Schwarz, Heinrich (1894-1974), Austrian-born American art historian. He became interested in early photography while a curator at the Belvedere Gallery, Vienna, and in 1929 organized an exhibition of 180 calotypes by D. O. Hill and Robert Adamson. His book David Octavius Hill, Meister der Photographie (1931; Eng. 1931) was the first monograph on a photographer by an art historian. He held various curatorial and academic posts in the USA after settling there in 1940. His particular concerns were painters' use of pre-photographic imaging devices; and what he perceived as a ‘proto-photographic’ vision (abandonment of classical compositional conventions, and fascination with the details of everyday things) developing among early 19th-century artists.
— Robin Lenman
Bibliography
- Galassi, P., Before Photography; Painting and the Invention of Photography (1981).
- Parker, W. E. (ed.), Art and Photography: Forerunners and Influences. Selected Essays by Heinrich Schwarz (1985)




