Share on Facebook Share on Twitter Email
Answers.com

Hans Poelzig

 
Art Encyclopedia: Hans Poelzig

(b Berlin, 30 April 1869; d Berlin, 14 June 1936). German architect, designer and teacher. He was the father-figure of the Expressionist group of the Deutscher Werkbund, his vision and practical genius representing a link between the English Arts and Crafts Movement and later stages of Jugendstil and the fervour of the emerging Modern Movement after World War I. Poelzig studied architecture (1889-94) at the Technische Hochschule, Berlin, under Carl Sch?fer, a neo-Gothicist. After military service and a period in the Prussian Office of Works, he left Berlin in 1900 to take a teaching post in the K?nigliche Kunst- und Kunstgewerbeschule, Breslau (now Wroclaw), becoming its director from 1903 to 1916. There he introduced workshop-based courses that influenced the later teaching policy of Walter Gropius at the Bauhaus. Poelzig's early buildings included two houses, one at an exhibition of applied art (1904) in Breslau and his own house (1906) at Leerbeutel, near Breslau. Both are examples of the influence in Germany at that time of English Arts and Crafts houses. Rough-cast rendering divided into rectilinear panels by smooth bands characterized his own house and also appeared in his evangelical church (1906) at Maltsch, Silesia. An element that later became a hallmark of his work, the semicircular thermal window, appeared in his contemporary extension to the town hall in L?wenberg (now Lw?wek Slaski), which, like the church, is closely related in character to the houses. Thermal windows also appear as an important element of his four-storey block of flats (1908-12) on the Menzelstrasse, Breslau, a panelled brick building with shallow pilasters and entablature string courses that anticipates the geometrical Novecentismo architecture of Giovanni Muzio by some two decades. His five-storey office building (1911-12) on the Junkernstrasse, Breslau, on the other hand, was prophetic of post-war Expressionism. It was built in reinforced concrete with over-sailing floors and continuous window spandrels that sweep majestically around the angle of the corner site.

See the Abbreviations for further details.



Search unanswered questions...
Enter a question here...
Search: All sources Community Q&A Reference topics
Wikipedia: Hans Poelzig
Top
Hans Poelzig
Hans poelzig.jpg
Hans Poelzig
Personal information
Name Hans Poelzig
Nationality German
Birth date 30 April 1869(1869-04-30)
Birth place Berlin
Date of death 14 June 1936 (aged 67)
Place of death Berlin
Work
Buildings I.G. Farben Building

Großes Schauspielhaus
Haus des Rundfunks in Charlottenburg

Projects Palace of the Soviets

League of Nations
Film sets for The Golem

Hans Poelzig (30 April 1869 Berlin – 14 June 1936 Berlin) was a German architect, painter and set designer.

Contents

Life

Poelzig was born in Berlin in 1869 to the countess Clara Henrietta Maria Poelzig (daughter of Alexander von Hanstein, Count of Pölzig and Beiersdorf) while she was married to George Acland Ames, an Englishman. Uncertain of his paternity, Ames refused to acknowledge Hans as his son and consequently he was brought up by a local choirmaster and his wife. In 1899 he married Maria Voss with whom they had four children.[1]

Education

In 1903 he became a teacher and director at the Breslau Academy of Art and Design (Kunst- und Gewerbeschule Breslau; today Wrocław, Poland). From 1920-1935 he taught at the Technical University of Berlin (Technische Hochschule Berlin). Director of the Architecture Department of the Preußische Akademie der Kunste in Berlin.

Career

After finishing his architectural education around the turn of the century, Poelzig designed many industrial buildings. He designed the 51.2 m tall Upper Silesia Tower in Posen (today Poznań) for an industrial fair in 1911. It later became a water tower. He was appointed city architect of Dresden in 1916. He was an influential member of the Deutscher Werkbund.

Poelzig was also known for his distinctive 1919 interior redesign of the Berlin Grosses Schauspielhaus for Weimar impresario Max Reinhardt, and for his vast architectural set designs for the 1920 UFA film production of The Golem: How He Came Into the World. (Poelzig mentored Edgar Ulmer on that film; when Ulmer directed the 1934 film noir Universal Studios production of The Black Cat, he returned the favor by naming the architect-Satanic-high-priest villain character "Hjalmar Poelzig", played by Boris Karloff.)

With his Weimar architect contemporaries like Bruno Taut and Ernst May, Poelzig's work developed through Expressionism and the New Objectivity in the mid-1920s before arriving at a more conventional, economical style. In 1927 he was one of the exhibitors in the first International Style project, the Weissenhof Estate in Stuttgart. In the 1920s he ran the "Studio Poelzig" in partnershp with his wife Marlene (Nee Moeschke) (1894-1985). Poelzig also designed the 1929 Broadcasting House in the Berlin suburb of Charlottenburg, a landmark of architecture, and Cold War and engineering history.

1912 Department Store, Wrocław
South facade of the 1931 Poelzig Building at Goethe University, Frankfurt a. M.

Poelzig's single best-known building is the enormous and legendary I.G. Farben Building, completed in 1931 as the administration building for IG Farben in Frankfurt am Main, now known as the Poelzig Building at Goethe University. In March 1945 the building was occupied by American Allied forces under Eisenhower, became his headquarters, and remained in American hands until 1995. Some of his designs that were never built included one for the Palace of the Soviets and one for the League of Nations headquarters at Geneva.

Poelzig died in Berlin in June 1936, shortly before his planned departure for Ankara.

Babylon cinema and apartments in Berlin

Work

Buildings

  • 1901 Church spire, Wrocław[2]
  • 1904 A Family house with garden pavilion for the arts and crafts exhibition
  • 1908 Dwelling houses, corner of Menzelstraße and Wölflstraße in Wrocław, (now Sztabowa/Pocztowa, Wrocław)
  • 1908 Dwelling house, Hohenzollernstraße, Wrocław (building doesn't exist)
  • 1907 - ca. 1909: mixed commercial offices and retail, Hohenzollernstraße, Wrocław (building doesn't exist)
  • 1911 Sulphuric acid factory in Luboń
  • 1911 Grain silo and Roofed Marketplace in Luboń
  • 1911 Exhibition Hall and Tower in Poznań for an industrial fair
  • 1912 Department store in Junkernstrasse, Wrocław (now ul. Ofiar Oświęcimskich)
  • 1913 Exhibition hall, wine restaurant, Pergola for exhibition, Wrocław, (now part of UNESCO World Heritage Site "Centennial Hall")
  • 1919 Grosses Schauspielhaus, in Berlin
  • 1920 Festival Theater for Salzburg
  • 1924 Office building, Hanover
  • 1927 Deli cinema, Wrocław (building doesn't exist)
  • 1929 Haus des Rundfunks (Radio Station), Charlottenburg, Berlin
  • 1931 I.G. Farben Building in Frankfurt
  • Apartment and cinema at Rosa-Luxemburg-Platz, Berlin

Projects

Awards

Resources

Citations

References

  • Dawson, Layla (May 2008). "Prolific Poelzig". The Architectural Review CCXXIII (1335): 96–97. 

External links


 
 
Learn More
Fantastic architecture (architecture)
Ignatius Taschner (art)
Adolf Rading (art)

What is the surname for Hans? Read answer...
Who is Hans Geiger? Read answer...
Who is julian hans? Read answer...

Help us answer these
Where is hans rottenhammer i from?
What are Han monuments?
Who is hans reiser?

Post a question - any question - to the WikiAnswers community:

 

Copyrights:

Art Encyclopedia. The Concise Grove Dictionary of Art. Copyright © 2002 by Oxford University Press, Inc.. All rights reserved.  Read more
Wikipedia. This article is licensed under the Creative Commons Attribution/Share-Alike License. It uses material from the Wikipedia article "Hans Poelzig" Read more