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GG Allin

 
Artist: G.G. Allin
 
  • Born: August 29, 1956, Lancaster, NH
  • Died: June 28, 1993, New York, NY
  • Active: '70s, '80s, '90s
  • Genres: Rock
  • Instrument: Vocals
  • Representative Albums: "Freaks, Faggots, Drunks & Junkies," "Hated," "Rock 'N' Roll Terrorist"
  • Representative Songs: "Outlaw Scumfuc," "Die When You Die," "Young Little Meat"

Biography

To some, G.G. Allin was the ultimate symbol of rock & roll rebellion, taking it to extremes that no one else was dangerous enough to explore. To others, he was a lunatic whose attempts to shock and disgust were too ham-fisted to be taken seriously. Wherever the truth lay, there can be no doubt that Allin was the most spectacular degenerate in rock & roll history. Music was almost incidental to his violent, scatological stage act, which got him arrested over 50 times for a litany of offenses, and made Iggy Pop's antics with the Stooges look like The Donny & Marie Show. Rarely performing for more than 10-20 minutes before clubs shut him down, Allin usually took the stage in a jockstrap and wound up nude; he beat himself bloody with broken bottles, torn cans, and microphones (when he wasn't trying to shove the latter up his own ass); he attacked and was attacked by his own audience; he urinated on the stage, on his band, on the audience; he frequently took laxatives before shows in order to defecate on the stage, after which he generally ate his own feces or threw them at the audience; and yet, somehow, he still found audience members willing to perform oral sex on him on-stage. Needless to say, he also ingested enormous amounts of booze and drugs, served several prison terms, and even promised to commit suicide on-stage on Halloween (he died of an overdose in 1993 before he could follow through). His songs -- such as they were -- were comically over-the-top hell-raisers about substance abuse, casual violence, and sexual conduct that was at best degrading and at worst criminal. Yet no matter how vile he was, Allin had his supporters, whether they belonged to the outermost fringes of society, admired his absolute freedom of expression, or were simply fascinated by the spectacle of a man venting all the ugliest, most primal impulses of the human id. Much like his life, Allin's discography is a confusing mess, with countless reissues, compilations, and live gigs cluttering the issue and making it difficult to tell at a glance where any given track listing originated. His music rarely deviates from basic, thrashy, three-chord punk, and his once-adequate voice, ravaged by years of mistreatment, can charitably be described as tuneless and hoarse. Song titles like "I'm Gonna Rape You," "Expose Yourself to Kids," "Bite It You Scum," "Outlaw Scumfuc," "Gypsy Motherfucker," "Suck My Ass It Smells," "Die When You Die," and "Young Little Meat" -- all fan favorites -- give a fair idea of his self-conscious repulsiveness. Allin recorded for many small labels and with many different bands -- the Jabbers, the Scumfucs, the Holy Men, Antiseen, the Murder Junkies, and many more; some were his own, some were one-off collaborators. Naturally, it was difficult to keep a steady group together behind Allin, but he also had many admirers who wanted to work with him and/or release his music, including surprisingly big names in the underground rock world (J Mascis, Thurston Moore, Dee Dee Ramone, Wayne Kramer, future Matador head Gerard Cosloy, etc.). Few of Allin's associates denied that his erratic behavior was likely the result of mental problems worsened by substance abuse; many speculated about the possibility of a split personality, a man who would veer abruptly between politeness and violence, intelligence and incoherence, egomania and self-loathing. And if Allin wasn't a clinical sociopath -- as his public persona and interviews suggested -- he was likely pretty close. Yet even in his most rambling diatribes, he seemed to have a definite philosophy and a sense of what he was doing and why, regarding himself as the savior of real rock & roll. (Some even suspected that he eventually started taking his shock-value lyrics seriously, perhaps acting them out to prove his integrity.) Whether Allin's aesthetic and work should be taken seriously or not, it's abundantly clear that the danger was very definitely real. Although Allin denied that his family environment played a significant role in what he became, it's difficult to think that his father had nothing at all to do with it. A highly religious, antisocial man (though according to G.G. not physically abusive), he ordered his son named Jesus Christ Allin when he was born in Lancaster, NH, on August 29, 1956, telling his wife he'd had visions about the boy. (Allin's brother and future bandmate Merle pronounced "Jesus" as "Je-Je," giving him his lifelong nickname.) The family lived in a two-room log cabin with no electricity or water, and Allin's father forbade all conversation after dark; he even dug the family's graves in the cellar, threatening to commit suicide and take them with him. When G.G. started school, his mother had him legally renamed Kevin Michael Allin; several years later, she divorced Allin's father. Allowed to listen to the radio, G.G. fell in love with rock & roll and learned to play the drums. Unsurprisingly, G.G. was a misfit and a malcontent from junior high on; he was placed in special ed classes and was left back one year, and rebelled by sometimes showing up to school in drag. He and his brother Merle, a bassist, played together in several bands while still in school, and G.G. discovered his penchant for confrontational theatrics very early on, although they couldn't hold a candle to his later stage act. He discovered punk rock in the late '70s, and played drums in a band called Malpractice; around the same time, he was married for several years and had a daughter, but eventually left his family and took up with a 13-year-old girl. Musically, he moved on to a band called the Jabbers, which earned a following on the bar scene of Manchester, NH. In 1980, Allin and the Jabbers cut their debut album, Always Was, Is, and Always Shall Be, for the New York-based independent label Orange. At this stage, Allin could carry a tune in a decently snotty punk rock voice, and his music was a fairly catchy hybrid of hardcore punk and power pop. His subject matter was hardly extreme, although he did show a strong misogynist streak right from the start (even if he generally hated everyone else too). In 1981, he recorded "Gimme Some Head," a one-off single with the Motor City Badboys, who included guitarist Wayne Kramer and drummer Dennis Thompson of the MC5. Two EPs, Public Animal #1 and No Rules, followed on Orange in 1982 and 1983, respectively; the former featured perhaps his best-known early single, "You Hate Me and I Hate You." Disturbed by Allin's increasingly volatile stage antics, the Jabbers broke up in 1984. Allin joined his brother Merle in Boston and briefly fronted the Cedar Street Sluts before forming a new group dubbed the Scumfucs. He also started his own Blood label in 1984 to release an album with an otherwise unreleasable title, Eat My Fuc (later dubbed E.M.F. when reissued). True to its name, Eat My Fuc marked the point where Allin's lyrics took a turn for the demented. Several EPs -- Hard Candy Cock, I Wanna Fuck Your Brains Out, Live Fast, Die Fast -- followed, and over the next couple of years, Allin's live act soon became one of the most feared (or celebrated, depending on your point of view) concert experiences in the Northeast. He was an enormously polarizing figure in the punk community, and -- unsurprisingly -- found it increasingly difficult to get gigs, especially after a 1986 Village Voice article that chronicled a notorious show at New York City's Cat Club (reportedly the first time he defecated on-stage). In 1987, ROIR issued the compilation Hated in the Nation, which became a cornerstone of the Allin catalog for the simple reason that it stayed in print. It featured early sessions and live gigs with the Scumfucs, the New York Superscum (an all-star group with J Mascis, Gerard Cosloy, and Shimmy-Disc label head Kramer), the Cedar Street Sluts, and the Motor City Badboys. That year, Cosloy's Homestead label signed Allin and released his album with the Holy Men, You Give Love a Bad Name. His second effort for Homestead was 1988's Freaks, Faggots, Drunks & Junkies, a fan favorite that introduced some of the most popular numbers in his later repertoire. That year, Allin was scheduled to appear on the confrontational Morton Downey Jr. Show but never made it to the taping; he and the band trashed their hotel room and were arrested. In 1989, Allin first made his infamous announcement that he would shoot himself on-stage on Halloween night 1990. An execrable concert album, Anti-Social Personality Disorder - Live, was culled from his tour that year, which ended in Michigan when he was arrested for assault. Specifically, Allin had taken up with a young woman who requested (according to Allin) various sadistic sex acts over a period of several days, but turned him in when he tried to wake her from a drunken stupor by burning her leg with a cigarette lighter. Allin pleaded no contest to charges of aggravated assault with intent to mutilate, and went to jail for 18 months. During that time, archival Allin material appeared on several labels, most notably on 1990's Doctrine of Mayhem. Upon his release, Allin jumped parole to mount a tour with the Murder Junkies, who featured drummer Donald "Dino" Saches (who performed in the nude and had served time for indecent exposure), guitarist Bill Weber, and brother Merle on bass. The early part of the tour was documented by NYU film student Todd Phillips (who would go on to direct mainstream comedies like Road Trip and Old School). Phillips financed the finished documentary, Hated, in part by selling Allin posters painted by G.G.'s pen pal, John Wayne Gacy (whose work also graced the cover of the accompanying soundtrack album). Allin was arrested several times on the tour, the last in Texas, where officers discovered his parole violation (by this time, he had outstanding warrants in several other states as well). He was extradited to Michigan and served some more time in Jackson State Penitentiary. Still claiming he would commit suicide on-stage on Halloween, Allin emerged from prison in 1993 more determined than ever to exact his vengeance on society. He recorded a new album for the Alive label, Brutality and Bloodshed for All, that added revolutionary (albeit somewhat inarticulate) politics to his typical subject matter. He and the Murder Junkies mounted another tour, accompanied by videographer Evan Cohen (who would later write the book I Was a Murder Junkie: The Last Days of G.G. Allin about the experience). Allin also made the rounds on the talk show circuit, appearing on Jerry Springer and several other programs (he'd previously appeared on Geraldo to announce that his body fluids were "a communion with the people"). That June, Allin went to New York to attend the premiere of Phillips' documentary, Hated. Several nights later, he played a show at the Gas Station club that ended with fans rioting in the streets, and Allin escaping the police naked and on foot. He went to a friend's apartment on the Lower East Side, where he consumed alcohol and heroin. On the morning of June 28, 1993, Allin was found dead of an overdose -- a typical rock & roll death for a rock & roller who was anything but typical. He was buried in Littleton, NH, after a predictably colorful funeral, leaving behind the most disgusting legacy in rock history. ~ Steve Huey, All Music Guide
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Wikipedia: GG Allin
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GG Allin

GG Allin in 1992. Still photo from the film Hated: GG Allin and the Murder Junkies
Background information
Birth name Jesus Christ Allin
Also known as GG
Born August 29, 1956(1956-08-29)
Origin Lancaster, New Hampshire
Died June 28, 1993 (aged 36)
New York City
Genre(s) Crossover thrash, Punk rock, spoken word, country and western, shock rock
Occupation(s) Musician, singer-songwriter
Instrument(s) Vocals, drums, guitar
Years active 1976–1993
Label(s) Mountain Records, Ax/tion Records, Blood Records, Onge Records, ROIR, Black and Blue Records, Homestead Records, Awareness Records, Alive/BOMP! Records
Associated acts Dee Dee Ramone, Little sister's Date, Malpractice, The Jabbers, The Scumfucs, The Cedar Street Sluts, MC2 (AKA The Motor City Badboys), J Mascis, Mark Kramer, Carolina Shitkickers, Bulge, Criminal Quartet, The Texas Nazis, David Peel, Bloody Mess & The Skabs, Antiseen, The Murder Junkies
Website Official website

Kevin Michael "GG" Allin (August 29, 1956June 28, 1993) was an American punk rock singer-songwriter who performed and recorded with many punk-rock groups during his career.

Allin is best remembered for his notorious live performances that typically featured wildly transgressive acts such as Allin defecating and urinating onstage, rolling in feces and often consuming excrement, committing self-injury, performing naked, and committing violent actions toward the audience—often doing many of these things simultaneously. Although more notorious for his stage antics than for his wide body of music, he recorded prolifically, not only in the punk rock genre, but also in spoken word, country and Rolling Stones-influenced rock. His politically incorrect lyrics, which often covered subjects such as misogyny, pedophilia and racism, deeply divided opinions of him within the highly politicized punk community.[1] Though he had a devoted cult following, Allin's music has received mostly negative reviews from critics.[2][3][4]

Contents

Life

Childhood

GG was born as Jesus Christ Allin at Weeks Memorial Hospital in Lancaster, New Hampshire. He was given this messianic name because his father, Merle Colby Allin, Sr., told his young wife, Arleta Gunther, that Jesus Christ Himself had visited him and told him that his newborn son would be a great and all powerful man in the vein of the Messiah.[5][2]

As a young child, his older brother Merle Allin, Jr. was unable to pronounce "Jesus" properly and kept calling him "Jeje", which became "GG". The family lived in a log cabin with no water or electricity. Allin's father, who forbade all conversation in the home after dark, was a religious fanatic and an antisocial man, and was allegedly violent towards his wife and children, though GG himself never used this as an excuse for any of his own eccentricities. At age 12, Allin had contracted Lyme disease and claimed to have never fully recovered from the effects of having the disease at such a young age.

In late 1961, Arleta had filed for divorce against her husband. The primary reason was because of his deteoriating mental health. Allin and his brother were raised by their mother and stepfather, and soon moved to East St. Johnsbury, Vermont.[2] Arleta changed her younger son's legal name to Kevin Michael Allin on March 2, 1962. Arleta had allowed his birth name to stand until this point, and changed his name in order to give her son a chance at a normal, mockery-free childhood.

GG was considered an outcast from junior high school onwards, being placed in special ed classes and having to repeat the third grade. He was known to rebel by showing up to school dressed in drag (his 10th grade school picture depicts him this way), which he said was inspired by the New York Dolls. When asked about his childhood, GG has been quoted as saying "Very chaotic. Full of chances and dangers. We sold drugs, stole, broke into houses, cars, etc. Did whatever we wanted to for the most part - including all the bands we played in. People even hated us back then."[6]

Early music career

Some of Allin's earliest recorded musical endeavors were as a drummer. During high school, he had a penchant for provocative theatrics early on. At one early gig (a high school prom), he pulled down the decorations provoking a positive reactions from the crowd. Another early gig started a riot.[citation needed]

Allin graduated from Concord High School in 1975, and shortly after formed the band Malpractice with several high school friends and his brother Merle. He was the drummer for Malpractice until the band separated in 1977. He later became the drummer for the band Stripsearch, and was able to write and perform two songs: "Galileo" and "Jesus in New York."

Allin performs as the frontman with The Jabbers in 1981.

His first years as a frontman were with The Jabbers (1977 – April 1984). The Jabbers recorded a number of tracks for which Allin played drums and performed vocals. In 1980 came Allin's debut release, Always Was, Is and Always Shall Be. At the time, Allin was a standard punk rock frontman in the vein of Iggy Pop and Stiv Bators and his music was a catchy, even danceable, mix of power pop and hardcore punk. He was even managed at one point by industry veteran (and The Dead Boys producer) Genya Ravan. Tensions within The Jabbers began to mount as Allin became increasingly uncontrollable, vicious, and uncompromising. The Jabbers discontinued, and the members parted ways. Allin's drug use started during this period.

During the early to mid 1980s, Allin fronted many acts. These included early albums varying from The Cedar Street Sluts to The Scumfucs in 1982, and The Texas Nazis in 1985. However, Allin remained in the underground hardcore scene and was not yet a viable icon of the east coast hardcore scene.

Tracy Deneault was a teenage girl Allin began seeing when his wife, Sandra Farrow, divorced him. On March 13, 1986, a daughter was born to Allin and Deneault. Little is known about the child, Nicoann Deneault. It has been speculated that the small picture in GG's left hand at his funeral may have been of Nicoann, though it is most likely a picture depicting Allin himself at a younger age.[7] Allin and Tracey Deneault never married.

In 1987, Allin retreated to a cabin in New Hampshire to write the album Eat My Fuc.

Though still a marginal figure, Allin gained wider attention with the release by Reachout International Records (ROIR) of Hated in the Nation (1987), a cassette-only release at the time, which contained several tracks from Allin's then-out-of-print back catalogue with The Jabbers, The Scumfucs and Cedar Street Sluts. The tape also featured several new recordings, both in-studio and in-concert, with an all-star band assembled by producer, Maximum RocknRoll columnist, and early Allin patron Mykel Board. This band featured J Mascis of Dinosaur Jr. on lead guitar, and Bongwater record producer/musician Mark Kramer on bass.

Mid era

By the mid to late 1980s, Allin was addicted to heroin and alcohol and generally abused any intoxicants provided to him, sometimes taking pills without even asking what they were. He was poorly groomed and rarely cleaned himself. At this point, Allin also began eating laxatives before performances - as defecation was becoming a regular stage act. Allin described himself as "the last true rock and roller." By this, he meant that rock and roll music itself had started as an embodiment of danger, anti-authoritarianism, rebelliousness but had become largely taken over by corporations and business concerns. Allin's music and performances were thus meant to return rock and roll to what he saw as its roots, reclaiming it from the corporate system.

Allin idolized country music legend Hank Williams, Sr, and saw himself as a kindred spirit. Both were relative loners and outsiders, both were habitual users of intoxicants, both lived with few, if any, possessions and both traveled the country relentlessly. GG Allin's acoustic output, documented particularly on the EP The Troubled Troubador, was heavily influenced by Williams. He recorded his own rewrites of Hank Williams, Jr.'s "Family Tradition" and David Allan Coe's "Longhaired Redneck", calling his own versions "Scumfuc Tradition" and "Outlaw Scumfuc" respectively. Later GG Allin also released another country album Carnival of Excess.

A typically bloodied GG Allin c. 1992

During this period, Allin collaborated with Bulge (aka Boston hardcore punk trio Psycho under a different name, on the album Freaks, Faggots, Drunks and Junkies), The Aids Brigade (the 7" EP Expose Yourself To Kids) and The Holymen (You Give Love a Bad Name). Allin also began performing many spoken word pieces. Video footage of these are available but rare. Unwilling to seek steady employment, Allin supported himself by selling his own records. He also claimed to have committed criminal acts such as breaking and entering, robbery and mugging. Allin was also fascinated with serial killers. He wrote and visited John Wayne Gacy in prison a number of times and Gacy painted a portrait of Allin (see American Serial killer art).

By this point, Allin's performances, which often resulted in considerable damage to venues and sound equipment, were regularly stopped after only a few songs by police or venue owners. Allin was charged with assault and battery or indecent exposure a number of times. His constant touring was only stopped by jail time or by long hospital stays for broken bones, blood poisoning, and other physical trauma.

Another attraction to Allin performances was his continual threats of suicide. In 1988, Allin wrote to Maximum RocknRoll stating that he would commit suicide on stage on Halloween 1989. However, he was in jail when that day came. He continued his threat each following year but ended up imprisoned each following Halloween. When asked why he does not follow through with his threats, or sometimes his on-stage defecations, Allin stated, "With GG, you don't get what you expect—you get what you deserve."[8] He also stated that suicide should only be done when one had reached their peak, meeting the afterlife at their strongest point and not at their weakest.[9]

1989 trial

In late 1989, Allin was arrested and charged with rape and torture of a female acquaintance in Ann Arbor, Michigan.

In a psychological evaluation made as part of the trial,[10] Allin was judged as having at least average intelligence, and was described as "courteous, cooperative and candid." The unnamed evaluator noted Allin did not appear psychotic, and seemed comfortable with his unorthodox lifestyle. However, the evaluator asserted Allin did have behaviors consistent with masochism and narcissism, and displayed symptoms of borderline personality disorder and bipolar disorder.

Allin initially denied the charges, claiming the woman was a willing participant in sexual activities with him, only later changing her account of events.[11] According to Allin, he cut her, burned her, and drank her blood, however she did the same thing to him. Allin also claimed inconsistencies in the woman's statements to authorities supported his assertions, and the judge in the case agreed there were substantial inconsistencies in the woman's account.[11] Ultimately, however, Allin plea bargained to reduced felony assault charges,[11] and he was imprisoned from December 20, 1989 – March 26, 1991.

It was during this confinement that Allin felt energized about his life and "mission," as he put it. He wrote and published The GG Allin Manifesto[12] (1990) during this period.

Documentary

After his release from prison, Allin went on another tour, footage of which made it into Todd Phillips' documentary Hated: GG Allin and the Murder Junkies. The documentary also contained graphic scenes from other Allin appearances as well as interviews with Allin, his brother and fellow band member Merle Allin, and the Murder Junkies' naked drummer Dino. The film came out in 1994 and was released on DVD in 1997. As of 2009 the film can be seen "On Demand" through many national and local cable providers.

During the 1990's GG Allin recorded his Murder Junkies album released by New Rose Records and featuring the band ANTiSEEN. This album contained 10 musical tracks and 10 spoken-word pieces. Other than Freaks, Faggots, Drunks and Junkies, Allin considered this album to be his most polished professionally recorded album that explored his persona and stated his philosophy on life. It was also during this period that Allin recorded the War In My Head - I'm Your Enemy album released on Awareness Records and featuring the band Shrinkwrap. This particular album consists of one 45 minute track that is a collage of spoken-word pieces which Shrinkwrap put to music.

Meanwhile, Allin's growing notoriety led to appearances on Geraldo, The Jerry Springer Show and The Jane Whitney Show. He was cheered and booed by fans and enemies at same time. Merle appeared in the audience during a show, prompting Geraldo Riviera to sarcastically comment to him "that's a great mustache".

Last days and death

GG Allin's final resting place in Littleton, New Hampshire.

Despite threats of an onstage suicide, Allin died of an accidental heroin overdose in New York City on June 28, 1993, in the Manhattan apartment of John Handley Hurt and Dwanna Yount only six days after leaving prison (and three days after attending the premier of the documentary Hated, whose director gives an account of Allin's attendance in Bizarre magazine). He was found lying in his apartment on the night of the 29th but he actually died overnight in his sleep on the 28th. He was 36 years old. His last show was at a small club called The Gas Station in New York City. Video footage of the soundcheck, concert, and aftermath is appended to the DVD release of Hated. In his last show the power went out during the second song, after which he trashed the venue and walked the streets of New York naked and covered in blood and feces, surrounded by fans whom he openly embraced.[13] On VH1's Freakiest Concert Moments, Allin's final show ranked at number four.

After arriving at his friends' apartment, some party-goers posed for photos with Allin, not knowing that he was already dead. The next morning, some noticed that Allin still lay motionless in the same place where they had left him, and called for an ambulance. Allin was pronounced dead at the scene.[14]

At his funeral, Allin's bloated, discolored corpse was dressed in his black leather jacket and trademark jock strap. He had a bottle of Jim Beam beside him in his casket, per his wishes (openly stated in his self-penned acoustic country ballad, "When I Die"). As part of his brother's request, the mortician was instructed not to wash the corpse (which smelled strongly of feces), or apply any makeup. The funeral became a wild party. Friends posed with the corpse, placing drugs and whiskey into its mouth. As the funeral ended, his brother put a pair of headphones on Allin. The headphones were plugged into a portable cassette player, in which was loaded a copy of The Suicide Sessions. The video of his funeral is widely available for purchase, and is an extra feature on the Hated DVD and some bootleg VHS tapes.[14]

His grave is regularly vandalized with feces and alcohol by fans[15].

At the time of his death, Allin was making plans for a spoken-word album, and a somewhat unlikely European tour. Reports say he was enthusiastically talking about them to a friend in the hours before his death.[16]

Beliefs

Through his lyrics, television appearances, and documentary, GG Allin expressed an archaically unified philosophy closely resembling the libertine beliefs of the French writer and notorious criminal Marquis de Sade, though Allin never expressed a particular liking for de Sade's works. Allin believed that he was the rock and roll messiah, come to reclaim punk and rock'n'roll music from commerciality and corporatism (See megalomania). During the height of his notoriety in the early 1990's, Allin had a small following of young female fans with whom he had sexual relations. On The Jane Whitney Show, Allin spoke freely of having a seventeen-year-old girl urinate in his mouth and having her watch him masturbate. [1]

Allin was an extreme individualist and anti-authoritarian, promoting lawlessness and violence against police officers in many of his lyrics, and in his essay, The GG Allin Manifesto, which was intended to summarize his personal philosophy (See the link below to view the full text of the manifesto). He stated on the show Geraldo that he believed that his body was a temple of rock and roll worship, which he used to promote his beliefs in anarchy and destruction. Another reason he gave for his onstage antics was that he wanted to draw a parable between his actions and "a society that's going crazy with violence." [17]

Media

Discography

References

  1. ^ Huey, Steve. "G.G. Allin: Biography". Allmusic.com. http://www.allmusic.com/cg/amg.dll?p=amg&sql=11:3cfuxql5ldke~T1. Retrieved on February 24, 2009. 
  2. ^ a b c Huey, Steve. "GG Allin Biography". All Music. http://www.allmusic.com/cg/amg.dll?p=amg&sql=11:yzj9kett7q7m~T1. Retrieved on July 13, 2008. 
  3. ^ "G.G. Allin". TrouserPress.com. June 29, 1993. http://trouserpress.com/entry.php?a=gg_allin_and_the_jabbers. Retrieved on February 24, 2009. 
  4. ^ Weisbard, Eric, Spin Alternative Record Guide, Vintage Books, 1995
  5. ^ "The GG Allin SuperSite Media Guide - Boston Rock - #135 - 1993". Geocities.com. http://www.geocities.com/ekx001/MG/BR135MG.html. Retrieved on February 24, 2009. 
  6. ^ "The GG Allin SuperSite Media Guide - Chairs Missing - 1989". Geocities.com. http://www.geocities.com/ekx001/MG/CMMG.html. Retrieved on February 24, 2009. 
  7. ^ "Bad Subjects: Look Into My Eyes and Hate Me: GG Allin, R.I.P". Bad.eserver.org. http://bad.eserver.org/issues/1993/09/hollis.html. Retrieved on February 24, 2009. 
  8. ^ "You're Wrong, #124". Killcreek.com. http://www.killcreek.com/devolution/mykel/124.html. Retrieved on February 24, 2009. 
  9. ^ "The GG Allin SuperSite Media Guide - Anthropomorphic #1 - January 1993". Geocities.com. http://www.geocities.com/ekx001/MG/ANT1993MG.html. Retrieved on February 24, 2009. 
  10. ^ Court document - GG Allin's clinical transcript in Michigan case
  11. ^ a b c Court document - GG Allin's sentencing in Michigan case
  12. ^ GG Allin ggallinonline.com (October 31, 1990). "Text of the manifesto". Ggallinonline.com. http://ggallinonline.com/mission.php. Retrieved on February 24, 2009. 
  13. ^ "The GG Allin SuperSite Media Guide - unknown publication - 1993". Geocities.com. http://www.geocities.com/ekx001/MG/UPOBIT93MG.html. Retrieved on February 24, 2009. 
  14. ^ a b "GG Allin". Find a Death. July 3, 1993. http://www.findadeath.com/Deceased/a/GG%20ALLIN/g.htm. Retrieved on February 24, 2009. 
  15. ^ Littleton Courier, June 18, 2009
  16. ^ Al Weisel - Death of GG Allin[dead link]
  17. ^ Hated: A Film by Todd Phillips, 1993.

External links


 
 
Learn More
Southern Hostility (1991 Album by Antiseen)
Lucifer's Crank EP (1991 Album by Dwarves)
G.G. Allin: Terror in America - Live 1993 (1993 Music Film)

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