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Hal Roach

 

(born Jan. 14, 1892, Elmira, N.Y., U.S. — died Nov. 2, 1992, Bel Air, Calif.) U.S. film producer. He tried gold prospecting before becoming a bit player in Hollywood (1912). He befriended Harold Lloyd and directed and produced Just Nuts (1915), in which Lloyd starred, then formed the Hal Roach Studio (1919) and went on to produce other Lloyd comedies such as Safety Last (1923). In the 1920s and '30s he produced thousands of comedy shorts, winning Academy Awards for The Music Box (1932) and Bored of Education (1936). In addition to producing the Will Rogers films and the "Our Gang" shorts, he teamed Laurel and Hardy (see Stan Laurel; and Oliver Hardy) in their first film together in 1927 and produced a series of their films, including Leave 'em Laughing (1928) and Way Out West (1937), as well as other successes such as Topper (1937) and Of Mice and Men (1939). He ranks with Mack Sennett as a creator of inspired chaos in the early Hollywood comic style.

For more information on Hal Roach, visit Britannica.com.

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Director: Hal Roach
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  • Born: Jan 14, 1892 in Elmira, New York
  • Died: Nov 02, 1992 in Los Angeles, California
  • Occupation: Director, Writer
  • Active: teens-'30s
  • Major Genres: Comedy
  • Career Highlights: Big Business, Bored of Education, The Music Box
  • First Major Screen Credit: Bughouse Bellhops (1915)

Biography

American producer/director Hal Roach was overtaken by wanderlust early in life. Leaving his upstate New York home in his teens, Roach was an Alaskan gold prospector and mule skinner before he reached the age of twenty. In 1912, he spotted an ad placed by Hollywood's Universal Pictures offering a dollar a day for genuine cowboys to act as western technical advisers. Roach spent the next year making the rounds as an extra, in the company of his new friend Harold Lloyd. As the result of a small inheritance, Roach bought an office in Los Angeles' Bradbury Mansion in 1914, set up a small film production unit, and hired Lloyd as his star comedian. Roach's initial "Willie Work" one-reelers found no buyers, and, when the funds ran out, Lloyd left briefly for Keystone while Roach signed on as a director with the Chaplin unit at Essanay. Teaming with Dan Lintchicum, Roach re-entered the production end with his new Rolin Phunphilm Company; Lloyd returned to the fold, this time as a Chaplin rip-off character named Lonesome Luke. Throughout 1916 and 1917, Roach released his "Luke" comedies through Pathe; the films were popular not only because of the seemingly bottomless reserve of sight gags, but also because Roach insisted upon emphasizing strong story values as well as slapstick. In 1917, Lloyd dropped his "Luke" makeup in favor of his now-famous "glasses" character. While both Lloyd and Roach would later take credit for hitting upon the innovation of allowing a comedian to play "himself" rather than a heavily made-up buffoon, the important end result was that Lloyd became the most popular comic working in films. To ensure a consistency of product, Roach set up a preview system for the Lloyd comedies, screening them before test audiences and re-editing them for full comic impact before their general release. Roach began adding to his comic roster in 1919, building comedies around such stars as Snub Pollard, Stan Laurel, and black youngster "Sunshine" Sammy Morrison. He also gave a free creative hand to such writers and directors as Charley Chase, Alf Goulding, and Fred Newmeyer, who controlled the output while Roach concentrated on administrative duties. Chancing to see a couple of kids arguing over a block of wood in 1922, Roach decided that a series of comedies built around the joys and problems of real-life children would clean up at the box office. The result was "Our Gang", one of the longest-lasting short subjects series of all time (1922-44). Writer/director Charley Chase became Roach's top comedian after Lloyd left in 1924, turning out a successful yearly manifest of sophisticated domestic comedies; many of these were directed by Leo McCarey, who became Roach's supervising director. According to many contemporaries, it was McCarey and not Roach who first fully realized the potential of teaming comedian/gagman/director Stan Laurel with supporting actor Oliver Hardy in late 1926 -- culminating in the most successful series of two-reelers ever made at the Roach Studio. Unlike other independents, Roach was not intimidated in the least by the coming of sound in 1929. A sweetheart deal with RCA Victor and Western Electric enabled Roach to turn out the most technically proficient talkie shorts on the market, enhanced by the lilting background music scores (another innovation) written by LeRoy Shield and Marvin Hatley. With Stan Laurel and Oliver Hardy, Our Gang, and Charley Chase going full blast in the early 1930s, Roach developed several new series: The Boy Friends, The Taxi Boys, Thelma Todd/ZaSu Pitts and Thelma Todd/Patsy Kelly. Committed to the short subject form, Roach declared that he wanted to make 20-minute films with the production gloss usually associated with feature films. But the diminishing shorts market in the mid 1930s forced Roach to rethink his policy and concentrate on feature films. He'd been making features sporadically since the Harold Lloyd days in 1922. His two most successful productions, Lloyd's Grandma's Boy (1922) and Laurel and Hardy's The Devil's Brother (1933), were both feature-length, and there was also a brief series of silent multi-reelers starring Rex the Wonder Horse. In 1935, Roach began curtailing his two-reel activity by phasing out the Laurel and Hardy shorts. A year later, Charley Chase was let go, and, in 1938, the last-ever Roach short subject, Our Gang's Hide and Shriek, was issued through MGM. Roach's subsequent feature output included his always popularLaurel and Hardy and the three Topper films. In 1938, Roach switched distribution from MGM to United Artists, turning out such feature successes as There Goes My Heart (1938), Captain Fury (1939), and the pioneering special-effects extravaganza One Million BC (1940). As a result of a lawsuit with director Lewis Milestone, Roach agreed to produce Milestone's Of Mice and Men (1939), perhaps the studio's best non-comic effort. In 1941, Roach came up with the concept of "Streamliners" -- 45-minute films especially designed for double bills. While some of these were successful (notably a series of service comedies starring Joe Sawyer and William Tracy), many were on a par with the notorious The Devil With Hitler (1943). In the last two years of World War II, Hal Roach received a Colonel's commission and turned his studio over to the government for the purpose of making training films -- Ronald Reagan spent most of his military service as an actor at "Fort Roach." In the late 1940s, Roach found it difficult to regain his footing in theatrical films. Undaunted, he switched to turning out TV films; he was the first major Hollywood producer to do so. Among the 1950s series filmed at the Roach lot were My Little Margie, Amos 'n' Andy, Topper, Racket Squad, and The Abbott and Costello Show. Though seldom making a false career move, Roach was nearly scuttled by an ill-advised association with Benito Mussolini in the 1930s. Two decades later, he made his most injurious error by turning his operation over to Hal Roach Jr., who entered into a partnership with a "businessman" of dubious character -- a move which bankrupted the studio. Though his sound stages were demolished in 1963, Hal Roach remained active into the 1980s, overseeing theatrical, TV, and home-movie distribution of his films and participating in the formative years of cable television and computer colorization. Roach received an honorary Oscar at the age of 92; he lived long enough to be honored again at the Academy Awards telecast of 1992 -- looking at least thirty years younger than his actual age of 100. ~ Hal Erickson, All Movie Guide
Filmography: Hal Roach
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Wikipedia: Hal Roach
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Hal Roach, Sr.

Hal Roach
Born Harold Eugene Roach
January 14, 1892(1892-01-14)
Elmira, New York,
United States
Died November 2, 1992 (aged 100)
Los Angeles, California,
United States
Spouse(s) Marguerite Nichols (1915-1941)

Harold Eugene "Hal" Roach, Sr. (January 14, 1892 – November 2, 1992) was an American film and television producer and director from the 1910s to the 1990s.

Contents

Early life and career

Hal Roach was born in Elmira, New York. A presentation by the great American humorist Mark Twain impressed Roach as a young grade school student.

After an adventurous youth that took him to Alaska, Hal Roach arrived in Hollywood in 1912 and began working as an extra in silent film. Upon coming into an inheritance, he began producing short comedies in 1915 with his friend Harold Lloyd, who portrayed a character known as "Lonesome Luke." In 1915 Roach married actress Marguerite Nichols. They had two children, Hal, Jr. and Margaret (1921-1964).

Success as a comedy producer

Unable to expand his studios in downtown Los Angeles because of zoning, Roach purchased what became the Hal Roach Studios from Harry Culver in Culver City, California. During the 1920s and 1930s, he employed Lloyd (his top money-maker until his departure in 1923), Will Rogers, Max Davidson, the Our Gang kids, Charley Chase, Harry Langdon, Thelma Todd, ZaSu Pitts, Patsy Kelly and, most famously, Laurel & Hardy. During the 1920s Roach's biggest rival was producer Mack Sennett. In 1925 Roach hired away Sennett's supervising director, F. Richard Jones.

Roach released his films through Pathé until 1927, when he went to Metro-Goldwyn-Mayer. He would change again in 1938 to United Artists. He converted his silent movie studio to sound in 1928 and began releasing talking shorts early in 1929. In the days before dubbing, foreign language versions of the Roach comedies were created by re-shooting each film in the Spanish, French, and sometimes Italian and German languages. Laurel & Hardy, Charley Chase, and the Our Gang kids (some of whom had barely begun school) were required to recite the foreign dialogue phonetically, often working from blackboards hidden out of camera range.

In 1931, with the release of the Laurel & Hardy film Pardon Us, Roach began producing occasional full-length features alongside the short product. Short subjects became less profitable and were phased out by 1936. The Our Gang series continued until 1938, when Roach sold the contracts of the Our Gang cast members and the series name to MGM.

From 1937 to 1940 Roach concentrated on producing glossy features, abandoning low comedy almost completely. Most of his new films were either sophisticated farces (like Topper and The Housekeeper's Daughter) or rugged action fare (like Captain Fury and One Million B.C.). Roach's one venture into heavy drama was the acclaimed Of Mice and Men. The Laurel & Hardy comedies, once the Roach studio's biggest drawing cards, were now the studio's least important product and were phased out altogether in 1940.

In 1940 Roach experimented with medium-length featurettes, running 40 to 50 minutes each. He contended that these "streamliners," as he called them, would be useful in double-feature situations where the main attraction was a longer-length epic. Exhibitors agreed with him, and used Roach's mini-features to balance top-heavy double bills. United Artists continued to release Roach's streamliners through 1943. By this time Roach no longer had a resident company of comedy stars, and cast his films with familiar featured players (William Tracy and Joe Sawyer, Johnny Downs, Jean Porter, Frank Faylen, William Bendix, George E. Stone, etc.).

In 1941, his wife of 26 years, Marguerite, died.

World War II and television

Hal Roach, Sr. was called to active military duty in June 1942, at age 50, and the studio output he oversaw in uniform was converted from entertainment featurettes to military training films. The studios were leased to the U.S. Army Air Forces, and the First Motion Picture Unit made 400 training, morale and propaganda films at "Fort Roach." Members of the unit included Ronald Reagan, Alan Ladd and others.

In 1947, Hal Roach resumed production for theaters, with former Harold Lloyd co-star Bebe Daniels as an associate producer. Roach was the first Hollywood producer to go to an all-color production schedule, making four streamliners in Cinecolor, although the increased production costs did not result in increased revenue. In 1948, with his studio deeply in debt, Roach re-established his studio for television production, with Hal Roach, Jr. producing shows such as The Stu Erwin Show, Steve Donovan, Western Marshal, The Gale Storm Show, and My Little Margie, and independent producers leasing the facilities for such programs as Amos 'n' Andy, The Life of Riley, and The Abbott and Costello Show. By 1951 the studio was producing 1,500 hours of television programs a year, nearly three times Hollywood's annual output of feature movies.[1]

The visionary Roach also recognized the value of his film library. Beginning in 1943 he licensed revivals of his sound-era productions for theatrical and home-movie distribution. Roach's films were also early arrivals on television; the Laurel & Hardy comedies in particular were a smashing success in TV syndication.

Later years

In 1955 Roach sold his interests in the production company to his son, Hal Roach, Jr., and retired from active production. Unfortunately, the younger Roach lacked much of his father's business acumen, and soon lost the studio to creditors. It was finally shut down in 1961.

For two more decades Roach Sr. occasionally worked as a consultant on projects related to his past work, and was planning a comeback comedy at age 96. Hal Roach was a guest on Late Night with David Letterman in 1982, where he recounted experiences with such stars as Stan Laurel and Jean Harlow; he even did a brief, energetic demonstration of a hula dance.

At age 92, he was presented with an honorary Academy Award. In the spring of 1992, not long after his 100th birthday, Roach once again appeared at the Academy Awards ceremony, hosted by Billy Crystal. When Mr. Roach rose from the audience to speak during the ceremony, the sound system did not pick up his words. Crystal quipped "I think that's fitting, after all — Mr. Roach started in silent film..."

Hal Roach was two months away from his one-hundred-and-first birthday, when he died on November 2, 1992, at his home in Bel Air, California from pneumonia. He was married twice, and had a number of children, grandchildren and great-grandchildren. He is buried in Woodlawn Cemetery in Elmira, New York, where he had grown up.

On The Simpsons, Marge's mother lives in "Hal Roach Retirement Home".

Hal Roach Studios

The 14.5 acre (58680 m²) studio once known as "The Lot of Fun," containing 55 buildings, was torn down in 1963 (despite tentative plans to reopen the facilities as "Landmark Studios") and replaced by light industrial buildings, businesses, and an automobile dealership. Today, Culver City's "Landmark Street" runs down what was the middle of the old studio lot, with the two original sound stages having been located on the north side of Landmark Street, and the backlot/city street sets had been located at the eastern end of Landmark Street. A plaque sits in a small park across from the studio's location, placed there by The Sons of the Desert. [2]

Most of the film library was bought by a Canadian company that adopted the "Hal Roach Studios" name. It primarily handled the business of keeping the library in the public eye and licensing products based upon the classic film series.

In 1983 Hal Roach Studios was one of the first studios to venture into the controversial business of film colorization, creating digitally colored versions of several Laurel and Hardy features, the Frank Capra film It's a Wonderful Life and other popular films. In the 1980s, Hal Roach Studios produced Kids Incorporated in association with old business partner MGM. From 1988 to 1990, while producing Kids Incorporated, Hal Roach Studios was known as Qintex.

In the years that followed, the Roach company changed hands several more times. Independent television producer Robert Halmi bought the company in the early 1990s, and it became RHI Entertainment. A short time later, this successor company was acquired by Hallmark Entertainment in 1994, but Halmi, Robert Halmi Jr. and affiliates of Kelso & Company reacquired the company in 2006. Hallmark Entertainment was absorbed into RHI Entertainment (with Genius Products/The Weinstein Company as the current home video output partner).

In that same decade, a new incarnation of Hal Roach Studios (operated by the Roach Trust) was established, and today this new version of the company has released classic films on DVD, many of which are from Roach's own archival prints of his films, while others are public domain titles mastered from the best available 35 mm elements.

References

  1. ^ "Hollywood Is Humming", Time, October 29, 1951.
  2. ^ Culver City History: Hal Roach Studios, culvercity.org. Retrieved August 23, 2008

Further reading

  • Richard Lewis Ward. A History of the Hal Roach Studios. Carbondale: Southern Illinois University Press, 2005.

External links


 
 

 

Copyrights:

Britannica Concise Encyclopedia. Britannica Concise Encyclopedia. © 2006 Encyclopædia Britannica, Inc. All rights reserved.  Read more
Director. Copyright © 2009 All Media Guide, LLC. All rights reserved.  Read more
Wikipedia. This article is licensed under the Creative Commons Attribution/Share-Alike License. It uses material from the Wikipedia article "Hal Roach" Read more

 

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