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Harry Potter and the Goblet of Fire

DVD Release: Harry Potter and the Goblet of Fire [UMD]

  • Release Date: 2006

DVD Release: Harry Potter and the Goblet of Fire [P&S]

  • Release Date: 2006
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DVD Release: Harry Potter and the Goblet of Fire [WS] [2 Discs] [Foil Packaging]

  • Release Date: 2006
  • Triwizard Tournament: Dragon Arena - dragon challenge, Harry vs. the Horntail: The first task and meet the champions
  • Triwizard Tournament: Lake - lake challenge and In too deep: The second task
  • Triwizard Tournament: Maze - maze challenge, to the graveyard and back challenge, The maze: The third task and he who must not be named
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  • Additional scenes
  • Conversations with the cast
  • Preparing for the Yule Ball
  • Reflections on the fourth film
  • EA game demo
  • Hogwarts timeline

DVD Release: Harry Potter and the Goblet of Fire [WS]

  • Release Date: 2006
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DVD Release: Harry Potter and the Goblet of Fire [HD]

  • Rating: StarStarStarStar
  • Genre: Fantasy
  • Movie Type: Fantasy Adventure, Children's Fantasy
  • Themes: Wizards and Magicians
  • Director: Mike Newell
  • Main Cast: Daniel Radcliffe, Rupert Grint, Emma Watson, Robbie Coltrane, Ralph Fiennes
  • Release Year: 2005
  • Country: US
  • Run Time: 157 minutes
  • MPAA Rating: PG13

Plot

Directed by Mike Newell, the fourth installment to the Harry Potter series finds Harry (Daniel Radcliffe) wondering why his legendary scar -- the famous result of a death curse gone wrong -- is aching in pain, and perhaps even causing mysterious visions. Before he can think too much about it, however, Harry boards the train to Hogwarts School of Witchcraft and Wizardry, where he will attend his fourth year of magical education. Shortly after his reunion with his best friends, Ron (Rupert Grint) and Hermione (Emma Watson), Harry is introduced to yet another Defense Against the Dark Arts teacher: the grizzled Mad-Eye Moody (Brendan Gleeson), a former dark wizard catcher who agreed to take on the infamous "DADA" professorship as a personal favor to Headmaster Dumbledore (Michael Gambon). Of course, Harry's wishes for an uneventful school year are almost immediately shattered when he is unexpectedly chosen, along with fellow student Cedric Diggory (Robert Pattinson), as Hogwarts' representative in the Tri-Wizard Tournament, which awards whoever completes three magical tasks the most skillfully with a thousand-galleon purse and the admiration of the international wizard community. As difficult as it is to deal with his schoolwork, friendships, and the tournament at the same time (not to mention his feelings toward the ever unfathomable Professor Snape (Alan Rickman), Harry doesn't realize that the most feared wizard in the world, Lord Voldemort, is anticipating the tournament, as well. ~ Tracie Cooper, All Movie Guide

Review

Coming off the most vivid and satisfying entry in the series, Alfonso Cuarón's Harry Potter and the Prisoner of Azkaban, the fourth installment can't help but seem a little disappointing. But that's not because Harry Potter and the Goblet of Fire has trouble keeping pace in the technical department, which might have been a concern given director Mike Newell's background in small-scale fare like Four Weddings and a Funeral and Donnie Brasco. No, the problem is built into the book. As J.K. Rowling tipped the scales with a novel almost 300 pages longer than any previous, the film version can't help but suffer from a sprawling quality that detracts from its cohesiveness. The Tri-Wizard Tournament certainly showcases some of the most glorious Potter visuals yet -- a gladiator-style dragon battle and an underwater rescue mission (Harry sprouts fins!) chief among them. But as an exhibition involving students -- even in the wizard world -- it gives pause, having irresponsibly dire hazards built in for the participants, some of whom are totally unwitting. (Such dark elements prompted the series' first PG-13 rating.) There's also a major plot contrivance that never sits well, namely, that Harry's friends turn against him over an incident not dissimilar to numerous others in his Hogwart's history, involving him being thrust into school-wide prominence ahead of the development of his peers. Given Harry's extreme celebrity, this should be par for the course rather than cause for abandonment. Overall, when making quibbles about a Harry Potter movie, it's all relative, and The Goblet of Fire continues the series' fine tradition, its stars transitioning into their late teens without seeming overly awkward. It's only appropriate that the threats against them should become more adult, a trend that will only deepen as future novels hit the screen. ~ Derek Armstrong, All Movie Guide

Cast


Michael Gambon - Albus Dumbledore; Brendan Gleeson - Alastor 'Mad-Eye' Moody; Jason Isaacs - Lucius Malfoy; Gary Oldman - Sirius Black; Alan Rickman - Professor Severus Snape; Robert Pattinson - Cedric Diggory; Maggie Smith - Minerva McGonagall; Clemence Poesy - Fleur Delacour; Frances de la Tour - Madame Maxime; Timothy Spall - Wormtail; Miranda Richardson - Rita Skeeter; Stanislav Ianevski - Viktor Krum; Sheila Allen - Ministry Witch; Warwick Davis - Filius Flitwick; Robert Hardy - Cornelius Fudge; Matthew Lewis - Neville Longbottom; Margery Mason - Food Trolley Lady; Adrian Rawlins - James Potter; Geraldine Somerville - Lily Potter; David Sterne - Ministry Wizard; Eric Sykes - Frank Bryce; Alan Watts - Assistant Judge; Christopher Whittingham - Ministry Wizard; Jeff Rawle - Amos Diggory; Shirley Henderson - Moaning Myrtle; Roger Lloyd Pack - Barty Crouch; Tom Felton - Draco Malfoy; David Bradley - Argus Filch; Mark Williams - Arthur Weasley; David Tennant - Barty Crouch Junior; Ashley Artus - Death Eater; Steve Mackey - Band Bass Guitar; Robert Wilfort - Photographer; Pedja Bjelac - Igor Karkaroff; Alex Palmer - Death Eater; Bonnie Wright - Ginny Weasley; Jarvis Cocker - Band Lead Singer; Jonny Greenwood - Band Lead Guitar; Alfie Enoch - Dean Thomas; Joshua Herdman - Gregory Goyle; Devon Murray - Seamus Finnigan; Jamie Waylett - Vincent Crabbe; Oliver Phelps - George Weasley; James Phelps - Freed Weasley; Angelica Mandy - Gabrielle Delacour; William Melling - Nigel; Campbell Graham - Ministry Wizard; Philip Rham - Death Eater; Olivia Higginbottom - Death Eater; Paschal Friel - Death Eater; Richard "Rubber Ritchie" Rosson - Death Eater; Su Elliot - Ministry Witch; Ann Lacy - Ministry Witch; Flip Webster - Ministry Witch; Liam McKenna - Ministry Wizard; Katie Leung - Cho Chang; Afshan Azad - Padma Patil; Shefali Chowdhury - Parvati Patil; Tolga Safer - Karkaroff's Aide; Louis Doyle - Ernie MacMillan; Charlotte Skeoch - Hannah Abbott; Tiana Benjamin - Angelina Johnson; Henry Lloyd Hughes - Roger Davies; Philip Selway - Band Drums; Jason Buckle - Band Rhythm Guitar; Steve Claydon - Band Keyboards

Credit

Phil Johnson - Visual Effects; London Symphony Orchestra - Musical Performer; Helen "Whitey" Wilson - Mold Department; Mick Audsley - Editor; Mike Brewster - Second Unit Director Of Photography; Stuart Craig - Production Designer; Ted Deason - First Assistant Camera; Patrick Doyle - Composer (Music Score); Nick Dudman - Makeup Special Effects; Nick Dudman - Creature Design; Brian Gascoigne - Musical Performer; Steve Hedinger - Scenic Artist; Industrial Light & Magic - Animator; Industrial Light & Magic - Visual Effects Editor; Tom Johnson - Re-Recording Mixer; Steve Kloves - Screenwriter; Neil Lamont - Supervising Art Director; Peter MacDonald - Co-producer; Peter MacDonald - Second Unit Director; Stephenie McMillan - Set Decorator; Mike Newell - Director; Greg Powell - Stunts Coordinator; Roger Pratt - Cinematographer; Peter Taylor - Camera Operator; Norma Webb - Makeup; Mark Williams - Animator; Paul Herbert - Stunts; Mark Michaels - Visual Effects; Matthew Simpson - Production Assistant; James Lewis - Visual Effects; Linda Taylor - First Assistant Accountant; Alan Watson - Grip; David Barron - Executive Producer; Mary Selway - Casting; Peter Goddard - Gaffer; Jim Mitchell - Visual Effects Supervisor; Chris Carreras - Associate Producer; Chris Carreras - First Assistant Director; David Crozier - Production Sound Mixer; Geraint Jones - First Assistant Accountant; Jany Temime - Costume Designer; Jochien Vanschuppen - Costume/Wardrobe; Andy Kennedy - Sound Effects Editor; Gary Tomkins - Art Director; Ken Coles - Camera Operator; Nigel Heath - Foley Mixer; David Heyman - Producer; Jim Steel - Visual Effects; Timothy Phillips - Second Assistant Camera; Philip Ross - Animatronic Model Design; Jon Bowen - Visual Effects; Gary Gero - Animal Trainer/Wrangler; Randy Thom - Supervising Sound Editor; Murray Close - Still Photographer; Chuck Finch - Gaffer; Betty Glasow - Hair Styles; Timothy T. Lewis - Unit Production Manager; Bill Merrell - Best Boy Grip; Bernie Prentice - Grip; John Richardson - Special Effects Supervisor; Andy Roberts - Animatronic Model Design; Tim Webber - Visual Effects Supervisor; David Carrigan - Production Manager; Framestore - Visual Effects; Mike Prestwood Smith - Re-Recording Mixer; Alexandra Walker - Art Director; Animal Logic Film - Visual Effects; Nicolas Becker - Foley Artist; Matthew Wood - Special Effects Technician; Julia Dehoff - Draftsman; Lars Vinther - Visual Effects Editor; Maggie Rodford - Composer (Music Score); Maggie Rodford - Musical Direction/Supervision; Matt Biffa - Musical Direction/Supervision; John Walker - Matte Artist; Mark Solomon - Supervising Animator; Sean Kelly - Production Assistant; Mary Anne Price - Set Medic/First Aid; Rosie Hardwick - Assistant Art Director; Mark Clark - Best Boy Grip; Dennis Leonard - Supervising Sound Editor; Robert Brock - Grip; Tanya Seghatchian - Executive Producer; Moving Picture Company - Visual Effects; J.K. Rowling - Book Author; BUF - Visual Effects; James Roberts - Visual Effects; David Evans - Costume Designer; Guy List - Stunts; John Pilgrim - Special Effects Technician; Tim Shanahan - Costume/Wardrobe; Dom Sidoli - Visual Effects; Simon Stanley-Clamp - Visual Effects Supervisor; William Steggle - Costume Designer; Winnie Wishart - Production Coordinator; James Farrington - Animator; Anthony Bloom - Animal Trainer/Wrangler; Sam Bloor - Grip; George Cottle Jr. - Stunts; Kelly Dent - Stunts; Ceri Evans-Cooper - Script Supervisor; Bradley Farmer - Stunts; Andrea Finch - Hair Styles; Christian Huband - Assistant Art Director; Rowley Irlam - Stunts; Dominic Preece - Stunts; Gordon Seed - Stunts; David Sousa - Head Animal Trainer; Alf Tramontin - Steadicam Operator; Douglas Murray - Sound Effects Editor; Paul Riddle - Visual Effects; Steven McGee - Compositor; David Crossman - Costumes Supervisor; Tony Davis - Assistant Production Coordinator; Gerard McCann - Music Editor; Steven Sallybanks - Scenic Artist; Emma Norton - Visual Effects Producer; Patrick Michael Roddam - Production Assistant; Sue Quinn - Location Manager; Fiona Weir - Casting; Celia Barnett - Research; Peter Burgis - Foley Artist; Andi Derrick - Foley Artist; William Dodds - Second Assistant Director; Casting Collective Limited - Extra Casting; Tim Alexander - Visual Effects Supervisor; Sharonne Solk - Animator; Double Negative Ltd. - Visual Effects; Rising Sun Pictures - Visual Effects; Birds & Animals Unlimited - Animal Trainer/Wrangler; Nick Wollage - Recording; Nick Wollage - Sound Mixer; Paul Edwards - Steadicam Operator; Trevor Coop - Camera Operator; Jo Dale - Additional Editing; Tony Wright - Storyboard Artist; John Casali - Boom Operator; Nick Milner - Camera Operator; Stephen Bennett - Rotoscope Artist; Mark Bartholomew - Art Director; Nick Symons - Visual Effects; Oliver Roberts - Art Department Assistant; Denise Rich - Storyboard Artist; Zelda Tinska - Visual Effects; Cinesite Limited - Visual Effects; The Orphanage - Visual Effects; Alan Gilmore - Art Director; Jonathan Rothbart - Visual Effects; Teresa Hinton - Hair Styles; Kevin Martel - Animator; Jakub Pistecky - Animator; Steve Rawlins - Supervising Animator; Laurent Benhamo - Animator; Luca Mazzeloni - Animator; Charlotte Finlay - Costumes Supervisor; Dave Fisher - Stunts; Shaheen Baig - Casting; Giles Hancock - Matte Painting Supervisor; Masahiko Tani - Matte Artist; Yusei Uesugi - Matte Artist; Aurelia Abate - Visual Effects; Stephane Ceretti - Visual Effects; Stephen Murphy - Animatronic Model Design; Michael White - Greensman; Tim Crosbie - Visual Effects; Paul Catling - Creature Design; Stefan Stankowski - Camera Operator; Mark Evans - Gaffer; Patrick O'Flynn - Grip; Aurelia Thomas - Assistant Location Manager; Emma Vane - Draftsman; Sarah Dowland - Visual Effects Producer; Daniel Laurie - ADR Editor; Clwyd Edwards - Supervisor/Manager; Jane Clark - Storyboard Artist; Jan Jamison - Hair Styles; Eithn Fennell - Department Head Hair; Adam Dale - Aerial Photography; Richard Clarke - Visual Effects; Ian Fellows - Compositor; Colin Laski - Animator; Lyndsay Bullock - Third Assistant Director; Jamie Christopher - First Assistant Director; James Shearman - Conductor; Adam Aldridge - Special Effects Technician; Marc Sadeghi - Visual Effects; Marc Mailley - Stunts; Nicolas Anastassiou - Visual Effects Editor; Steve Aplin - Animator; Theresa Corrao - Visual Effects Producer; John Trehy - Associate Producer; Jessie Thiele - Post Production Supervisor; Martin Bayfield - Stunts; David Holmes - Stunts; Tolga Kenan - Stunts; Rickie Hubbucks - Stunts; Anthony Knight - Stunts; Al Bullock - Art Director; Nicholas Pelham - Storyboard Artist; Deborah Stokely - Buyer; Jamie Wilkinson - Assistant Properties; Fiona Perry-Richards - Second Assistant Director; Robert Palmer - First Assistant Camera; Sandra Frieze - Dialogue Coach; Michelle Gisonda - Buyer; Matthew Glen - Visual Effects Editor; Mark Sale - Additional Editing; Tom Kemplen - Additional Editing; Bjorn Ole Schroeder - Dialogue Editor; Katie Reynolds - Post Production Coordinator; Amanda Knight - Makeup; Sharon Nicholas - Makeup; Elizabeth Lewis - Hair Styles; Elizabeth Lewis - Makeup; Kate Garbett - Production Coordinator; Vicky Bishop - Assistant Production Coordinator; Jane Ryan - Production Assistant; Jon Croker - Personal Assistant; Robert Judd - Production Assistant; Sarah Woodward - Second Assistant Camera; David Collier - Production Assistant; Daniela Giangrande - Production Assistant; Martin Jago - Animatronic Model Design; Jenny Weight - Production Assistant; Adrian Rigby - Production Assistant; Jayne Flowers - Production Assistant; Gary Nixon - Production Accountant; John Udall - First Assistant Accountant; Dilip Patel - First Assistant Accountant; Nichola Kerr - First Assistant Accountant; Jay Rosenwink - First Assistant Accountant; Alastair McNeil - First Assistant Accountant; Paula Sargeant - First Assistant Accountant; Jayne Barton - First Assistant Accountant; John Cramman - Special Effects Technician; Chris Giles - Special Effects Technician; Noah Meddings - Special Effects Technician; Marcus Richardson - Special Effects Technician; Demi Demetriu - Special Effects Technician; Matt Harlow - Special Effects Technician; Lee Phelan - Special Effects Technician; Phoebe Tait - Special Effects Technician; Ronnie Durkan - Special Effects Technician; Kevin Wescott - Special Effects Technician; John Lambert - Buyer; Amanda Pettett - Construction Coordinator; Dr. Ian Furbank - Set Medic/First Aid; Lesley Quinn - Set Medic/First Aid; Karen Fayerty - Set Medic/First Aid; David Rosenbaum - Transportation Coordinator; Brian Estabrook - Transportation Captain; First Unit Catering - Craft Service/Catering; Bon Appetit - Craft Service/Catering; John Ferguson - First Assistant Camera; Danny Shelmerdine - First Assistant Camera; Marc Atherfold - Second Assistant Camera; Luke Coulter - Second Assistant Camera; Martin Lewis - Second Assistant Camera; Dave Rist - Grip; Timothy Blackham - Sound Mixer; John Samworth - Boom Operator; Natasha Gormley - Production Coordinator; Keith Johnson - Animator; Tim Waddy - Animator; Kevin Page - Matte Artist; Merrin Jensen - Visual Effects Producer; Lucy Allen - Stunts; Jason Bulley - Grip; Jason Bulley - Underwater Photography; Ben Knight - Gaffer; Jamie Knight - Grip; Julien Stuart-Smith - Animator; John Turner - Grip; Leonard Woodcock - Stunts; Eduardo Schmidek - Animator; Dan Neal - Animator; Jason Horley - Matte Painting Supervisor; Tom Partridge - Assistant Visual Effects Editor; John Ensby - Color Timing; Nic Birmingham - Animator; Isabel Cody - Animator; Candace Di Talamo - Animator; Caine Dickenson - Supervisor/Manager; Tom Goodenough - Animator; Rob Hemming - Animator; Craig Mepham - Animator; Rafael Morant - Animator; Craig Penn - Animator; Partic Roos - Animator; Alex Schott - Animator; Gemma Thompson - Visual Effects; Ian Ward - Animator; Jennifer Wood - Visual Effects; Michael B. Ellis - Visual Effects; Joe Scott - Animatronic Model Design; Josh Lee - Animatronic Model Design; Tamzine Hanks - Animatronic Model Design; Malcolm Evans - Animatronic Model Design; Diane Nicholson - Animatronic Model Design; Simon Williams - Animatronic Model Design; Phil Ashton - Animatronic Model Design; Andrea Hochgatterer - Animatronic Model Design; Clare Inglis - Visual Effects; Tracey O'Brien - Animatronic Model Design; Abbie Jones - Animatronic Model Design; Sara Meek - Assistant Costumer Designer; Mark Keeling - Grip; Dave Appleby - Key Grip; Simon Hume - First Assistant Camera; Jay Mallett - Motion Control Camera; Graham Martyr - First Assistant Camera; Pete Hanson - Visual Effects; Mark Laidlaw - Grip; Olivier Pron - Visual Effects; Nigel Stone - Cinematographer; John Rogers - Gaffer; Tom Still - Assistant Art Director; Sallie Anne Hard - Second Assistant Director; Tom Brewster - Third Assistant Director; Jordi Cardus - Animator; Jodie Jackman - Art Department Coordinator; Gemma Stansfield - Assistant Sound Editor; Tim Pounds-Cornish - Visual Effects; Jim Crowther - Grip; Paul Lee - Animator; Farhan Quershi - Matte Artist; Rob Duncan - Compositor; Lewis Hume - Second Assistant Camera; Alex Joseph - Foley Editor; Phil Murray - Grip; Julia Wigginton - Visual Effects; Jill Brooks - Visual Effects Producer; Paul Alexiou - Visual Effects; Rosie Ashforth - Animator; Craig Bardsley - Animator; Brendan Body - Animator; Federico Cascinelli - Animator; Mike Cussack - Animator; Richard Gomes - Animator; Claire Pegorier - Animator; Adrian Pinder - Animator; Poster Pictures - Consultant/advisor; Jakob Schmidt - Visual Effects; Guillaume Herent - Animator; Uel Hormann - Supervisor/Manager; Stuart Messinger - Visual Effects; Saybian Morgan - Animator; Jo Walls - Animator; Lisa Woodland - Visual Effects; Roxanne Newsham - Animator; Alexander Seaman - Animator; Penn Stevens - Animator; Hayley Collins - Matte Artist; Arek Komorowski - Matte Artist; Giuseppe Tagliavini - Matte Artist; Melody Woodford - Matte Artist; Elsa Rodriguez - Rotoscope Artist; Tony Clark - Visual Effects; Ben Aickin - Compositor; Nicolas Aithadi - Supervisor/Manager; Farshad Shadi Almassizadeh - Visual Effects; Johnny Alves - Visual Effects; Florent Andorra - Visual Effects; David Armitage - Animator; Sergio Aryosa - Compositor; Oliver Atherton - Visual Effects; Chloe Aubrey - Assistant Costumer Designer; David Aulds - Rotoscope Artist; Trang Bach - Rotoscope Artist; Henry Badgett - Compositor; Mikael Genachte-Le Bail - Visual Effects; Kevin Baillie - Visual Effects; Richard Baker - Compositor; Ritchie Baker - Special Effects Technician; Margaret Barber - Compositor; Giacomo Bargellesi - Compositor; Libbie Barr - Script Supervisor; Tom Barry - Stunts; Pete Bebb - Visual Effects; Xavier Bec - Visual Effects; Michael Bell - Visual Effects; Andrew Bennett - Art Department Assistant; Sara Bennett - Compositor; James Benson - Visual Effects; Hege Berg - Visual Effects; Niki Bern - Compositor; Nicolas Bernard - Visual Effects; Jimmy Bernardinis - Mold Department; Ben Blanco - Production Assistant; Roger Bolton - Compositor; Vanessa Boyce - Visual Effects; Dameon Boyle - Visual Effects; Sue Bradbear - Costume/Wardrobe; Paul Brannan - Animator; Jessica Braun - Animator; Dave Brennan - Grip; Adam Brockbank - Creature Design; Nicola Brodie - Visual Effects; Dave Brown - Pilot; Phillipa Bullock - Production Assistant; Nigel Bunyan - Additional Editing; Amanda Burns - Production Assistant; Janet Burns - Animatronic Model Design; Daniel Burton - Set Medic/First Aid; Felicity Burton - Production Assistant; Adam Byles - Runner; Amy Byrne - Production Assistant; Bruce Cain - Stunts; Rebecca Cain - Production Assistant; Oliver Carroll - Art Department Assistant; Joe Ceballos - Matte Artist; Andy Challis - Grip; Nick Chopping - Stunts; Evan Christopoulos - Animator; Sophie Clark - Stunts; Taylor Tulip Close - Production Assistant; Nicky Coats - First Assistant Accountant; Emily Cobb - Visual Effects; Debra Coleman - Visual Effects; Eddie Coleman - Transportation Captain; Mel Coleman - Model Effects; Clare Collingridge - Production Assistant; Ryan Cook - Visual Effects; Dennis Cooper - Visual Effects; Ian Cope - Visual Effects; Rosy Coppola - Costume/Wardrobe; Charlie Copson - Costume/Wardrobe; Joel Corby - Second Assistant Camera; Alastair Crawford - Visual Effects; Ciaran Crowley - Visual Effects; Ian Cunningham - Additional Editing; Mark Curtis - Compositor; Emanuele D'Arrigo - Animator; Sean Dabbs - Production Assistant; Sean Danischevsky - Visual Effects; Philipp Danner - Compositor; Haslina Dasley - Animator; Richard Davies - Buyer; Louise Day - Production Assistant; Bill Dennis - Mold Department; Stephen Dibben - Production Assistant; Richard Diver - Visual Effects; Ferran Domenech - Supervisor/Manager; Shelly Drury - Personal Assistant; Jack Duhig - Stunts; Andy Duncan - Grip; Jody Echegaray - Visual Effects; Selwyn III Eddy - Matte Artist; Paula Eden - Production Assistant; Laurens Ehrmann - Visual Effects; Stuart Ellis - Animator; Poppy Emuss - Stunts; James Etherington - Visual Effects; Joe Eveleigh - Animator; Nathan Fariss - Visual Effects; Jonathan Fawkner - Compositor; Dan Feinstein - Rotoscope Artist; Steven Finch - Lighting; Jasmine Fitter - Assistant Choreographer; Catherine Flemming - Animatronic Model Design; Niall Flinn - Animator; Lianne Forbes - Matte Artist; Magot Forster - Costume/Wardrobe; Grant Fowler - Production Assistant; Martyn Fowler - Mold Department; Evan Fraser - Visual Effects; Simon French - Matte Artist; Nicola Frost - Production Assistant; Leslie Fulton - Animator; James Furlong - Visual Effects; Martin Gabriel - Visual Effects Producer; Mark Gallagher - Production Assistant; William Gammon - Visual Effects; Sascha Garcia - Grip; Georgie Gardner - Production Assistant; Rohit Gill - Visual Effects; Julian Gnass - Compositor; Wayne Goddard - Grip; Lisa Gonzalez - Matte Artist; Maria Goodale - Matte Artist; Ben Goode - Production Assistant; Kyle Goodsell - Visual Effects; Barrie Gower - Animatronic Model Design; Adrian Graham - Visual Effects; Gavin Graham - Visual Effects; David Gray - Special Effects Coordinator; Robert P. Grayson - Second Assistant Director; Claire Green - Production Assistant; Elysia Greening - Matte Artist; Chris Greenwood - Mold Department; Gavin Gregory - Visual Effects; Bryant Griffin - Matte Artist; Pablo Grillo - Supervising Animator; Pawel Grochola - Visual Effects; Jessica Groom - Matte Artist; Ummi Gudjonsson - Visual Effects; Alex Guri - Compositor; Frédérique Gyuran - Visual Effects; Anna Hall - Production Coordinator; Qian Han - Matte Artist; Dave Hanks - Matte Artist; Nicholas Hannah - Visual Effects; John Hardwick - Compositor; Jenny Harling - Hair Styles; Bruce Harris - Compositor; Jeremy Hattingh - Visual Effects; Frederic Haymans - Matte Artist; James Healy - Animator; Matthew Hendershot - Visual Effects; Charley Henley - Supervisor/Manager; Sean Heuston - Compositor; Jeremy Hey - Matte Artist; James Hobson - Production Assistant; Belinda Hodson - Makeup; Henrik Hoffgaard - Visual Effects; Paul Hogbin - Visual Effects; Jacky Holding - First Assistant Accountant; Robin Hollander - Compositor; Vlad Holst - Animator; Garrett Honn - Compositor; Russell Horth - Compositor; Greg Howe-Davies - Matte Artist; Ben Huber - Matte Artist; Odette Hughes - Assistant Choreographer; Simon Hughes - Visual Effects; Philippa Hunt - Third Assistant Director; Alex Ireland - Visual Effects; Graham Jack - Visual Effects; Gemma James - Visual Effects; Bob Johnson - Grip; Frankie Johnson - Production Assistant; Mark Jones - Animatronic Model Design; Sacha Jones - Second Assistant Camera; Pete Jopling - Visual Effects; Nick Joscelyne - Special Effects Technician; Matt Kasmir - Compositor; Chris Kearney - Mold Department; Pip Keeling - Grip; Tammy Kempinski - Casting Assistant; Paul Kennington - Stunts; Simon David Kenny - Production Assistant; Matthew Kerly - Art Department Assistant; Steve Kill - Costume/Wardrobe; John Kilshaw - Visual Effects; Balazs Kiss - Animator; Lee Knight - Grip; Jim Knox - Grip; Dean Koonjul - Compositor; Dan Kripac - Visual Effects; Mark Kuggeleijn - Visual Effects; Serena Lam - Visual Effects; Pedro Lara - Visual Effects; Jeremy Lazare - Animator; Tracey Leadbetter - Visual Effects; Grant Legassick - Compositor; Joe Leveson - Matte Artist; Gawain Liddiard - Visual Effects; Eduardo Lima - Graphic Design; Ellen Lister - Stunts; Stephanie Little - Costume/Wardrobe; Joshua Livingston - Matte Artist; Patricia Llaguno - Compositor; Andrew Lockley - Visual Effects; Sarah Lockwood - Visual Effects; Russell Lodge - Production Manager; Jamie Lovino - Mold Department; Steven Lowen - Mold Department; Cavita Luchman - Costume/Wardrobe; Steve Lynn - Visual Effects; Danny Madden - Grip; Vince Madden - Best Boy Grip; Angela Magrath - Matte Artist; Virgil Manning - Animator; Raj Mariathasan - Mold Department; Zoe Marsden - Production Assistant; Helena Masand - Visual Effects; Mary Matthesion - Costume/Wardrobe; Barth Maunoury - Animator; David Mayhew - Matte Artist; Phil McCabe - Visual Effects; Ken McGaugh - Visual Effects; Wayne McGregor - Choreography; Alasdair McNeill - Matte Artist; Nakita Mcglynn - Animator; Sonny Merchant - Production Assistant; Evonne Merlicek - Visual Effects; Adrian Metzelaar - Compositor; Ellie Meure - Compositor; Michael Michael - Third Assistant Director; Alice Mitchell - Visual Effects; John Moffatt - Visual Effects; Jack Mongovan - Rotoscope Artist; Ali Morris - Third Assistant Director; Richard Morris - Animator; Michelle Motta - Rotoscope Artist; Catherine Mullan - Animator; Melissa Mullin - Matte Artist; Norah Mulroney - Visual Effects; Alex Muth - Assistant Visual Effects Editor; Tristan Myles - Visual Effects; Stéphane Nazé - Visual Effects; Helen Nesbitt - Compositor; Ryan Newberry - Stunts; Steve Nichols - Animator; John Nolan - Animatronic Model Design; Clare Norman - Visual Effects Producer; Paul Norris - Visual Effects; Rich Nosworthy - Animator; Tabitha O'Connell - Animator; Kevin O'Connor - Matte Artist; Kevin O'Sullivan - Visual Effects; Cenay Oekmen - Animator; Yvonne Otzen - Assistant Costumer Designer; Gruff Owen - Visual Effects; Matt Packham - Compositor; Gary Page - Costume/Wardrobe; Sona Pak - Visual Effects; Marco Fiorani Parenzi - Compositor; Ingrid Parkes - Production Assistant; Martin Parsons - Visual Effects; Benoit Pelchat - Matte Artist; Sharon Peng - Visual Effects; Porl Perrott - Animator; Ben Phillips - Special Effects Technician; Dave Phillips - Compositor; Fred Place - Visual Effects; Mattieu Poiry - Animator; Melvyn Polayah - Matte Artist; Travis Porter - Compositor; Barney Pratt - Assistant Sound Editor; Glen Pratt - Compositor; Alex Prichard - Visual Effects; Christina Puente - Compositor; Sirio Quintavalle - Compositor; Charlotte Raffi - Visual Effects; Guillaume Raffi - Visual Effects; Max Rees - Visual Effects; Geoff Reid - Grip; Sandra Reis - Visual Effects; Ben Renton - Additional Editing; Sam Renton - Second Assistant Camera; Mark Richardson - Compositor; Rosie Richardson - Special Effects Coordinator; Dave Ridout - Gaffer; Laurent-Paul Robert - Visual Effects; Dan Roberts - First Assistant Editor; Katherine Roberts - Visual Effects; Megan Roberts - Production Assistant; Amy Robertson - Unit Publicist; Guillaume Rocheron - Animator; Yolanda Rodowicz - Production Assistant; Darrin Rodriguez - Animator; In-ah Roediger - Animator; Angela Rowden - First Assistant Accountant; Jesse Russell - Visual Effects; Sam Sale - Production Assistant; Lucas Salton - Visual Effects; Steve J. Sanchez - Compositor; James Sandys - Animatronic Model Design; Jeremy Sawyer - Rotoscope Artist; Alex Sayer - Unit Publicist; Claude Schitter - Animator; David Scott - Visual Effects; Foad Shah - Visual Effects; John Sharp - Compositor; Matthew Shaw - Visual Effects; Richard Sheen - Production Assistant; Ben Shepherd - Visual Effects Supervisor; Benson Shum - Animator; Terry Sibley - Mold Department; Frank Simon - Costume/Wardrobe; Tony Skinner - Grip; Ross Slater - Grip; John Slattery - Compositor; Tamzin Smyth - Mold Department; Cameron Sonerson - Visual Effects; Jamshed Soori - Animator; Sarah Soulsby - Compositor; Gary Spratling - Camera Operator; David Sudd - Matte Artist; Andrew T. Surry - Personal Assistant; Chris Sweet - Visual Effects; David Swift - Matte Artist; Synergy Vocals - Singer; Ben Taylor - Visual Effects; Mike Terpstra - Visual Effects; Chris Thomas - Animator; Elliott Thomas - Grip; Ivan Mena Tinoco - Visual Effects; Steve Tizzard - Compositor; Mathilde Tollec - Visual Effects; Jisook Shin Tomoko - Compositor; Gavin Toomey - Compositor; Julie Tottman - Head Animal Trainer; Dan Travers - Grip; Liam Tully - Visual Effects; Matthew Twyford - Compositor; Louise Van Hamme - First Assistant Accountant; David Vickery - Visual Effects; Victor Wade - Visual Effects; Niki Wakefield - Visual Effects; Louise Walshaw - Costume/Wardrobe; Poppy Watson - Production Assistant; Natasha Westlake - Production Assistant; James Whitlam - Visual Effects; Robin Whittaker - Music Editor; Ian Whyte - Stunts; Tom Wilkinson - Second Assistant Camera; Guy Williams - Visual Effects; Jason Williams - Animator; Dan Wills - Visual Effects; Corrina Wilson - Compositor; Keith Wilson - Mold Department; Kate Windibank - Compositor; Jane Winkles - Additional Editing; Marc Wolff - Aerial Photography; Christine Wong - Compositor; Chritine Wong - Compositor; Dan Wood - Visual Effects; Helen Wood - Visual Effects; Paul Wood - Grip; Steve Wood - Grip; Ged Wright - Visual Effects; Steve Wright - Animatronic Model Design; Tiffany Wu - Visual Effects; Youki Yamamoto - Musical Performer; David Yiur Chung Man - Compositor; Tony Yiu Keung Man - Compositor; Trevor Young - Visual Effects; Christian Zeh - Compositor; Scott Parker - Grip; Sarah Smith - Production Assistant; Tony Peck - Rotoscope Artist; Matthew Walker - Scenic Artist; Bryan Jones - Visual Effects; Jimmy Lloyd - Grip; Wayne Smith - Assistant Visual Effects Editor

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Wikipedia: Harry Potter and the Goblet of Fire (film)
Harry Potter and Goblet of Fire
Harrypotterandthegobletoffireposter.jpg
Directed by Mike Newell
Produced by David Heyman
David Barron
Written by Novel:
J. K. Rowling
Screenplay:
Steve Kloves
Starring Daniel Radcliffe
Rupert Grint
Emma Watson
Ralph Fiennes
Michael Gambon
Brendan Gleeson
Robert Pattinson
Miranda Richardson
Music by Patrick Doyle
Themes by:
John Williams
Cinematography Roger Pratt
Editing by Mick Audsley
Distributed by Warner Bros. Pictures
Release date(s) November 18, 2005
Running time 157 min.
Country Flag of the United Kingdom United Kingdom
Language English
Budget $150 million
Gross revenue $896,016,159
Preceded by Prisoner of Azkaban
Followed by Order of the Phoenix
All Movie Guide profile
IMDb profile

Harry Potter and the Goblet of Fire is a 2005 fantasy adventure film, based on J.K. Rowling's novel of the same name, and is the fourth film in the popular Harry Potter film series.

Directed by Mike Newell, the film concerns Harry Potter's fourth year at Hogwarts School of Witchcraft and Wizardry. Hogwarts has been selected to hold the recently returning wizard competition known as the Triwizard Tournament. Though Harry does not apply, the Goblet of Fire mysteriously selects him as a second representative of Hogwarts in the tournament.

Three days after its release, the film had grossed over US$102 million at the North American box office, the highest first-weekend tally for a Harry Potter film, and enjoyed an immensely successful run at the box office, earning over $896 million worldwide, making it the highest grossing film of 2005 and the 8th-highest grossing film of all time. It was the third highest grossing film in the U.S for 2005 making $290 million. It is currently the 11th highest-grossing film of all time. The DVD went on to become the fastest selling DVD of all time. It is currently the third-highest grossing Harry Potter film, behind Harry Potter and the Philosopher's Stone and Harry Potter and the Order of the Phoenix.

The film was nominated for an Academy Award for Best Art Direction, but lost to Memoirs of a Geisha.

This is the first Harry Potter film to receive a "PG-13" rating or its international equivalent (for sequences of fantasy violence and frightening images), the preceding films having been rated PG or one of its international equivalents.

Plot

See also: Harry Potter and the Goblet of Fire

Harry Potter, Hermione Granger and Ron Weasley enter their fourth year at Hogwarts school. The film opens in a graveyard attached to an old country house; the gardener Frank Bryce awakes in his cottage to see a light on in the house. He investigates to find Lord Voldemort and Peter Pettigrew, discussing plans with an unidentified man; Voldemort kills Bryce. Harry awakes at The Burrow before departing with the Weasley family and Hermione for the Quidditch World Cup. After the introduction to the game, there is a temporal jump to that evening, when the camp is attacked by Death Eaters, who disperse when the Dark Mark is shot into the air by an unknown man.

The three arrive at Hogwarts, where they find that it will be hosting the Triwizard Tournament, a legendary event in which one wizard each from two rival schools and Hogwarts compete in three dangerous tasks. Dumbledore reveals the Goblet of Fire, a magical cup into which potential champions must drop a piece of parchment with their name on it; the goblet acts as an impartial judge to select candidates. The goblet reveals its results by shooting the relevant pieces of parchment into the air: Cedric Diggory from Hogwarts, Viktor Krum from Durmstrang and Fleur Delacour from Beauxbatons. The goblet then unexpectedly announces a fourth champion, Harry, although he did not enter his name and is in any case under the age limit set by the Ministry of Magic. Although Harry insists that he did not enter his name, his selection invites jealousy and suspicion from his fellow students, including a breakdown of friendship with Ron which lasts until after the first task. Dumbledore asks the new Defence against the Dark Arts professor, Alastor Moody, to keep an eye on Harry. Moody is an eccentric and paranoid man with a magical eye, who drinks only from a hip-flask for fear of poison.

In the first Triwizard task, the four champions each battle a dragon to retrieve a golden egg. Harry casts a summoning charm to bring his broom into the arena, and attempts to dodge the dragon in the air. The dragon, however, breaks free of its chains and chases Harry through the Hogwarts grounds, eventually running into a stone bridge and falling dead. Harry retrieves the egg, which is said to contain a clue about the second task. When Harry opens it, though, only a horrible screeching is heard. Cedric Diggory, the other Hogwarts champion, advises Harry to open the egg underwater. Harry does so in the prefects' bathroom and hears the clue clearly; it informs him that the merpeople will take something of Harry's and that he must retrieve it from the lake in the Hogwarts grounds. Having eaten gillyweed, a magical plant which enables him to breath underwater, Harry follows a mermaid to where the merpeople have chained Ron, Hermione, Cho Chang, and Gabrielle Delacour to a rock. Cho is retrieved by Cedric, Victor, the Durmstrang champion, takes Hermione. Harry rescues both Ron and Fleur's sister, since she was attacked by Grindylows and had to withdraw from the task. Although this causes Harry to finish outside the time limit of one hour, his courage is rewarded with high marks.

It is revealed that a traditional part of the Triwizard tournament is the Yule Ball, to which students are encouraged to invite partners of the opposite sex. There follow scenes in which Harry and Ron attempt to get partners for the ball; Harry especially concerned since, as one of the champions, he is expected to open the dance. Harry eventually asks Cho when they bump into each other in the Owlery, however she declines; it is revealed that she had already accepted an offer from Cedric Diggory. Ron desperately asks Hermione, who also declines &nash; at the opening of the Yule Ball scene, it is revealed that she had been invited by Viktor Krum. Eventually, Harry asks Parvati Patil, who accepts; her sister Padma partners Ron. Although Hermione greatly enjoys the ball, Harry and Ron do not; Ron, who is particularly jealous of Krum, accuses Hermione of "fraternising with the enemy", leading to a serious row between the two characters.

For the third task, the Triwizard cup is placed inside a large maze, whose magical hedges are capable of attacking the champions as they attempt to reach it: the first champion to touch the cup will be declared the winner. Having saved each other several times throughout the tournament, Harry and Cedric reach the cup together and decide to claim a draw, both touching the cup at the same time. The cup, which is actually a portkey, transports the two to a graveyard, where Pettigrew appears with a form of Voldemort. Upon command, Wormtail kills Cedric and traps Harry against an enchanted tombstone. Wormtail performs complicated magic involving taking blood from Harry's arm, which eventually returns Voldemort to a corporeal body. After explaining how he lost his powers to Harry, Voldemort duels Harry. Thanks to a rare magical effect, Harry is able to escape by summoning the cup, which takes him back to Hogwarts. Moody takes Harry to his office; he suddenly starts to change his appearance when he learns that he has run out of Polyjuice Potion. Moody reveals that he is in fact an escaped Death Eater who has been impersonating Alastor Moody all year, in order to help Harry win the Triwizard tournament and hence reach the cup first. Harry was not supposed to survive or return; as Moody is about to kill Harry, Dumbledore, Snape, and McGonagall burst in the room and stun him. The imposter rapidly changes from appearing like Moody to his own appearance, Barty Crouch Jr. The film closes as the foreign schools depart after Dumbledore exhorts them to stand together against Voldemort.

Cast

See also: List of Harry Potter films cast members

Jarvis Cocker, Phil Selway, Jonny Greenwood, Steve Mackey, Jason Buckle and Steven Claydon cameoed as the members of the Weird Sisters.

Production

The film was mainly shot in Leavesden Film Studios. Other locations used in filming are as follows:[citation needed]


Soundtrack

Differences from the book

With the Goblet of Fire novel almost twice the length of Prisoner of Azkaban, the writers and producers were forced to severely limit the scenes and concepts that made the transition from page to screen. Director Mike Newell described the problem as one of "compressing [a] huge book into the [en]compass of a movie."[1] This was achieved by "putting aside" all the components of the novel which did not directly relate to Harry and his journey.[1] Even producer David Heyman admitted missing many of the scenes which were removed.[2] In particular, the gameplay at the Quidditch world cup was removed for timing reasons, leaving an abrupt temporal jump which some reviewers considered awkward or "rushed".[3] Heyman also regretted the removal of S.P.E.W., Hermione's Society for the Promotion of Elfish Welfare – this ommission was continued in the following film.[2]

As in Prisoner of Azkaban, most of the classes shown in the book were removed, only the single lesson where Alastor Moody demonstrates the Unforgivable Curses making the final cut. Goblet of Fire is also the only film adaptation not to begin in Privet Drive; after the opening sequence, Harry awakens at the Burrow on the morning of the Quidditch World Cup.[4] Other scenes are shortened and amalgamated to include only the most essential plot details; the three Death Eater trials Harry witnesses in the Pensieve are merged into one short sequence, and all of Sirius Black's lines are condensed into a single fireside conversation.[4]

In addition to large slices of the school year, many characters, such as Barty Crouch Senior, Rita Skeeter and Amos Diggory, were severely reduced in scope, or removed altogether, such as Ludo Bagman and Winky and Dobby the house-elves.[4] An extremely minor character change that caused outrage amongst fans concerned Hermione's appearance at the Yule Ball. In the novel, she wears a periwinkle blue dress with her hair in a tight bun; the costume department fitted Emma Watson with a pink dress made from twelve metres of chiffon,[5] and set her hair in loose curls. Although Watson loved the dress enough to "want to take it home with [her]",[6] it upset some fans who criticised this departure from canon.[4]

While the three tasks of the Triwizard tournament generally remained true to the original novel, certain adaptations were included for dramatic effect. The first task, whilst contained entirely within the stadium in the original book, is extended into an extensive chase scene through the Hogwarts buildings and grounds. The second task was almost entirely faithful to the novel, although the Grindylow attack was moved to the end of the sequence as the effects of the Gillyweed wears off. Because Dobby is not present in the film, Neville instead gives Harry the Gillyweed, as was Barty Crouch Junior's original plan in the novel. For the third task, the scene giving the champions advance warning of the maze was removed, as were all of Harry's preparations for it. In the film, the maze itself is devoid of the magical creatures and enchantments that were present in the book; instead, Dumbledore warns the contestants that "people change in the maze. Find the cup if you will, but be careful not to lose yourself". Krum, visibly under the Imperius Curse, still attempts to attack Cedric (although with the Killing Curse rather than the Cruciatus Curse) but in the film version Fleur is not attacked by Krum – instead, she is seen being throttled and absorbed by the magical hedges, which are another addition for dramatic effect.[citation needed]

Reaction

Critical reception

The film was received very positively by critics, garnering an 89% "Cream of the Crop" rating at Rotten Tomatoes.[7] The New York Daily News praised the film for both its humour and its dark tone.[8] The young actors were praised for demonstrating a "greater range of subtle emotions",[9] particularly Daniel Radcliffe whom Variety described as delivering a "dimensional and nuanced performance".[10] New cast members were also praised: Brendan Gleeson's portrayal of Mad-Eye Moody was described as "colourful";[10] Miranda Richardson's scenes were described as "wonderful";[8] and Ralph Fiennes's portrayal of Lord Voldemort was described as "sublime villainy".[11]

The maturity of Harry, Ron, and Hermione, among others, impressed most critics. While the major characters were portrayed as children in the previous films, "they have subtley transitioned into teenagers (in Goblet of Fire)" according to one USA Today reviewer. Harry has also physically matured since Prisoner of Azkaban. In the scene in the prefects' bathroom, Daniel Radcliffe's character is shown with significant axillary hair and muscle growth. When asked about the scene, Radcliffe replied, "Hey, I'm growing up. I was fifteen when I filmed that scene, and hell, Harry's fourteen now. It's quite common for guys our age to have underarm hair or to work out."[11]

Negative criticism included the film's pace which The Arizona Republic described as being "far too episodic",[12] while CNN.com described the film as "clunky and disjointed".[13] Another criticism was that the many supporting characters did not get enough screen time.[13][10] Some fans criticised the film for changing and leaving out too much of the source material, particularly those parts that developed character,[14] and those parts of the story that set-up events that occur later in the series.[15]

Box office performance

After an opening day of $40m at the North American box office and staying at #1 for three weeks, Goblet of Fire enjoyed a successful run at the box office, running for 20 weeks in theatres and closing on April 6, 2006. The film set numerous records including the highest non-May opening weekend in the US and the most successful opening ever in the UK, earning £14.9m in its opening weekend. Goblet of Fire then drew $102.7 million from 3,858 locations its opening weekend at the North American box office, setting a new opening high for the franchise and selling about as many tickets as the first movie, Harry Potter and the Philosopher's Stone, did in its opening weekend. The debut marked the fourth $100 million weekend in history and to this day stands as the ninth largest opening weekend ever, behind Spider-Man 3's $151 million, Pirates of the Caribbean: Dead Man's Chest's $135 million, Shrek the Third's $121 million, Spider-Man's $114.8 million, Pirates of the Caribbean: At World's End's $112 million Star Wars: Episode III - Revenge of the Sith's $108.4 million, Shrek 2's $108 million, and X-Men: The Last Stand's $102.8 million. In mainland China the film generated 93 million yuan.[16]

Japanese poster for the film in Tokyo, Japan
Enlarge
Japanese poster for the film in Tokyo, Japan

Goblet of Fire has earned US $896 million worldwide, making it not only the highest grossing international and worldwide release of 2005, but one of the few films to have ever passed $600 million in international box office receipts. It has joined seven other titles that have passed the $600 million mark, including Titanic, The Lord of the Rings: The Return of the King, Pirates of the Caribbean: Dead Man's Chest, Pirates of the Caribbean: At World's End, and the first,second and fifth Harry Potter films. Its worldwide total includes $290 million from the U.S. and Canada.

The film was also released in IMAX theatres and grossed a total of US $20,033,758 worldwide for a cumulative per screen average of $188,998 thus setting a new record and a new milestone for a digitally remastered 2-D IMAX release.[17]

In January 2006, Harry Potter and the Goblet of Fire surpassed the box office takings of Harry Potter and the Chamber of Secrets, to become the eighth-highest grossing film worldwide, during that time, and the third-highest grossing film in the Harry Potter series so far, behind Harry Potter and the Philosopher's Stone. and Harry Potter and the Order of the Phoenix

The film ranks third in the North American box office (domestic) behind Star Wars: Episode III - Revenge of the Sith and The Chronicles of Narnia: The Lion, the Witch and the Wardrobe for 2005 though both films rank lower than Harry Potter and the Goblet of Fire in worldwide terms.[18]

Awards

Award Person
Nominated:
Academy Award for Best Art Direction, lost to Memoirs of a Geisha Stuart Craig
Stephanie McMillan

Wyrd Sisters lawsuit

In the runup to the movie, Warner Bros. approached a Canadian folk group called the Wyrd Sisters to obtain permission to use the name THE WEIRD SISTERS for its Harry Potter Band. When a deal could not be made, the Canadian band filed a US$40-million lawsuit against Warner Brothers, the North American distributor of the film, for the misuse of their group's name. The Canadian band also brought an injunction to stop the release of the movie as it contained a performance by the improperly named Harry Potter band. This motion was dismissed by an Ontario judge.

Before the film was released, Warner Brothers claimed that it had never used the name THE WEIRD SISTERS in any way in the film or otherwise and that it would not do so in the future. However, since this turned out not to be true, the Canadian band is continuing its action in the Federal Court of Canada where Warner Bros. and some of its major licensees are being sued for misuse of the Canadian band's name in Harry Potter merchandise along with misuse in the film and soundtrack. In the Ontario Court, Warner Bros. and its counsel on the injunction are the subject of contempt proceedings relating to alleged violations in Warner Bros.' testimony on the interlocutory injunction. The judge that heard the matter, Mr. Justice Colin Campbell of the Ontario Superior Court of Justice, is the subject of a complaint to the Canadian Judicial Council arising from allegations of judicial misconduct relating to the injunction hearing itself and interference with the action in the Ontario Court in the months following the injunction hearing.[19][20]

DVD

The film was released on DVD in North America on March 7 2006. It was available in one- and two-disc editions, as well as part of an 8-disc boxset that includes all four films to date.[21] The bonus disc features three interactive games, as well as seven behind the scenes featurettes. The film was also released in UMD format for PSP.

Wal-Mart had a special bonus disc available for purchase alongside the single-disc editions that features extra features and a sample of the Harry Potter edition of the Scene It? DVD game.

On its first day of release in North America, over 5 million copies were sold, recording a franchise high for first-day sales. Within its first week it sold over a total of 9 million units of combined sales of both the widescreen and full-screen versions of the DVD.[22]

The UK edition was released on DVD on March 20 2006 and became the fastest selling UK DVD ever, selling six copies per second on its first day of release. According to the Official Charts Company, the DVD sold 1.4 million copies in its first week alone. It is also available in a two-disc edition with special features similar to the North American two-disc edition.[23][24]

The DVD currently holds the Guinness World Record for being the fastest selling DVD of all time. The achievement is added to the 2007 edition of The Guinness World Records book which includes a picture of the award being presented at Leavesden Studios in April.[25]

Future Shop has an exclusive promotion including a holographic cover for the two-disc edition.

Warner Home Video announced the HD DVD edition of Harry Potter and the Goblet of Fire was to be released on April 11, 2006; however, due to the delayed release of Toshiba's HD DVD player, the HD DVD edition of Goblet of Fire was pushed back to April 18 2006.[26] This deadline was also missed. In the United States, the first five Harry Potter films will be released on HD DVD and Blu-ray disc on December 11, 2007. They will be available individually or in a gift set containing all five films and a set of collectible cards and bookmarks. [27] The Chinese DVD edition was released 2 weeks before the North American release as an effort to combat DVD piracy in the country of China. The DVD was sold at a low price of $2.73 USD.

The Indian Version of the DVD was a two-disc special edition, which was released by Saregama home video on April 7th 2006. Instead of VHS a VCD was released. The DVD priced Rs.699 INR($14.86 USD) and VCD priced Rs. 299 INR($6.37 USD)

References

  1. ^ a b (2005, November 19). Harry Potter: Behind the Magic. Grenada Television.
  2. ^ a b (2005, November 14). Goblet of Fire Red Carpet Interviews, Part 2: Interviews filmed with Tolga Safer, David Heyman, Miranda Richardson, and Dan Radcliffe on the red carpet of the US premiere. (QuickTime). The Leaky Cauldron, MuggleNet. Retrieved on 2007-09-15.
  3. ^ Burr, Ty. "Harry Potter and the Goblet of Fire movie rewiew", The Boston Globe, 2007-11-17. Retrieved on 2007-09-15.