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Hart's War

 
Movies:

Hart's War

  • Director: Gregory Hoblit
  • AMG Rating: starstar
  • Genre: War
  • Movie Type: Courtroom Drama, Message Movie
  • Themes: Race Relations, Courts Martial, Heroic Mission
  • Main Cast: Bruce Willis, Colin Farrell, Terrence Howard, Vicellous Shannon, Jonathan Brandis, Scott Michael Campbell, Marcel Iures
  • Release Year: 2002
  • Country: US
  • Run Time: 128 minutes
  • MPAA Rating: R

Plot

Based on the novel by John Katzenbach, author of Just Cause (1995), this prison camp drama combines elements of A Soldier's Story (1984) and the classic Stalag 17 (1953). Colin Farrell stars as Lt. Tommy Hart, a second-year Harvard Law School student who enlists to fight in World War II but ends up being taken prisoner by the Germans. When a murder at the Nazi-run Stalag Luft 13 leaves a black Tuskegee airman named Lt. Lincoln Scott (Terrence Dashon Howard) accused of the crime, high-ranking prisoner (and fourth-generation war hero) Col. William McNamara (Bruce Willis) persuades camp commandant Col. Werner Visser (Marcel Iures) to allow the prisoners to hold their own trial. Hart is recruited to defend his fellow officer, but as he reluctantly investigates, he discovers that not all of his fellow allied soldiers are fighting the same war and that his "client" may well have been framed. In the meantime, it becomes apparent that McNamara is using events to mask his true intent, a mission to destroy a nearby munitions plant that he still intends to carry out despite his incarceration. Hart's War (2002) co-stars Vicellous Shannon, Cole Hauser, Rory Cochrane, and Jonathan Brandis. ~ Karl Williams, All Movie Guide

Cast

Vicellous Shannon - Lamar Archer; Jonathan Brandis - Waverly; Scott Michael Campbell - Cpl. Joe Cromin; Rory Cochrane - Sgt. Carl Webb; Linus Roache - Capt. Peter Ross; Cole Hauser - Bedford; Michael Landes - Maj. M.F. Giannetti; Michael Weston - Pfc. W. Roy Potts; Sam Worthington - Depot; Sam Jaeger - Capt. R. G. Sisk; Adrian Grenier - Pvt. Daniel Abrams; Sebastian Tillinger - Pvt. Bert "Moose" Codman; Joe Spano - Col. J. M. Lange; Maury Sterling - Pfc. Dennis Gerber; Karel Belohradsky - Guard; Ruaidhri Conroy - Cpl. D.F. Lisko; Brad Hunt - Pvt. G.H. "Cookie" Bell; Dan van Husen - Box Car Sergeant; Jan Nemejovsky - Spike Guard; Jan Tesarz - Guard; Ladislav Lahoda - Additional stunt coordinator; Jakub Zdenek - Delousing Private; Petr Drozda - Additional stunt coordinator; Rocky Marshal - Capt. Robert M. Swann; Rick Ravanello - Maj. Joe Clary; Michel Beran - Pvt. Pugh; Danny Babbington - Pvt. S.T. Engler; David Barrass - Maj. Hans Fussel; Jim Boeven - M.P. Sergeants; Dugald Bruce-Lockhart - Capt. Lutz; Martin Cizek - Guard; Tony Devlin - Pvt. Donald W. West; Jan Dostal - Russian POW; Daniel Fleischer-Brown - Barracks 22 officer; Gary Gold - McNamara's Aide; Holger Handtke - Maj. Johann Wirtz; Vit Herzina - Russian POW; René Ifrah - Pvt. S.T. Engler; Jan Jakubec - Lowly Guard; Christian Kahrmann - M.P. Sergeants; Lukas Kantor - Cranky Corporal; Richard Kardhordo - Barracks 27 POW; Martin Kohout - Guard; Radek Kuchar - Guard; Vladimir Kulhavy - Guard; Jan Marsik - Tower Sentry; Steve Sarossy - Lt. M.K. Adams; Jiri M. Sieber - Kooler Guard; Joel Sugerman - Unnamed GI; Bohumil Svarc - Nighttime Appel Guard; Peter Varga - Russian POW; Georg Vietje - Morning Guard; Alan T. Ward - Barracks 22 officer; Grey Williams - Pvt. R.S. Croutch; Stephen H. Fisher - Barracks 22 oficer

Credit

Martin Kurel - Art Director, John Warnke - Supervising Art Director, Pixel Magic - Animator, Patricia Graf - Associate Producer, Stephen Eads - Associate Producer, Cary Weitz - Boom Operator, Deborah Aquila - Casting, Jessica Horvathova - Casting, Tricia Wood - Casting, Jennifer Smith - Casting, Jack Murphy - Choreography, David Snell - Conductor, Jill Avery - Costume Designer, Elisabetta Beraldo - Costume Designer, Jitka Svecová - Costume Designer, Iva Bartova - Costume Designer, Fantys Miroslav - Costume Designer, Dasa Pavkova - Costume Designer, Katerina Polanska - Costume Designer, Adrian Simmons - Costume Designer, Jeffrey Steven Authors - First Assistant Director, Jiri Ostry - First Assistant Director, Olda Mach - First Assistant Director, Gregory Hoblit - Director, David Rosenbloom - Second Unit Director, David Rosenbloom - Editor, Wolfgang Glattes - Executive Producer, Bonnie Kanner - Executive Producer, Ivana Nemcvova - Hair Styles, Marlene Williams - Hair Styles, Radek Petr - Hair Styles, Jiri Krejicir - Location Manager, Rachel Portman - Composer (Music Score), Melissa Lackersteen - Makeup, Jerry Quist - Makeup, René Stejskal - Makeup Special Effects, Monty Rowan - Camera Operator, Sebastian Meuschel - Camera Operator, Lilly Kilvert - Production Designer, Alar Kivilo - Cinematographer, Milan Chadima - Cinematographer, Ondrej Nerud - Production Manager, Gregory Hoblit - Producer, David Ladd - Producer, Arnold Rifkin - Producer, David Foster - Producer, David Ronne - Production Sound, Dita Lampova - Set Designer, Patrick Cassidy - Set Designer, David Ronne - Sound/Sound Designer, Steve Boeddeker - Sound/Sound Designer, Bud Davis - Stunts Coordinator, Michael Stokey - Technical Advisor, Wolfgang Glattes - Unit Production Manager, Ondrej Sláma - Unit Production Manager, Billy Ray - Screenwriter, Jeb Stuart - Screenwriter, Terry George - Screenwriter, Milan Chadima - Additional Cinematography, Barbara Bryndová - Production Assistant, Radoslav Cichon - Production Assistant, Jakub Iliásek - Production Assistant, Jiri Kotlas - Production Assistant, David Strangmuller - Production Assistant, John T. Van Vliet - Visual Effects Supervisor, Raymond McIntyre Jr. - Visual Effects Supervisor, George Macri - Visual Effects Supervisor, Payam Shohadai - Visual Effects Supervisor, Krysten Commonglio - Sound Effects Editor, David C. Hughes - Sound Effects Editor, Erich Stratmann - Sound Effects Editor, Ota Bares - Animal Trainer/Wrangler, Larry Garrison - Unit Publicist, Flying Pictures Limited - Aerial Photography, Michael Buster - Dialogue Coach, Ernestine Kahn - Dialogue Coach, Antonin Marik Ack - First Assistant Camera, Jimmy Jensen - First Assistant Camera, Robert C. Doyle - Historical Consultant, Gary L. Dagg - Key Grip, Bill Abbott - Music Editor, Veronika Horká - Production Coordinator, Janice F. Sperling - Production Coordinator, David Gulick - Properties Master, Stephen Boedekker - Re-Recording Mixer, Gary Sumers - Re-Recording Mixer, Samantha Armstrong - Script Supervisor, Penny Charter - Second Assistant Director, Doug Plasse - Second Assistant Director, Frantisek Rezek - Second Assistant Director, Jan Strasik - Second Assistant Director, Pavel Sagner - Special Effects Coordinator, Murray Close - Still Photographer, Tom Bellfort - Supervising Sound Editor, Tim McHugh - Visual Effects Producer, Marilyn McCoppen - ADR Editor, David Voborsky - Assistant Art Director, Borek Klecka - Assistant Chief Lighting Technician, Vladimir Seiml - Assistant Location Manager, Katka Silná - Assistant Production Coordinator, Horst Scheel - Casting Associate, Gary Davy - Casting Associate, Andy Arnautov - Chief Lighting Technician, Jiri Matolin - Construction Coordinator, Linda Kay Brown - Dialogue Editor, Andy Crawford - Dolly Grip, Magda Chýlková - First Assistant Accountant, Michael Swafford - First Assistant Accountant, Dennie Thorpe - Foley Artist, Jana Vance - Foley Artist, Bob Shoup - Foley Editor, Joey Laurent - Foley Editor, Dan Moore - Key Costumer, Ales Komarek - Production Executive, Zdenek Mrkvicka - Second Assistant Camera, Nick Shuster - Second Assistant Camera, Darrin Brown - Second Second Assistant Director, Petr Dorzda - Second Second Assistant Director, Steve Brennan - Set Dresser, Stefan Milý - Set Dresser, John Katzenbach - Book Author, Robert "Bobby Z" Zajonc - Pilot

Similar Movies

A Few Good Men; A Soldier's Story; Stalag 17; The Tuskegee Airmen; Men of Honor; Days of Glory
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Album Review: Hart's War
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  • Artist: Rachel Portman
  • Rating: StarStarHalf Star
  • Release Date: February 12, 2002
  • Type: Soundtrack
  • Genre: Soundtrack

Review

"Hart's War is not a war story," writes director Gregory Hoblit at the start of his liner notes to the film's soundtrack album, taking head-on the double takes most movie music fans are likely to do upon learning that the picture was scored by Rachel Portman. Portman, the Oscar-winning composer of Emma, also wrote music for Chocolat and The Cider House Rules, but she isn't the kind of writer one would think of immediately for a film starring Bruce Willis and set in a World War II German prisoner-of-war camp. But then, says, Hoblit, the picture "is not a World War II prisoner of war escape movie, either." What sort of movie is it? It's "fundamentally about captured American soldiers finding grace, dignity, and honor in the face of extremely difficult and deadly circumstances." Portman's score certainly responds to this interpretation. Its sweeping orchestral music sometimes conveys anxiety, such as in a cue called "Train Yard Strafing and Bombing," but never connotes a real sense of violence. It is lush, sad, and romantic, much more like Emma than it is like, say, Franz Waxman's score for Stalag 17 or Elmer Bernstein's for The Great Escape. It suggests that whatever viewers may expect based on the advertisements and trailers for the film, they are likely to find something else when they go to the theater. ~ William Ruhlmann, All Music Guide

Tracks

Track TitleComposersPerformersTime
Final Salute Rachel Portman (3:23)
Hart Captured and Interrogated Rachel Portman (5:20)
Scott's Macon, Georgia Story/Train Yard Strafing and Bombing Rachel Portman (3:52)
Visser Testifies Rachel Portman Rachel Portman (3:06)
Visser Finds Tunnel Rachel Portman Rachel Portman (6:42)
March to Stalag 6A Rachel Portman Rachel Portman (3:16)
Archer Shot Dead Rachel Portman Rachel Portman (1:10)
Scott Railroaded Rachel Portman Rachel Portman (3:15)
"Everything Is OK, Tommy" Rachel Portman Rachel Portman (1:52)
Blackened Face Testimony Rachel Portman Rachel Portman (2:35)
Hart Finds Bedford's Stash Rachel Portman Rachel Portman (1:02)
Hart Discovers Tunnel Rachel Portman Rachel Portman (3:30)
McNamara Trades His Life Rachel Portman Rachel Portman (2:46)
End Credits Rachel Portman Rachel Portman (2:59)

Credits

Chris Dibble (Engineer), Chris Dibble (Mixing), George Hammer (Orchestra Contractor), Rachel Portman (Performer), David Snell (Conductor), Kathy Nelson (Executive in Charge of Music), Penny Bennett (Package Art Direction), Jeff Atmajian (Orchestration), Jeff Atmajian (Assistant Engineer), Andrew Crowley (Trumpet), Bill Silcock (Copyist), Anita Camarata (Executive in Charge of Music), Bill Abbott (Music Editor), Murray Close (Photography), Randy Dry (A&R), Kaylin Frank (Music Coordinator), Laurie Johnson Orchestra (Package Coordinator), Simon Haram (Sax (Soprano)), Chris Cozens (Auricle Programming), Rebecca Waterfall (Design)
Wikipedia: Hart's War
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Hart's War

Hart's War Promotional Movie Poster
Directed by Gregory Hoblit
Produced by Wolfgang Glattes
Gregory Hoblit
David Ladd
Arnold Rifkin
Written by Novel:
John Katzenbach
Screenplay:
Billy Ray
Terry George
Starring Bruce Willis
Colin Farrell
Terrence Howard
Cole Hauser
Marcel Iureş
Music by Rachel Portman
Cinematography Alar Kivilo
Editing by David Rosenbloom
Distributed by MGM
Release date(s) February 15, 2002
Running time 125 min.
Language English
Budget $70,000,000 (estimated)

Hart's War is a 2002 film about a World War II prisoner of war (POW) based on the novel by John Katzenbach starring Bruce Willis, Colin Farrell and Terrence Howard. The film, directed by Gregory Hoblit, was shot at Barrandov Studios in Prague, and released on 15 February 2002.

Contents

Plot

Belgium, December 16, 1944: First Lieutenant Thomas Hart (Farrell) is captured by German commandos during the opening of the Battle of the Bulge.

Taken to a local prison, his boots are confiscated and he is left naked in a cell. Threatened with frostbite and pneumonia, he is coerced into divulging intelligence to his German interrogator.

He and many other Americans are later transferred by train to a prisoner of war camp. While en route, a flight of P-51 Mustangs attack the station. Since the painted letters POW on the top of the train are covered by thick snow, the Mustangs fire on the train, causing some of the POWs to be killed by friendly fire. To save themselves, the POWs leave the train, spell POW with their bodies, and prevent further strafing.

After arriving at the camp, Hart is debriefed by the ranking American officer, Colonel William McNamara (Willis). When McNamara asks if he cooperated with the Germans after he was captured, Hart denies it. McNamara knows this to be a lie, since he knows Hart was held for three days after seeing only a Level 1 interrogator. He does not reveal this to Hart and sends him to bunk in a barracks for enlisted men, rather than allow him to bunk with the other officers.

Two Tuskegee Airmen are brought to the camp, Second Lieutenants, Lincoln A. Scott (Howard) and Lamar T. Archer (Vicellous Reon Shannon). They are the only blacks in the platoon, and their situation is compounded by their status as officers. Staff Sergeant Vic W. Bedford (Cole Hauser), a vicious racist, is their primary antagonist.

Later, a spike from the fence, which could be used as a weapon, is found in Archer's bunk. The Germans drag him out, and, as he stands proud and defiant, shoot him, claiming that he was trying to escape. Directly after that, a radio used by the Americans to receive coded messages via the BBC is found and destroyed.

Bedford is himself later found dead. Scott is seen standing over the body and is accused of killing him in revenge for Bedford framing Archer. A law student at Yale before the war, Hart is appointed by McNamara to defend the accused pilot at his court-martial, a trial to which the camp commandant, Oberst Werner Visser (Marcel Iureş), agrees.

Visser gives Hart a manual on US Army court-martial proceedings, furthering the conflict between him and McNamara when he uses the rule book to question the Colonel's conducting of the trial. On the witness stand, the angered Scott gives an emotional address on the treatment of Blacks like himself who joined up to serve their country with honor but are treated with disrespect in return.

Late one night, Hart notices a fellow POW acting suspiciously and follows him to a room behind the theater where the trial is taking place. There he discovers a tunnel being dug. McNamara reveals to Hart that the "defense", like the trial itself, is a sham, an elaborate distraction to hide a planned escape and attack on a nearby ammunition plant which the Allies mistakenly believe to be a shoe factory. It is revealed that Bedford planted the spike in Archer's bunk, and, in return for the guards executing him for it, gave them the location of the secret radio. It is also revealed that Bedford planned to escape with forged German documents, money and clothes, likely in return for telling the Germans about McNamara's plan. McNamara realized this and killed Bedford to prevent it.

Hart is shocked that McNamara as a senior officer would sacrifice fellow Americans to perpetuate this. McNamara reminds Hart that they are at war, and in war sometimes one man must be sacrificed to save the lives of many. Hart acknowledges this, but retorts that it is McNamara's duty to ensure that he, not Scott, is the sacrifice. Disgusted, McNamara says that Hart knows nothing about duty, in reference to how Hart gave in to a Level 1 interrogator after three days, whereas McNamara was tortured for a month.

On the last day of the trial, McNamara and 34 others feign food poisoning in order to be excused from the closing arguments. They then slip down the escape tunnel. As he is about to go down, McNamara overhears Hart's closing speech. In order to save Scott, Hart announces that he killed Bedford.

Visser orders everyone out and announces that Hart will be shot there and then. After the head count is short by 35 prisoners, Visser suspects an escape plot and locates the tunnel. Now fully aware of the deception, he furiously orders everybody at the trial to be shot as well. But before the sentence is carried out, McNamara, moved by Hart's selfless sacrifice, voluntarily returns to the camp to accept responsibility. At that moment the factory blows up and the other escapees scatter away.

Visser holds McNamara accountable and personally executes him on the spot, sparing the remaining prisoners. Scott leads the salute to McNamara's dead body. Three months later, the German army surrenders to the Allies and the prison camp is liberated.

Cast

Differences from the Novel

The film changes some of the novel's story. The main one is that in the book, Hart is a navigator who survives being shot down in 1942, but feels guilt over the loss of the rest of his crew.

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