Giovanni Battista Foggini

Tomb of Galileo Galilei in Santa Croce, Florence.

Giovanni Battista Foggini (April 25, 1652 - April 12, 1737) was an Italian sculptor active in Florence, renowned mainly for small bronze statuary.

Biography

Born in Florence, the young Foggini was sent to Rome by the Medici Grand Duke of Tuscany to join the so-called Accademia Fiorentina, and apprentice in the Roman sculptural studio of Ercole Ferrata, a pupil of Algardi. He was also tutored in drawing by the Accademia's first director (1673-1686), Ciro Ferri, who was a pupil of Cortona. Returning to Florence in 1676, he became the court sculptor for Cosimo III^[1].

After the son of Pietro Tacca, Fernando, died in 1686, the mantle of the premier local sculptor fell to Foggini, who would become the Medici's Architetto Primario e Primo scultore della Casa Serenissima as well as Soprintendente dei Lavori (1687-1725)^[2]. In 1687, Foggini acquired the foundry in Borgo Pinti that had once belonged to the sculptor Giambologna. This allowed him to specialize in small bronzes ^[3], produced mainly and profitably for export.

Ferdinando II de' Medici, Grand Duke of Tuscany, marble of c. 1685, in the National Gallery of Art

In Florence, his masterpieces are his sculptural relief work in the Capella Corsini of the Chiesa del Carmine. The chapel was erected by Bartolomeo and Cardinal Neri Corsini in memory of their recently canonized^[4] ancestral family member, San Andrea Corsini. It contains three large marble reliefs depicting his life: San Andrea in Glory, The Mass of San Andrea Corsini and The Battle of Anghiari (1685-87). He also completed works in Cappella Feroni in the Annunziata. Another work is the main staircase of the Medici-Riccardi Palace in Florence.

Ferrata's pupils included Fernando Fuga, his nephew Filippo della Valle, Balthasar Permoser, and Giovanni Baratta. Massimiliano Soldani Benzi was a contemporary student with Foggini in Rome and also active in small bronze sculpture.

Notes

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External links

• Wittkower, Rudolf (1993). Pelican History of Art. ed. Art and Architecture Italy, 1600-1750. 1980. Penguin Books. 
• Bruce Boucher (1998). Thames & Hudson, World of Art. ed. Italian Baroque Sculpture. pp. 164–66; 188–89. 
• Gli Ultimi Medici, Review by Peter Cannon-Brookes, in The Burlington Magazine, 1974, p 777-80.