Movie Type: Interpersonal Relationships, Social Issues
Themes: Misfits and Outsiders, Mothers and Daughters, Eccentric Families
Release Year: 1976
Country: US
Run Time: 94 minutes
Plot
Albert and David Maysles, pioneers in the cinéma vérité movement of documentary filmmaking, chose for their subjects of this film a mother and daughter with celebrity connections. Edith Bouvier Beale and her daughter, Edie (or, as they are called by the brothers, Big Edie and Little Edie), are aunt and cousin to Jacqueline Kennedy Onassis. In the early '70s, their 28-room mansion in Long Island's tony community of East Hampton was found to be a health hazard, and the two women, in their seventies and fifties, were threatened with eviction. Jacqueline Onassis paid for the house to be put in good order, and two years later, the Maysles paid the ladies a series of follow-up visits. This is not fly-on-the-wall filmmaking; the brothers are sometimes shown on-camera, and both women talk directly to them. Big Edie reminisces about her husband (from whom she has long been separated) and her youthful singing career; Little Edie ruminates over memories of her thwarted romances and confides that she has to get out of Grey Gardens (the name of their estate), although she has been living there since 1952; and the two women pick at each other for transgressions past and present. The women share their home with at least five cats and several raccoons, for whom Little Edie leaves out food in the attic. They are not recluses; they host a modest 79th birthday party for Big Edie, they employ a gardener, and they are often visited by Jerry, a young handyman/lost soul whom Little Edie calls "the Marble Faun," after the Nathaniel Hawthorne story. "It's very difficult to keep the line between the past and the present," Little Edie says near the beginning of the film, and it becomes clear that both women are much more comfortable reliving their respective youths (in some ways, Little Edie has never left hers) than facing their rather bleak old and middle age. ~ Tom Wiener, All Movie Guide
Review
Although Salesman (their breakthrough film) and Gimme Shelter (their most accessible film) are better known in the canon of Maysles brothers' movies, arguably their most moving film is this portrait of two aging women stuck in time and locked in a mother-daughter relationship for the ages. Edith Beale and Edie Beale are related to Jacqueline Kennedy Onassis, which presumably brought them to the attention of the Maysles when the women were almost evicted from their rundown mansion on Long Island. But the Kennedy connection is really only incidental; this could be any mother and daughter whose past lives of wealth and privilege are all they have to go on in their respective old and middle age. The third character here is their house, slowly succumbing to age and neglect, but, especially for Big Edie, the supreme symbol of her once glorious past. The film is both heartbreaking and unexpectedly funny. Little Edie (as the filmmakers call her) loves confiding to the camera, and her sense of fashion (which runs to interesting head wraps and inverted skirts) and her way with words make her an endlessly entertaining subject, even as you sense the desperation beneath her dancing and singing routines and her whispered monologues. The film's most common image -- of Little Edie confiding to the Maysles that she has to get out of Grey Gardens while her mother calls her from another room to come and help her -- goes beyond even the specificity of wealth gone to ruin. What middle-aged offspring of an aging and needy parent hasn't experienced the same tug of emotions? ~ Tom Wiener, All Movie Guide
Cast
Edie Beale; Edith Bouvier Beale
Credit
Susan Froemke - Associate Producer, Ellen Hovde - Director, Albert Maysles - Director, David Maysles - Director, Muffie Meyer - Director, Ellen Hovde - Editor, Muffie Meyer - Editor, Susan Froemke - Editor, Albert Maysles - Cinematographer, David Maysles - Cinematographer, Lee Dichter - Sound/Sound Designer
The house was designed by Joseph Greenleaf Thorpe in 1897, and purchased in 1923 by Phelan Beale and Edith Ewing Bouvier Beale. After Phelan left his wife, Edith Ewing Bouvier Beale and her daughter Edith Bouvier Beale lived there for decades more, over 50 years in total for each woman. The house was called Grey Gardens because of the color of the dunes, the cement garden walls, and the sea mist.[2]
In the fall of 1971 and throughout 1972, their living conditions—their house was infested by fleas, inhabited by numerous cats and raccoons, deprived of running water, and filled with garbage and decay—were exposed as the result of an article in the National Enquirer and a cover story in New York Magazine[3] after a series of inspections (which the Beales called "raids") by the Suffolk County Health Department. With the Beale women facing eviction and the razing of their home, in the summer of 1972 Jacqueline Onassis and her sister Lee Radziwill provided the necessary funds to stabilize and repair the dilapidated house so that it would meet Village codes.
Albert and David Maysles became interested in their story and received permission to film a documentary about the women, which was released in 1976 to wide critical acclaim. Their cinema vérité technique left the women to tell their own stories.
Aftermath
"Big Edie" died in 1977 and "Little Edie" sold the house in 1979 to former Washington Post editor Ben Bradlee and his wife Sally Quinn. "Little Edie" died in 2002 at the age of 84.
According to a 2003 article in Town & Country, after their purchase, Bradlee and Quinn completely restored (the sale agreement forbids razing the house) the house and grounds.
Jerry Torre, the handyman shown in the documentary, was sought by the filmmakers for years afterward, and was found by chance driving a New York City taxicab.[4] Lois Wright, one of the two birthday party guests in the film, has hosted a public television show in East Hampton since the 1980s. She wrote a book about her experiences at the house with the Beales.[5]
Walter Newkirk, a longtime friend of Little Edie, released an interview he did with her during his college days. A CD of the interview titled Little Edie Live! A Visit To Grey Gardens is currently available.[6] It was followed with a scrapbook memoir of the friendship he shared with her over several decades. The book is titled memoraBEALEia (2008).[7]
Adaptations
The documentary was adapted into a full-length musical, Grey Gardens, with book by Doug Wright, music by Scott Frankel and lyrics by Michael Korie. Starring Christine Ebersole and Mary Louise Wilson, the show premiered at Playwrights Horizons in New York City in February 2006. The musical reopened on Broadway in November 2006 at the Walter Kerr Theatre, and was acclaimed on more than 25 "Best of 2006" lists in newspapers and magazines. The production won a Tony Award for Best Costume Design, and Ebersole and Wilson each won Tony Awards for their performances. The Broadway production closed on July 29, 2007. It was the first musical on Broadway ever to be adapted from a documentary.
A Few Small Repairs by David Robson, a play loosely based on the women of Grey Gardens, premiered to good reviews in Philadelphia in March 2007; it was subsequently performed in the summer of 2009 at the annual Pick 'n' Mix Festival in Belfast, Northern Ireland by Skewiff Theatre Company.
Little Edie & The Marble Faun by David Lally, was a play written for The Metropolitan Playhouse's Annual Author Fest, "Hawthornucopia", which ran from January 14-27, 2008 in New York, NY. The play was inspired by the documentary and Nathaniel Hawthorne's The Marble Faun.
At the beginning of Gilmore Girls, season 3, episode 9 ("A Deep-Fried Korean Thanksgiving"), the Gilmore girls are watching the film. They comment that Edith and Edie could be them.
In the second season of the Showtime series The L Word, Mark and Jenny mention the film upon first meeting. Mark is an aspiring director of documentaries and names Grey Gardens as one of his favorite films.
Canadian indie pop group Stars sample dialogue from the film in the song "The Woods" on their 2003 release Heart.
In the Rugrats episode "The Case of the Missing Rugrat," Tommy is accidentally taken from Grandpa Lou and is put under the care of two sisters named Emma and Clarice in their crumbling estate called Grey Gardens, in an episode that also references Sunset Boulevard and What Ever Happened to Baby Jane?.
In an episode of Will & Grace, Grey Gardens is referenced.
The film is mentioned by character Michael Tolliver in Armistead Maupin's 1978 novel Tales of the City, as well as in the 1992 miniseries based on the book.
In the September 5, 2007 installment of the newspaper comic Sally Forth, Sally's mother describes staying with her other daughter as being "like Grey Gardens without the Bouvier fortune."
On The Big Gay Sketch Show, in Episode #9, Season 2, guest star Christine Ebersole, Kate McKinnon, Julie Goldman and others parody the dilapidation of Grey Gardens in a skit entitled: "Extreme Sears Makeover: Home Edition: Grey Gardens".