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Harvey Mandel

 
  • Genres: Rock

Biography

In the mold of Jeff Beck, Carlos Santana, and Mike Bloomfield, Mandel is an extremely creative rock guitarist with heavy blues and jazz influences. And like those guitarists, his vocal abilities are basically nonexistent, though Mandel, unlike some similar musicians, has always known this, and concentrated on recordings that are entirely instrumental, or feature other singers. A minor figure most known for auditioning unsuccessfully for the Rolling Stones, he recorded some intriguing (though erratic) work on his own that anticipated some of the better elements of jazz-rock fusion, showcasing his concise chops, his command of a multitude of tone pedal controls, and an eclecticism that found him working with string orchestras and country steel guitar wizards. Mandel got his first toehold in the fertile Chicago white blues-rock scene of the mid-'60s (which cultivated talents like Paul Butterfield, Mike Bloomfield, and Steve Miller), and made his first recordings as the lead guitarist for harmonica virtuoso Charlie Musselwhite. Enticed to go solo by Blue Cheer producer Abe Kesh, Harvey cut a couple of nearly wholly instrumental albums for Phillips in the late '60s that were underground FM radio favorites, establishing him as one of the most versatile young American guitar lions. He gained his most recognition, though, not as a solo artist, but as a lead guitarist for Canned Heat in 1969 and 1970, replacing Henry Vestine and appearing with the band at Woodstock. Shortly afterward, he signed up for a stint in John Mayall's band, just after the British bluesman had relocated to California. Mandel unwisely decided to use a vocalist for his third and least successful Philips album. After his term with Mayall (on USA Union and Back to the Roots) had run its course, he resumed his solo career, and also formed Pure Food & Drug Act with violinist Don "Sugarcane" Harris (from the '50s R&B duo Don & Dewey), which made several albums. In the mid-'70s, when the Rolling Stones were looking for a replacement for Mick Taylor, Mandel auditioned for a spot in the group; although he lost to Ron Wood, his guitar does appear on two cuts on the Stones' 1976 album, Black & Blue. Recording intermittently since then as a solo artist and a sessionman, his influence on the contemporary scene is felt via the two-handed fretboard tapping technique that he introduced on his 1973 album Shangrenade, later employed by Eddie Van Halen, Stanley Jordan, and Steve Vai. ~ Richie Unterberger, Rovi
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Harvey Mandel

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Harvey Mandel

Harvey Mandel performing in 1977
Background information
Born March 11, 1945 (1945-03-11) (age 66) Detroit, Michigan
United States
Origin Morton Grove, Illinois
United States
Genres Rock and roll, blues, blues rock
Occupations Musician
Instruments Guitar
Years active 1966–present
Labels Epic, Philips, Bellaphon, Janus, Repertoire, BGO, Ovation, Western Front, Clarity, Lightyear, Orchard, Electric Snake
Associated acts Pure Food and Drug Act, Canned Heat, Rolling Stones, John Mayall, Charlie Musselwhite
Website Official Harvey Mandel.com
Notable instruments
Gibson Les Paul

Harvey Mandel (born March 11, 1945, in Detroit, Michigan, USA)[1] is an American guitarist known for his innovative approach to electric guitar playing. A professional at twenty, he played with Charlie Musselwhite, Canned Heat, The Rolling Stones, and John Mayall before starting a solo career. Mandel is one of the first rock guitarists to use two-handed fretboard tapping.[2]

Contents

Career

Mandel was born in Detroit, Michigan but grew up in Morton Grove, Illinois, a suburb of Chicago and his first record was the album Stand Back! Here Comes Charley Musselwhite's Southside Band in 1966 with Charlie Musselwhite. Described in 1997's Legends of Rock Guitar as a "legendary" album, it was influential in bridging the gap between blues and rock and roll, with Mandel's "relentless fuzztone, feedback-edged solos, and unusual syncopated phrasing."[3] He relocated to the San Francisco Bay Area, performing often at a club called The Matrix, where local favorites like Jerry Garcia or Elvin Bishop would sit in and jam. He then met up with pioneering San Francisco disc jockey and producer Abe 'Voco' Kesh (Abe Keshishian), who signed Mandel to Philips Records and produced his first solo album, Cristo Redentor in 1968. In retrospect , Cristo Redentor bears some resemblance to cuts and songs that were on Wes Montgomery's albums. Mandel recorded with Barry Goldberg on a bootleg from Cherry Records and recorded with Graham Bond. He cut two more solo LPs for Philips, Righteous (1969) and Games Guitars Play (1970), followed by three more solo albums for independent label Janus in the early '70s which include Baby Batter.

On the night that Henry Vestine quit Canned Heat, Mandel was in their dressing room at the Fillmore West. Mike Bloomfield joined them for the first set, and Mandel came in for the second set. His third performance with the band was the Woodstock Festival in 1969. During this same period, with Canned Heat bandmates Larry Taylor and Fito de la Parra, Mandel contributed to the "Music From Free Creek super session project." Mandel stayed with Canned Heat for a year, touring and recording material which appeared on three albums. Let's Work Together, a song by Wilbert Harrison which was included in the album Future Blues which became an international hit. He is also on the Live in Europe album prior to Alan Wilson's death.

With Canned Heat bassist Larry Taylor, Mandel joined John Mayall's band for the next two years. He is heard playing on the two albums of that period USA Union and Back to the Roots. Freddie Roulette played with Mayall on Jazz Blues Fusion. In 1972, he teamed up with Don "Sugarcane" Harris (who had played violin for Mayall), Randy Resnick on guitar, Victor Conte on bass, and Paul Lagos on drums (who also played with Howard Wales, famous for a Wales and Garcia album) and formed the band Pure Food and Drug Act, which released one album, Choice Cuts.

When The Rolling Stones guitarist Mick Taylor (also a former Mayall sideman) left the band, Harvey Mandel was auditioned as his replacement and he recorded two tracks with the Stones for their 1976 album Black and Blue, "Hot Stuff" and "Memory Motel". During the 1970s Mandel released the albums Baby Batter, The Snake and Shangrenade, in the latter employing the technique of two-handed tapping. He has also released an instructional video titled Harvey Mandel: Blues Guitar & Beyond.

Mandel's nickname, "The Snake," was given to him by keyboardist Barry Goldberg and referred to his cracked leather jacket. Mandel acted in the film Chalk, directed by Rob Nilsson, and contributed some original music.[who?] Mandel has two daughters, Camille and Lola who currently live in France. In 2007 and Larry Taylor reunited with Fito de la Parra and the rest of the current Canned Heat line-up to perform certain shows on the Canned Heat tour. Larry Taylor, Mandel and de la Parra were all part of the original 1969 Woodstock Festival line-up including the Woodstock Boogie now available on DVD.[citation needed]

Solo discography

  • 1968 Cristo Redentor, (Philips Records PHS 600-281) LP
  • 1969 Righteous (Philips PHS 600-306) LP
  • 1970 Games Guitars Play (Philips PHS 600-325) LP
  • 1971 Baby Batter (Janus Records JLS-3017) LP - also released as Electronic Progress on Bellaphon Records, Germany
  • 1972 Get Off in Chicago (Ovation Records) LP
  • 1972 The Snake (Janus JLS-3037) LP - with Don Sugarcane" Harris
  • 1973 Shangrenade, (Janus JLS-3047) LP - with Don Sugarcane" Harris
  • 1974 Feel the Sound of Harvey Mandel (Janus, JLS-3067) LP
  • 1975 The Best of Harvey Mandel (Janus, 7014) LP
  • 1994 Twist City (Western Front WFE 10022)
  • 1995 Snakes & Stripes (Clarity Recordings CCD-1013) CD
  • 1995 Harvey Mandel: The Mercury Years (PolyGram, 314 528 275-2) 2-CD anthology
  • 1997 Planetary Warrior (ESP/Lightyear/WEA, 54215-2) CD
  • 2000 Emerald Triangle (Electric Snake Productions, Inc., ESP-9701) CD
  • 2000 Lick This (Electric Snake)
  • 2003 West Coast Killaz (Electric Snake)

References

  1. ^ Allmusic biography
  2. ^ Another is Randy Resnick, with whom Mandel played in Pure Food and Drug Act. The PFDA recorded the live album "Choice Cuts" at the Fresh Air Tavern in Seattle in 1972 for Epic Records.
  3. ^ Prown, Pete; Harvey P. Newquist, Jon F. Eiche (1997). Legends of Rock Guitar: The Essential Reference of Rock's Greatest Guitarists. Hal Leonard Corporation. p. 42. ISBN 0793540429. http://books.google.com/books?id=60Jde3l7WNwC&pg=PA42&dq=Stand+Back!+Here+Comes+Charlie+Musselwhite%27s+Southside+Band&client=firefox-a. "His guitar work on the legendary Stand Back! Here Comes Charley Musselwhite's South Side Band (1996) rivaled the playing of both Mike Bloomfield and Eric Clapton and brought blues and rock'n'roll another step closer to one another with his relentless fuzztone, feedback-edged solos, and unusual syncopated phrasing." 

Bibiography

External links


 
 
Related topics:
Shangrenade/Feel the Sound (2003 Album by Harvey Mandel)
Mighty Grahame Bond (1969 Album by Graham Bond)
Drei Amerikanische Lp's (1969 Film)

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AMG AllMusic Guide: Pop Artists. Copyright © 2012 All Media Guide, LLC. Content provided by All Music Guide ®, a trademark of All Media Guide, LLC. All rights reserved.  Read more
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