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Artist:

Graham Gouldman

Graham Gouldman

Born:
May 10, 1946 in Manchester, Lancashire, England

Representative Albums:

Graham Gouldman Thing, Animalolympics, And Another Thing

Similar Artists:

A Member of the Group:

Worked With:

Stuart Tosh, Kevin Godley, Rick Fenn, Lol Creme, Paul Burgess, Eric Stewart, Duncan Mackay, Andrew Gold
  • Genre: Rock
  • Active: '60s, '80s
  • Instruments: Vocals, Guitar, Bass

Biography

Already established among the most successful songwriters Britain had ever produced, Graham Gouldman launched his solo career in 1966 after two successive band projects, the Whirlwinds and the Mockingbirds, met nothing but failure.

The Yardbirds, the Hollies, Herman's Hermits, Wayne Fontana, Jeff Beck, Cher, the Shindigs, Jeff Beck, the Shadows, and PJ Proby were among the high-profile acts who recorded Gouldman material. He had turned his hand to production, handling a single for Little Frankie, while the quality of his work was such that when the Downliners Sect came to release his "The Cost of Living" as a single, they didn't even record it themselves. They just rushed out Gouldman's original demo.

Gouldman's own solo career debuted in February 1966 with "Stop or I'll Be Gone"; he was also working with Friday Browne, a Manchester singer who was to be involved in several Gouldman projects, as well as having a later single, "Ask Any Woman," produced by him. In November 1966, she joined Gouldman, former Country Gentleman Peter Cowap, Phil Dermys, Clem Cattini, and future Led Zeppelin bassist John Paul Jones in the High Society, an ad hoc combination whose sole single, "People Pass By," remains a forgotten classic.

This same team then became the Manchester Mob and recorded March 1967's "Bony Maroni at the Hop" before Gouldman, Jones, Eddie Kramer, and Peter Noone began work on what became the songwriter's first solo album, The Graham Gouldman Thing. Largely comprising Gouldman's own versions of the songs he had written for others, the album (which would be released in America only) was prefaced with a new single, "No Milk Today" (a U.K. hit for Herman's Hermits). It flopped. A British 45, "Upstairs Downstairs," followed unsuccessful suit, and by the time the album itself was issued, Gouldman had abandoned his solo plans to join the Mindbenders for their final single, "Uncle Joe the Ice Cream Man," and tour. The group then broke up and Gouldman and Mindbenders guitarist Eric Stewart immediately set to work building Strawberry Studios in the Manchester suburb of Stockport.

Gouldman also returned to his maverick wanderings, cutting a bizarre instrumental version of Noel Harrison's "The Windmills of Your Mind" as the Graham Gouldman Orchestra and issuing a minor psych masterpiece under the pseudonym Garden Odyssey. He also recorded some material for the short-lived Marmalade label, including one song, "The Late Mr. Late," which appeared on a label sampler together with a reunion with ex-Mockingbirds drummer Kevin Godley, "To Fly Away." (Godley's own project, Frabjoy & the Runcible Spoon, was also signed to Marmalade.)

That label collapsed in early 1969, at which point Gouldman relocated to New York to become a contract songwriter at Kasenatz/Katz's songwriting factory -- many of his compositions were then recorded at Strawberry, while Godley and Crème also got in on the action, composing (and recording) Crazy Elephant's hit "There Ain't No Umbopo." Gouldman, meanwhile, penned two Ohio Express hits, "Sausalito" and "Tampa Florida," together with Freddie and the Dreamers' French hit "Susan's Tuba" and "Fighter Squadron"'s "When He Comes."

Over the next two years, Strawberry proved remarkably productive. Albums by Ramases and Neil Sedaka, singles by comedian John Paul Joans (no relation to the bassist), sundry English soccer teams and comedy acts, and even a freak hit for the studio musicians themselves, Hotlegs "Neanderthal Man." Gouldman, however, would cut just one more solo single during this period, teaming with producer Eric Woolfson (later a member of the Alan Parsons Project) to record "Growing Older."

10cc consumed Gouldman's attention for the next seven years. He returned to solo action in 1979 during a layoff enforced while Eric Stewart recovered from injuries sustained in a serious motor accident. Sunburn, the soundtrack to a new Farrah Fawcett movie, became Gouldman's first ever solo hit single, reaching number 45 in Britain. The following year, Gouldman recorded a second soundtrack, Animalympics, to accompany an amusing sporting cartoon film. He also produced the Ramones' Pleasant Dreams album, before 10cc relaunched; following the group's final demise in 1982, Gouldman then launched a new band project, the Wax union with Andrew Gold.

A pair of 10cc reunions followed during the early '90s, while Gouldman also launched a songwriting partnership with Kirsty MacColl, tragically curtailed, of course, by her death in 2000. He returned to action that same year with And Another Thing, his second full solo album and, like the Graham Gouldman Thing, an opportunity to both try out some new songs and revisit some old -- "You Stole My Love," "Heartful of Soul," and 10cc's "Ready to Go Home" were among the highlights. ~ Dave Thompson, All Music Guide
 
 
 
Wikipedia: Graham Gouldman
Graham Gouldman
Graham Gouldman, as shown on the cover of his 2002 album And Another Thing...
Graham Gouldman, as shown on the cover of his 2002 album And Another Thing...
Background information
Born May 10 1946 (1946--) (age 61)
Origin Flag of England Broughton, Salford, England
Genre(s) Soft rock, Pop
Instrument(s) Guitar, Bass
Years active 1963—present
Label(s) Mercury Records, A&M
Associated
acts
10cc
The Mindbenders
Wax
Website gg06.co.uk

Graham Keith Gouldman (born on 10 May, 1946, in Broughton, Salford, Lancashire, England) is an English songwriter and musician who was a long-time member of British band 10cc.

Career

1960s pop career: 1963-1968

Gouldman played in a number of Manchester bands from 1963, including The High Spots, The Crevattes, The Planets and The Whirlwinds, which became a house band at his local Jewish Lads' Brigade. The Whirlwinds – comprising Gouldman (vocals, guitar), Bernard Basso (bass), Stephen Jacobsen (guitar, bongos), Malcom Wagner, Maurice Spering and Phil Cohen – secured a recording contract with HMV, releasing a cover of the Buddy Holly song "Look At Me", backed with "Baby Not Like You", written by Lol Creme, in June 1964.

In late 1964 Gouldman dissolved The Whirlwinds and in February 1965 formed The Mockingbirds with Jacobsen and Basso and a former member of fellow Manchester band The Sabres, Kevin Godley (drums). The Mockingbirds signed with the Columbia label, which rejected Gouldman’s first offering as a single – "For Your Love" (later a major hit for The Yardbirds) – and issued two inferior tracks, "That’s How (It’s Gonna Stay)" (February 1965) and "I Can Feel We're Parting" (May 1965). The band switched to the Immediate label for "You Stole My Love" (October 1965) and Decca for "One By One" (July 1966) and "How to Find a Lover" (October 1966)[1]

The band also began a regular warm-up spot for BBC TV’s Top of the Pops, transmitted from Manchester.[2]

In 1966-67 Gouldman recorded singles with two other bands, High Society and The Manchester Mob, both of which featured singer Peter Cowap.[3] In 1968, he joined The Mindbenders.

From 1965 Gouldman wrote a string of million-selling hit songs: as well as "For Your Love" he penned "Heart Full of Soul" and "Evil Hearted You" for The Yardbirds, "Bus Stop" and "Look Through Any Window" for The Hollies, "No Milk Today" and "Listen People" for Herman's Hermits, "Pamela, Pamela" for Wayne Fontana, "Behind the Door" for The St. Louis Union and Cher, "Tallyman" for Jeff Beck and "Going Home", which was a 1967 Australian hit for Normie Rowe.

He signed as a songwriter for the Robbins Music company in 1967 and a year later released three singles as a solo artist before recording his debut solo album, The Graham Gouldman Thing. In March 1968 Gouldman stepped in as a temporary replacement for bassist Bob Lang in The Mindbenders, writing the band’s final single, "Uncle Joe, the Ice Cream Man". The Mindbenders dissolved in November 1968.

Writer for hire: 1969-1972

Gouldman’s reputation as a hit songwriter attracted the attention of bubblegum pop producers Jerry Kasenetz and Jeff Katz of Super K Productions, who invited him to New York to write formula bubblegum songs.

"Sausalito" single cover, 1969
Enlarge
"Sausalito" single cover, 1969

In what he later called a "creative lowpoint",[4] Gouldman accepted. He recalled: "They wanted me to write and produce for them, so I figured, why not? Nothing else was happening for me at the time. All told I worked for them for three or four periods over the course of a year, just writing and recording, and had no time for anything else. I was totally involved in the whole Kasenetz-Katz thing while I was with." [5]One of his first tasks for Super K was writing and singing lead vocals on "Sausalito (Is the Place to Go)", which was released in July 1969 under the name of The Ohio Express.

In December 1969 Gouldman convinced Kasenetz and Katz that the series of throwaway two-minute songs he was writing could all be performed and produced by him and three friends, Godley, Creme and former Mindbender Eric Stewart, at a fraction of the price of hiring outside session musicians. He proposed the quartet work at Strawberry Studios, a Stockport (Cheshire) recording studio in which he and Stewart were financial partners. Kasenetz and Katz booked the studio for three months.

Kevin Godley later recalled:[6]


We did a lot of tracks in a very short time – it was really like a machine. Twenty tracks in about two weeks – a lot of crap really – really shit. We used to do the voices, everything – it saved 'em money. We even did the female backing vocals.

When the three-months production deal with Kasenetz-Katz ended, Gouldman returned to New York to work as a staff songwriter for Super K Productions while the remaining three continued to dabble in the studio.

In late 1970 Gouldman returned to the UK to join Stewart, Godley and Creme – who had in the interim scored an international hit single with "Neanderthal Man" under the name of Hotlegs – on an abbreviated British tour supporting The Moody Blues.

10cc: 1972-1983

10cc: From left, Graham Gouldman, Kevin Godley, Eric Stewart, Lol Creme.
Enlarge
10cc: From left, Graham Gouldman, Kevin Godley, Eric Stewart, Lol Creme.

The four musicians continued work at Strawberry Studios, producing and backing artists including Cowap, Dave Berry, Wayne Fontana, Herman's Hermits and Neil Sedaka. In July 1972 they were signed by entrepreneur, producer and recording artist Jonathan King and bestowed with the name 10cc.

Over the course of the next 23 years, 10cc scored three UK No.1 singles and five Top 10 albums, with Gouldman co-writing some of their biggest hits, including "The Wall Street Shuffle" (1974), "I'm Not in Love" (1975), "I’m Mandy, Fly Me" and "Art For Art’s Sake" (1976), "The Things We Do For Love" (1977) and "Dreadlock Holiday" (1978).

"Sunburn" single cover, 1979
Enlarge
"Sunburn" single cover, 1979

When Godley and Creme departed in 1976 to explore new musical territories, Gouldman remained with Stewart, continuing the band essentially as a two-piece, although with regular collaborators including Rick Fenn, Paul Burgess and Stuart Tosh. 1980's Look Hear? album marked the end of the band’s run of chart success and 1983’s Windows in the Jungle became the last 10cc album for more than a decade.

In 1979 Gouldman scored a minor hit with his single "Sunburn", written for the Farrah Fawcett/Charles Grodin film of the same name. Two years later he produced the Pleasant Dreams album for the Ramones – a record dismissed by the band’s guitarist, Johnny Ramone, as "too slick".[7]

For more information, see the main entry at 10cc

Wax tracks: 1984-1990

From 1984 to 1990 Gouldman teamed with American singer Andrew Gold, with whom he had co-written material in 1981, to form Wax. They produced four albums. Gold explained how the partnership began:[8]


I was called by the (then) Head of A&R at Warner Brothers Lenny Waronker, who I had known for years. He asked if I was a fan of 10cc, and I told him that indeed I was, very much. He said the band had a new album they were releasing called Ten Out Of 10, and he was of the opinion that, although the album was very strong, it might benefit the US audience to have a few additional cuts tailored more for the American ear. As he knew I was an Anglophile, we might hit it off well.

I said it would be an honour if the band said OK. I spoke to Graham and Eric by phone and soon I was in the UK, co-writing and co-producing three tracks for the album, which was a blast to do and turned out very well. During the course of my three-week stay, Eric, Graham and I fell in love, as it were, and soon they asked me to join the band, which was an extremely exciting offer. For various reasons, which now seem dumb to me, and after great consideration, I demurred in favour of pursuing my own career and returned to America.

But before long Graham and I were talking again, and he asked if I wanted to return to England to write and just kind of hang for a few weeks. I went and ended up staying for seven months. Eric had decided to take some time off from 10cc and Graham, ever happy to be working, hunkered down with me writing and recording in his home studio in Cheshire. Soon we realised that what we were doing was basically writing and recording a home made band album.

During this period, Morrissey recorded Gouldman's "East West", originally a hit for Herman's Hermits. The song featured as a bonus track on the 12" and CD single for "Ouija Board, Ouija Board".

10cc again: 1992-1995

After a 12-year break Gouldman and Stewart resurrected 10cc for 1992’s ...Meanwhile album, which featured performances by Godley, Creme and Gold. Three years later came the final album by the band, Mirror Mirror. By then the decades-long partnership between Gouldman and Stewart was apparently over: the pair each wrote and recorded six songs separately, in different countries, playing together on just one song – an acoustic reworking of "I’m Not In Love".

The final album featured a song, "Ready to Go Home", written by Gouldman in memory of his father, poet and playwright Hyme Gouldman, who had died in 1991. That song was later covered by Morten Harket (singer of the Norwegian popgroup A-ha) on his 1995 debut album "Wild Seed".

In an interview[9] with Mike Cohen (journalist) of the Jewish Telegraph Gouldman spoke of his father’s influence on his life and career:


I'm always happy to talk about my father. He was the biggest influence on me. I always used to phone him during my 10cc days for help. Kevin called him "Hyme the Rhyme". He loved words. He always taught me to be original. He had high standards. He was a genius. What he did for a living was incidental, it was the writing that he lived for. And some of that has rubbed off on me.

Gouldman included a new version of the song on his 2000 solo album, And Another Thing.... On the liner notes of his solo album, he noted: "It reflects my feelings at the time. I suppose I was trying to put a positive slant on his passing, remembering all the things we had done together and his artistic legacy to me. The last verse of the song best reflects my feelings on this. This song has been recorded by many artists and remains one of my favourites. Very emotional."

Graham Gouldman and Friends: 2004-2007

Graham Gouldman and Friends. Left to right, Paul Burgess, Mick Wilson, Mike Stevens, Rick Fenn, Graham Gouldman.
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Graham Gouldman and Friends. Left to right, Paul Burgess, Mick Wilson, Mike Stevens, Rick Fenn, Graham Gouldman.

Gouldman began touring as "10cc featuring Graham Gouldman and Friends", with his band comprising Rick Fenn, Paul Burgess, Mike Stevens and Mick Wilson.

In January 2004, he reconvened with Kevin Godley to write more songs. Godley explained:


In a nutshell ... unfinished business. In all the years we’ve known each other we’ve only written three pure, Godley-Gouldman songs. That, and a desire to find out if the music muscle still worked with someone I enjoyed and didn’t have to spend weeks getting to know.

In Gouldman’s words:


Kevin and I have always stayed in touch even though we haven’t actually worked together for many years, so I was delighted when he called to suggest we write some songs. When I asked "Why?" He said, "No reason ... just to do it and see what happens." A good enough reason for me. What followed was a series of writing and recording sessions ... Something like the early days when we wrote and recorded for ourselves with one ear half cocked for something that broke the mould.

I always figured Mr G had the best voice in the band, ironic then that he never sang lead on a 10cc single … Even I managed that. Now justice has been done. Kevin’s voice and razor sharp lyrics take us to places we haven’t visited before… Always a good place to start.[1]

In July 2006, Godley and Gouldman's website offered four downloadable tracks, "The Same Road", "Johnny Hurts", "Beautifulloser.com" and "Hooligan Crane". The songs are the initial "offering" of a group of songs they have been working on over the past two years.

Discography

Albums

Singles

  • "Sunburn" (1979) UK #52 Australia #26 - theme music to film Sunburn

References

  1. ^ Mockingbirds and Whirlwinds discography.
  2. ^ "Q Rock Stars Encyclopedia" by Dafydd Rees and Luke Crampton, Dorling Kindersley, 1999
  3. ^ 10cc family tree at Minestrone fan website
  4. ^ Gouldman biography at Godley-Gouldman website
  5. ^ Liner notes for Strawberry Bubblegum CD written by David Wells, June 2003
  6. ^ "Zigzag" magazine, January 1975
  7. ^ Pleasant Dreams
  8. ^ Liner notes on Wax's "ComonKnowledge.com" album
  9. ^ Undated interview, "Jewish Telegraph"

External links


 
 

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Copyrights:

Artist. Copyright © 2008 All Media Guide, LLC. Content provided by All Music Guide ® , a trademark of All Media Guide, LLC. All rights reserved.  Read more
Wikipedia. This article is licensed under the GNU Free Documentation License. It uses material from the Wikipedia article "Graham Gouldman" Read more

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