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Grendel

 

(European mythology)

The monster of the seventh-century Anglo-Saxon epic poem Beowulf. ‘Grim and greedy, brutally cruel’ was Grendel, the ‘gruesome prowler of the border land, ranger of the moors, the fens, and the fastness’. To rid the Danish King Hrothgar of this terror, the young warrior prince Beowulf set a trap and in the fierce struggle tore off Grendel's arm. Later, Beowulf slew the monster's enraged mother and, finding Grendel on his deathbed, cut off his head. Four men were needed to lug the trophy back.

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Dictionary: Gren·del   (grĕn'dl) pronunciation
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n.
The male monster, descended from Cain, slain by Beowulf in the Old English epic Beowulf.


Notes on Novels: Grendel
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Contents:

Author Biography
Plot Summary
Characters
Themes
Style
Historical Context
Critical Overview
Criticism
Sources
For Further Study


John Gardner
1971

Completed in 1970 and published the following year, Grendel was the first of John Gardner's novels to bring him not just critical but popular success. The novel was praised as a literary tour de force and named a book of the year by Time Newsweek magazines. As a professor of English specializing in medieval literature, Gardner had been teaching Beowulf, the source of inspiration for Grendel, for many years at various colleges. A relatively minor character in Beowulf, Grendel is a symbol for "darkness, chaos, and death," according to critic John M. Howell in Understanding John Gardner. In Gardner's version, however, Grendel becomes a three-dimensional character with, in Howell's words, "a sense of humor and a gift for language." Grendel even has a weakness for poetry. As a would-be artist, Grendel strives, however comically, to escape from his baseness. Such is the power of art, Gardner seems to be saying, that even a monster can be affected by it. Gardner also develops the theme of heroism as another moral force that enables society to advance by elevating Unferth, a minor character in the original poem, to a major character and foil for Grendel. Similarly, Gardner builds up the role of Grendel's mother to emphasize, through her inarticulateness, the importance of language in the development of civilization. Gardner also creates a relationship between Grendel and the dragon (another minor character in the original epic) in order to expand the concept of nihilism — the belief that there is no purpose to existence. Through these changes, Gardner is able to develop themes that recur not only in Grendel but throughout his other works: the struggle between good and evil, the clash between order and disorder, the hero's sacrifice and achievement of immortality, and the importance of art and the artist as a means of affirming the moral meaning of life.

Wikipedia: Grendel
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Grendel is one of three antagonists, along with Grendel's mother and the dragon, in the Anglo-Saxon epic poem Beowulf (AD 700–1000). In the poem, Grendel is feared by all but Beowulf.

Contents

Story

The poem Beowulf is contained in the Nowell Codex. As noted in lines 105–114 and lines 1260–1267 of Beowulf, Grendel and his mother are described as descendants of the Biblical Cain. Beowulf leaves Geatland in order to find and destroy Grendel, who has been attacking Heorot, killing and cannibalising anyone he finds there. Barring his lineage, all motives for his attacks are left up to the reader. Usually in most film or literature adaptions, Grendel attacks the hall after having been disturbed by the noise the drunken revelers have made. One cryptic scene in which Grendel sits in the abandoned hall unable to approach the throne hints that his motives may be greed or revenge. After a long battle, Beowulf mortally wounds Grendel by ripping his arm off. Grendel dies in his cave under the swamp. Beowulf later engages in a fierce battle with Grendel's mother, over whom he triumphs. Following her death, Beowulf finds Grendel's corpse and removes the head, which he keeps as a trophy. Beowulf then returns to the surface and to his men at the "ninth hour" (l. 1600, "nōn", about 3pm).[1] He returns to Heorot, where he is given many gifts by an even more grateful Hroðgar.

Scholarship

Tolkien

In 1936, J.R.R. Tolkien's Beowulf: The Monsters and the Critics discussed Grendel and the dragon in Beowulf. This essay was the first work of scholarship in which Anglo-Saxon literature was seriously examined for its literary merits — not just scholarship about the origins of the English language as was popular in the 19th century.

Debate over description

During the following decades, the exact description of Grendel would become a source of debate for scholars. Indeed, because his exact appearance is never directly described in Old English by the original Beowulf poet, part of the debate revolves around what is known, namely his descent from the biblical Cain (who was the first murderer in Abrahamic religions).

Monster

Some scholars have linked Grendel's descent from Cain to the monsters and giants of The Cain Tradition.[2]

Seamus Heaney, in his translation of Beowulf, writes in lines 1351–1355 that Grendel is vaguely human in shape, though much larger:

... the other, warped
in the shape of a man, moves beyond the pale
bigger than any man, an unnatural birth
called Grendel by the country people
in former days.[3]

Heaney's translation of lines 1637–1639 also notes that his disembodied head is so large that it takes four men to transport it. Furthermore, in lines 983–89, when Grendel's torn arm is inspected, Heaney describes it as being covered in impenetrable scales and horny growths:

Every nail, claw-scale and spur, every spike
and welt on the hand of that heathen brute
was like barbed steel. Everybody said
there was no honed iron hard enough
to pierce him through, no time proofed blade
that could cut his brutal blood caked claw[4]

Peter Dickinson (1979) argued that seeing as the considered distinction between man and beast at the time the poem was written was simply man's bipedalism, the given description of Grendel being man-like does not necessarily imply that Grendel is meant to be humanoid, going as far as stating that Grendel could easily have been a bipedal dragon.[5]

Non-monster

Other scholars such as Kuhn (1979) have questioned a monstrous description, stating:

There are five disputed instances of āglǣca [three of which are in Beowulf] 649, 1269, 1512...In the first...the referent can be either Beowulf or Grendel. If the poet and his audience felt the word to have two meanings, 'monster,' and 'hero,' the ambiguity would be troublesome; but if by āglǣca they understood a 'fighter,' the ambiguity would be of little consequence, for battle was destined for both Beowulf and Grendel and both were fierce fighters (216–7).

O'Keefe has suggested that Grendel resembles a Berserker, because of numerous associations that seem to point to this possibility.[6]

John Grigsby, in his Beowulf and Grendel :The Truth behind England's oldest legend' suggests that Grendel is a demonized version of the old Norse fertility god Freyr, and even goes as far as linking Grendel with the Green Knight of Arthurian legend.

Grendelsmere

In Worcestershire there was a pond called Grendelsmere near Abbots Morton during the Old English era. The name is likely to be an allusion to Grendel from Beowulf. The pond is now extinct.[7] .

Grendel in film, literature, and popular culture

References

  1. ^ Jack, George. Beowulf: A Student Edition, p. 123.
  2. ^ Williams, David. Cain and Beowulf: A Study in Secular Allegory. Toronto: University of Toronto Press, 1982.
  3. ^ Heaney, Seamus. Beowulf lines 1351–1355.
  4. ^ Heaney, Seamus. Beowulf lines 983–989.
  5. ^ Dickinson, Peter. The Flight of Dragons ch.10 "Beowulf". New English Library, 1979.
  6. ^ Berserker
  7. ^ Worcestershire Anglo-Saxon Charter Bounds By Della Hooke, Published 1990, Boydell & Brewer, Worcestershire (England), ISBN 0851152767.
  • Jack, George. Beowulf : A Student Edition. Oxford University Press: New York, 1997.
  • Klaeber, Frederick, ed. Beowulf and the Fight at Finnsburg. Third ed. Boston: Heath, 1950.
  • Kuhn, Sherman M. "Old English Aglaeca-Middle Irish Olach". Linguistic Method : Essays in Honor of Herbert Penzl. Eds. Irmengard Rauch and Gerald F. Carr. The Hague, New York: Mouton Publishers, 1979. 213–30.
  • Tolkien, J.R.R. Beowulf, the Monsters and the Critics. (Sir Israel Gollancz Memorial Lecture, British Academy, 1936). First ed. London: Humphrey Milford, 1937.

External links


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Some good "Grendel" pages on the web:


Study Guide
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Mythology
www.pantheon.org
 
 
 
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World Mythology Dictionary. A Dictionary of World Mythology. Copyright © Arthur Cotterell 1979, 1986, 2003. All rights reserved.  Read more
Dictionary. The American Heritage® Dictionary of the English Language, Fourth Edition Copyright © 2007, 2000 by Houghton Mifflin Company. Updated in 2009. Published by Houghton Mifflin Company. All rights reserved.  Read more
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