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Harvey Weinstein

 
Director: Harvey Weinstein
  • Born: Mar 19, 1952 in Flushing, Queens, New York
  • Occupation: Director
  • Active: '90s-2000s
  • Major Genres: Comedy, Drama
  • Career Highlights: Princess Mononoke, The Lord of the Rings: The Fellowship of the Ring, Scream
  • First Major Screen Credit: Spaced Out (1980)

Biography

Alternately praised as the savior of modern film for his role in bringing such contemporary classics as Pulp Fiction (1994) and Chicago (2002) to the screen, and decried by fans of foreign film for his poor handling of foreign titles on domestic soil (Shaolin Soccer and Hero, in particular), it's difficult to deny that controversial producer and Miramax co-founder Harvey Weinstein has -- love him or hate him -- unquestionably changed the face of modern film. A Queens native, Weinstein, along with brother Bob, founded their small production company in 1979 when they acquired the rights to the film The Secret Policeman's Ball at the Cannes Film Festival. Drawing from the funds they made distributing the film to establish their company, the Weinsteins quickly made their presence known among the Hollywood elite. The company's namesake was drawn from a combination of their mother's and father's names (Miriam and Max, respectively).

Miramax's early distribution of the Errol Morris docudrama The Thin Blue Line in 1988 grabbed headlines when the film's protagonist -- the wrongly convicted Randall Adams -- was released from prison due in no small part to the attention drawn to his plight by the film. If that film had drawn attention to the fledgling company, it was their successful acquisition of Steven Soderbergh's breakthrough indie hit sex, lies, and videotape (1989) that cemented their reputation as true innovators to watch. The Weinsteins courted controversy the following year with the releases of the X-rated art-house flicks The Cook, the Thief, His Wife and Her Lover and Tie Me Up! Tie Me Down!; subsequently, Miramax leveled a lawsuit at the MPAA that was key in the subsequent implementation of the NC-17 rating. This new rating served to distinguish adult-oriented film fare from out-and-out pornography.

As Miramax's film library grew, it gained a reputation for trusting in fledgling filmmakers of extraordinary vision. By backing such young filmmakers as Quentin Tarantino in the production of his sophomore effort Pulp Fiction, Miramax expanded its power and increased its profile in Tinseltown. Miramax was purchased by Disney for 80 million dollars in 1993, and the Weinstein brothers remained with the company to release such hits as Muriel's Wedding and Il Postino (both 1994), the latter of which garnered several Oscar nominations. Of course, not all of the films that Miramax released were hits, but the brothers' willingness to take risks and place their trust entirely in the hands of filmmakers resulted in such critically lauded art-house hits as Smoke (1995), The English Patient (1996), and Good Will Hunting (1997). By the turn of the millennium, Miramax had successfully established itself as the driving force behind some of the most challenging and creative films to come out of the studio system. The Weinsteins' relationship with such filmmakers as Tarantino, Robert Rodriguez, Gus Van Sant, Kevin Smith, and Steven Soderbergh worked wonders for their indie credit and ensured good films for years to come. When Bob Weinstein founded Miramax offshoot Dimension Films in the mid-'90s, he kept the money rolling in by releasing moderately budgeted action and horror hits such as Wes Craven's Scream (1996).

In spite of all the success Miramax has had in the realm of film production, many still questioned the ethics of Harvey Weinstein when it came to acquiring and releasing films. He has been accused of everything from strong-arm tactics to a "market sterilization" approach to purchasing immensely popular foreign films only to let them sit on the shelf unreleased domestically (apparently for little more reason than keeping them out of the hands of competetors). The fact that Miramax actively prohibited Asian film fans, in particular, from accessing such Oscar-worthy films as Zhang Yimou's period action epic Hero left many film lovers up in arms. Additionally, many fans also felt that, by "Americanizing" Asian films through editing and re-dubbing (both in terms of music and actual spoken soundtracks), Miramax seriously undermined the artistic integrity of directors' original visions, as was the case with popular Chinese funnyman Stephen Chiau's Shaolin Soccer (the most successful Hong Kong film ever made when originally released in 2001). ~ Jason Buchanan, All Movie Guide
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Filmography: Harvey Weinstein
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Wikipedia: Harvey Weinstein
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Harvey Weinstein

Weinstein at Cannes, 2002
Born March 19, 1952 (1952-03-19) (age 57)
Flushing, New York
Occupation Studio head, producer, executive producer'
Spouse(s) Eve Chilton (1986-2004)
Georgina Chapman (2007-)

Harvey Weinstein, CBE (Hon) (born March 19, 1952) is an American film producer and movie studio chairman. He is best known as co-founder of Miramax Films. He and his brother Bob have been co-chairmen of The Weinstein Company, their film production company, since 2005.

Contents

Education and early career

Born in Flushing, New York, Weinstein and his younger brother, Bob, grew up in a Jewish family in New York City, residing in a housing co-op named Electchester. He graduated from John Bowne High School, and then the State University of New York at Buffalo.[1]

Weinstein, along with his brother Bob Weinstein, and Corky Burger independently produced rock concerts as Harvey & Corky Productions in Buffalo through most of the 1970s. Both Weinstein brothers had grown up with a passion for movies and they nurtured a desire to enter the film industry. In the late 1970s, using profits from their concert promotion business, the brothers created a small independent film distribution company called Miramax, named after their parents - Miriam and Max. The company's first releases were primarily music-oriented concert films such as Paul McCartney's Rockshow. In the early 1980s Miramax acquired the rights to two British films of benefit shows filmed for human rights organization Amnesty International. Working closely with Martin Lewis, the producer of the original films, the Weinstein brothers edited the two films into one movie tailored for the American market. The resulting film was released as The Secret Policeman's Other Ball in May 1982 and it became Miramax's first hit. The movie raised considerable sums for Amnesty International and was credited by Amnesty with having helped to raise its profile in the US.[1]

Further development of Miramax

The Weinsteins slowly built upon this success throughout the 1980s with arthouse films that achieved critical attention and modest commercial success. Harvey Weinstein and Miramax gained wider attention in 1988 with the release of Errol Morris's documentary The Thin Blue Line which detailed the struggle of Randall Adams, a wrongfully convicted inmate sentenced to death row. The publicity that soon surrounded the case resulted in the release of Adams and nationwide publicity for Miramax. In 1989, their successful launch release of Steven Soderbergh's Sex, Lies, and Videotape propelled Miramax to become the most successful independent studio in America.

Also in 1989, Miramax released two art-house films, The Cook, the Thief, His Wife & Her Lover and director Pedro Almodóvar's film Tie Me Up! Tie Me Down!, both of which the MPAA rating board gave an X-rating, effectively stopping nationwide release for these films. Weinstein sued the MPAA over their rating system, although his lawsuit was later thrown out; the MPAA, however, agreed to introduce the new NC-17 rating following this episode.

Miramax continued to grow its library of films and directors until, in 1993, after the success of The Crying Game, Disney offered Harvey and Bob $80 million for ownership of Miramax. Agreeing to the deal that would cement their Hollywood clout and ensure that they would remain at the head of their company, Miramax followed the next year with their first blockbuster, Quentin Tarantino's Pulp Fiction and distributed the popular independent film Clerks.

Miramax won its first Best Picture Academy Award in 1996 with the victory of The English Patient. This started a string of critical successes that included Shakespeare in Love and Good Will Hunting.

The Weinstein Company

On March 29, 2005, it was announced that the Weinstein brothers would leave Miramax on September 30 to form their own production company, named The Weinstein Company with several other media executives as well as, reportedly, directors Quentin Tarantino and Robert Rodriguez.

The new studio immediately garnered Academy Award nominations for Transamerica and Mrs. Henderson Presents, and box office success through Hoodwinked and Scary Movie 4.

Criticism of Weinstein

While lauded for opening up the independent film market and making it financially viable, Weinstein has been criticized by some for the techniques he has allegedly applied in his business dealings. Peter Biskind's book, Down and Dirty Pictures: Miramax, Sundance and the Rise of Independent Film,[1] details criticism of Miramax's release history of their Asian films. Miramax purchased some Asian films, including Shaolin Soccer and Hero, that had been successful worldwide, but did not provide them with immediate US release, and edited their content, which upset some people. Shaolin Soccer specifically was significantly cut by 26 minutes, which angered fans of the film, and Miramax took legal action against companies importing the licensed Hong Kong DVD release, effectively banning the film from US viewers until their cut version was released almost 3 years after its release in Hong Kong. On hearing that Miramax co-chairman Harvey Weinstein would try to cut animator Hayao Miyazaki's Princess Mononoke to possibly make it more marketable in his opinion, one of Studio Ghibli's producers sent an authentic katana with a simple message: "No cuts".[2]

Another example cited by Biskind was The Quiet American, directed by Phillip Noyce. The film tested relatively well on September 10, 2001. After the September 11, 2001 attacks, in a period where all US studios were examining their upcoming releases to ensure that they took account of the change in public climate, Weinstein allegedly held the film until testing it again on October. This time, the scores were much lower, possibly due to the critical tone of the film towards America's past foreign policy. Noyce delivered the finished film in May 2002, but was allegedly unable to get a response from Weinstein. He elected to not screen the film at the Toronto International Film Festival until he was lobbied by star Michael Caine, who threatened to boycott publicity for another film he had made for Miramax. The movie was released in November but failed to find an audience. It was alleged that Miramax did not make a major effort to promote the film for Academy Award consideration, though Caine was nominated for an Academy Award for Best Actor.[1]

In a 2004 piece in New York magazine, Weinstein appeared somewhat repentant for his often aggressive discussions with directors and producers.[3] However, an October 13, 2008 Newsweek story criticized Weinstein, who was accused of "hassling Sydney Pollack on his deathbed" about the release of the film The Reader. After Weinstein offered $1 million to charity if the accusation could be proven, journalist Nikki Finke published an August 22 email by Scott Rudin asserting that Weinstein "harassed" Anthony Minghella's widow and a bedridden Pollack until Pollack's family asked him to stop.[4][5]

In April 2008, Weinstein, who supported Hillary Clinton's campaign for President, allegedly threatened to withhold some of his extensive personal contributions to congressional Democrats unless House Speaker Nancy Pelosi embraced his plan to finance re-votes in Florida and Michigan. Three officials familiar with the conversation say that Weinstein appeared determined to buy Clinton more time in her battle against Senator Barack Obama by pushing for the re-vote. He tried to convince Pelosi to back off her previous comments that superdelegates should support the candidate who's leading in pledged delegates in early June.[6]

In February 2009, former Sam & Dave singer Sam Moore filed suit against Harvey and Bob Weinstein over the alleged use of Sam & Dave's career as a model for Soul Men, a Weinstein Co. comedy starring Bernie Mac and Samuel L. Jackson.[7]

In September 2009, Weinstein became one of many in in the entertainment industry who publicly voiced opposition to efforts to extradite Roman Polanski from Switzerland to the U.S. regarding 1977 charges of unlawful sexual intercourse with a 13-year-old. Polanski had pled guilty to the charge in 1978, but fled before sentencing.[8] Weinstein described the rape as a "so-called crime" and cited the tragedies of Polanski's personal life, including the murder of his mother in the Holocaust and his wife at the hands of the Manson family.[9] Weinstein also circulated a petition supporting Polanski, and the Weinstein Company had been the distributor of Roman Polanski: Wanted and Desired, a documentary about Polanski and the rape case. Los Angeles County District Attorney Steve Cooley argued that Polanski's guilty plea indeed qualified his action as a crime, and that several other more serious charges such as rape and sodomy were still pending.[10]

Depictions in media

A character portrayed by Maury Chaykin on the HBO TV series Entourage is based on Weinstein. The character is portrayed as an intimidating and aggressive producer. Weinstein himself has reportedly responded positively to the character.[11]

Selected filmography

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Producer

Director

Executive producer

References

  1. ^ a b c d Biskind, Peter (2004). Down and Dirty Pictures: Miramax, Sundance and the Rise of Independent Film. Simon & Schuster. pp. 463–464. ISBN 068486259x. http://www.simonsays.com/content/book.cfm?tab=1&pid=502917. 
  2. ^ Brooks, Xan (2005-09-14). "A god among animators". The Guardian. http://film.guardian.co.uk/interview/interviewpages/0,6737,1569689,00.html. Retrieved 2007-05-23. "There is a rumour that when Harvey Weinstein was charged with handling the US release of Princess Mononoke, Miyazaki sent him a samurai sword in the post. Attached to the blade was a stark message: 'No cuts.' / The director chortles. 'Actually, my producer did that.'" 
  3. ^ Seth Mnookin. "How Harvey Weinstein Survived His Midlife Crisis (For Now)" New York magazine; October 4, 2004
  4. ^ Newsweek; October 13, 2008; Page 10.
  5. ^ Nikki Finke. "Harvey Weinstein's Offer I Can't Refuse..." deadlinehollywooddaily.com; September 29, 2008
  6. ^ "Sources: Clinton supporter pressures Pelosi" CNNpolitics.com; May 8, 2008
  7. ^ Wood, E. Thomas (2009-02-18). "'Soul Man' sues filmmakers for depicting him". NashvillePost.com Retrieved on 2009-02-18. http://www.nashvillepost.com/news/2009/2/18/soul_man_sues_filmmakers_for_depicting_him. 
  8. ^ Kay, Jeremy. "Thierry Fremaux enlists Harvey Weinstein in Polanski petition" Screen Daily; September 28, 2009
  9. ^ Weinstein, Harvey (2009-10-04). "Polanski has served his time and must be freed". independent.co.uk Retrieved on 2009-02-18. http://www.independent.co.uk/opinion/commentators/harvey-weinstein-polanski-has-served-his-time-and-must-be-freed-1794699.html. 
  10. ^ Leonard, Jack (2009-10-06). "Top L.A. prosecutor disputes statements from Harvey Weinstein, other Roman Polanski supporters". latimesblogs.latimes.com Retrieved on 2009-10-06. http://latimesblogs.latimes.com/lanow/2009/10/top-la-prosecutor-refutes-statements-of-weinstein-other-polanski-supporters.html. 
  11. ^ Stone Martindale" HBO's Entourage: Harvey Weinstein veritas" monstersandcritics.com July 13, 2007

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