Share on Facebook Share on Twitter Email
Answers.com

Gustave Lanson

 

Lanson, Gustave (1857-1934). Critic and historian of French literature. A professor of rhetoric and belles-lettres by training and a disciple of Brunetière, he became the promoter of literary history in France, later known as ‘Lansonism’.

His influence was at its peak between the Dreyfus Affair and the separation of Church and State in 1905. He stood for the democratization and laicization of the lycée, through the substitution of history for rhetoric, and allied himself with historians and sociologists, thus giving new scientific legitimacy to literary studies. He applied classical philology to modern literature, and at the same time called for a vast social history of literary life. After conventional essays (e.g. Bossuet, 1891), his Histoire de la littérature française (1895, many times reprinted) became the standard textbook of the Third Republic; with his Voltaire (1906), he shifted the balance from the 17th to the 18th c. in the training of citizens. His critical editions, of Voltaire's Lettres philosophiques (1909) and Lamartine's Méditations (1915), and his Manuel bibliographique de la littérature française moderne (1909-14) long set the standards for academic scholarship. His method, formalized by his followers (for instance Gustave Rudler, for many years a professor in Oxford, in Techniques de la critique et de l'histoire littéraire, 1923) and reduced to a positivistic study of sources and influences, had the effect of cutting off literary studies from literary life until the attacks of ‘la nouvelle critique’ in the 1960s [see Criticism, 4].

[Antoine Compagnon]

Search unanswered questions...
Enter a question here...
Search: All sources Community Q&A Reference topics
Wikipedia: Gustave Lanson
Top
Lanson in 1895

Gustave Lanson (August 5, 1857 – December 15, 1934) was a French historian and literary critic. He taught at the Sorbonne in Paris.

Biography

Lanson was a major figure in the reformation of the French university system at the beginning of the 20th century, as well as a dominant force in French literary criticism until well after his death. He is known primarily for his writings on literary history, particularly his attempts to fuse the studies of literature and of culture; in the former area he expanded upon, and in part questioned, the idea of "race, milieu, and moment" as described by Hippolyte Taine. He also contributed a great deal to the study of pedagogy, arguing for the pedagogical importance of the explication de texte, the French predecessor of close reading. Among his shorter works is a still-authoritative 1892 life of the French poet Nicolas Boileau-Despreaux in the series Les Grands Ecrivains Francais.

Lanson proposed the idea of "literary sociology," a complex formulation of the relationship between social influences on an author, readers' expectations, and the text. For Lanson a text was neither a mere product of collective social forces nor an autonomous work by an autonomous genius, but something in between. The text was a composite work on which society exerted powerful and unseen forces but that could still escape those forces in order to present something outside of them: perhaps a hope or fantasy of something better. The composite nature of Lanson's model allowed him to imagine a text with multiple intended audiences: the immediate readership of the society that produced it, and another, ideal one that could be partially conditioned by the text itself.

In 1911 Lanson was a visiting professor at Columbia University in New York. During this period he travelled extensively in the United States, visiting a number of college campuses, and later wrote about his experiences. Lanson was struck by the importance of religion on American campuses, though he also commented that the unity inspired by shared religion was fading in favor of shared interest in collegiate sports, particularly American football.

Lanson's reputation, particularly in the United States, steadily declined in the years after his death, reaching its nadir in the late 1950s and 1960s. In the era of the New Criticism, with its interest in the exploration of metaphor and image and the distancing of a text from the circumstances that created it, Lanson was seen as a pedant obsessed with historical and biological trivia and a rigid and unliterary philology. In recent years, however, with critics exploring possible commonalities between formal and historical methods and with more intense and less teleological studies of the history of criticism, interest in Lanson has grown.

References

  • Gustave Lanson. "Literary History and Sociology." Trans. Nicholas T. Rand and Roberta Hatcher. PMLA, Vol. 110, No. 2. (Mar., 1995), pp. 220-235.

External links


 
 

 

Copyrights:

French Literature Companion. The New Oxford Companion to Literature in French. Copyright © 1995, 2005 by Oxford University Press. All rights reserved.  Read more
Wikipedia. This article is licensed under the Creative Commons Attribution/Share-Alike License. It uses material from the Wikipedia article "Gustave Lanson" Read more