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Hedda Hopper

 
Quotes By: Hedda Hopper

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Actor: Hedda Hopper
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  • Born: May 02, 1885 in Hollidaysburg, Pennsylvania
  • Died: Feb 01, 1966 in Hollywood, California
  • Occupation: Actor
  • Active: '20s-'30s
  • Major Genres: Drama, Comedy
  • Career Highlights: Miami, Holiday, Speak Easily
  • First Major Screen Credit: Conceit (1921)

Biography

American actress and gossip columnist Hedda Hopper was born Elda Furry, but used the last name of her then-husband, Broadway star DeWolf Hopper, when she launched her movie career in 1915. Never a major star in silent films, Hedda was a competent character actress specializing in "best friend" and "other woman" roles. When she divorced DeWolf Hopper, Hedda found that she had to take any roles that came her way in order to support herself and her son DeWolf Jr. (who later became a film and TV actor under the name William Hopper). Her career running smoothly if not remarkably by 1932, Ms. Hopper decided to branch out into politics, running for the Los Angeles city council; she lost and returned to movies, where good roles were becoming scarce. Practically unemployed in 1936, Hedda took a job on a Hollywood radio station, dispensing news and gossip about the film capital. Impressed by Hedda's chatty manner and seemingly bottomless reserve of "dirt" on her fellow actors (sometimes gleaned from her own on-set experiences, sometimes mere wild-card speculations), the Esquire news syndicate offered Ms. Hopper her own column, one that would potentially rival the Hearst syndicate columnist Louella Parsons. Carried at first by only 17 papers, Hedda did much better for herself by switching to the Des Moines Register and Tribune syndicate; her true entree into the big time occured in 1942, when she linked up with the behemoth Chicago Tribune-Daily News syndicate. Between them, Hedda and archrival Louella Parsons wielded more power and influence than any other Hollywood columnists - and they exploited it to the utmost, horning in uninivited at every major social event and premiere, and throwing parties that few dared not to attend. While Louella had the stronger newspaper affiliations, Hedda was more popular with the public, due to her breezy, matter-of-fact speaking style and her wry sense of humor; she also more flamboyant than Louella, given to wearing elaborate hats which cost anywhere from $50 to $60 each. On the credit side, Hedda touted several new young stars without expecting favors in return from their studios; she'd admit her errors (and there were many) in public, giving herself "the bird" - a bronx cheer - during her broadcasts; and wrote flattering and affectionate pieces about old-time stars who had long fallen out of favor with filmakers. On the debit side, Hedda carried long and vicious grudges; demanded that stars appear for free as guests on her radio program, or else suffer the consequences; and set herself up as an arbiter of public taste, demanding in the '50s and '60s that Hollywood censor its "racy" films. Hedda's greatest influence was felt when the studio system controlled Hollywood and a mere handful of moguls wielded the power of professional life and death on the stars; the studios needed a sympathetic reporter of their activities, and thus catered to Hedda's every whim. But as stars became their own producers and film production moved further outside Hollywood, Hedda's control waned; moreover, the relaxing of movie censorship made her rantings about her notions of good taste seem like something out of the Dark Ages. Also, Hedda was a strident anti-communist, which worked to her benefit in the days of the witchhunts and blacklists, but which made her sound like a reactionary harpy in the more liberal '60s. Evidence of Hedda's downfall occured in 1960 when she assembled an NBC-TV special and decreed that Hollywood's biggest stars appear gratis; but this was a year fraught with industry strikes over wages and residuals, and Hedda was only able to secure the services of the few celebrities who agreed with her politics or were wealthy enough to appear for free. By the early '60s, Hedda Hopper was an institution without foundation, "starring" as herself in occasional movies like Jerry Lewis' The Patsy (1964) which perpetuated the myth of her influence, and writing (or commissioning, since she'd stopped doing her own writing years earlier) long, antiseptic celebrity profiles for Sunday-supplement magazines. ~ Hal Erickson, All Movie Guide
Wikipedia: Hedda Hopper
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Hedda Hopper

Hedda Hopper in 1929
Born Elda Furry
May 2, 1885(1885-05-02)
Hollidaysburg, Pennsylvania, U.S.
Died February 1, 1966 (aged 80)
Hollywood, California, U.S.
Occupation Actress
Gossip columnist
Years active 1916–1966
Spouse(s) DeWolf Hopper (1913-1922)

Hedda Hopper (May 2, 1885 – February 1, 1966) was an American actress and gossip columnist, whose long-running feud with friend turned arch-rival Louella Parsons became at least as notorious as many of Hopper's columns.

Contents

Early life

She was born Elda Furry in Hollidaysburg, Pennsylvania, the daughter of David D. (born 1857) and Margaret Miller (born 1856) Furry, who were German Baptist Brethren.[citation needed] Her siblings included Dora Furry (born March 1880); Sherman Furry (born June 1882); Cameron Furry (born September 1887); Edgar Furry (April 20, 1889 - November 1975); Frank M. Furry (born August 1891); and Margaret Furry (born July 1897).

The family moved to nearby Altoona when Elda was three. Her father was a butcher who owned a shop. She eventually ran away to New York and began her career in the chorus on the Broadway stage. Hopper was not successful in this venture, even getting the axe by the renowned Shubert Brothers. Florenz Ziegfeld called the aspiring starlet a "clumsy cow" and brushed off her pleas for a slot in the Follies. After a few years, she joined the theatre company of matinee idol DeWolf Hopper, whom she called "Wolfie."

In her words, "Dancing came easy to me. And in singing, what my voice lacked in quality it made up for in volume."[cite this quote] Thus, she remained in the chorus and they toured the country from one end to the other. While in the Hopper company, she realized that chorus and understudy jobs were not acting. She wanted to act, and she knew she would have to prove herself before she could hope to get anywhere in the theatre. Hearing that Edgar Selwyn was casting his play The Country Boy for a road tour, she went to his office and talked him into letting her audition for the lead. She was given the role and the show toured for thirty-five weeks through forty-eight states.

She studied singing during the summer and, in the fall, went out with The Quaker Girl in the second lead, the prima donna role. The show closed in Albany.

Elda Hopper paid a numerologist $10 to tell her what name she should use, and the answer was Hedda.

Career

with Carole Lombard in The Racketeer (1929)

Hopper began acting in silent movies in 1915. Her motion picture debut was in Battle of Hearts (1916). She appeared in more than 120 movies over the following twenty-three years, usually portraying distinguished-looking society women.

As her movie career waned in the mid-1930s, Hopper looked for other sources of income. In 1937, she was offered the chance of a lifetime and embarked on a career doing something she was quite adept at: gossip. Her gossip column called "Hedda Hopper's Hollywood" debuted in the Los Angeles Times on February 14, 1938.[1] After years of struggling as an actress, she had finally found her niche. She christened the home she purchased in Beverly Hills "The House That Fear Built." She then had a notorious feud with the long-established Louella Parsons, who had been friendly to her in print and to whom she had sometimes passed information. Hopper and Parsons became arch-rivals competing fiercely, and often nastily, for the title "Queen of Hollywood", although those who knew both declared that Hopper was the more sadistic.

She was noted for her hats, considered her trademark, mostly because of her taste for large, flamboyant ones; and her hats were so famous that, in the 1946 movie, Breakfast in Hollywood, Del Porter, backed by Spike Jones and his City Slickers, even sang a novelty song entitled "A Hat for Hedda Hopper", to Hedda Hopper who was sitting in the audience wearing an extraordinary creation.[1]

She was known for hobnobbing with the biggest names in the industry, for getting a "scoop" before almost anyone else most of the time, and for being vicious in dealing with those who displeased her, whether intentionally or not. The columnist J.J. Hunsecker, played by Burt Lancaster in the film Sweet Smell of Success, is said to have been inspired partly by Hopper.

Hopper courted controversy as well for "naming names" of suspected or alleged Communists during the Hollywood Blacklist. Her frequent attacks against Charlie Chaplin in the 1940s for his leftist politics and love life contributed to his departure from America in 1952. After publishing a blind item on Katharine Hepburn and Spencer Tracy's relationship, Tracy confronted her at Ciro's and kicked her in the behind. A similar incident occurred when Hopper leaked info about the extramarital affair between Joseph Cotten and Deanna Durbin.[2] She tried to "out" Cary Grant and Randolph Scott as gay lovers, but Grant was too big a star even for her to touch. She also spread rumors that Michael Wilding and Stewart Granger had been intimate (Wilding later sued Hopper for libel and won).[3] ZaSu Pitts compared Hopper to "a ferret", and pointed out that she should not have been surprised her (Hopper's) own movie career did not pan out. Joan Fontaine sent Hopper a skunk on Valentine's Day with a note reading "I stink and so do you".[4]

Radio and television

Known for her gossipy comments and movie star interviews, Hopper debuted as host of her own radio program, The Hedda Hopper Show, November 6, 1939. Sponsored by Sunkist, she was heard on CBS three times a week for 15 minutes until October 30, 1942. From October 2, 1944 to September 3, 1945, Armour Treet sponsored a once-a-week program. On September 10, 1945, she moved to ABC, still sponsored by Armour, for a weekly program that continued until June 3, 1946. Hopper moved back to CBS October 5, 1946, with a weekly 15-minute program, This Is Hollywood, sponsored by Procter & Gamble. It ran until June 28, 1947.

Expanding to 30 minutes on NBC, she was host of a variety series, The Hedda Hopper Show, broadcast from October 14, 1950 to November 11, 1950 on Saturdays, then from November 19, 1950 to May 20, 1951 on Sundays, This program featured music, talk and dramatized excerpts from movies with well-known guests, such as Broderick Crawford doing a scene from All the King's Men.

On January 10, 1960, a TV special, Hedda Hopper's Hollywood, aired on NBC. Hosted by Hopper, guest interviews included an extremely eclectic mix of then-current and former stars: Lucille Ball (a longtime friend of Hopper), Francis X. Bushman, Liza Minnelli, John Cassavetes, Robert Cummings, Marion Davies (her last public appearance), Walt Disney, Janet Gaynor, Bob Hope, Hope Lange, Anthony Perkins, Debbie Reynolds, James Stewart and Gloria Swanson.

Hopper also had several acting roles during the latter part of her career, including brief cameo appearances as herself in the movie Sunset Boulevard (1950) and The Patsy (1964), as well as episodes of I Love Lucy and The Beverly Hillbillies. Her autobiography, From Under My Hat (Doubleday, 1952) was followed by The Whole Truth and Nothing But (1962), also published by Doubleday.

Hopper remained active as a writer until her death, producing six daily columns and a Sunday column for the Chicago Tribune syndicate, as well as writing countless articles for celebrity magazines such as Photoplay.

Personal life

On May 8, 1913, she married DeWolf Hopper in New Jersey. They had one child, actor William Hopper, best known for playing Paul Drake in the Perry Mason series.[5] They were divorced in 1922.[6]

Death

Hopper died of double pneumonia at the age of 80 in Cedars of Lebanon Hospital in Hollywood.[7][8] She is buried at Rose Hill Cemetery, Altoona, Pennsylvania.

For her contribution to the motion picture industry, Hopper has a star on the Hollywood Walk of Fame at 6313 1/2 Hollywood Boulevard in Hollywood.

Filmography

Features:

  • The Battle of Hearts (1916)
  • Seven Keys to Baldpate (1917)
  • Her Excellency, the Governor (1917)
  • Nearly Married (1917)
  • The Beloved Traitor (1918)
  • By Right of Purchase (1918)
  • Virtuous Wives (1918)
  • The Third Degree (1919)
  • Sadie Love (1919)
  • The Isle of Conquest (1919)
  • The Man Who Lost Himself (1920)
  • The New York Idea (1920)
  • Heedless Moths (1921)
  • The Inner Chamber (1921)
  • Conceit (1921)
  • Sherlock Holmes (1922)
  • What's Wrong with the Women? (1922)
  • Women Men Marry (1922)
  • Has the World Gone Mad! (1923)
  • Reno (1923)
  • Another Scandal (1924)
  • Gambling Wives (1924)
  • Why Men Leave Home (1924)
  • Happiness (1924)
  • Miami (1924)
  • Sinners in Silk (1924)
  • The Snob (1924)
  • Her Market Value (1925)
  • Declassée (1925)
  • Dangerous Innocence (1925)
  • Zander the Great (1925)
  • Raffles (1925)
  • The Teaser (1925)
  • Borrowed Finery (1925)
  • Dance Madness (1926)
  • The Caveman (1926)
  • Pleasures of the Rich (1926)
  • Skinner's Dress Suit (1926)
  • Lew Tyler's Wives (1926)
  • The Silver Treasure (1926)
  • Don Juan (1926)
  • Fools of Fashion (1926)
  • Obey the Law (1926)
  • Orchids and Ermine (1927)
  • Venus of Venice (1927)
  • Matinee Ladies (1927)
  • Children of Divorce (1927)
  • Black Tears (1927)
  • The Cruel Truth (1927)
  • Adam and Evil (1927)
  • Wings (1927)
  • One Woman to Another (1927)
  • The Drop Kick (1927)
  • A Reno Divorce (1927)
  • French Dressing (1927)
  • Companionate Marriage (1928)
  • Love and Learn (1928)
  • The Whip Woman (1928)
  • The Port of Missing Girls (1928)
  • The Chorus Kid (1928)
  • Harold Teen (1928)
  • Green Grass Widows (1928)
  • Undressed (1928)
  • Runaway Girls (1928)
  • Girls Gone Wild (1929)
  • The Last of Mrs. Cheyney (1929)
  • His Glorious Night (1929)
  • Half Marriage (1929)
  • The Racketeer (1929)
  • A Song of Kentucky (1929)
  • Such Men Are Dangerous (1930)
  • High Society Blues (1930)
  • Murder Will Out (1930)
  • Holiday (1930)
  • Let Us Be Gay (1930)
  • Our Blushing Brides (1930)
  • War Nurse (1930)
  • The Easiest Way (1931)
  • The Prodigal (1931)
  • Men Call It Love (1931)
  • A Tailor Made Man (1931)
  • Shipmates (1931)
  • The Common Law (1931)
  • The Mystery Train (1931)
  • Rebound (1931)
  • Flying High (1931)
  • West of Broadway (1931)
  • Good Sport (1931)
  • The Man Who Played God (1932)
  • Night World (1932)
  • As You Desire Me (1932)
  • Skyscraper Souls (1932)
  • Downstairs (1932)
  • Speak Easily (1932)
  • The Unwritten Law (1932)
  • Men Must Fight (1933)
  • The Barbarian (1933)
  • Pilgrimage (1933)
  • Beauty for Sale (1933)
  • Bombay Mail (1934)
  • Little Man, What Now? (1934)
  • Let's Be Ritzy (1934)
  • No Ransom (1934)
  • One Frightened Night (1935)
  • Lady Tubbs (1935)
  • Society Fever (1935)
  • Alice Adams (1935)
  • I Live My Life (1935)
  • Three Kids and a Queen (1935)
  • Ship Cafe (1935)
  • The Dark Hour (1936)
  • Doughnuts and Society (1936)
  • Dracula's Daughter (1936)
  • Bunker Bean (1936)
  • You Can't Buy Luck (1937)
  • Dangerous Holiday (1937)
  • Topper (1937)
  • Artists and Models (1937)
  • Vogues of 1938 (1937)
  • Nothing Sacred (1937)
  • Tarzan's Revenge (1938)
  • Maid's Night Out (1938)
  • Dangerous to Know (1938)
  • Thanks for the Memory (1938)
  • Midnight (1939)
  • The Women (1939)
  • What a Life (1939)
  • That's Right - You're Wrong (1939)
  • Laugh It Off (1939)
  • Queen of the Mob (1940)
  • Cross-Country Romance (1940)
  • Life with Henry (1941)
  • I Wanted Wings (1941)
  • Reap the Wild Wind (1942)
  • Breakfast in Hollywood (1946)
  • The Corpse Came C.O.D. (1947)
  • Sunset Boulevard (1950)
  • Pepe (Cameo, 1960)
  • The Patsy (1964)
  • The Oscar (1966)

Short Subjects:

  • Mona Lisa (Experimental Technicolor film, 1926)
  • Cat, Dog & Co. (1929)
  • The Stolen Jools (1931)
  • Apples to You! (1934)
  • Hedda Hopper's Hollywood No. 1 (1941)
  • Hedda Hopper's Hollywood No. 2 (1941)
  • Hedda Hopper's Hollywood No. 3 (1942)
  • Hedda Hopper's Hollywood No. 4 (1942)
  • Hedda Hopper's Hollywood No. 5 (1942)
  • Hedda Hopper's Hollywood No. 6 (1942)
  • Unusual Occupations (1946)
  • Screen Snapshots: Hollywood Movie Columnists (1947)
  • Screen Snapshots: The Walter Winchell Party (1957)
  • Screen Snapshots: WAIF International Ball (1957)

See also

References

  1. ^ Hedda Hopper Timeline
  2. ^ Silvester, Christopher (2002). The Grove Book of Hollywood. Grove Press. pp. 352. ISBN 0-802-13878-0. 
  3. ^ Stephens, Autumn (1998). Drama Queens: Wild Women of the Silver Screen. Conari. pp. 202. ISBN 1-573-24136-9. 
  4. ^ Kashner, Sam; MacNair, Jennifer (2003). The Bad & the Beautiful: Hollywood in the Fifties. W. W. Norton & Company. pp. 288. ISBN 0-393-32436-2. 
  5. ^ Donnelley, Paul (2005). Fade to Black: A Book of Movie Obituaries. Omnibus. pp. 497. ISBN 1-844-49430-6. 
  6. ^ Houseman, Victoria (1991). Made in Heaven: The Marriages and Children of Hollywood Stars. Bonus Books. pp. 150. ISBN 0-929-38724-4. 
  7. ^ "Hedda Hopper, Columnist, Dies; Chronicled Gossip of Hollywood; Confidante of Leading Stars Noted for Flamboyant Hats and Caustic Comments". Associated Press in New York Times. February 2, 1966. http://select.nytimes.com/gst/abstract.html?res=F60914FE3C5E1A7493C0A91789D85F428685F9. Retrieved 2009-02-03. "Hedda Hopper, the Hollywood gossip columnist, died in Cedars of Lebanon Hospital today of double pneumonia with heart complications. She was 75 [sic] years old." 
  8. ^ Donnelley, Paul (2005). Fade to Black: A Book of Movie Obituaries. Omnibus. pp. 498. ISBN 1-844-49430-6. 

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