether a political myth is of some importance or not must be decided, in Sorel's view, on the basis of its capacity to mobilize human beings into political action; the only possible way for men to ascend to an ethical life filled by the character of the sublime and to achieve deliverance. Sorel believed the "energizing myth" of the general strike would serve to enforce solidarity, class consciousness and revolutionary élan amongst the working-class. The "myth" that the Fascists would appeal to, however, was that of the state.

He echoed the Jacobin tradition in French society that held that the only way for change to occur was through the application of force. Sorel praised Charles Maurras, Action Française, Lenin and Mussolini for attacking bourgeois democracy. At the time of his death, in Boulogne sur Seine, he had an ambivalent attitude both towards Fascism and Bolshevism. Whether Sorel is better seen as a left-wing or right-wing thinker is disputed: the Italian Fascists praised him as a forefather, but the dictatorial government they established ran contrary to his beliefs, while he was also an important touchstone for Italy's first Communists, who saw Sorel as a theorist of the proletariat. Such widely divergent interpretations arise from the theory that a moral revival of the country must take place to re-establish itself; yet whether this revival must occur by means of the middle and upper classes or the proletariat is a point in question. His ideas, most notably the concept of a spontaneous general strike, have contributed significantly to anarchosyndicalism.

Sorel is an important component of the history of European politics in that his thought reflects the cross-fertalization (and even confusion) of ideas among anarchists, socialists, syndicalists, communists, Marxists and nationalists in the time period of about 1830-1930.


Sorel's Antiscience

As political theorist Isaiah Berlin has demonstrated, the French philosopher, Georges Sorel was clearly a holder of antiscience views.

Science is not reality

He dismissed science as "a system of idealised entities: atoms, electric charges, mass, energy and the like – fictions compounded out of observed uniformities…deliberately adapted to mathematical treatment that enable men to identify some of the furniture of the universe, and to predict and…control parts of it." [1; 301] He regarded science more as "an achievement of the creative imagination, not an accurate reproduction of the structure of reality, not a map, still less a picture, of what there was. Outside of this set of formulas, of imaginary entities and mathematical relationships in terms of which the system was constructed, there was ‘natural’ nature – the real thing…" [1; 302] He regarded such a view as "an odious insult to human dignity, a mockery of the proper ends of men," [1; 300] and ultimately constructed by "fanatical pedants," [1; 303] out of "abstractions into which men escape to avoid facing the chaos of reality." [1; 302]

Science is not nature

As far as Sorel was concerned, "nature is not a perfect machine, nor an exquisite organism, nor a rational system." [1; 302] He rejected the view that "the methods of natural science can explain and explain away ideas and values…or explain human conduct in mechanistic or biological terms, as the…blinkered adherents of la petite science believe." [1; 310] He also maintained that the categories we impose upon the world, "alter what we call reality…they do not establish timeless truths as the positivists maintained," [1; 302] and to "confuse our own constructions with eternal laws or divine decrees is one of the most fatal delusions of men." [1; 303] It is "ideological patter…bureaucracy, la petite science…the Tree of Knowledge has killed the Tree of Life…human life [has been reduced] to rules that seem to be based on objective truths." [1; 303] Such to Sorel, is the appalling arrogance of science, a vast deceit of the imagination, a view that conspires to "stifle the sense of common humanity and destroy human dignity." [1; 304]

Science is not a recipe

Science, he maintained, "is not a ‘mill’ into which you can drop any problem facing you, and which yields solutions," [1; 311] that are automatically true and authentic. Yet, this is precisely how too many people seem to regard it.

To Sorel, that is way "too much of a conceptual, ideological construction," [1; 312] smothering our perception of truth through the "stifling oppression of remorselessly tidy rational organisation." [1; 321] For Sorel, the inevitable "consequence of the modern scientific movement and the application of scientific categories and methods to the behaviour of men," [1; 323] is an outburst of interest in irrational forces, religions, social unrest, criminality and deviance - resulting directly from an overzealous and monistic obsession with scientific rationalism.

And what science confers, "a moral grandeur, bureaucratic organisation of human lives in the light of…la petite science, positivist application of quasi-scientific rules to society – all this Sorel despised and hated," [1; 328] as so much self-delusion and nonsense that generates no good and nothing of lasting value. In essence, something of a Romantic like Blake, Sorel would say, "the artist creates as the bird sings on the bough, as the lily bursts into flower, to all appearance for no ulterior purpose." [2; 196]

Above quotations from:

  • [1] Sir Isaiah Berlin, Against The Current: Essays in the History of Ideas, London: Pimlico, 1997
  • [2] Sir Isaiah Berlin, The Sense of Reality - Studies in Ideas and Their History, London: Pimlico, 1996

Works

  • Contribution à l'étude profane de la Bible (Paris, 1889)
  • Le Procès de Socrate, Examen critique des thèses socratiques (Paris: Alcan, 1889)
  • Fondements scientifiques de l'entendement (Paris, 1893)
  • La Ruine du monde antique: Conception matérialiste de l'histoire (Paris, 1898)
  • Questions de morale (Paris, 1900)
  • Introduction à l'économie moderne (Paris, 1903)
  • La crise de la pensée catholique (Paris, 1903)
  • Le Système historique de Renan (Paris, 1905-1906)
  • Les préoccupations métaphysiques des physiciens modernes (Paris, 1907)
  • La Décomposition du Marxisme (Paris, 1908); translation as The Decomposition of Marxism by Irving Louis Horowitz in his Radicalism and the Revolt against Reason; The Social Theories of Georges Sorel (Humanities Press, 1961; Southern Illinois University Press, 1968).
  • Les illusions du progrès (1908); Translated as The Illusions of Progress by John and Charlotte Stanley with a foreword by Robert A. Nisbet and an introduction by John Stanley (University of California Press, 1969, ISBN 0-520-02256-4)
  • Réflexions sur la violence (1908); translated as Reflections on Violence first authorised translation by T. E. Hulme (B. W. Huebsch, 1914; P. Smith, 1941; AMS Press, 1975, ISBN 0-404-56165-9); in an unabridged republication with an introduction by Edward A. Shils, translated by T.E. Hulme and J. Roth (The Free Press, 1950; Dover Publications, 2004, ISBN 0-486-43707-8, pbk.); edited by Jeremy Jennings (Cambridge University Press, 1999, ISBN 0-521-55117-X, hb)
  • La révolution dreyfusienne (Paris, 1909)
  • Matériaux d'une théorie du prolétariat (Paris, 1919)
  • De l'utilité du pragmatisme (Paris, 1921)
  • Lettres à Paul Delesalle 1914-1921 (Paris, 1947)
  • D'Aristotle à Marx (L'Ancienne et la nouvelle métaphysique) (Paris: Marcel Rivière, 1935)
  • From Georges Sorel: Essays in Socialism and Philosophy edited with an introduction by John L. Stanley, translated by John and Charlotte Stanley (Oxford University Press, 1976, ISBN 0-19-501715-3; Transaction Books, 1987, ISBN 0-88738-654-7, pbk.).
  • From Georges Sorel: Volume 2, Hermeneutics and the Sciences edited by John L. Stanley, translated by John and Charlotte Stanley (Transaction Publishers, 1990, ISBN 0-88738-304-1).
  • Commitment and Change: Georges Sorel and the idea of revolution essay and translations by Richard Vernon (University of Toronto Press, 1978, ISBN 0-8020-5400-5)
  • Social foundations of contemporary economics translated with an introduction by John L. Stanley from Insegnamenti sociali dell'economia contemporanea (Transaction Books, 1984, ISBN 0-87855-482-3, cloth)

References

  • Georges Sorel and the sociology of virtue by Arthur L. Greil (University Press of America, 1981, ISBN 0-8191-1988-1, ISBN 0-8191-1989-X pbk.)
  • Georges Sorel, Prophet without Honor; A study in anti-intellectualism by Richard D. Humphrey (Harvard University Press, 1951)
  • Georges Sorel: The Character and Development of his Thought by J.R. Jennings; foreword by Theodore Zeldin (St. Martin's Press, 1985, ISBN 0-312-32458-8)
  • The Genesis of Georges Sorel : an account of his formative period, followed by a study of his influence by James H. Meisel (G. Wahr Pub. Co., 1951; Greenwood Press, 1982, ISBN 0-313-23658-5)
  • Georges Sorel by Larry Portis (Pluto Press, 1980, ISBN 0-86104-303-0, pbk.)
  • The Cult of Violence : Sorel and the Sorelians by Jack J. Roth (University of California Press, 1980, ISBN 0-520-03772-3
  • Radicalism and the Revolt against Reason: The Social Theories of Georges Sorel by Irving Louis Horowitz. With a translation of his essay on The decomposition of Marxism (Humanities Press, 1961). A later edition contains a preface relating Sorel's theories to American thought in the 1960's (Southern Illinois University Press, 1968).
  • Three against the Third Republic : Sorel, Barrès, and Maurras by Michael Curtis (Princeton University Press, 1959; Greenwood Press, 1976, ISBN 0-8371-9048-7)
  • The Birth of Fascist Ideology by Zeev Sternhell with Mario Sznajder and Maia Asheri, (Princeton University Press, 1994; ISBN 0-691-03289-0), esp. Chapter 1: Georges Sorel and the Antimaterialist Revision of Marxism
  • Biographical Dictionary of the Extreme Right Since 1890 edited by Philip Rees, (Simon & Schuster, 1991, ISBN 0-13-089301-3)
  • Main Currents of Marxism, vol. 2: The Golden Age by Leszek Kolakowski (Oxford University Press, 1978)
  • Berlin, Isaiah, Georges Sorel, in Against The Current: Essays in the History of Ideas, London: Pimlico, 1997
  • L'illusion du politique. Georges Sorel et le débat 1900, by Shlomo Sand, Paris, La Découverte, 1984.
  • Georges Sorel en son temps, by Jacques Julliard, Shlomo Sand (eds.), Paris, Le Seuil, 1985,
  • Georges Sorel, Cahiers de l'Herne, 1986.
  • Naissance du mythe moderne. Georges Sorel et la crise de la pensée savante (1889-1914), by Willy Gianinazzi, Paris, Ed. de la Maison des sciences de l'Homme, 2006.
  • Georges Sorel. Het einde van een mythe by Jacques de Kadt,1938.

See also

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