Share on Facebook Share on Twitter Email
Answers.com

Guarneri

 
Andrea Guarneri
Italian musical-instrument maker. He apprenticed with Nicolò Amati from 1641 to 1654 (see Amati family). Setting up his own shop in Cremona, he made violas and cellos as well as violins. His sons Pietro (1655 – 1720) and Giuseppe (1666 – 1740?) worked with their father; by 1683 Pietro had moved to Mantua and set up his own business, though he made few instruments. Giuseppe inherited the Cremona business from his father in 1698. During his lifetime, Andrea Guarneri's name was obscured by Antonio Stradivari's, but his violins and cellos are today highly prized. His sons Pietro (1695 – 1762) and Bartolomeo (1698 – 1744) were also instrument makers; Bartolomeo, called Guarneri del Gèsu, was one of the finest in history; his violins show the influence of both his father and Stradivari and are known for their full sound.

For more information on Andrea Guarneri, visit Britannica.com.

Search unanswered questions...
Enter a question here...
Search: All sources Community Q&A Reference topics
Music Encyclopedia:

Guarneri

Top

Italian family of violin makers. The first member, Andrea (c 1626-1698), learnt his craft under Nicolo Amati, establishing his own workshop in 1654; though his work lacks Amati's elegance, he made fine violins and smaller violas. His son Pietro Giovanni (1655-1720), called ‘da Mantova’ as he settled in Mantua by 1683, was a court musician and meticulous workman, producing distinctive but relatively few violins. Pietro's brother Giuseppe Giovanni Battista (1666-1739/40), known as ‘filius Andreae’ inherited Andrea's business in 1698 and made first-rate instruments, particularly cellos, until c 1720. Among third-generation members, G. G. B.'s elder son Pietro (1695-1762), known as ‘da Venezia’, worked in Venice from c 1718, blending Cremonese and Venetian traits in his instruments. The younger son Giuseppe (‘del Gesù’) became one of the greatest violin makers of all time. He set up on his own in 1722 or 1723, soon using labels with the IHS cipher (perhaps indicating that he was a Jesuit); he reached his peak c 1735, in instruments renowned for their strength, tonal beauty and ease of response. He is sometimes rated higher than Stradivari.



Dictionary: Guar·ne·ri   (gwär-nĕr'ē, -nyĕr'ē) pronunciation
Top


Family of Italian violin makers, including Andrea (1626?-1698), who founded the family business, and his grandson Giuseppe (1687?-1745). They are considered second only to the Stradivari family for the quality of their instruments.


Wikipedia:

Guarneri

Top

Guarneri is the family name of a group of distinguished luthiers from Cremona in Italy in the 17th and 18th centuries, whose standing is considered comparable to those of the Amati and Stradivari families.

  • Andrea Guarneri (c. 1626 - 7 December 1698) was an apprentice in the workshop of Nicolo Amati from 1641 to 1646 and returned to make violins for Amati from 1650 to 1654. His early instruments are generally based on the "Grand Amati" pattern but struggled to achieve the sophistication of Amati's own instruments. Andrea Guarneri produced some fine violas, one of which was played by William Primrose.

Two of Andrea's sons continued the father's traditions:

  • Pietro Giovanni Guarneri (Pietro da Mantova) (18 February 1655 - 26 March 1720), worked in his father's workshop from around 1670 until his marriage in 1677. He was established in Mantua by 1683, where he worked both as a musician and a violin maker. His instruments are generally finer than his father's, but are rare owing to his double profession. Joseph Szigeti played one of his instruments.
  • Giuseppe Giovanni Battista Guarneri (filius Andreae) (25 November 1666 - 1739 or 1740), Andrea's younger son, joined his father's business in Cremona, inheriting it in 1698. He is reckoned among the great violin makers, although he struggled to compete with Stradivari, a pervasive presence throughout his career. From around 1715 he was assisted by his sons, and probably Carlo Bergonzi.

Giuseppe Giovanni Battista was father to two further instrument makers:

  • Pietro Guarneri (Pietro da Venezia) (14 April 1695 - 7 April 1762), finding life in Casa Guarneri in some way uncongenial, left Cremona for good in 1718, eventually settling in Venice. Here he blended the Cremonese techniques of his father with Venetian, perhaps working with Domenico Montagnana and Carlo Annibale Tononi. His first original labels from Venice date from 1730. His instruments are rare and as highly prized as those of his father and uncle. One of his cellos was played by Beatrice Harrison.

The Guarneri family's history may be somewhat uncertain. One Guarneri source says, "Giuseppe del Gesù and Peter of Venice may have been cousins rather than brothers, and Peter of Venice may have been the son of Peter of Mantua."[citation needed]

References

  • Vannes, Rene (1985) [1951]. Dictionnaire Universel del Luthiers. vol.3. Bruxelles: Les Amis de la musique. OCLC 53749830. 
  • William, Henley (1969). Universal Dictionary of Violin & Bow Makers. Brighton; England: Amati. ISBN 0901424005. 
  • Walter Hamma, Meister Italienischer Geigenbaukunst, Wilhelmshaven 1993, ISBN 3-7959-0537-0
  • The Violin Makers of the Guarneri family, Their Life and Work - W.E. Hill & Sons, London, 1965

External links


 
 

 

Copyrights:

Britannica Concise Encyclopedia. Britannica Concise Encyclopedia. © 1994-2009 Encyclopædia Britannica, Inc. All rights reserved.  Read more
Music Encyclopedia. The Concise Grove Dictionary of Music. Copyright © 1994 by Oxford University Press, Inc.. All rights reserved.  Read more
Dictionary. The American Heritage® Dictionary of the English Language, Fourth Edition Copyright © 2007, 2000 by Houghton Mifflin Company. Updated in 2007. Published by Houghton Mifflin Company. All rights reserved.  Read more
Wikipedia. This article is licensed under the Creative Commons Attribution/Share-Alike License. It uses material from the Wikipedia article "Guarneri" Read more