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| Biography: Kuo Mo-jo |
The Chinese author Kuo Mo-jo (1892-1978) was a Marxist interpreter of early Chinese society and thought and one of the major cultural figures of modern China.
In its early phase, modern Chinese literature was markedly romantic in its championship of the individual and its demand for the overthrow of the old society. Later, this dual passion was enlisted in the cause of communism, and a new literature was born that slights the romantic individual. Kuo Mo-jo is a representative figure in that, though an arch rebel and romantic in his early phase as a writer, he soon curbed his individualistic predilections to embrace Marxism and ended up after a long career in literature and politics as a sycophantic singer of praise of the Communist regime.
Early Career
Born into a gentry family in Loshan, Szechwan, Kuo Mo-jo early chafed under parental and school authority and was once expelled from school for insubordination despite his excellent academic record. He was constrained by his parents to marry a complete stranger who appeared to him utterly repulsive. This distasteful experience precipitated his decision, despite his defective hearing, to study medicine in Japan. He thought, with many patriotic youths of his time, that medicine was one of the best ways to strengthen his country. He arrived in Japan in 1913, and while studying for his degree, he read on his own a great deal of literature, especially the German and English romantic poets. Supporting a wife and a growing family on a government scholarship, he began to entertain thoughts of a literary career because of the manifest success of the new literary movement in China since 1917. In 1921 he formed the Creation Society (Ch'uang-tsao shê) with his friends in Japan: Yü Tafu, Chang Tzu-p'ing, Ch'eng Fang-wu, and T'ien Han.
In the same year Kuo published a volume of poetry entitled Nü-shen (Goddesses) and a translation of Goethe's Sorrows of the Young Werther. Both books captured instant Chinese attention. In the next year the Creation Society launched Ch'uang-tsao Chi-k'an (Creation Quarterly), which espoused romanticism and art for art's sake in conscious opposition to the championship of a realistic and humane literature by a rival group, the Society for Literary Research. The magazine, which ceased publication after only six issues, was succeeded by several other Creationist journals, including Hungshui (The Deluge) in 1925 and Ch'uang-tsao Yüeh-k'an (Creation Monthly) in 1926. Active in all Creationist enterprises, Kuo wrote prolifically in all types of writing during the early phase of the society.
In the 1920s Kuo was acclaimed primarily for his poetry. In such ambitious poems as "The Hound of Heaven," "The Nirvana of the Phoenixes," and "Earth, My Mother," he resorts at once to Western and Chinese mythology and a modern scientific vocabulary to imitate Shelley and Whitman. With equal fervor he sings the chaos of modern city life, the imminent collapse of the present society, and the rhapsodic vision of a future humanity. In the more subdued nature poems of this period the influence of Goethe and Tagore is apparent.
Revolution and Scholarship
Kuo wrote that he was converted to Marxism in 1924 after reading a book by a leading Japanese Marxist. Certainly by 1925, the year that marked China's massive resistance to imperialist exploitation in the so-called May Thirtieth movement, Kuo and several other Creationists had become active in politics and openly advocated a revolutionary literature.
That year Kuo left Shanghai for Canton to serve as a dean in Sun Yat-sen University, and in the next year he joined the Northern Expedition against the warlords as a propagandist in the Political Department of the Revolutionary Army Headquarters. At that time the Kuomintang and the Communist party were in close cooperation, and many revolutionary writers besides Kuo participated in the expedition; it was only after the forcible expulsion of Communists from the Kuomintang government in 1927 that these disillusioned veterans returned to their literary career with the avowed purpose of propagating Communist revolution.
Kuo fled to Japan in February of 1928. With the critic Ch'eng Fang-wu, he continued to direct the Creation Society until it was forced to disband by government order a year later. A political refugee unable to freely express his views in Chinese publications, Kuo turned to translation and, more fruitfully, to a study of ancient Chinese society and thought with the aid of archeological findings and Marxist notions about feudal society. While his interpretations and conclusions are debatable, Kuo's series of classical studies, which continued until the 1940s, certainly mark him as a scholar of intellectual vigor.
War Years and After
When the Kuomintang government and the Communists again agreed to cooperate on the eve of the Sino-Japanese War in 1937, Kuo deserted his Japanese wife and children and returned to China a vindicated hero. He was now entrusted with important government functions, first as head of the Third Department (in charge of propaganda) in the Political Training Board of the National Military Council and, from 1940 on, as chairman of the Cultural Work Council and, also beginning in 1940, as chairman of the Cultural Work Committee. Still in charge of propaganda, he now enjoyed much less power owing to the worsened relations between the Nationalists and Communists.
Nevertheless, Kuo did much to promote the Communist cause in the early 1940s, especially in his role as a playwright. He had written closet dramas in the 1920s; now he again turned to historical themes to write plays that would rouse the patriotic sentiment and include veiled antigovernment and pro-Communist propaganda. These plays, notably T'ang-ti chih hua (The Devoted Siblings) and Ch'üYüan, were great commercial successes and ushered in the trend for historical plays in wartime China.
Kuo Mo-jo visited the Soviet Union in 1945 and stayed in Hong Kong during the civil war between the Chinese Nationalists and Communists. On the eve of the Communist victory in 1949, he returned to China as its ranking man of letters, and with the establishment of the People's Republic, he was awarded many honors and positions: vice-premier of the State Administration Council (1949-1954); chairman of the All-China Federation of Literary and Art Circles; and president of the Academy of Sciences, the nation's leading research organization.
Kuo was thus, at least until the cultural revolution in 1966, nominally in charge of all creativity and research in China. But actually he was a front man for the Communist party and enjoyed little exercise of power. His verses and public utterances after 1949 suggest something of a sycophantic clown, a fool in Mao Tse-tung's court.
On the eve of the cultural revolution, Kuo recanted his entire literary career, declaring that all his publications deserved to be burned. This apparently saved him from the ignominy of persecution that soon was inflicted upon nearly all the ranking writers and artists of the nation. Over the years Kuo had been writing a long autobiography in several volumes, a document of great historical interest, but it seemed unlikely that he would continue with the story to cover the post-1949 years. He died on June 12, 1978, in Peking (now Beijing).
Further Reading
Aside from Kuo Mo-jo's Selected Poems from "The Goddesses" (1958) and Ch'üYüan: A Play in Five Acts (1953), there are only a score of poems and a few stories available in English in such anthologies as Kai-yu Hsu, ed., Twentieth Century Chinese Poetry: An Anthology (1963). A good critical study is Milena Dolezelová-Velin-gerová, "Kuo Mo-jo's Autobiographical Works," in Jaroslav Prušek, ed., Studies in Modern Chinese Literature (1964). David Tod Roy, Kuo Mo-jo: The Early Years (1971), is a detailed intellectual biography of Kuo's early life. Most accounts of modern Chinese literature include a discussion of Kuo Mo-jo. Among these Liu Wu-chi's supplement to Herbert Allen Giles, History of Chinese Literature (1966), gives the most rounded treatment, while Chihtsing Hsia, A History of Modern Chinese Fiction, 1917-1957 (1961), offers the most trenchant criticism.
| Columbia Encyclopedia: Guo Moruo |
Bibliography
See biography by D. T. Roy (1971).
| Wikipedia: Guo Moruo |
Guo Moruo (Chinese: 郭沫若; pinyin: Guō Mòruò; Wade-Giles: Kuo Mo-jo, courtesy name Dǐng Táng 鼎堂) (November 16, 1892 - June 12, 1978) was a Chinese author, poet, historian, archaeologist, and government official from Sichuan, China.
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Guo Moruo, originally named Guo Kaizhen, was born on November 10 or 16 (he was not sure himself), in the small town of Shawan (沙湾, 'Sandy Cove') (now, part of the "prefecture-level city" of Leshan) in China's Sichuan province. Shawan is located on the Dadu River some 40 km southwest from what was then called the city of Jiading (Chia-ting, 嘉定路), and now is the "central urban area" of the "prefecture-level city" of Leshan.
At the time of Guo's birth, Shawan was a town of some 180 families. [1]
Guo Moruo's father's ancestors were Hakkas from Ninghua County (xian) in Tingzhou fu, near the western border of Fujian. They moved to Sichuan in the second half of the 17th century, after Sichuan had lost much of its population to the rebels/bandits of Zhang Xianzhong (ca. 1605-1647). According to family legend, the only possessions that Guo's ancestors brought to Sichuan were things they could carry on their backs. Guo Moruo's great-grandfather, Guo Xianlin, was the first in the family to achieve a degree of prosperity. Guo Xianlin's sons established the Guo clan as the leaders of the local river shipping business, and thus important people in that entire region of Sichuan. It was only then that the Guo clan members became able to send their children to school.[1]
Guo Moruo's father, one of whose names may possibly have been Guo Mingxing (1854-1939), had to drop out of school at the age of 13, spent half a year as an apprentice at a salt well, and then entered his father's business. A shrewd and smart man who also achieved some local renown as a Chinese medical doctor, he traded successfully in oils, opium, liquor, and grain, and operated a money changing business. His business success allowed him to increase the family's real estate and salt well holdings.[1]
Guo Moruo's mother, in contrast, came from a scholar-official background. She was a daughter of Du Zhouzhang (Tu Cho-chang), a holder of the coveted jinshi (chin-shih) degree. While serving as an acting magistrate in Huangping prefecture (zhou),[2] (in eastern Guizhou), Du died heroically in 1858 while fighting Miao rebels, when his daughter (the future mother of Guo Moruo) was less than a year old. She married into the Guo family in 1872, when she was just 14. [1]
Guo Moruo - originally known under his birth name, Guo Kaizhen (Kuo K'ai-chen) - was the 8th child of his mother. Three of his siblings had died before he was born, but more children were born later, so by the time he went to school, he had 7 siblings.[1]
Guo also had the childhood name Guo Wenbao ('Cultivated Leopard'), given due to a dream his mother had on the night he was conceived.[1]
A few years before Guo Moruo was born, his parents retained a private tutor, Shen Huanzhang, to provide education for their children, in the hope of them later passing civil service examinations. A precocious child, Guo Moruo started studying at this "family school" in the spring of 1897, at the early age of four and half. Initially, the study was based on Chinese classics, but with the government education reforms of 1901, mathematics and other modern subjects started to be introduced.[1]
When in the fall of 1903 a number of public schools were established in Sichuan's capital, Chengdu, Guo children started going there to study. Guo Moruo's oldest brother, Guo Kaiwen (1877-1936), entered one of them, Dongwen Xuetang, a secondary school preparing students for study in Japan; the next oldest brother, Guo Kaizou (K'ai-tso), joined Wubei Xuetang, a military school. Guo Kaiwen soon became instrumental in exposing his brother and sisters still in Shawan to modern books and magazines that allowed them to learn about the wide world outside.[1]
Guo Kaiwen continued to be a role model for his younger brothers when in February 1905 he left for Japan, to study law and administration in Tokyo Imperial University on a provincial government's scholarship.[1]
After passing competitive examinations, in early 1906 Guo Moruo started attending the new upper-level primary school (gaodeng xiao xue) in Jiading. It was a boarding school, located in a former Buddhist temple, and the boy lived on premises. He continued to a middle school in 1907, acquiring by this time the reputation of an academically gifted student but a troublemaker. His peers respected him and often elected him a delegate to represent their interests in front of the school administration. Often spearheading student-faculty conflicts, he was expelled and reinstated a few times, and finally expelled for good in October 1909.[1]
Young Guo was, in a sense, glad to be expelled, as he now had a reason to go to the provincial capital Chengdu to continue his education there.[1]
In October 1911, Guo was surprised by his mother announcing that a marriage was arranged for him. He went along with his family's wishes, marrying his appointed bride, Zhang Jinghua, sight-unseen in Shawan in March 1912. Immediately, he regretted this marriage, and five days after the marriage, he left his ancestral home and returned to Chengdu, leaving his wife behind. He never formally divorced her, but apparently never lived with her either.[1]
Following his elder brothers, Guo Moruo left China in December 1913, reaching Japan in early January 1914. After a year of preparatory study in Tokyo, he entered Sixth Higher School in Okayama. [1] When visiting a friend of his hospitalized in Sain Luke's Hospital in Tokyo, in the summer of 1916, Guo fell in love with Sato Tomiko, a Japanese woman from a Christian family, who worked at the hospital as a student nurse. Sato Tomiko would become his common-law wife. They were to stay together for 20 years, until the outbreak of the war, and to have five children together.[3]
After graduation from the Okayama school, Guo entered in 1918 the Medical School of Kyushyu Imperial University (九州帝国大学) in Fukuoka.[1] He was more interested in literature than medicine, however. His studies at this time focused on foreign language and literature, namely that of: Spinoza, Goethe, Walt Whitman, and the Bengali poet Tagore. Along with numerous translations, he published his first poem anthology, titled The Goddesses (女神 - nǚ shén) (1921). He co-founded the Ch'uang-tsao she ("Creation Society") in Shanghai, which promoted modern and vernacular literature.
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He joined the Communist Party of China in 1927. He was involved in the Communist Nanchang Uprising and fled to Japan after its failure. He stayed there for 10 years studying Chinese ancient history. During that time he published his work on inscriptions on oracle bones and bronze vessels, Liang Chou chin wen tz'u ta hsi t'u lu k'ao shih (Pinyin: “Liangzhou jinwenci daxi tulu kaoshi”) (1935 “Corpus of Inscriptions on Bronzes from the Two Zhou Dynasties”). In this work, he attempted to demonstrate, according to the Communist doctrine, the “slave society” nature of ancient China. His theory on the "slave society of China" remains highly controversial, although it was praised by Mao and the party.
In the summer of 1937, soon after the Marco Polo Bridge incident, Guo returned to China to join the anti-Japanese resistance. His attempt to arrange for Sato Tomiko and their children to join him in China were frustrated by the Japanese authorities,[3], and in 1939 he remarried to Yu Liqun (于立群; 1916-1979), a Shanghai actress.[3][4] After the war, Sato went to reunite with him but was disappointed to know that he had already formed a new family.
Along with holding important government offices in the People's Republic of China, he was a prolific writer, not just of poetry but also fiction, plays, autobiographies, translations, and historical and philosophical treatises. He was the first President of the Chinese Academy of Sciences and remained so from its founding in 1949 until his death in 1978. He was also the first president of University of Science & Technology of China (USTC), a new type of university established by the Chinese Academy of Sciences (CAS) after the founding of the People's Republic of China and aimed at fostering high-level personnel of science and technology.
In 1966 he was one of the first to be attacked in the Great Proletarian Cultural Revolution. He confessed that he had not properly understood the thought of Mao Zedong, and agreed that his works should be burned. However, this was not enough to protect his family. Two of his sons, Guo Minying and Guo Shiying, committed suicide in 1967 and 1968 following "criticism" or persecution by Red Guards.[5][6]
Unlike the others similarly attacked, Guo Moruo's was spared as he was chosen by Mao as "the representative of the rightwing" in the 9th National Congress of the Communist Party of China in 1969. He regained much of his influence by the seventies.
Guo Moruo was awarded the Stalin Peace Prize (1951), later renamed for Lenin as part of De-Stalinization.
Guo Moruo had five children (four sons and a daughter) with Sato Tomiko and six with Yu Liqun (four sons and a daughter). An article published in the 2000s said that eight out of the eleven were alive, and three have died.[7]
With Sato Tomiko (listed chronologically in the order of birth):
With Yu Liqun (listed chronologically in the order of birth):
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| Academic offices | ||
|---|---|---|
| Preceded by none |
President of Chinese Academy of Sciences 1949 – 1978 |
Succeeded by Fang Yi |
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