Career Highlights: The Campbells Are Coming, Washington at Valley Forge, Outwitted
First Major Screen Credit: Washington at Valley Forge (1914)
Biography
Despite a publicity campaign that listed her birthplace as Paris, France, American silent screen heroine Grace Cunard was an Ohio girl, born and bred. A show-business veteran already as a teenager (her sister was actress Mina Seymour, aka Mina Cunard), Grace began her screen career with Lubin around 1911. By 1913, she was slaving away at Tom Ince's Inceville studio, which is where she met her future screen partner, Francis Ford. It was reportedly Cunard who convinced Ford to leave the too-controlling Ince. The two signed with Universal instead, where they went on to become that studio's top Western and serial team. Because of the worldwide success of the athé serial The Perils of Pauline, a Ford/Cunard two-reeler was enlarged into the 15-chapter serial Lucille Love, Girl of Mystery. A globetrotting adventure, the serial had Cunard matching wits with Ford, an international spy. The success was assured and the team went on to make three additional chapterplays, perhaps the highlights of both their careers. Like most of the silent action heroines, the buxom Cunard was attractive rather than beautiful and never afraid to get down and dirty. She was, however, visibly exhausted during the filming of The Purple Mask, the team's fourth and final serial together, and the strain continued in Elmo the Mighty (1919), in which she appeared opposite the screen's first Tarzan, Elmo Lincoln. She suffered a nervous breakdown and newcomer Louise Lorraine replaced her in Elmo the Fearless. Although she continued to star in action adventures, Grace Cunard's era was over. She left the screen in 1925 after marrying stunt man Jack Shannon (a prior marriage to actor Joe Moore had ended in divorce), but reappeared as the mysterious "Woman in White" in the 1927 serial Blake of Scotland Yard. She continued in films well into the sound era -- but in increasingly smaller roles -- retiring in 1945. Never quite as popular as Pearl White and Ruth Roland, Cunard nevertheless added some much needed acting prowess to the serial field, especially opposite Francis Ford. So compatible onscreen were they that moviegoers mistakenly assumed they were husband and wife offscreen as well. ~ Hans J. Wollstein, All Movie Guide
Born Harriet Mildred Jeffries in Columbus, Ohio, by her late teens she was already acting on live theatre and in silent films using the stage name, Grace Cunard. Although not clearly documented, it appears Cunard made her motion picture debut in 1910 in an uncredited role in a D.W. Griffith production for Biograph Studios.
In an era when the fledgling film industry saw actors and other film studio personnel frequently pitch in to do multiple tasks, Grace Cunard was no exception, and wrote close to one hundred screenplays. As well, between 1914 and 1921, she directed 11 films and produced two others. With age, her career shifted to leads in B-movies and secondary roles or bit parts in others. Nonetheless, she worked regularly until the mid-1940s, mostly at her home studio, Universal. Two of her more visible roles are in the 1942 serial Gang Busters (a small role, but important enough to serial audiences for her name to appear prominently in the ads and posters) and the 1945 Gloria Jean-Kirby Grant musical Easy to Look At (in which she plays a Broadway seamstress). When Universal changed hands in 1946 and discontinued its program of serials and low-budget features, Grace Cunard retired, at the age of 53.
Personal life
Cunard was married twice. The first time to actor Joe Moore, then following their divorce in 1925, she married film stuntman Jack Tyler Shannon, with whom she remained for the rest of her life.