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Harry Potter and the Prisoner of Azkaban

 
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Harry Potter and the Prisoner of Azkaban

 
  • Director: Alfonso Cuarón
  • AMG Rating: starstarstarstar
  • Genre: Children's/Family
  • Movie Type: Children's Fantasy, Fantasy Adventure
  • Themes: Wizards and Magicians, Boarding School Life, Mythical Creatures
  • Main Cast: Daniel Radcliffe, Rupert Grint, Emma Watson, Gary Oldman, David Thewlis, Michael Gambon, Alan Rickman, Robbie Coltrane
  • Release Year: 2004
  • Country: US
  • Run Time: 141 minutes
  • MPAA Rating: PG

Plot

After directing the first two movies in the Harry Potter franchise, Chris Columbus opted to serve as producer for Harry Potter and the Prisoner of Azkaban, and passed the baton to Y Tu Mamá También director Alfonso Cuarón. Though "immensely popular" is an understatement when it comes to Harry Potter, Azkaban is somewhat of a departure from its predecessors, and particularly beloved among fans for its surprise ending. Prisoner of Azkaban also marks the introduction of Sirius Black (Gary Oldman), who has escaped from the title prison after 12 years of incarceration. Believed to have been the right-hand-man of the dark wizard Voldemort, whom Harry (Daniel Radcliffe) mysteriously rendered powerless during his infancy, some of those closest to Harry suspect Black has returned to exact revenge on the boy who defeated his master. Upon his return to school, however, Harry is relatively unconcerned with Black. Run by Albus Dumbledore (Michael Gambon) -- who is widely regarded as the most powerful wizard of the age -- Hogwarts is renowned for its safety. Harry's nonchalance eventually turns to blind rage after accidentally learning the first of Black's many secrets during a field trip to a neighboring village. Of course, a loose serial killer is only one of the problems plaguing the bespectacled wizard's third year back at school -- the soul-sucking guards of Azkaban prison have been employed at Hogwarts to protect the students, but their mere presence sends Harry into crippling fainting spells. With the help of his friends Ron (Rupert Grint) and Hermione (Emma Watson), and Defense Against the Dark Arts professor Remus Lupin (David Thewlis), Harry struggles to thwart the Dementors, find Sirius Black, and uncover the mysteries of the night that left him orphaned. ~ Tracie Cooper, All Movie Guide

Review

Harry Potter and the Prisoner of Azkaban, the third installment of what will eventually be a seven-book series, is somewhat of a teenager unto itself. As familiarity inevitably begins to set in, the mere existence a magical community is no longer enough to sustain Harry emotionally, nor is the sparkling façade of Chris Columbus' Harry Potter and the Sorcerer's Stone and Harry Potter and the Chamber of Secrets enough to satisfy audiences. Consequently, a then-43-year-old Alfonso Cuarón was faced with one of the key challenges of early adolescence in agreeing to direct the film -- establishing an identity and channeling the seedling stages of angst into productivity. Thankfully, Cuarón clearly remembers what it's like to be 13. From raging hormones and expanding egos to crippling self-doubt and hope despite it, the hallmarks of youth are apparent in virtually every frame of Prisoner of Azkaban. The actors, of course, play no small role: Daniel Radcliffe has improved exponentially, while Rupert Grint continues to exhibit an impressive knack for comic timing. Emma Watson is perfect as Hermione; similar to Michael Gambon's portrayal of Dumbledore, Watson emanates wit and power, and, in staying with her character, communicates a sense of harried urgency in everything she does. The veteran British actors making up the Hogwarts staff are equally impressive. Emma Thompson, in particular, is delightfully batty as the boy-who-cried-Grim divination teacher, while Alan Rickman's Professor Snape is as unfathomable and complicated as ever. Though David Thewlis offers a solid performance as the haunted Professor Lupin, Gary Oldman is perhaps the most notable newcomer to the film series. With little time to spare, Oldman manages to express the tragic but unerringly loyal nature of Sirius Black.

The nature of the soul and the life-altering effects of circumstance and choice are the two key elements of Prisoner of Azkaban, and Cuarón, to his credit, has helmed a production that is all soul. Even without the rich description of the book, the essence of the characters and the world they inhabit are more apparent than they have ever been, and the CGI fits into the "Potterverse" so seamlessly, it's easy to forget that Hippogriffs (a sort of half-eagle, half-horse) aren't part of the natural world. The only real fault in Cuarón's Azkaban, as devoted fans have duly noted, is the all-too-brief Shrieking Shack showdown, and the omission of Harry's final talk with Dumbledore. Besides depriving audiences of some well-needed history (why Snape hates Sirius enough to enjoy watching the soul sucked out of his body, the extent of the friendship between the Marauders, and the significance of the stag shape of Harry's Patronus, for instance), Dumbledore's explanation concerning the vast implications of the actions we take, and the life-debt Peter Pettigrew (Timothy Spall) now owes Harry because of a spontaneous decision, is not just an integral aspect to Prisoner, but to the series as a whole. Yet, even with a key scene conspicuously missing, this adaptation, more than its predecessors, gives an inkling into the tremendous success of the Harry Potter franchise, because Prisoner of Azkaban finally got what Harry is about -- magic, the bonds of friendship, and a whole lot of heart. ~ Tracie Cooper, All Movie Guide

Cast

Maggie Smith - Minerva McGonagall; Tom Felton - Draco Malfoy; Emma Thompson - Professor Trelawney; Julie Walters - Mrs. Weasley; Timothy Spall - Peter Pettigrew; Julie Christie - Madam Rosmerta; Warwick Davis - Wizard; Pam Ferris - Aunt Marge; Dawn French - The Fat Lady; Jimmy Gardner - Ernie Prang; Richard Griffiths - Vernon Dursley; Robert Hardy - Cornelius Fudge; Lenny Henry - Shrunken Head; Matthew Lewis - Neville Longbottom; Adrian Rawlins - James Potter; Fiona Shaw - Petunia Dursley; Geraldine Somerville - Lily Potter; John Cleese - Nearly Headless Nick; Kathrin Nicholson - Pansy Parkinson; David Bradley - Argus Filch; Lee Ingleby - Stan Updike; Chris Rankin - Percy Weasley; Harry Melling - Dudley Dursley; Paul Whitehouse - Sir Cadogan; Bonnie Wright - Ginny Weasley; Alfie Enoch - Dean Thomas; Joshua Herdman - Gregory Goyle; Devon Murray - Seamus; Jim Tavare - Tom, the Leaky Cauldron Innkeeper; Jamie Waylett - Vincent Crabbe; Abby Ford - Young Witch Maid; Oliver Phelps - George Weasley; James Phelps - Fred Weasley; Sitara Shah - Parvati Patel; Jennifer Smith - Lavender Brown; Bronson Webb - Slytherin Boy; Genevieve Gaunt - Pansy Parkinson; Kandice Morris - Girl 1; Annalisa Bugliani - Mother in Portrait; Tess Bu Cuaron - Baby in Portrait; Violet Columbus - Girl With Flowers; Ekow Quartey - Boy 1; Rick Sahota - Boy 2; Sharon Sandhu - Girl 2; Danielle Tabor - Angelina Johnson; Freddie Davis - Old Man in Portrait; Peter Best - MacNair

Credit

Andrew Ackland-Snow - Art Director, Gary Tomkins - Art Director, Alexandra Walker - Art Director, Steve Lawrence - Art Director, Alan Gilmore - Art Director, Neil Lamont - Supervising Art Director, Sharonne Solk - Animator, Andrew Doucette - Animator, Michael Easton - Animator, Izzy Acar - Animator, Bruce Dahl - Animator, Keith Johnson - Animator, Kim Thompson-Steel - Animator, Tim Waddy - Animator, Huck Wirtz - Animator, Chris Carreras - Associate Producer, Paula DuPre Pesman - Associate Producer, June Prinz - Boom Operator, John Samworth - Boom Operator, Jina Jay - Casting, Jany Temime - Costume Designer, David Evans - Costume Designer, William Steggle - Costume Designer, Chris Carreras - First Assistant Director, Jamie Christopher - First Assistant Director, Chris Carrera - First Assistant Director, Alfonso Cuarón - Director, Peter MacDonald - Second Unit Director, Steve Weisberg - Editor, Michael Barnathan - Executive Producer, Callum McDougall - Executive Producer, Tanya Seghatchian - Executive Producer, Betty Glasow - Hair Styles, Andrea Finch - Hair Styles, Zoey Tahir - Hair Styles, Tracey Wells - Hair Styles, Elizabeth Lewis - Hair Styles, Nick Daubeny - Location Manager, Jonathan Hook - Location Manager, Mark Somner - Location Manager, Robin Higgs - Location Manager, Janet Riddoch - Location Manager, John Williams - Composer (Music Score), Conrad Pope - Musical Arrangement, Eddie Karam - Musical Arrangement, Jane Royle - Makeup, Norma Webb - Makeup, Amanda Knight - Makeup, Clare Le Vesconte - Makeup, Sharon Nicholas - Makeup, Elizabeth Lewis - Makeup, Nick Dudman - Makeup Special Effects, Simon Finney - Camera Operator, David Morgan - Camera Operator, Stefan Stankowski - Camera Operator, Alastair Rae - Camera Operator, Stuart Craig - Production Designer, Michael Seresin - Cinematographer, David Carrigan - Production Manager, Chris Columbus - Producer, Mark A. Radcliffe - Producer, David Heyman - Producer, Celia Barnett - Research, Timothy Blackham - Sound Mixer, Richard Beggs - Sound/Sound Designer, Paul Herbert - Stunts, Kelly Dent - Stunts, Bradley Farmer - Stunts, Gary Powell - Stunts, Jo Ann Thompson - Stunts, Marc Mailley - Stunts, Martin Bayfield - Stunts, David Holmes - Stunts, Emma Mac - Stunts, Mark Lisbon - Stunts, Andy Smart - Stunts, Tolga Kenan - Stunts, David Lewis - Stunts, Rickie Hubbucks - Stunts, Anthony Knight - Stunts, Felicity Walker - Stunts, Claire Skelton - Stunts, Abigail Letchford - Stunts, Joanna Whitney - Stunts, Greg Powell - Stunts Coordinator, John Richardson - Special Effects Supervisor, Steve Hamilton - Special Effects Supervisor, Timothy T. Lewis - Unit Production Manager, Steve Harvey - Unit Production Manager, Steve Kloves - Screenwriter, Peter Hannan - Second Unit Director Of Photography, Mike Brewster - Additional Cinematography, David Morgan - Additional Cinematography, Peter Foster - Production Assistant, Jonathan Nolan - Production Assistant, Patrick Michael Roddam - Production Assistant, Amanda Amphlett - Production Assistant, George Empson - Production Assistant, Rose Wilde - Production Assistant, David Pinkus - Production Assistant, Stuart Hamilton - Production Assistant, Dean Ziedna - Production Assistant, David Higgs - Production Assistant, Esther Hegarty - Production Assistant, Jane Ryan - Production Assistant, Natalie Johnson - Production Assistant, Jon Croker - Production Assistant, Robert Judd - Production Assistant, Gary Jopling - Production Assistant, James McGowan - Production Assistant, Nadine Mann - Production Assistant, Catrin Cooper - Production Assistant, Sarah Woodward - Production Assistant, Rosie Reiter - Production Assistant, Lizzie Kelly - Production Assistant, Sarah Downes - Production Assistant, Laura Miles - Production Assistant, Toby White - Production Assistant, Andrew Bennett - Production Assistant, Andrew Hopkins - Production Assistant, Clare Dundas - Production Assistant, Michael Corrao - Production Assistant, Aleksandra Korizma - Production Assistant, Charleen Sant - Production Assistant, David Collier - Production Assistant, Daniel Scott - Production Assistant, Nina Fowler - Production Assistant, Lucy Jensen - Production Assistant, Graeme McCracken - Production Assistant, Jo Norgate - Production Assistant, Emma Tofts - Production Assistant, Reshad Esmail - Production Assistant, Daniela Giangrande - Production Assistant, Richard Sale - Production Assistant, Poppy Kay - Production Assistant, Sunita Parmar - Production Assistant, Emma Truman - Production Assistant, Martin Jago - Production Assistant, Andy Colquhoun - Production Assistant, Darren Grassby - Production Assistant, Marie Keith - Production Assistant, Kristyan Mallet - Production Assistant, Mehera Rowan - Production Assistant, Jenny Weight - Production Assistant, Ken Burry - Production Assistant, Shelly Lloyd-James - Production Assistant, Vicky King - Production Assistant, Adrian Rigby - Production Assistant, Dean Shaw - Production Assistant, Jayne Flowers - Production Assistant, Lotte Haggkvist - Production Assistant, Keelie Lambert - Production Assistant, Anna Marie Tennant - Production Assistant, Cassie Latto - Production Assistant, Sara Levy - Production Assistant, Bill George - Visual Effects Supervisor, Roger Guyett - Visual Effects Supervisor, Tim Burke - Visual Effects Supervisor, Paddy Eason - Visual Effects Supervisor, Andy Kennedy - Sound Effects Editor, Samantha Southwick - Sound Effects Editor, Bjorn Ole Schroeder - Sound Effects Editor, Gary Gero - Animal Trainer/Wrangler, Anthony Bloom - Animal Trainer/Wrangler, Susan Humphrey - Animal Trainer/Wrangler, Birds & Animals UK - Animal Trainer/Wrangler, Jim Warren - Animal Trainer/Wrangler, Charles Darby - Matte Artist, Giles Hancock - Matte Artist, Pamela Hobbs - Matte Artist, Paul Huston - Matte Artist, Jennifer McKnew - Matte Artist, Masahiko Tani - Matte Artist, Vanessa Cheung - Matte Artist, Max Dennison - Matte Artist, Kevin Page - Matte Artist, Barry Williams - Matte Artist, Simon Wicker - Matte Artist, Vanessa Davies - Unit Publicist, Joseph Bond IV - Additional Editing, John Marzano - Aerial Photography, Nick Dudman - Creature Effects, Sandra Frieze - Dialogue Consultant, Stefan Henrix - Dialogue Consultant, William Kruzykowski - Associate Editor, Alexandro Rodriguez - Associate Editor, Oliver Loncrane - First Assistant Camera, Robert Binnall - First Assistant Camera, Craig Bloor - First Assistant Camera, John Ferguson - First Assistant Camera, Danny Shelmerdine - First Assistant Camera, Peter Bloor - Gaffer, Perry Evans - Gaffer, Phil Kenyon - Grip, David Cross - Grip, Kenny Atherfold - Key Grip, Luke Quigley - Key Grip, Darren Holland - Key Grip, Dave Rist - Key Grip, Colin Hazell - Key Grip, Ken Wannberg - Music Editor, Peter Myles - Music Editor, The Dufay Collective - Musical Performer, Katie Reynolds - Post Production Coordinator, Jessie Thiele - Post Production Supervisor, Judy Britten - Production Coordinator, Kate Garbett - Production Coordinator, Natasha Gormley - Production Coordinator, Kate Ledger - Production Coordinator, Barry Wilkinson - Properties Master, Mike Prestwood Smith - Re-Recording Mixer, Michael Semanick - Re-Recording Mixer, Matthew Gough - Re-Recording Mixer, Ceri Evans-Cooper - Script Supervisor, Annie Penn - Script Supervisor, Michael Stevenson - Second Assistant Director, Simon Emanuel - Second Assistant Director, Jane Burgess - Second Assistant Director, Fiona Perry-Richards - Second Assistant Director, Stephanie Leavitt - Special Effects Coordinator, Alastair Rae - Steadicam Operator, Derek Walker - Steadicam Operator, Murray Close - Still Photographer, Richard Beggs - Supervising Sound Editor, David Evans - Supervising Sound Editor, Emma Norton - Visual Effects Producer, Theresa Corrao - Visual Effects Producer, Sandra L. Scott - Visual Effects Producer, Merrin Jensen - Visual Effects Producer, Nick Lowe - ADR Editor, Dominic Masters - Assistant Art Director, Peter Dorme - Assistant Art Director, Martin Foley - Assistant Art Director, Mark Bartholomew - Assistant Art Director, Alastair Bullock - Assistant Art Director, Stephen Swain - Assistant Art Director, Frederick Evard - Assistant Art Director, Francoise Fourcade - Assistant Costumer Designer, Vivienne Jones - Assistant Costumer Designer, Guy Speranza - Assistant Costumer Designer, David O'Reilly - Assistant Location Manager, Genevieve Faria - Assistant Location Manager, Jenny Varley - Assistant Location Manager, Nathalie Haysom - Assistant Production Coordinator, Jamie Wilkinson - Assistant Properties, Eleanor Beaton - Assistant Sound Editor, Naiki Rossell - Assistant Sound Editor, Gemma Stansfield - Assistant Sound Editor, Deborah Stokely - Buyer, Lyn Nicholson - Buyer, John Lambert - Buyer, Dixie Chassay - Casting Assistant, Amanda Pettett - Construction Coordinator, Nicola Short - Construction Coordinator, David Crossman - Costumes Supervisor, Julia Dehoff - Draftsman, Emma Vane - Draftsman, Molly Hughes - Draftsman, Ruth Winick - Draftsman, Jordan Crockett - Draftsman, The Casting Collective Limited - Extra Casting, Julian Murray - First Assistant Accountant, John Udall - First Assistant Accountant, Dilip Patel - First Assistant Accountant, Nichola Kerr - First Assistant Accountant, Jay Rosenwink - First Assistant Accountant, Alastair McNeil - First Assistant Accountant, Paula Sargeant - First Assistant Accountant, Jayne Barton - First Assistant Accountant, Charlie Whitaker - First Assistant Accountant, Linda Taylor - First Assistant Accountant, Geraint Jones - First Assistant Accountant, Fraser Grant - First Assistant Accountant, Julian Pryce - First Assistant Editor, Mark Sale - First Assistant Editor, Emma Gaffney - First Assistant Editor, Peter Burgis - Foley Artist, Andi Derrick - Foley Artist, Stuart Morton - Foley Editor, Kanta Elena Barrios - Personal Assistant, Michelle Gisonda - Personal Assistant, Elizabeth Devereux - Personal Assistant, Jeanne Austin - Personal Assistant, Karen Swallow - Personal Assistant, Alex Klien - Personal Assistant, Gary Nixon - Production Accountant, John Trehy - Production Controller, Matthew Walker - Scenic Artist, Robert Palmer - Second Assistant Camera, Paul Wheeldon - Second Assistant Camera, Chris Dale - Second Assistant Camera, Marc Atherfold - Second Assistant Camera, Michael Hannan - Second Assistant Camera, Luke Coulter - Second Assistant Camera, Martin Lewis - Second Assistant Camera, Tobias Lloyd - Second Assistant Editor, Tom Kemplen - Second Assistant Editor, Denise Rich - Storyboard Artist, Jane Clark - Storyboard Artist, Temple Clarke - Storyboard Artist, Nicholas Pelham - Storyboard Artist, Andrej Kostic - Storyboard Artist, Brian Estabrook - Transportation Captain, Sean Collins - Transportation Captain, Alan Watts - Transportation Captain, Harry Taylor - Transportation Captain, David Rosenbaum - Transportation Coordinator, Industrial Light & Magic - Visual Effects, Stephenie McMillan - Set Decorator, J.K. Rowling - Book Author, First Unit Catering - Craft Service/Catering, Bon Appetit - Craft Service/Catering, Edward Colyer - Foley Mixer, David Tyler - Foley Mixer, Marc Wolff - Pilot, Vicky Bishop - Production Secretary, John Midgley - Production Sound Mixer, Mary Anne Price - Set Medic/First Aid, Dr. Ian Furbank - Set Medic/First Aid, Lesley Quinn - Set Medic/First Aid, Karen Fayerty - Set Medic/First Aid, Jeanie Udall - Set Medic/First Aid, Patrick Read Johnson - Special Effects Technician, John Cramman - Special Effects Technician, Chris Giles - Special Effects Technician, Noah Meddings - Special Effects Technician, Marcus Richardson - Special Effects Technician, Demi Demetriu - Special Effects Technician, Matt Harlow - Special Effects Technician, Lee Phelan - Special Effects Technician, Phoebe Tait - Special Effects Technician, Ronnie Durkan - Special Effects Technician, Ben Philips - Special Effects Technician, Kevin Wescott - Special Effects Technician, Lyndsay Bullock - Third Assistant Director, Lorelei David - Visual Effects Editor, Matthew Glen - Visual Effects Editor, Capital FX - Title Design, MPC - Title Design, Steve Wright - Animatronic Model Design, Bobbie Roberts - Animatronic Model Design, Stephen Murphy - Animatronic Model Design, Andrew Hunt - Animatronic Model Design, Andy Fraser - Animatronic Model Design, Astrig Akseralian - Animatronic Model Design, Joe Scott - Animatronic Model Design, Josh Lee - Animatronic Model Design, Tamzine Hanks - Animatronic Model Design, Anne Cartwright - Animatronic Model Design, Malcolm Evans - Animatronic Model Design, Kate Hill - Animatronic Model Design, Mark Hunter - Animatronic Model Design, Jonathan Klahr - Animatronic Model Design, Diane Nicholson - Animatronic Model Design, Steve Onions - Animatronic Model Design, Annabel Tait - Animatronic Model Design, Andy Lee - Animatronic Model Design, Simon Williams - Animatronic Model Design, Phil Ashton - Animatronic Model Design, Sarah Brunsdon - Animatronic Model Design, Elaine Cartwright - Animatronic Model Design, Christopher Fitzgerald - Animatronic Model Design, Shaune Harrison - Animatronic Model Design, Andrea Hochgatterer - Animatronic Model Design, Clare Inglis - Animatronic Model Design, Esteban Mendoza - Animatronic Model Design, Tracey O'Brien - Animatronic Model Design, Jason Reed - Animatronic Model Design, Henrik Svensson - Animatronic Model Design, Jeni Walker - Animatronic Model Design, Waldo Mason - Animatronic Model Design, Matt Denton - Animatronic Model Design, Adam Wright - Animatronic Model Design, Melissa Lenihan - Animatronic Model Design, Nicola Buck - Animatronic Model Design, Viola Colditz - Animatronic Model Design, Catherine Fleming - Animatronic Model Design, Alix Harwood - Animatronic Model Design, Abbie Jones - Animatronic Model Design, Aiden O'Keefe - Animatronic Model Design, Andy Roberts - Animatronic Model Design, Maria Swindell - Animatronic Model Design, Tom Blake - Animatronic Model Design, Jodie Jackman - Art Department Coordinator, Anthony Lucero - Assistant Visual Effects Editor, Wayne Smith - Assistant Visual Effects Editor, Terry Edwards - Chorus Master, Conor Mackey - First Assistant Sound Editor, Jethro Loughran - First Assistant Sound Editor, Pascale Ville - Compositor, Jessica Laszlo - Compositor, Alan Bailey - Compositor, Jeff Wozniak - Compositor, David Fuhrer - Compositor, Myles Murphy - Compositor, Okan Ataman - Compositor, Katrin Klaiber - Compositor, Jerry Sells - Compositor, Mimi Abers - Compositor, Colin Campbell - Compositor, Tim Gibbons - Compositor, Thomas Rosseter - Compositor, Will McCoy - Compositor, Kela Cabrales - Compositor, Lee Sandales - Assistant Set Decorator

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Wikipedia: Harry Potter and the Prisoner of Azkaban (film)
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Harry Potter and the Prisoner of Azkaban

US theatrical poster
Directed by Alfonso Cuarón
Produced by Chris Columbus
David Heyman
Mark Radcliffe
Written by Screenplay:
Steve Kloves
Novel:
J. K. Rowling
Starring Daniel Radcliffe
Rupert Grint
Emma Watson
Michael Gambon
Gary Oldman
David Thewlis
Timothy Spall
Emma Thompson
Music by John Williams
Cinematography Michael Seresin
Editing by Steven Weisberg
Studio Heyday Films
1492 Pictures
Distributed by Warner Bros.
Release date(s) United Kingdom
31 May 2004
United States
4 June 2004
Running time 141 minutes
Country United Kingdom
United States
Language English
Budget GB£65 million
(US$130 million)
Gross revenue GB£397,817,035
[citation needed]
(US$795,634,070[1])
Preceded by Chamber of Secrets
Followed by Goblet of Fire

Harry Potter and the Prisoner of Azkaban is a 2004 fantasy adventure film, based on the novel of the same name by J. K. Rowling. Directed by Mexican film maker Alfonso Cuarón, it is the third film in the popular Harry Potter series. It stars Daniel Radcliffe as the teenage wizard Harry Potter, and Rupert Grint and Emma Watson as Harry's best friends Ron Weasley and Hermione Granger. Gary Oldman and David Thewlis joined the cast as the new characters Sirius Black and Remus Lupin. In this movie, the role of Albus Dumbledore was played by Michael Gambon who took over from the late Richard Harris who died of Hodgkin's disease. Steve Kloves returned as screenwriter, while Chris Columbus (the director of the previous two films) became a producer, alongside David Heyman. The film was released on 31 May 2004 in the United Kingdom and on 4 June 2004 in North America, as the first film released into IMAX theaters.

The film was nominated for two Academy AwardsAcademy Award for Original Music Score and Academy Award for Visual Effects at the 77th Academy Awards held in 2005.

Contents

Plot

Harry Potter is at Dursleys for the summer, spending his time studying new spells. When Uncle Vernon's sister Marge, visits, Harry loses his temper when she insults his parents. He unintentionally causes her to inflate and float away. Harry flees, fearing punishment for performing magic outside school. The Knight Bus appears and delivers Harry to the Leaky Cauldron where Minister for Magic Cornelius Fudge tells him he will not be expelled. Harry also learns that Sirius Black, a suspected supporter of Lord Voldemort, has escaped Azkaban prison and is likely intending to kill Harry.

Harry, Ron, and Hermione head back to school on the Hogwarts Express. They share a compartment with the new Defense Against the Dark Arts teacher, Remus Lupin. When the train abruptly stops, Dementors (the guards of Azkaban) board, searching for Black. Harry faints when one Dementor enters their compartment, but Lupin repels it with a charm. At Hogwarts, Albus Dumbledore informs students that the Dementors will be guarding the school while Black is at large. In addition to Lupin, Hagrid is announced as the new Care of Magical Creatures teacher. Lupin's lessons prove enjoyable; he teaches practical spells and encourages less confident students like Neville. However, Hagrid's first class goes awry when Draco Malfoy deliberately provokes the Hippogriff Buckbeak into attacking him. Draco's father Lucius Malfoy has Buckbeak sentenced to death.

During a Quidditch match, several Dementors approach Harry, causing him to fall off his broomstick. Lupin teaches Harry to defend himself against Dementors with a Patronus charm. A Patronus is the opposite of a Dementor: as Dementors feed on depression and darkness, so a Patronus must be created with a happy memory. Because Harry lacks parental permission to visit Hogsmeade, Fred and George give him their Marauder's Map, a magical document showing every person's location within Hogwarts and secret passageways in and out of the castle. At Hogsmeade, Harry overhears that Black is his godfather and was his parents' best friend. Black was accused of divulging the Potters' secret whereabouts to Voldemort and murdering their mutual friend Peter Pettigrew. Harry vows to kill Black, but is astonished when he later sees Peter Pettigrew's name on the Marauder's Map.

In Divination class, Professor Trelawney enters a trance and predicts that the Dark Lord's servant will return that night. Harry, Ron and Hermione visit Hagrid to console him over Buckbeak's impending execution. While there, they discover Scabbers, Ron's missing rat. Fudge, Dumbledore and an executioner arrive at Hagrid's to carry out Buckbeak's execution, which the trio watch from a distance hill. When Scabbers suddenly bites Ron and escapes, the trio chase it. A large dog appears and drags both Ron and Scabbers into a hole at the Whomping Willow's base. Harry and Hermione follow them to the Shrieking Shack. Upon finding Ron, they discover that the dog is actually Sirius Black, who is an Animagus. Harry attacks Sirius, but Lupin arrives and disarms Harry. Lupin then embraces Sirius, his old friend. After being confronted by Hermione, Lupin admits to being a werewolf. Snape bursts in, intending to hand over Black and Lupin to the Dementors, but Harry knocks him out with a spell. Lupin and Black explain that Scabbers is Peter Pettigrew, an Animagus who committed the crime Black was convicted for. Lupin and Sirius force Pettigrew back to his human form before intending to kill him, but they are stopped by Harry, who says his father, James Potter would not want his two best friends to become killers. Pettigrew will be turned over to the Dementors. As the group head to the castle, the full moon rises; Lupin transforms into a werewolf, allowing Pettigrew to escape. Lupin and Sirius fight in their animal forms, until Lupin is distracted by another werewolf's howls. Dementors attack Sirius and Harry. As Sirius' soul is about to be removed, Harry sees a distant figure cast a powerful stag-shaped Patronus that scatters the Dementors. Harry believes the mysterious figure is his dead father, James.

Hermione reveals that she possesses a time-turner that she used all year to take multiple classes simultaneously. She and Harry travel back in time three hours, watching themselves repeat that night's events. They free Buckbeak and return to the Whomping Willow. As the Dementors descend to attack the "other" Harry and Sirius, Harry realizes that he cast the Patronus. Harry and Hermione rescue Sirius, who escapes on Buckbeak. Lupin later resigns, knowing that parents will object to a werewolf teaching their children. Shortly after, Sirius sends Harry a Firebolt, the fastest racing broom ever made.

Cast

Cuarón instructed Radcliffe, Grint and Watson to write an essay on their characters, explaining what they thought about them. In a case of life imitating art, Radcliffe was pleased with his short essay, Watson wrote sixteen pages and Grint did not even bother.[3]

In addition, several new actors joined the cast:

  • Michael Gambon assumes the role of Albus Dumbledore, the Hogwarts Headmaster, after Richard Harris, who played Dumbledore in the previous two films, died on 25 October 2002.[4] Despite his illness, Harris was determined to film his part, telling a visiting David Heyman not to recast the role.[5] Four months after Harris's death, Cuarón chose Gambon as his replacement.[5][6] Gambon was unconcerned with bettering or copying Harris, instead giving his own interpretation, putting on a slight Irish accent for the role,[3] as well as completing his scenes in three weeks.[7] Ian McKellen was offered the role, but he turned it down having played the similar character Gandalf in The Lord of the Rings trilogy. He also felt it would have been inappropriate to take Harris' role, as the late actor had called McKellen a "dreadful" actor.[8] Harris's family had expressed an interest in seeing Harris's close friend Peter O'Toole being chosen as his replacement.[9]
  • Gary Oldman plays Sirius Black, an escapee from the Wizarding prison Azkaban and Harry's godfather. Oldman accepted the part because he needed the money, as he had not taken on any major work in several years as he had decided to spend more time with his children.[10] He drew inspiration from Cuarón, who he described as having "such enthusiasm and a joy for life,"[11] and compared Sirius to John Lennon.[10] He was "surprised by how difficult it was to pull off", comparing the role to Shakespearean dialogue.[11] Oldman suggested Sirius's hairstyle, while Cuarón designed his tattoos.[11] He had read the first book, and his children were fans of the series. The part made Oldman a hero with his children and their schoolmates.[3]
  • David Thewlis plays Remus Lupin, the new Defence Against the Dark Arts teacher at Hogwarts, who is actually a werewolf. He was friends with Harry's parents when they were at school, and teaches Harry to conjure a Patronus Charm to fight the Dementors. Thewlis, who had previously auditioned for the role of Professor Quirrell in Harry Potter and the Philosopher's Stone, was Cuarón's first choice for the role of Lupin. He accepted the role on advice from Ian Hart, the man who was cast as Quirrell, who told him that Lupin was "the best part in the book."[12] Cuarón told Thewlis that he thought Lupin was gay, pitching him as a "gay junkie", although his idea turned out to be incorrect.[13] Thewlis had seen the first two films and had only read part of the first book, although after taking the role he read the third. He was excited about the prospect of making a children's film, and thoroughly enjoyed filming.[3]
  • Timothy Spall as Peter Pettigrew, the man who was supposedly killed by Sirius, only to be found alive and well, masquerading as Ron's rat Scabbers.
  • Emma Thompson as Sybill Trelawney, the inept Hogwarts Divination teacher, who unknowingly predicts the return of Lord Voldemort.

Additional cast members include:

Production

Development

With Prisoner of Azkaban production of the Harry Potter films switched to an 18-month cycle, which producer David Heyman explained was "to give each [film] the time it required."[5] Chris Columbus, the director of the previous two films, decided not to return and helm the third installment as he "hadn't seen [his] own kids for supper in the week for about two and a half years."[14] Even so, he remained on as a producer alongside Heyman.[15] Guillermo del Toro was approached to direct, but considered the film "so bright and happy and full of light, that [he] wasn't interested."[16] Marc Forster turned down the film because he had made Finding Neverland and did not want to direct child actors again.[17] Warner Bros. then composed a three-name short list for Columbus's replacement, which comprised Callie Khouri, Kenneth Branagh (who played Gilderoy Lockhart in Chamber of Secrets) and eventual selection Alfonso Cuarón.[18] Cuarón was initially nervous about accepting as he had not read any of the books, or seen the films. After reading the series, he changed his mind and signed on to direct,[19] as he had immediately connected to the story.[15] Cuarón's appointment pleased J. K. Rowling who loved his film Y tu mamá también and was impressed with his adaptation of A Little Princess.[20] Heyman found that "tonally and stylistically, [Cuarón] was the perfect fit."[5]

Filming

Principal photography began on 24 February 2003,[6] at Leavesden Film Studios, and concluded in October 2003.[21]

Some sets for the film were built in Glen Coe, Scotland, near the Clachaig Inn. The indoor sets, including ones built for the previous two films, are mainly in Leavesden Film Studios. The Hogwarts Lake was filmed from Loch Ness in the Highlands of Scotland. Incidentally, the train bridge, which was also featured in the Chamber of Secrets movie, is opposite Loch Shiel and was used to film the sequences when the Dementor boarded the train. A small section of the triple-decker bus scene, where it weaves in between traffic, was filmed in Palmers Green in North London. Some parts were also filmed in and around Borough Market and Lambeth Bridge in London.

The Honeydukes set in this film is a redress of the set of Flourish and Blotts that was seen in Harry Potter and the Chamber of Secrets, which, in turn, was a redress of the Ollivander's set from the first film.

Rowling allowed Cuarón to make minor changes to the book, on the condition that he stuck to the book's spirit.[19] She allowed him to place a sundial on the Hogwarts' grounds, but rejected a graveyard, as that would play an important part in the then unreleased sixth book.[19] Rowling said she "got goosebumps" when she saw several moments in the film, as they inadvertently referred to events in the final two books, she stated "people are going to look back on the film and think that those were put in deliberately as clues."[20] When filming concluded, Cuarón found that it had "been the two sweetest years of my life," and expressed his interest in directing one of the sequels.[19]

Effects

Cuarón originally wanted to move away from CGI toward puppetry. He hired master underwater puppeteer Basil Twist to help, using puppets to study the potential movement of the Dementors.[5] Once it became apparent that puppetry would be too expensive and unable to portray the specific elements of the Dementors, Cuarón turned to CGI; however, he and his team did use footage of Dementor puppets underwater as a basis for the flowing movements of the computer-generated Dementors.

The Knight Bus segment when Harry is being taken to The Leaky Cauldron uses the film technique known as bullet time, popularised in The Matrix series of films. This segment takes humorous advantage of the magic quality of the Harry Potter world by having the Muggle world go into bullet time while inside the Knight Bus, Harry, Stan Shunpike and Ernie Prang (and the talking shrunken head) keep moving in real time.

Music

The Academy Award nominated score was composed and conducted by John Williams and released on CD on 25 May 2004. In general, his music for this third film is not as bright as that of the previous films, with distinct medieval influences in the instrumentation. One of the new themes, "Double Trouble," was written during production so that a children's choir could perform it in Hogwarts's Great Hall in one of the film's earlier scenes. There are brief quotes of themes from the earlier films, but the majority of the material in this score is new, including statements of "Double Trouble" and several other entirely new themes.

Brand X Music scored the trailers, using the tracks "Anticipation" and "Progeny".

Marketing

Reaction

Critical reception

Prisoner of Azkaban achieved highly positive reviews, garnering an 89% "Certified Fresh" approval rating with a 90% "Top Critics" ranking at Rotten Tomatoes[22], being the most critically acclaimed film of the series. The film also recieved a score of 81 out of 100 at Metacritic garnering "universal acclaim".[23] Peter Travers of Rolling Stone gave the film three-and-a-half out of four stars: "Not only is this dazzler by far the best and most thrilling of the three Harry Potter movies to date, it's a film that can stand on its own even if you never heard of author J.K. Rowling and her young wizard hero."[24] The Hollywood Reporter called the film "a deeper, darker, visually arresting and more emotionally satisfying adaptation of the J.K. Rowling literary phenomenon", especially compared to the first two installments.[25] Roger Ebert gave the film three-and-a-half out of four stars saying that the film "is not quite as good as the first two", but still called it "a delightful, amusing and sophisticated installment".[26] Claudia Puig from USA Today praised the film as "a visual delight",[27] while Richard Roeper called the film "a creative triumph".[28] Sean Smith from Newsweek said: "The Prisoner of Azkaban boasts a brand-new director and a bold new vision", he also called the film "moving", praising the performances by Radcliffe and Watson,[29] while Entertainment Weekly praised the film for being more mature than its predecessors.[30] Some of the negative criticism came from The Washington Post: "Put delicately, this is one long sit, made all the more so by a turgid story, a dour visual palette and uninspiring action".[31] Rex Reed, of The New York Observer, also pointed out some over the top style changes, calling it "The silliest, as well as the most contrived -- and confusing -- of them all".

Box office

The film opened in the United Kingdom on 31 May and on 4 June in the United States. It broke numerous records upon its worldwide release. It broke the record for biggest single day in UK box office history making £5.3 million on a Monday.[32] It went on to break records both with and without previews making a stunning £23.9 million including previews[33] and £9.3 million excluding them.[34] The film made $93.7 million during its opening weekend in the United States, achieving, at the time, the third biggest opening weekend of all time.[35] It went on to make £46.1 million in the UK.[36]

The Prisoner of Azkaban made a total of $795.6 million worldwide,[1] which made it the second highest-grossing film of 2004 behind Shrek 2.[37] In the United States, it was only the sixth highest-grossing film of the year making $249.5 million.[38] Everywhere else in the world, however, it was the number one film of the year, making $546 million compared to Shrek 2's $478.6 million.[39] Despite its successful box office run, Azkaban is currently the lowest-grossing Harry Potter film (all the other Harry Potter films have grossed more than US $875 million worldwide). Harry Potter and the Prisoner of Azkaban is currently the 21st highest grossing film in history.

Awards

Harry Potter and the Prisoner of Azkaban was nominated in the 77th Academy Awards held in 2005 for two Oscars.

Prisoner of Azkaban was also nominated for Favorite Movie at the 2005 Kids' Choice Awards, but it lost to The Incredibles.

The film also ranks at number 471 in Empire magazine's 2008 list of the 500 greatest movies of all time.[40]

Differences from the book

Prisoner of Azkaban was, at the time of publication, the longest book in the series. The increasing plot complexity necessitated a looser adaptation of the book's finer plot lines and back-story. The film opens with Harry using magic to light his wand in short bursts, in the same scene in the book he uses a torch as performing magic is illegal for minors. The connection between Harry's parents and the Marauder's map is only briefly mentioned,[41] as is Remus Lupin's association to both the map and James Potter.[42] Some exposition was removed for dramatic effect: both the Shrieking Shack and Scabbers the rat are mentioned only very briefly in the film adaptation, while they receive a more thorough coverage in the novel.[41] Most of the back story of Sirius Black is also cut, with no mention of the manner of his escape from Azkaban.[42]

On account of pace and time considerations, the film glosses over detailed descriptions of magical education. Only one Hippogriff, Buckbeak, is seen, and only Malfoy and Harry are seen interacting with the Hippogriff during Care of Magical Creatures lessons, and most other lessons, including all of Snape's potions classes, were cut from the film.[41] The complicated description of the Fidelius Charm is removed entirely from the film adaptation, with no explanation given of exactly how Black betrayed the Potters to Lord Voldemort. Many of the lines in this scene are redistributed amongst Cornelius Fudge and Minerva McGonagall; in compensation, McGonagall's exposition of the Animagus transformation is instead given by Snape.[41]

The embryonic romantic connection between Ron and Hermione is more prominent in the film adaptation than the original book; in response to criticism of the first two films for sacrificing character development for mystery and adventure, the emotional development of all three lead characters is given more attention in the third film.[41] However, some critics and fans thought that the result was a murky plotline. That said, any mention of the beginnings of Harry's crush on Cho Chang is removed.[43] Cedric Diggory also did not appear in the films until the following film, and thus, his father Amos is a much nicer person in the next film than in the book of that film as Cedric did not beat Harry. In the film, the Hufflepuff Seeker, who is not named in the film even though it was Cedric in the book, is struck down by lightning. Malfoy, in the film, is made into more of a character to laugh at than he was in the novel. (For example, he was far less capable of composing himself in the scene where Hermione hit him, walking away in tears, rather than merely frustrated. Also, Harry and Ron did not take him as seriously, telling Hermione "he's not worth it" when she pulls her wand on him, rather than rushing to hit him themselves.) The darker side of Harry, first seen in Prisoner of Azkaban is glimpsed in this film, when Harry proclaims, "I hope he [Black] finds me. Cause when he does, I'm gonna be ready. When he does, I'm gonna kill him".[41]

References

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External links

Preceded by
Shrek 2
Box office number-one films of 2004 (USA)
6 June - 13 June
Succeeded by
Dodgeball: A True Underdog Story
Preceded by
The Day After Tomorrow
Box office number-one films of 2004 (UK)
6 June - 27 June
Succeeded by
Shrek 2

 
 

 

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