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Gracie Allen

 
Biography: Gracie Allen

Gracie Allen (1906?-1964), wife of comedian and actor George Burns, was half of one of America's most popular comedy couples. They began their careers on the vaudeville stage, then transitioned to radio, movies, and television. Allen was known as a "dizzy dame," whose "illogical logic" and high nasal voice entertained the public for more than four decades.

Although her comedy routines and publicity stunts, such as running for president on the Surprise Party ticket, made her a household word and the symbol of female silliness, in reality Allen was not much like the character she played. She was a private person who enjoyed a quiet family life when she was not meeting the demands of her highly successful show business career.

A Performer From the Start

Grace Ethel Cecile Rosalie Allen was born on July 26, 1906, in San Francisco, California, to George and Margaret "Pidgie" Allen (the comedienne was mysterious about her age; she may have been born as early as 1895). George Allen was a song and dance man who abandoned his family when Gracie was about five years old. Her mother later married Edward Pidgeon, a police captain.

Allen first performed at the age of three, doing an Irish dance at a church social. Her mother sewed dresses for Allen and her sisters Bessie, Pearl and Hazel to wear while performing Irish and Scottish dances. The family taught dancing in the basement of their house. From the start, Allen was determined to get into show business. Almost every day after coming home from the Star of the Sea Catholic School, Allen would walk from theater to theater dreaming of a time when her picture would be posted in one. She loved the film star Charlie Chaplin and, for her sixth birthday, her step-father arranged for her to meet him.

Allen began working professionally as a singer while she was still a child. During school vacations she sang in local movie houses. After graduating, she and her sisters performed a song and dance act as The Four Colleens. When they broke up, Allen became part of a vaudeville act, for which she was paid $22 a week. (Vaudeville was a type of entertainment popular in the early 20th century, consisting of a variety of acts, such as song-and-dance, juggling and comedy routines.) At about age 18, Allen quit that act and found herself alone and unemployed in New York City. After six months of searching for a partner, she enrolled in stenography school to learn to be a secretary.

Partnership with Burns

In 1923, Allen's roommate took her to see an act performed by Billy Lorraine and George Burns, whose real name was Nathan Birnbaum, son of immigrant Orthodox Jewish parents. Burns and Allen decided to work together, first performing in Newark, New Jersey, for $5 a day. At first, Burns played the comedian and Allen the "straight man," feeding Burns the straight lines, to which he would respond with the punch lines. Allen, however, got all the laughs. Eventually the act was changed so that Burns was the straight man and Allen the comedian. Allen played a type of character known as a "Dumb Dora," or "dizzy dame." According to Burns, in his book, Gracie: A Love Story, "What made Gracie different was her sincerity. She didn't try to be funny. Gracie never told a joke in her life, she simply answered the questions I asked her as best she could, and seemed genuinely surprised when the audience found her answers funny. Onstage, Gracie was totally honest. … The character was simply the dizziest dame in the world, but what made her different from all the other 'Dumb Doras' was that Gracie played her as if she were totally sane, as if her answers actually made sense. We called it illogical-logic."

In 1924, the team began working as a "disappointment act," which substituted on short notice if a regularly scheduled act could not perform. For two years, Burns and Allen traveled, filling in for other acts.

Burns fell in love with Allen, although she was planning to marry an entertainer named Benny Ryan. In 1925, she almost married Ryan, but a last minute booking for a tour of the Orpheum circuit theaters took her out of town. On that trip, Burns proposed to Allen; but she said no. Finally she chose Burns over Ryan, and the two were married in Cleveland, Ohio. Six weeks after the wedding, the team signed a five-year contract, which paid between $450 and $600 a week. They had hit the big time. In 1930, they played on Broadway for 17 weeks, a vaudeville record.

From Vaudeville to Movies and Radio

In 1929, the couple performed on radio for the first time. Also that year, they appeared in their first film, a nine-minute short, for which they were paid $1,800. Paramount was so pleased with the result that the firm signed the pair to a contract for four more shorts at a rate of $3,500 each. Over the next two years, they made a total of 14 short films. Their first of 12 full-length feature films was The Big Broadcast of 1932 and their last film was Two Girls and a Sailor, made in 1944.

In 1932, the pair joined bandleader Guy Lombardo's radio show. CBS gave them their own radio program called "The George Burns and Gracie Allen Show" in 1933, which featured comedy routines and songs. A publicity stunt turned the pair into major radio stars: Allen suddenly appeared on other radio shows asking if people had seen her missing brother. This gimmick lasted quite a while and brought the couple much attention. Other stunts included Allen's mock run for president in 1940 and her exhibit of surrealist paintings. Their radio show lasted 17 years.

In 1934, the couple adopted a baby girl, Sandra Jean, and bought a home in Beverly Hills, California. In 1935, they adopted Ronald John.

From Radio to Television

The first episode of the television program "The Burns and Allen Show" aired on October 12, 1950. For a while, the couple did both their radio and television programs, until they were sure that television, a new medium, would succeed. Many of the shows that changed over from a radio format to television failed, but "The Burns and Allen Show" was a big hit. The TV show ran for eight years - 299 episodes. Allen and Burns played themselves as television actors, and the show took place in their "home." The plots often involved their neighbors, with whom they socialized by going out to movies or playing cards. Burns moved in and out of character, sometimes addressing the audience directly and sometimes participating in the action of the show. The early shows combined sitcom and vaudeville, with guest singers and dancers. Commercials were worked in as part of the show. The program ended with Burns saying, "Say good night, Gracie." She would bow and say, "Good night."

Allen's acting ability came from the fact that she did not "act" - she simply "did." Noted Allen, as quoted in Say Good Night, Gracie, "I really don't act. I just live what George and I are doing. It has to make some sort of sense to me or it won't ring true. No matter what the script says there's no audience and no footlights and no camera for me. There's no make-believe. It's for real."

For the first two years, the show was performed live, every other week. After that it became a weekly, but was filmed. Theirs was one of the first shows to use cue cards. It was also one of the first television programs to be filmed in color, the first color episode airing on October 4, 1954. In 1955, the couple's son joined the show playing their son, another innovation. Daughter Sandy appeared on the show 30 times.

Allen at Home

Allen suffered from intense migraine headaches but rarely missed work because of them. For relaxation, she loved to shop and had a special fondness for furs. She was always perfectly groomed and wore beautiful clothes, always with three-quarter length sleeves to hide scars from a childhood accident caused when she pulled a boiling pot off the stove, burning her arm and shoulder. Allen's name was often on the list of the ten best dressed women. She was petite, weighing 103 pounds and wearing a 4 1/2 shoe size.

Allen had her first heart attack in the early 1950s and suffered heart problems over the next several years. She did not enjoy the intense pace of a weekly TV program, and on June 4, 1958, the couple filmed their last show. In eight years, the show received 12 Emmy Award nominations but never won. Allen received six nominations as best actress/ comedienne, and the show received four nominations for best comedy series.

Allen spent her retirement years shopping, playing cards, reading, visiting friends and redecorating her home. She loved going out at night, especially to the theater, but after suffering a serious heart attack in 1961, she no longer had the energy to do so. Allen lived six years after her retirement, dying on August 27, 1964, in Los Angeles. She was buried in Forest Lawn Memorial Park in Hollywood.

Burns noted in his book, Gracie: A Love Story "I go to Forest Lawn Cemetery once a month to see her and I tell her everything that's going on. I told her I was writing this book about her. Evidently she approves - she didn't say anything. I don't know if she hears me, but I do know that every time I talk to her, I feel better."

In 1975, the Annual Gracie Allen Awards were established for broadcasting that demonstrates superior quality and stellar portrayal of the changing roles and concerns of women. The Awards seek to promote positive and realistic portrayals of women in all broadcasting mediums.

Burns died in 1996, a few weeks after his 100th birthday. He worked until he was 99 years old, performing in nightclubs and making television commercials. A good friend, actress Ann Miller, noted in an interview with CNN that Burns looked forward to being reunited with Allen. After his death, Miller said, "He has finally joined Gracie. That was his love. I know he missed her so terribly and now he will be with her."

Books

Blythe, Cheryl and Susan Sackett, Say Goodnight, Gracie: The Story of Burns and Allen, E.P. Dutton, 1986.

Burns, George, Gracie: A Love Story, G.P. Putnam's Sons, 1988.

Online

"Clinton, Others Pay Tribute to Burns," CNN,http://www10.cnn.com (October 23, 2001).

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Word Tutor: Gracie
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pronunciation

IN BRIEF: n. - United States comedienne remembered as the confused but imperturbable partner of her husband, George Burns (1906-1964).

Quotes By: Gracie Allen
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Quotes:

"When I was born I was so surprised I didn't talk for a year and a half."

Actor: Gracie Allen
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  • Born: Jul 26, 1895 in San Francisco, California
  • Died: Aug 28, 1964 in Hollywood, California
  • Occupation: Actor
  • Active: '30s, '50s
  • Major Genres: Comedy, Musical
  • Career Highlights: The Gracie Allen Murder Case, Here Comes Cookie, Six of a Kind
  • First Major Screen Credit: Lambchops (1929)

Biography

The daughter of a musical comedy performer, San Francisco-born comedienne Gracie Allen joined her sisters on the vaudeville stage at the age of 3 1/2. After convent school, Allen returned to the family act, then at age 18 joined the Larry Reilly Stock Company. Quitting the Reilly troupe over a dispute about billing, Allen left show business to become a secretary. In 1922, she was introduced by her showbiz friends to struggling vaudevillian George Burns. After striking out professionally with several male partners, Burns was anxious to launch a boy-girl act. He and Allen toured small-time vaudeville with a routine largely borrowed from other performers. At the time, it was customary in boy-girl routines for the girl to play "straight" while the boy told the jokes, but as Burns would later claim, "They laughed at all of her questions but none of my answers." Burns wisely switched roles, allowing Allen to be the "funny one." Allen's stage character would ever after be the dumb-dora chatterbox who confounded Burns with her convoluted logic. Burns would react in exasperation to double the laugh, but learned early on that he couldn't indulge in any slapstick with Allen; the audience was firmly on her side, and wouldn't stand for any rough stuff. After three years of courtship, Burns finally convinced Allen to marry him in 1926 (it was her first marriage, his second). That same year the team graduated to the prestigious Palace Theatre with an act called "Dizzy"; later on they would score a bigger success with the Al Boasberg-written routine Lambchops. While touring the British Isles in 1929, Burns and Allen made their radio debut with a 26-week BBC series. Back in New York, they began appearing in one-reel movie comedy shorts, first for Vitaphone, then Paramount. Rudy Vallee "discovered" the team for American radio in 1931; the next year, they costarred with Guy Lombardo on a weekly CBS program, quickly entering the realm of folklore with an extended running gag about Allen's "missing brother." With The Big Broadcast (1932), Burns and Allen inaugurated their feature-film career, first as guest stars and supporting players, and finally as leads in such programmers as Many Happy Returns (1934), Love in Bloom (1935) and Here Comes Cookie (1936). Though their film career had begun to peter out by the late 1930s, Burns and Allen were selected to costar with Fred Astaire in his first film without Ginger Rogers, A Damsel in Distress (1937). Here for the first time, the moviegoing public was treated to the terpsichorean skill of Burns and Allen, who not only kept up with Astaire, but at times matched him step for step. In 1939, mystery writer S. S. Van Dyne came up with a "Philo Vance" story idea titled The Gracie Allen Murder Case. While both Burns and Allen "appear" in the published version of the story, Allen alone starred in the 1939 film version, driving erudite detective Vance (Warren William) to distraction by referring to him as Fido Vance. Allen could get a bit trying without Burns around to rein in her insanity, but audiences were pleased with The Gracie Allen Murder Case, prompting MGM to concoct another Gracie Allen solo vehicle, Mr. and Mrs. North (1941). With the exception of a guest appearance in Two Girls and a Sailor (1944), the North film closed out Allen's movie career. She stayed busy in radio, and made headlines in 1940 when Burns concocted a nonsensical presidential campaign for Allen on the Surprise Party ticket. When their radio ratings began dropping in the 1940s, Burns changed their radio characterizations from young sweethearts to middle-aged parents (the couple had adopted two children in the 1930s); this transition was successful, and was carried over into the popular Burns and Allen TV series, which ran from 1950 through 1958. Plagued by illness and increasing stage fright, Allen decided to retire in 1958, a move that warranted a cover story in Life magazine. Burns continued performing without her, working with several partners (including Carol Channing) until he felt secure enough to go it alone. Comfortably retired for many years, Gracie Allen died in her sleep of a heart attack in August of 1964. ~ Hal Erickson, All Movie Guide
Wikipedia: Gracie Allen
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Gracie Allen
Born Grace Ethel Cecile Rosalie Allen
July 26, 1895(1895-07-26)[1]
San Francisco, California, U.S.
Died August 27, 1964 (aged 69)
Los Angeles, California, U.S.
Occupation Actress/Comedienne
Years active 1924–1958
Spouse(s) George Burns m.(1926–1964)
Gracie Allen, George Burns and children aboard Matson flagship Lurline just before they sailed for Hawaii, 1938

Grace Ethel Cecile Rosalie Allen (July 26, 1895[1] – August 27, 1964), better known as Gracie Allen, was an American comedienne who became internationally famous as the zany partner and comic foil of husband George Burns. For contributions to the television industry, Gracie Allen was honored with a star on the Hollywood Walk of Fame at 6672 Hollywood Boulevard.[2]

Contents

Early life

Gracie Allen was born in San Francisco, California, to George Allen and Margaret Darragh. She was educated at the Star of the Sea Convent School and during that time became a talented dancer. She soon began performing Irish folk dances with her three sisters, who were billed as "The Four Colleens." In 1909 Allen joined her sister, Bessie, as a vaudeville performer. At a performance in 1922 Allen met George Burns and the two formed a comedy act. The two were married on January 7, 1926 in Cleveland, Ohio.

Birth date mystery

Depending on the source, Gracie Allen might have been born on July 26 in 1895, 1897, 1902, or 1906. All public records held by the City and County of San Francisco were destroyed in the earthquake and great fire of April 1906. Her husband, George Burns, also professed not to know exactly how old she was, though it was presumably he who provided the date July 26, 1902, which appears on her death record. Her crypt marker also shows her year of birth as 1902.[3] Allen used to claim that she was born in 1906 but, when pressed for evidence, she would say that her birth certificate had been destroyed in the earthquake. When the person she was telling pointed out that she was born in July but the earthquake was three months earlier in April, she would simply smile and say, "Well, it was an awfully big earthquake." The most reliable information comes from the U.S. Census data collected on June 1, 1900. According to the information in the Census records for the State of California, City and County of San Francisco, enumeration district 38, family 217, page 11-A, one Grace Allen — daughter of George and Maggie Allen, and youngest sister of Bessie, Hazel and Pearl Allen — was born in California in July 1895.[1] In the census taken on April 15, 1910, however, for San Francisco's 39th Assembly District, Enumeration District 216, Page 5A, Grace Allen is listed as being 13 (instead of 14). [4] It should be further noted, however, that census enumerators received their information by word of mouth, often from third parties, and discrepancies between ages from one decade's census to another are not uncommon in this time period.

Double act

The Burns and Allen act began with Allen as the straight man, setting up Burns to deliver the punchlines — and get the laughs. In his book Gracie: A Love Story Burns later explained that he noticed Allen's straight lines were getting more laughs than his punchlines, so he cannily flipped the act over —- he made himself the straight man and let her get the laughs. Audiences immediately fell in love with Allen's character, who combined the traits of stupidity, zaniness, and total innocence. As is often the case with performers who play dumb, Gracie was, in reality, highly intelligent. The reformulated team, focusing on Allen, toured the country, eventually headlining in major vaudeville houses. Many of their famous routines, including "Lambchops" were preserved on early one- and two-reeler short films made while the couple was still performing on the stage. George Burns attributed all of the couple's early success to Allen, modestly ignoring his own brilliance as a straight man. He summed up their act in a classic quip: "All I had to do was say, 'Gracie, how's your brother?' and she talked for 38 years. And sometimes I didn't even have to remember to say 'Gracie, how's your brother?'"

Radio

In the early 1930s, like many vaudeville stars of their era, Burns and Allen graduated to radio. The show was originally a continuation of their original "flirtation act" (as their vaudeville and short film routines had been). Burns realized that they were simply too old for that material ("Our jokes were too young for us", he later remarked) and changed the show's format in the fall of 1941 into the situation comedy vehicle for which they are best remembered: a working show business married couple negotiating ordinary problems caused by Gracie's "illogical logic," usually with the help of neighbors Harry and Blanche Morton, and their announcer, Bill Goodwin (later replaced by Harry von Zell during the run of their television series). One of the show's running gags (both in radio and television) had Burns firing the announcer at least once every other episode.

Publicity stunts

Burns and Allen frequently used running gags as publicity stunts. During 1932-33 they pulled off one of the most successful in the business: a year-long search for Allen's supposedly missing brother. They would make unannounced cameo appearances on other shows, asking if anyone had seen Allen's brother. Gracie Allen's real-life brother was apparently the only person who didn't find the gag funny, and he eventually asked them to stop. (He dropped out of sight for a few weeks, at the height of the publicity.)

In 1940 the team launched a similar stunt when Allen announced she was running for President of the United States on the Surprise Party ticket. Burns and Allen did a cross-country whistlestop campaign tour on a private train, performing their live radio show in different cities. In one of her campaign speeches Gracie said, "I don't know much about the Lend-Lease Bill, but if we owe it we should pay it." Another typical Gracie-ism on the campaign trail went like this: "Everybody knows a woman is better than a man when it comes to introducing bills into the house." The Surprise Party mascot was the kangaroo; the motto was "It's in the bag." As part of the gag, Allen (in reality, the Burns and Allen writers) published a book, Gracie Allen for President, which included photographs from their nationwide campaign tour and the Surprise Party convention. She actually drew some votes in the November election.

Allen was also the subject of one of S.S. Van Dine's famous Philo Vance mystery novels, The Gracie Allen Murder Case. Typically, she couldn't resist a classic Gracie Allen review: "S.S. Van Dine is silly to spend six months writing a novel when you can buy one for two dollars and ninety five cents."

Another publicity stunt had her playing a piano concerto at the Hollywood Bowl (and later at Carnegie Hall). The Burns and Allen staff hired a composer to write the Concerto for Index Finger, a joke piece that had the orchestra playing madly, only to pause while Allen played a single (incorrect) note with one finger. On her final "solo," she would finally hit the right note, causing the entire orchestra to applaud. In fact, the actual index-finger playing was done off-stage by a professional pianist.

Television

Around 1948 Burns and Allen became part of the CBS talent raid. Their good friend (and frequent guest star) Jack Benny had decided to jump from NBC over to CBS. William S. Paley, the mastermind of CBS, had recently made it openly clear that he believed talent and not the network made the difference, which was not the case at NBC. Benny convinced Burns and Allen (among others) to join him in the move to CBS. The Burns and Allen radio show became part of the CBS lineup and a year later they also brought their show to television. They continued to use the formula which had kept them longtime radio stars, playing themselves only now as television stars, still living next door to Harry and Blanche Morton. They concluded each show with a brief dialogue performance in the style of their classic vaudeville and earlier radio routines.

Allen retired in 1958, and Burns tried to soldier on without her. The show was re-named The George Burns Show with the cast intact except for Allen. The locale of the show was changed from the Burns home to George Burns' office, with Blanche Morton working as Burns' secretary so she could help Allen keep an eye on him. Allen's absence was only too obvious and impossible to overcome. The renamed show barely lasted a year.

Movies

In the early 1930s, Burns and Allen made several short films, preserving several of their classic vaudeville routines on celluloid. They also made two films with W. C. Fields ---(International House (1933) and Six of a Kind (1934))--- and starred with Fred Astaire in A Damsel in Distress, a musical with an original score by George Gershwin, which introduced the song "A Foggy Day". It was Astaire's first film without dancing partner Ginger Rogers. (Astaire and Rogers had decided to work apart for awhile—a career move only since the two remained good friends.) Astaire was to star in the picture, but co-star Joan Fontaine was not a dancer and he was reluctant to dance on screen alone. He also felt the script needed more comic relief to enhance the overall appeal of the film.

George Burns and Gracie Allen had each worked in vaudeville as dancers (aka "hoofers") before forming their act. When word of the project reached them, they called Astaire and were asked to audition. Burns then contacted an act he had once seen that performed a dance using brooms. For the next several weeks, he and Allen worked at home to learn the complicated routine. When they presented the "Whisk Broom Dance" to Astaire, he was so taken by it, that he had them teach it to him and it was added to the film. Throughout the picture Burns and Allen amazed audiences and critics (many did not know either of them could dance) as they "effortlessly" kept pace with the most famous dancer in the movies. Their talents were further highlighted as they matched Astaire step by step during the demanding "Funhouse Dance".

"Say good night, Gracie"

The legend was born of their vaudeville routine and carried over to both radio and television. As the show wrap-up Burns would look at Allen and say "Say good night, Gracie" to which she would usually simply reply "Good night." Popular legend has it that Allen would say, "Good night, Gracie." According to George Burns, recordings of their radio and television shows, and other references,[citation needed] that never happened. The confusion may have been caused by Rowan & Martin's Laugh-In. Stars Dan Rowan and Dick Martin used a similar sign off routine wherein Rowan would tell Martin to "Say good night, Dick." Martin's reply was always "Good night, Dick."

Such a response by Gracie would also have been characteristic of the zany replies she tended to make, and thus, it is almost surprising that she never did utter the phrase. In an interview years later, George Burns acknowledged this but said it was simply that surprisingly, no one ever thought of having Allen say "Good night, Gracie". However, the former Burns and Allen head writer, Paul Henning, did use the "say good night" bit in at least one episode of the Beverly Hillbillies (The Richest Woman, aired January 5, 1966, two years before Laugh-In premiered. JED: "Say good night, Jethro." JETHRO: "Good night, Jethro.") This gimmick would later be picked up by Ed Randall in his WFAN radio show Ed Randall's Talkin' Baseball.

Private life

In the 1930s Burns and Allen adopted two children, Sandra Jean and Ronald John, after discovering they could not conceive their own. They agreed to raise the children as Catholics, then let them make their own religious choice as adults. (Sandra was later expelled from Catholic school for her liberal views.) Ronnie eventually joined the cast of his parents' television show playing George and Gracie's son, a serious drama student who disdained comedy. Sandy, by contrast, made only occasional appearances on the show (usually as a waitress or a clerk), and left show business to become a teacher.

As a child, Allen had been scalded badly on one arm, and she was extremely sensitive about the scarring. Throughout her life she wore either full or three-quarter length sleeves in order to hide the scars. The half-forearm style became as much a Gracie Allen trademark as her many aprons and her illogical logic. When the couple moved to Beverly Hills and acquired a swimming pool, Gracie put on a bathing suit and swam the length of the pool to prove to her children that she could swim. (She fought a longtime fear of drowning by privately taking swimming lessons.) She never put on a bathing suit or entered the pool again.[citation needed]

Allen was said to be sensitive about having one green eye and one blue eye (heterochromia), and there was some speculation that plans to film the eighth season of The Burns & Allen Show in color prompted her retirement. However, this seems unlikely, since a one-time-only color episode was filmed and broadcast in 1954 (a clip of which was seen on a recent CBS anniversary show). The reason she retired in 1958 was her health; George Burns noted more than once that she stayed with the television show as long as she did to please him, in spite of her health problems.

In later years Burns admitted that following an argument over a pricey silver table centerpiece Allen wanted, he had a very brief affair with a Las Vegas showgirl. Stricken by guilt, he phoned Jack Benny and told him about the indiscretion. However, Allen overheard the conversation and Burns quietly bought the expensive centerpiece. Nothing more was said. Years later he discovered that Allen had told one of her friends about the episode finishing with, "You know, I really wish George would cheat on me again. I could use a new centerpiece."

Death

Gracie Allen fought a long battle with heart disease, finally dying from a heart attack in Hollywood in 1964. She was interred in a crypt at the Freedom Mausoleum at Forest Lawn Memorial Park in Glendale, California. Burns was interred at her side when he died thirty-two years later. ("Gracie Allen and George Burns — Together Again," reads the engraving on the marker.)[5]

Filmography

Radio series

  • The Robert Burns Panatella Show: 1932 - 1933 CBS
  • The White Owl Program: 1933 - 1934 CBS
  • The Adventures of Gracie: 1934 - 1935 CBS
  • The Campbell's Tomato Juice Program: 1935 - 1937 CBS
  • The Grape Nuts Program: 1937 - 1938 NBC
  • The Chesterfield Program: 1938 - 1939 CBS
  • The Hinds Honey and Almond Cream Program: 1939 - 1940 CBS
  • The Hormel Program: 1940 - 1941 NBC
  • The Swan Soap Show: 1941 - 1945 NBC, CBS
  • Maxwell House Coffee Time: 1945 - 1949 NBC
  • The Amm-i-Dent Toothpaste Show: 1949 - 1950 CBS

See also

Gracie Allen Award

The Gracie Allen Award is presented by The Foundation of American Women in Radio and Television to recognize and encourage positive and realistic portrayals of women in entertainment, commercials, news, features and other programs. Gracie Allen has twice been nominated to the National Women's Hall of Fame which has so far chosen not to induct her.

References

Nichols, Thomas E. "Burns and Allen" (Original research)

Further reading

External links


 
 

 

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