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Giovanna d'Arco al rogo

 
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Giovanna d'Arco al Rogo

Plot

It was once said of Ingrid Bergman that she'd played Joan of Arc so often that she wouldn't be satisfied until she was burned at the stake. Actually, nobody ever said that, but someone should have. Directed by Bergman's then-husband Roberto Rossellini, Joan at the Stake is a nonmusical adaptation of the oratorio by Paul Claudel and Arthur Honegger. Essentially a glorified monologue, the film makes no bones about its theatricality. Bergman is impressive as always, far more so than the presentation. While not nearly as bad as its reputation suggests, Joan at the Stake was a box-office flop, principally because the torrid Bergman-Rossellini romance was old news by 1954. ~ Hal Erickson, Rovi

Cast

Credit

Roberto Rossellini - Director, Jolanda Benvenuti - Editor, Gabor Pogany - Cinematographer, Giorgio Criscuolo - Producer, Franco Francese - Producer, Roberto Rossellini - Screenwriter, Paul Claudel - Short Story Author

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Giovanna d'Arco al rogo

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Giovanna d'Arco al rogo
Directed by Roberto Rossellini
Produced by Giorgio Criscuolo
Franco Francese
Written by Roberto Rossellini
Starring Ingrid Bergman
Tullio Carminati
Music by Arthur Honegger
Cinematography Gábor Pogány
Editing by Jolanda Benvenuti
Release date(s) Italy December 20, 1954
Running time 76 Min
Country  Italy
Language Italian

Giovanna d'Arco al rogo (English: Joan of Arc at the Stake) is a 1954 Italian film directed by Roberto Rossellini and starring his wife Ingrid Bergman, which shows a live performance on December 1953 at the San Carlo Theatre in Naples. It is based on the oratorio Jeanne d'Arc au Bûcher by Paul Claudel and Arthur Honegger. It was filmed using a color process called Gevacolor.

Plot

Joan of Arc and Fra Domenico

The film takes place mostly in a surrealistic fantasy around the time of the execution of Joan of Arc. Joan of Arc, played by Ingrid Bergman, is being burned alive for heresy. In a kind of dream state, she departs from her body and begins to look back upon her life. She begins this journey in a depressed and demoralized state. However, a priest appears to help guide her. First, he shows her those that accused her in the guise of animal characters, in order to show her their true nature. Then, he shows her the good that she has performed for people. In the end, she is proud of what she has done and is ready to face the flames.

Reception

Like most Bergman and Rossellini collaborations, it did not perform well at the box office.

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