Results for Heinrich Marschner
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Artist:

Heinrich August Marschner

  • Born August 16, 1795 in Zittau, Saxony
  • Died December 14, 1861 in Hannover
  • Period: Romantic (1820-1869)
  • Country: Germany
  • Genres: Opera

Biography

Heinrich August Marschner is generally considered both a key figure in German opera in the second quarter of the nineteenth century and an important link between Weber and Wagner. His 1827 opera Der Vampyr was an overwhelming success that is still staged today. Marschner followed it shortly with two more operatic triumphs, Der Templer und die Jüdin (1829) and Hans Heiling (1833). After these sensations, Marschner failed to achieve a significant success on stage, though the 1838 opera Der Babu, showed he still possessed remarkable, if inconsistent, talent. Marschner was born in Zittau, Germany, on August 16, 1795. Despite his father's wishes that music be only an amateur pursuit, Marschner converted the instruction provided by his father (studies with Karl Gottlieb Hering and others) into a career as a burgeoning composer, with the appearance of his successful 1810 ballet Die Stolze Bäuerin.

Yet, apparently undecided on his career goals, Marschner traveled to Leipzig in 1813 to study law. But he could not resist music for long, and in 1816 he composed the singspiel Der Kiffhaeuser Berg. It was not a success, as were ensuing stage works, like the opera Saidar und Zulima (1818) and various incidental scores to plays, like Ali Baba, oder Die 40 Räuber (1823). Marschner had little luck in his personal life at this time as well, marrying twice, the first time in 1817, the second in 1820. Both wives died quickly (the first after only six months) and in 1826 Marschner married for the third time, a year after his second wife had died. His new bride was soprano Marianne Wohlbrück.

But his bad luck would soon end with the appearance of his 1827 opera Der Vampyr, composed to a libretto by his new brother-in-law, actor Wilhelm August Wohlbrück. The pair's next collaboration, the aforementioned Der Templer (1829), was also a great success. Marschner was now arguably the undisputed leading figure in German opera. In 1830 he accepted the post of Hofkapellmeister in Hanover, where he would complete Hans Heiling in 1833, regarded by many as his magnum opus. After this triumph Marschner did not produce another successful stage work. Even his personal life returned to its luckless beginnings: his wife died in 1854. But the tenacious Marschner married for the fourth time a year later. He died in Hanover in 1861. ~ Robert Cummings, All Music Guide

 
 
Music Encyclopedia: Heinrich August Marschner

(b Zittau, 16 Aug 1795; d Hanover, 14 Dec 1861). German composer. Originally intended for a legal career, he devoted himself to music from 1815-16, when he met Beethoven and became a private music teacher in Bratislava. From 1821 he worked as a stage composer and conductor in Dresden, then at the Leipzig Stadttheater (swiftly winning fame with Der Vampyr, 1827, and Der Templer und die Jüdin, 1829) and, from 1830, at the Hanover Hoftheater, where his Hans Heiling (1831-2) made his name as a leading German opera composer. Outspoken in his advocacy of a true German opera, he was held in high esteem by Mendelssohn and Schumann, and later by Bülow, Hanslick, Spitta and Pfitzner, for his 13 operas, which in content and form represent a link between Weber and Wagner, making him one of the central figures of the Romantic era. They are characterized by a consistent integration of all theatrical means. From creating a protagonist psychologically divided within himself (Der Vampyr), he evolved a drama less dependent on local setting or comic and folk elements than Weber's operas but more melodramatic, stressing explicit musical characterization, motivic development, leitmotif technique and ultimately, in Hiarne (1857-8), through-composition. Since he often sacrificed music for dramatic ends, most of his work is forgotten, but his masterpiece, Hans Heiling, is the definitive expression of the spirit of his age. He also wrote Singspiels, pageants, incidental music, a ballet, over 400 songs and 120 male-voice choruses, and chamber music.



 
Columbia Encyclopedia: Marschner, Heinrich August
(hīn'rĭkh ou'gʊst märsh'nər) , 1795–1861, German opera composer. Marschner's first opera, Heinrich IV und d'Aubigné, was produced by Carl Maria von Weber in Dresden in 1820. He worked with Weber at the Dresden Opera from 1823 to 1826. His most famous works are Der Vampyr (1828); Der Templer und die Jüdin (1829), based on Scott's Ivanhoe; and Hans Heiling (1833). Marschner's operas continued Weber's romantic style; his use of full orchestration influenced Wagner.
 
Wikipedia: Heinrich Marschner

Heinrich Marschner (Zittau, 16 August, 1795 - Hanover, 16 December, 1861), was a German composer of 23 operas and singspiels who was a rival of Weber and friend of Beethoven and Mendelssohn. Marschner was widely regarded as one of the most important composers in Europe from about 1830 until the end of the 19th century. Even today, he is generally acknowledged as the leading composer of German opera between Weber's death and Wagner, producing many fairy or magic operas with thematic material based on folksong, a genre that had been introduced with Weber's Der Freischütz (1821). His last-mounted production was Austin in 1852, after which the rising star of Richard Wagner eclipsed Marschner's.

Though he considered himself primarily a composer of opera, he did write many lieder, seven piano trios and two piano quartets. These did not escape the notice of Robert Schumann, who praised the piano trios lavishly and for good reason. Marschner did not just toss off these works as an afterthought but clearly devoted considerable time and effort writing them. To each of his works for piano, violin and cello he gave the title "Grand Trio", indicative of the importance he attached to them. In these fine works, one finds all of the emotions prevalent in the romantic movement during the mid-19th century expressed in a fresh, original and captivating manner.

Opera

  • Titus (1817)
  • Der Kiffhäuser Berg (1817)
  • Saidar und Zulima (1818)
  • Heinrich IV und d'Aubigné (1819)
  • Der Holzdieb (1825)
  • Lucretia (1827) (Op. 67)
  • Der Vampyr (1828)
  • Der Templer und die Jüdin (1829) (Op. 60), drawn from Sir Walter Scott's Ivanhoe.
  • Des Falkners Braut (1830) (Op.65)
  • Hans Heiling (1833), Marschner's greatest success, which established him as the premier European composer of Romantic opera and influenced Wagner's Der Fliegender Holländer.
  • Das Schloß am Ätna (1836)
  • Der Bäbu (1838) (Op. 98)
  • Das stille Volk
  • Ali Baba
  • Die Wiener in Berlin
  • Fridthjof's Saga
  • Kaiser Adolf von Nassau (1844) (Op. 130)
  • Austin (1852)
  • Der Sängeskönig Hiarne, oder Das Tyrfingschwert (1861) (posthumously produced in 1863)

Schauspielmusik

  • Prinz Friedrich von Homburg (1821) (Op. 56)
  • Schön Ella (1822)
  • Der Goldschmied von Ulm (1856)
  • Die Hermannsschlacht

Chamber

  • Piano trio no.1 in A minor, Op.29
  • Piano trio no.2 in G minor, Op.111
  • Piano trio no.3 in F minor, Op.121
  • Piano trio no.4 in D major, Op.135
  • Piano trio no.5 in D minor, Op.138
  • Piano trio no.6 in C minor, Op.148
  • Piano trio no.7 in F major, Op.167
  • Piano quartet no.1 in B-flat major, Op.36
  • Piano quartet no.2 in G major, Op.158

References

  • Some of the information on this page appears on the website of Edition Silvertrust but permission has been granted to copy, distribute and/or modify this document under the terms of the GNU Free Documentation License.
  • Heinrich Marschner Biography; list of operas and singspiels.

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Artist. Copyright © 2008 All Media Guide, LLC. Content provided by All Music Guide ® , a trademark of All Media Guide, LLC. All rights reserved.  Read more
Music Encyclopedia. The Concise Grove Dictionary of Music. Copyright © 1994 by Oxford University Press, Inc.. All rights reserved.  Read more
Columbia Encyclopedia. The Columbia Electronic Encyclopedia, Sixth Edition Copyright © 2003, Columbia University Press. Licensed from Columbia University Press. All rights reserved. www.cc.columbia.edu/cu/cup/  Read more
Wikipedia. This article is licensed under the GNU Free Documentation License. It uses material from the Wikipedia article "Heinrich Marschner" Read more

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