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Henry Mancini

 
Artist: Henry Mancini
 
  • Born: April 16, 1924, Cleveland, OH
  • Died: June 14, 1994, Los Angeles, CA
  • Active: '50s, '60s, '70s, '80s, '90s
  • Genres: Easy Listening
  • Instrument: Arranger, Strings, Piano
  • Representative Albums: "Greatest Hits," "Days of Wine and Roses," "Music from Peter Gunn"
  • Representative Songs: "Moon River," "The Pink Panther Theme," "Peter Gunn"

Biography

If the recognition of one's peers is the true measure of success, then few men are as successful as composer, arranger, and conductor Henry Mancini. In a career that spanned 40 years, writing for film and television, Mancini won four Oscars and twenty Grammys, the all-time record for a pop artist. For 1961's Breakfast at Tiffany's alone, Mancini won five Grammys and two Oscars. Breakfast at Tiffany's includes the classic "Moon River" (lyrics by Johnny Mercer), arguably one of the finest pop songs of the last 50 years. At last count, there were over 1,000 recordings of it. His other notable songs include "Dear Heart," "Days of Wine and Roses" (one Oscar, two Grammys), and "Charade," the last two with lyrics by Mercer. He also had a number one record and won a Grammy for Nino Rota's "Love Theme From Romeo and Juliet." Among his other notable film scores are The Pink Panther (three Grammys), Hatari! (one Grammy), Victor/Victoria (an Oscar), Two for the Road, Wait Until Dark, and 10. His television themes include "Peter Gunn" (two Grammys, recorded by many rock artists), "Mr. Lucky" (two Grammys), "Newhart," "Remington Steele," and The Thorn Birds television mini-series.

As a child, Mancini learned how to play a variety of musical instruments and as a teenager, he became enamored with jazz and big bands. He began to write arrangements and sent a few to Benny Goodman, who wrote the teenager back, encouraging him to pursue a career in music. Mancini enrolled in the Julliard School of Music in 1942, but his studies were cut short when he served in the military during World War II. After the war, he was hired by Tex Beneke, the leader of the Glenn Miller Orchestra, as a pianist and arranger. In the late '40s, he began writing scores for record and film studios, first for a recording session by the Mel-Tones, which featured his wife Ginny O'Connor, and then the Abbot & Costello film Lost in Alaska, the first movie he scored.

Lost in Alaska led to more film scores, in particular 1954's The Glenn Miller Story and 1956's The Benny Goodman Story, which both showcased his big band roots. Soon, he was working on a large number of films and television, including Orson Welles' Touch of Evil and the TV show Peter Gunn. Mancini's scores frequently straddled the line between jazz and Hollywood dramatics, making his music both distinctive and influential.

Mancini's heyday was the early '60s, when his score for Breakfast at Tiffany's (1961) yielded the Oscar-winning hit single "Moon River," which instantly became a pop standard. The following year, he wrote the music for Days of Wine and Roses, which also won an Oscar for its title song. Throughout the next three decades, he continued to be one of the most successful film composers in the world, as well as a popular concert conductor. He continued working until his death in 1994; just prior to his demise, he was writing the score for the musical adaption of Victor/Victoria.

What kept Mancini's work fresh was his ability to write in almost any style imaginable and his successful experimentations with unusual sounds and instruments. In his 1989 memoir Did They Mention the Music?, Mancini's co-author Gene Lees wrote that "More than any other person, he Americanized film scoring, and in time even European film composers followed in his path," and that Mancini wrote scores that "contained almost as many fully developed song melodies as a Broadway musical." Had he not remained true to his first love, film scoring, Mancini would have more than likely made as large an impact on the Broadway stage as he made on the silver screen. ~ Kenneth M. Cassidy & Stephen Thomas Erlewine, All Music Guide
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Discography: Henry Mancini
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Original Album Classics

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Martinis with Mancini

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Legends

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Greatest Christmas Songs

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Greatest Hits [RCA]

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Platinum & Gold Collection

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Greatest Hits [Brentwood]

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Marches/Sousa in Hi-Fi

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Versatile Henry Mancini [Expanded]

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Lifeforce [Original Soundtrack] [Expanded]

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Days of Wine and Roses

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Best of Henry Mancini [BMG]

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Our Man in Hollywood/Dear Heart & Other Songs

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Best 20

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All-Time Greatest Hits, Vol. 1

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Legendary Henry Mancini

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Our Man in Hollywood

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Mancini Touch

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Ultimate Mancini [Bonus Track]

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Henry Mancini

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Breakfast at Tiffany's/Arabesque [BMG]

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Second Time Around and Others

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Ultimate Mancini

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Midnight, Moonlight & Magic: The Very Best of Henry Mancini

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Legends [Box Set]

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Pink Panther Meets Speedy Gonzales

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Pink Panther/Return of the Pink Panther

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Victor/Victoria [Original Soundtrack] [Bonus Track]

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Great Movie Themes

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Mancini Magic: The Music of Henry Mancini

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Super Hits

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Themes from Classic Science Fiction (Fantasy & Horror Films)

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Henry Mancini [Camden]

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Mancini Plays Mancini & Other Composers [1999]

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Dream of You

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Colezo! Twin

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Visions of Eight [Original Soundtrack]

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Romantic Movie Themes

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Pink Panther [Spiegel Edition]

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Henry Mancini [Legend]

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Ultimate Mancini [SACD/Bonus Tracks]

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Mancini's Monster Hits

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Thorn Birds

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Ultimate Pink Panther

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Hatari!/High Time (Soundtracks Collections)

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Party/The Great Race (Soundtracks Collection)

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Best of Henry Mancini [Paradise]

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Charade/Experiment in Terror (Soundtracks Collection)

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Music from Peter Gunn [Bonus Tracks]

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Pink Panther and The Return of the Pink Panther

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Best of Henry Mancini [BMG/Camden]

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In the Pink: The Ultimate Collection

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Blues and the Beat

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Blues and the Beat

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Academy Award Collection [1995]

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Summer Love: Early Mancini Music Under the Direction of Joseph Gershenson

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Music of Henry Mancini [Columbia]

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Rare Mancini: A Tribute to Henry Mancini

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Mancini in Hollywood

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Best of Mancini

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Godfather & Other Movie Themes

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Moon River

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Mr. Lucky and Other Film & TV Greats

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His Greatest Hits [RCA Special Products]

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Top Hat: Music from the Films of Astaire & Rogers

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Love Story

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Adventures of the Great Mouse Detective [Original Soundtrack]

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Adventures of the Great Mouse Detective [Original Soundtrack]

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As Time Goes By and Other Classic Movie Love Songs

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Tom and Jerry: The Movie [Original Soundtrack]

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Music from the Films of Blake Edwards (Film Composers' Series, Vol. 4)

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Switch [Original Score]

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Cinema Italiano: Music of Ennio Morricone & Nino Rota

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Mancini in Surround: Mostly Monsters, Murders & Mysteries

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Henry Mancini Film Favorites

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Mancini Rocks the Pops

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Moon River, The Pink Panther & Other Hits

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Romantic Piano and Orchestra: His Piano and Orchestra [Reader's Digest]

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Plays Great Favorites of the '60s & '70s

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Academy Award Collection [1988]

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Premier Pops

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Mancini Magic [1988]

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Pink Panther & Other Hits

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Glass Menagerie [Original Soundtrack]

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Plays Mancini & Other Composers [Special Music]

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Lifeforce [Original Soundtrack]

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Collection

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In the Pink

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Dornen Vogel und Andere Welthits

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Victor/Victoria [Original Soundtrack]

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Trail of the Pink Panther [Original Soundtrack]

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Legendary Performer

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Henry Mancini Plays Those Evergreen Classics

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Henry Mancini Plays Your All-Time Favorites

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10 [Original Soundtrack]

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Best of Henry Mancini, Vol. 3

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Who Is Killing the Great Chefs of Europe? [Original Soundtrack]

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Revenge of the Pink Panther [Original Soundtrack]

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Theme Scene

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Mancini's Angels

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Just You and Me Together Love

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Cop Show Themes

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Pink Panther Strikes Again [Original Soundtrack]

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Silver Streak

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Henry Mancini Conducts the London Symphony Orchestra In a Concert of Film Music

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W.C. Fields and Me [Original Soundtrack]

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40 Greatest

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Pure Gold

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Symphonic Soul

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Symphonic Soul

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Great Waldo Pepper [Original Soundtrack]

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Return of the Pink Panther

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Return of the Pink Panther

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Country Gentleman

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Hangin' Out with Henry Mancini

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Thief Who Came to Dinner [Original Soundtrack]

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Brass, Ivory & Strings

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Oklahoma Crude [Original Soundtrack]

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Big Band Sound of Henry Mancini

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Film Music by Mancini

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Mancini Salutes Sousa

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Brass on Ivory

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Big Screen, Little Screen

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This is Henry Mancini, Vol. 2

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Everybody's Favorite

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Mancini Magic [1971]

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Sometimes a Great Nation

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Mancini Concert

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This Is Henry Mancini

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Mancini Country

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Mancini Country

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Mancini Country

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Hawaiians

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Sunflower [Original Soundtrack]

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Theme from Z and Other Film Music

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Theme from Z and Other Film Music

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Mancini Plays the Theme from Love Story

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Warm Shade of Ivory

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Warm Shade of Ivory

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Six Hours Past Sunset

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Molly Maguires [Paramount Original Soundtrack]

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Gaily, Gaily [Original Soundtrack]

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Debut! Henry Mancini Conducting the Philadelphia Orchestra Pops

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Me, Natalie

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Party [Original Soundtrack]

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Party [Original Soundtrack]

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Big Latin Band of Henry Mancini

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Big Latin Band of Henry Mancini

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Mancini '67: The Big Band Sound of Henry Mancini

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Mancini '67: The Big Band Sound of Henry Mancini

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Two for the Road

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Gunn...Number One!

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Encore! More of the Concert Sound of Henry Mancini

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Mancini Plays Mancini, and Other Composers [1967]

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Merry Mancini Christmas

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Academy Award Songs

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Academy Award Songs

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Arabesque

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Arabesque

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What Did You Do in the War, Daddy? [Original Soundtrack]

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Music of Hawaii

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Music of Hawaii

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Best of Henry Mancini, Vol. 2

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Dear Heart and Other Songs about Love

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Dear Heart and Other Songs about Love

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Great Race

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Latin Sound of Henry Mancini

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Latin Sound of Henry Mancini

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Latin Sound of Henry Mancini

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Academy Award Songs, Vol. 2: 12 Great Oscar Songs

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Pink Panther

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Concert Sound of Henry Mancini

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Concert Sound of Henry Mancini

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Pink Panther [Bonus Tracks]

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Uniquely Mancini

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Uniquely Mancini

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Charade

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Charade

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3 Great Bands

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Hatari!

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Hatari!

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Sousa's Greatest Marches

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Experiment in Terror

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Experiment in Terror

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Mr. Lucky Goes Latin

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Breakfast at Tiffany's

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Breakfast at Tiffany's

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Music from Mr. Lucky

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Music from Mr. Lucky

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Combo!

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High Time [Original Soundtrack]

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High Time [Original Soundtrack]

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More Music from "Peter Gunn"

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Music from Peter Gunn

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Touch of Evil [Original Soundtrack]

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Touch of Evil [Original Soundtrack]

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Terribly Sophisticated Songs: A Collection of Unpopular Songs for Popular People

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Driftwood and Dreams

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Versatile Henry Mancini

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Instrumental Favorites

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Soundtracks Collection: Breakfast at Tiffany's/Arabesque

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Actor: Henry Mancini
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  • Born: Apr 16, 1924 in Cleveland, Ohio
  • Died: Jun 14, 1994 in Beverly Hills, California
  • Occupation: Actor
  • Active: '50s-'80s
  • Major Genres: Comedy, Drama
  • Career Highlights: Romeo and Juliet, Victor/Victoria, Days of Wine and Roses
  • First Major Screen Credit: Horizons West (1952)

Biography

American composer Henry Mancini was introduced to music by his Italian immigrant father, who tutored young Mancini on piano and flute. After World War II service, Mancini attended Carnegie Tech and Juilliard, played piano with the Glenn Miller Orchestra, and ultimately became a staff composer at Universal, writing snatches of music for everything from the studio's newsreels to the Abbott and Costello comedies. In 1954, he was given the opportunity to arrange the music for a film that might well have qualified as a labor of love: The Glenn Miller Story. The Academy Award nomination he received for this effort elevated Mancini's industry status, as did his long association with producer/director Blake Edwards.

When Mancini wrote the jazzy theme music for Edwards' TV series Peter Gunn and Mr. Lucky, Mancini was so proud and protective of his work that he had a clause in his contract prohibiting the networks from running spoken "plugs" for upcoming programs over the closing-credit music. Mancini went on to win Oscars for his contributions to the Blake Edwards-directed films Breakfast at Tiffany's (1961), for which he wrote "Moon River"; Days of Wine and Roses (1962); and Victor/Victoria (1982). He also managed to put 20 Grammies on his shelf before his death in 1994. Though arguably the best-known film composer of his time, Henry Mancini was still modest enough in 1989 to title his autobiography Did They Mention the Music? ~ Hal Erickson, All Movie Guide
 
Filmography: Henry Mancini
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Best of the Andy Williams Show

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Victor/Victoria

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A Hundred and One Nights

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Married to It

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Tom and Jerry: The Movie

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Son of the Pink Panther

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Never Forget

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Switch

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Fear

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Ghost Dad

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Physical Evidence

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Skin Deep

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Welcome Home

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Sunset

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Without a Clue

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Blind Date

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The Glass Menagerie

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A Fine Mess

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The Great Mouse Detective

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The Pink Chiquitas

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That's Life!

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Lifeforce

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Santa Claus: The Movie

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That's Dancing!

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Harry and Son

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Better Late Than Never

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Curse of the Pink Panther

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The Man Who Loved Women

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Second Thoughts

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The Trail of the Pink Panther

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Victor/Victoria

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Back Roads

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Condorman

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Mommie Dearest

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S.O.B.

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A Change of Seasons

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Little Miss Marker

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The Shadow Box

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10

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Nightwing

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The Prisoner of Zenda

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A Family Upside Down

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House Calls

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A Pink Christmas

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The Revenge of the Pink Panther

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Who Is Killing the Great Chefs of Europe?

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Angela

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The Pink Panther Strikes Again

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Silver Streak

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The Blue Knight

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The Great Waldo Pepper

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The Return of the Pink Panther

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Once Is Not Enough

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99 and 44/100 Percent Dead

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The Girl from Petrovka

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That's Entertainment!

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The White Dawn

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The Thief Who Came to Dinner

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Frenzy

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Sometimes a Great Notion

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The Molly Maguires

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The Night Visitor

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Downhill Racer

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The Party

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Romeo and Juliet

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Two for the Road

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Wait Until Dark

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Arabesque

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What Did You Do in the War, Daddy?

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Moment to Moment

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The Great Race

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The Killers

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A Shot in the Dark

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Dear Heart

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Man's Favorite Sport?

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The Pink Panther

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Soldier in the Rain

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Days of Wine and Roses

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Experiment in Terror

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Hatari!

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King Kong vs. Godzilla

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Mr. Hobbs Takes a Vacation

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Bachelor in Paradise

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Breakfast at Tiffany's

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The Great Impostor

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Imitation of Life

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Never Steal Anything Small

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Operation Petticoat

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This Happy Feeling

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Touch of Evil

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The Deadly Mantis

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The Monolith Monsters

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The Kettles on Old MacDonald's Farm

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The Land Unknown

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The Tarnished Angels

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The Creature Walks Among Us

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Rock, Pretty Baby

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Francis in the Haunted House

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The Kettles in the Ozarks

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The Benny Goodman Story

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The Far Country

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Tarantula

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This Island Earth

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To Hell and Back

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The Private War of Major Benson

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Abbott and Costello Meet the Keystone Kops

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Creature from the Black Lagoon

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The Glenn Miller Story

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Francis Joins the Wacs

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Ma and Pa Kettle at Home

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It Came from Outer Space

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All I Desire

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Gunsmoke

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Law and Order

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Lost in Alaska

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Biography: Henry Mancini
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The composer, pianist, and theme song scorer Henry Mancini (1924-1994) was a major figure in American music from 1954 until his death. He spear-headed a change in film scoring, replacing the use of symphonic arrangements with elements of jazz, tin pan alley, and popular music.

Henry Mancini composed a legacy of famous and enjoyable film music which moved beyond film's former use of symphonic scores and incorporated elements of jazz and popular music. Mancini won many awards for his music, including four Oscars, 20 Grammys, and two Emmys. Much of his music became even more well known as film soundtracks; he produced over 50 albums and published over 500 of his compositions. His music was characterized by clean melody lines, usually on piano, with a background of French horns and strings. His theme songs for film, including Moon River and The Pink Panther are some of his most well known accomplishments.

Working Class Musical Roots

Mancini was born on April 16, 1924 in Cleveland, Ohio. His family later relocated to Aliquippa, Pennsylvania, a factory town. His father, a steelworker, was a musician who played flute in the Sons of Italy Band. He encouraged young Mancini to take up music as a way to rise above the options of working for a factory. As a child, Mancini was exposed to such composers as Puccini and Rossini; he played and took lessons in flute and piano. He also studied with a theater conductor and began arranging music in his teen years. Mancini discovered early on that he had a knack for arranging music. He took a job arranging for Benny Goodman, but later remarked that "it didn't take long for both Benny and me to find out I wasn't ready for such an ambitious assignment."

Mancini attended college and studied composition and theory at Julliard, but dropped out to serve in the military during World War II. After the war, he moved into the musical arena again, working as a pianist and arranger for the Glenn Miller-Tex Beneke orchestra. He married Ginny O'Connnor, the vocalist for the Mel-Tones band, in 1947. They had three children together.

Hollywood Start

Mancini broke into Hollywood in 1952 when he was given a small two week job at Universal Studios to arrange the music for the Abbott and Costello comedy Lost in Alaska. He continued to work at Universal for the next six years where he arranged or part-scored music for over 100 films. Notable during this period was the popular score that he created to The Glenn Miller Story (1954), which incorporated his background in jazz. One of his first outstanding scores was for the Orson Welles film Touch of Evil (1958). Touch of Evil was unique in that it was one of the first films to use source music, or music that didn't just play in the background but actually came from a visible source in the film story, such as a radio or a nightclub. In the film Mancini used jazz, Latin, and rock tunes. The Glass Menagerie (1987) was another example of a Mancini scored film that uses both source and regular music.

At this point in Mancini's career, he caught the attention of movie producer Blake Edwards, who asked Mancini to score the music for the television series Peter Gunn (1958). The Edwards/Mancini collaboration was to extend into a partnership that spanned the rest of Mancini's life and included 28 films. Some of their work together included: The Great Race, The Days of Wine and Roses, 10, S.O.B, and several of the Pink Panther comedies.

Music Madea Difference

Th e popular music for Peter Gunn was another breakthrough that served to get Mancini more widely recognized and stood apart as an example of a television show where the music really had an impact. The music was notable in its jazzy sparseness, a style that record companies had caught onto but was in its infancy in movie studios. Mancini remarked that "It was the score I wrote for the Peter Gunn TV series that was the big break for me. That use of the jazz idiom, applied dramatically to the story, put music on everybody's mind as far as TV is concerned." Mancini's work for Peter Gunn won him a number of awards, including two Grammys and Best Jazz Record of the Year (in a Down Beat poll).

Mancini continued to produced creative and award winning film music. The score and a theme song (Moon River) to the Edwards film Breakfast at Tiffany's (1961) earned Oscars for Mancini, even though Moon River was almost cut out of the film during production.

Contributed to Musical Trends

Mancini's contribution to film music occurred during a time when changes were shaping the film industry and American culture. In the early 1950s and 1960s, in part due to Mancini's influence, studios began to move away from the traditional symphonic sounds that had served as the backdrop for films. Mancini contributed to this trend by offering jazzy and popular alternatives that were more sparsely scored instrumentally. By the early 1960s, studios were facing increased competition from television and the musical scene in America was hugely impacted by the evolution of rock and roll. Mancini responded well to the changes and took advantages of opportunities to compose for new media, as in his work for television series such as Peter Gunn and Mr. Lucky.

In his studio work, Mancini made an effort to break down pre-existing barriers and to introduce and jazz and contemporary influences to film music that had in the past been predominantly influenced and served by classical musicians. Mancini made a point to bring young musicians of varying backgrounds and interests to film scoring sessions. Mancini was able to see the bigger picture in film production, caring not only about the music but about the quality of the rest of the film making process. Due to his foresight and efforts, his music worked not only for films, but as soundtracks that were sold separately and successfully. He recorded music for the soundtrack so that for listeners, the music stood by itself even without the film. Mancini had the foresight to collaborate with talented lyricists such as Johnny Mercer, which added to the popularity of music such as Moon River.

During his time at Universal, Mancini had opportunities to compose music for a diversity of films. Some of these included: Man Afraid (1957), Summer Love (1958), Creature from the Black Lagoon (1954), and It Came from Outer Space (1953). In 1961 he scored the film Breakfast at Tiffany's, another musical breakthrough in his career which resulted in an Academy Award for the song Moon River from the film. The song used folk influences and was easy to sing. Mancini continued to receive recognition and fame for his film theme songs such as music from the film Days of Wine and Roses (1962) and the well known Pink Panther theme song. No other film composer received as much recognition for theme song composition until Star Wars was released in the 1970s.

Mancini had an appreciation of the art of scoring music to films. A reviewer from the Journal of Popular Film and Television claimed that Mancini's music for the films Touch of Evil (1958) and White Dawn (1974) showed a side of Mancini that many had not seen; the music, in this reviewer's opinion was well composed even though it hadn't been a hit commercially. In later life, Mancini remained busy with the scoring for Victor/Victoria (1982), as well as scores for television shows such as The Thorn Birds (1983), Hotel, Newhart, and Remington Steele.

Personal Traits

As a professional musician, Mancini was known to be modest and unpretentious. He made no time for musical elitism, claiming that he had written Moon River in a half hour and that his Italian background helped him musically. Mancini had strong feelings about the role of music in film; he saw the film score as something which facilitated the film rather than standing on its own. Less was more, in his opinion. He hoped that he could "paint pictures with his music." Mancini also felt that his success with such popular compositions as The Pink Panther theme song overshadowed some of his better work; which included the score for Experiment in Terror (1962), Wait Until Dark (1967), and White Dawn (1974).

In his last interview, Mancini claimed that music writing was his therapy, because when he wrote, he thought of nothing else. He continued conducting an average of 30 pops concerts a year and producing albums even after being diagnosed with cancer. He also continued work on the score for an upcoming stage version of Victor/Victoria. Mancini died in 1994 at the age of seventy, from complications of liver and pancreatic cancer. When he died, he left behind a legacy of popular and artistic film music.

Further Reading

Gannett News Service, June 14, 1994.

Independent, June 16, 1994; June 27, 1994.

Journal of Popular Film and Television, March 1, 1996.

Knight-Ridder/Tribune News Service, March 3, 1994.

USA Today, June 15, 1994.

 

(born April 16, 1924, Cleveland, Ohio, U.S. — died June 14, 1994, Beverly Hills, Calif.) U.S. composer. While serving in the army air force during World War II, he met Glenn Miller, and after the war he joined Miller's band as an arranger and pianist. He first gained wide attention with his jazz-inflected music for the television series Peter Gunn (1958), but he is perhaps best known for his humorous scores for Blake Edwards's Pink Panther movies. He worked extensively with Edwards throughout his career. He wrote scores for more than 80 films and won four Academy Awards for two songs — "Moon River" and "Days of Wine and Roses" — and for the film scores for Breakfast at Tiffany's (1961) and Victor/Victoria (1982). He also won 20 Grammy Awards and 2 Emmys.

For more information on Henry Mancini, visit Britannica.com.

 
Wikipedia: Henry Mancini
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Henry Mancini
Birth name Enrico Nicola Mancini
Born April 16, 1924(1924-04-16)
Cleveland, Ohio, U.S.
Died June 14, 1994 (aged 70)
Los Angeles, California, U.S.
Genre(s) Film score
Occupation(s) Composer, conductor

Henry Mancini (April 16, 1924 – June 14, 1994) was an Academy Award winning American composer, conductor and arranger. He is remembered particularly for being a composer of film and television scores. Mancini also won a record number of Grammy awards, including a Grammy Lifetime Achievement Award in 1995. His best-known works are the jazz-idiom theme to The Pink Panther film series ("The Pink Panther Theme") and "Moon River".

Contents

Early life

Mancini was born Enrico Nicola Mancini in the Little Italy neighborhood of Cleveland, Ohio, and grew up near Pittsburgh, Pennsylvania in the steel town of West Aliquippa, Pennsylvania. His parents emigrated from the Abruzzo region of Italy. Mancini's father, Quinto, was a steelworker, who made his only child begin flute lessons at the age of eight. When Mancini was 12 years old, he began piano lessons. Quinto and Henry played flute together in the Aliquippa Italian immigrant band, "Sons of Italy". After high school, Mancini attended the renowned Juilliard School of Music in New York. In 1943, after roughly one year at Juilliard, his studies were interrupted when he was drafted into the army. In 1945, he participated in the liberation of a South German concentration camp.

Career

Upon discharge, Mancini entered the music industry. In 1946, he became a pianist and arranger for the newly re-formed Glenn Miller Orchestra, led by Tex Beneke. After World War II, Mancini broadened his composition, counterpoint, harmony and orchestration skills during studies with two acclaimed "serious" concert hall composers, Ernst Krenek and Mario Castelnuovo-Tedesco.[1]

In 1952, Mancini joined the Universal Pictures music department. During the next six years, he contributed music to over 100 movies, most notably The Creature from the Black Lagoon, It Came from Outer Space, Tarantula, This Island Earth, The Glenn Miller Story (for which he received his first Academy Award nomination), The Benny Goodman Story and Orson Welles' Touch of Evil. Mancini left Universal-International to work as an independent composer/arranger in 1958. Soon after, he scored the television series Peter Gunn for writer/producer Blake Edwards, the genesis of a relationship which lasted over 35 years and produced nearly 30 films. Together with Alex North, Elmer Bernstein, Leith Stevens and Johnny Mandel, Henry Mancini was one of the pioneers who introduced jazz music into the late romantic orchestral film and TV scores prevalent at the time.

Mancini's scores for Blake Edwards included Breakfast at Tiffany's (with the standard, "Moon River"), and with "Days of Wine and Roses," "Experiment in Terror," The Pink Panther, (and all of its sequels, such as "A Shot in the Dark"), The Great Race, The Party, "Victor/Victoria". Another director with a longstanding partnership with Mancini was Stanley Donen (Charade, Arabesque, Two for the Road). Mancini also composed for Howard Hawks (Man's Favorite Sport, Hatari! — which included the well-known "Baby Elephant Walk"), Martin Ritt (The Molly Maguires), Vittorio de Sica (Sunflower), Norman Jewison (Gaily Gaily), Paul Newman (Sometimes a Great Notion, The Glass Menagerie), Stanley Kramer's (Oklahoma Crude), George Roy Hill (The Great Waldo Pepper), Arthur Hiller (Silver Streak),[2] and Ted Kotcheff (Who is Killing the Great Chefs of Europe?), and others. Mancini's score for the Alfred Hitchcock film, Frenzy (1972), was rejected and replaced by Ron Goodwin's work.

Mancini scored many TV movies, including The Thorn Birds and The Shadow Box. He wrote his share of television themes, including Mr. Lucky (starring John Vivyan and Ross Martin), NBC News Election Night Coverage, NBC Mystery Movie,[3] What's Happening!!,[4] Newhart, Remington Steele, Tic Tac Dough (1990 version)[citation needed] and Hotel. Mancini also composed the "Viewer Mail" theme for Late Night with David Letterman.[3]

Mancini recorded over 90 albums, in styles ranging from big band to classical to pop. Eight of these albums were certified gold by The Recording Industry Association of America. He had a 20 year contract with RCA Records, resulting in 60 commercial record albums that made him a household name composer of easy listening music.

Mancini's range also extended to orchestral and ethnic scores (Lifeforce, The Great Mouse Detective, Sunflower, "Tom and Jerry: The Movie", Molly Maguires, The Hawaiians), and darker themes ("Experiment In Terror," "The White Dawn," "Wait Until Dark," "The Night Visitor").

Mancini was also a concert performer, conducting over fifty engagements per year, resulting in over 600 symphony performances during his lifetime. Among the symphony orchestras he conducted are the London Symphony Orchestra, the Israel Philharmonic, the Boston Pops, the Los Angeles Philharmonic and the Royal Philharmonic Orchestra. He appeared in 1966, 1980 and 1984 in command performances for the British Royal Family. He also toured several times with Johnny Mathis and with Andy Williams, who had sung many of Mancini's songs.[citation needed]

Mancini had experience with acting and voice roles. In 1994 he made a one-off cameo appearance in the first season of the sitcom series Frasier, as a call-in patient to Dr. Frasier Crane's radio show. Mancini voiced the character Al, who speaks with a melancholy drawl and hates the sound of his own voice, in the episode "Guess Who's Coming to Breakfast?"[5] Mancini also had an uncredited performance as a pianist in the 1967 movie Gunn, the movie version of the series Peter Gunn, the score of which was originally composed by Mancini himself.

Death

Mancini died of pancreatic cancer in Los Angeles, California in 1994. He was working at the time on the Broadway stage version of Victor/Victoria. At the time of his death, Mancini was married to singer Virginia "Ginny" O´Connor, with whom he had three children. Ginny Mancini went on to found the Society of Singers a non profit organization which benefits the health and welfare of professional singers worldwide. Additionally the Society awards scholarships to students pursuing an education in the vocal arts and holds the annual Ella Awards. One of Mancini's twin daughters, Monica Mancini, is a professional singer.

In 1996, the Henry Mancini Institute, an academy for young music professionals, was founded by Jack Elliott in Mancini's honor, and later under the direction of composer-conductor Patrick Williams. By the early 2000s, however, the institute could not sustain itself and closed its doors on December 31, 2006.[citation needed] However, the American Society of Composers, Authors and Publishers(ASCAP) Foundation "Henry Mancini Music Scholarship" has been awarded annually since 2001.

Awards

Mancini was nominated for an unprecedented 72 Grammys, winning 20[6] Additionally he was nominated for 18 Academy Awards, winning four.[7] He also won a Golden Globe Award and was nominated for two Emmys.

Mancini won a total of four Oscars for his music in the course of his career. He was first nominated for an Academy Award in 1955 for his original score of The Glenn Miller Story, on which he collaborated with Joseph Gershenson. He lost out to Adolph Deutsch and Saul Chaplin's Seven Brides for Seven Brothers. In 1962 he was nominated in the Best Music, Original Song category for "Bachelor in Paradise" from the film of the same name, in collaboration with lyricist Mack David. That song did not win. However, Mancini did receive two Oscars that year: one in the same category, for the song "Moon River" (shared with lyricist Johnny Mercer), and one for "Best Music, Scoring of a Dramatic or Comedy Picture" for Breakfast at Tiffany's. The following year, he and Mercer took another Best Song award for "Days of Wine and Roses," another eponymous theme song. His next eleven nominations went for naught, but he finally garnered one last statuette working with lyricist Leslie Bricusse on the score for Victor/Victoria, which won the "Best Music, Original Song Score and Its Adaptation or Best Adaptation Score" award for 1983. All three of the films for which he won were directed by Blake Edwards. His score for Victor/Victoria was adapted for the 1995 Broadway musical of the same name.

Discography

Albums

  • The Versatile Henry Mancini, Liberty LRP 3121
  • The Mancini Touch, RCA Victor LSP 2101
  • The Blues & the Beat, RCA Victor LSP-2147
  • Mr. Lucky Goes Latin, RCA Victor LSP-2360
  • Our Man in Holleeywood, RCA Victor LSP-2604
  • Uniquely Mancini, RCA Victor LSP-2692
  • The Best of Mancini, RCA Victor LSP-2693
  • Mancini Plays Mancini, RCA Camden CAS-2158
  • Concert Sound of Henry Mancini, RCA Victor LSP-2897
  • Dear Heart and Other Songs, RCA Victor LSP-2990
  • Theme Scene, RCA Victor LSP-3052
  • Debut Conducting the Philadelphia Orchestra, RCA Victor LSP-3106
  • The Best of, Vol. 3, RCA Victor LSP-3347
  • The Latin Sound of Henry Mancini, RCA Victor LSP-3356
  • A Merry Mancini Christmas, RCA Victor LSP-3612
  • Pure Gold, RCA Victor LSP-3667
  • Mancini Country, RCA Victor LSP-3668
  • Mancini '67, RCA Victor LSP-3694
  • Music of Hawaii, RCA Victor LSP-3713
  • Brass on Ivory, RCA Victor LSP-3756
  • A Warm Shade of Ivory, RCA Victor LSP-3757
  • Big Latin Band, RCA Victor LSP-4049
  • Six Hours Past Sunset, RCA Victor LSP-4239
  • Theme music from Z & Other Film Music, RCA Victor LSP-4350
  • Big Screen-Little Screen, RCA Victor LSP-4630
  • Music from the TV Series "The Mancini Generation", RCA Victor LSP-4689
  • Brass, Ivory & Strings (with Doc Severinsen), RCA APL1-0098
  • The Theme Scene, RCA AQLI-3052
  • Country Gentleman, RCA APD1-0270 (Quadraphonic)
  • Hangin' Out, RCA CPL1-0672
  • Symphonic Soul, RCA APD1-1025 (Quadraphonic)
  • Mancini's Angels, RCA CPL1-2290
  • (with Johnny Mathis), The Hollywood Musicals, Columbia FC 40372
  • The Pink Panther Meets Speedy Gonzales, Koch Schwann CD
  • The Legendary Henry Mancini, BMG Australia 3 CD set

Soundtracks

Many of Mancini's "soundtracks" are actually "Music from ...," which allowed him to rearrange the music to be more accessible and to release records without the expense of paying studio orchestra fees.

Bibliography

  • Mancini, Henry: Sounds And Scores: a practical guide to professional orchestration (Book on orchestration of popular music, 1962)
  • Mancini, Henry: Did they mention the music? (Autobiography, with Gene Lees, 1989)
  • Thomas, Tony: Music For The Movies (1973)
  • Thomas, Tony: Film Score (1979)
  • Larson, Randall: Henry Mancini: On Scoring Lifeforce and Santa Claus (interview)(in: CinemaScore #15, 1987)
  • Büdinger, Matthias: An interview with Henry Mancini (in: Soundtrack, vol. 7, No. 26, 1988)
  • Büdinger, Matthias: Henry Mancini (in: Soundtrack, vol. 13, No. 50, 1994)
  • Büdinger, Matthias: Henry Mancini remembered (in: Soundtrack, vol. 13, No. 51)
  • Büdinger, Matthias: Whistling Away The Dark. In: Film Score Monthly # 45, p. 7
  • Büdinger, Matthias: Henry Mancini 1924–1994. In: Film Score Monthly # 46/47, p. 5
  • Büdinger, Matthias: Feeling Fancy Free (in: Film Score Monthly vol. 10, No. 2)
  • Brown, Royal S.: Overtones and undertones — reading film music (1994)

References

  1. ^ Chapter 5 Page 51, "Did They Mention the Music". (Autobiography with Gene Lees)
  2. ^ Appendix, pg 239 "Did They Mention the Music". (Autobiography with Gene Lees)
  3. ^ a b Appendix, pg 240. "Did They Mention the Music". (Autobiography with Gene Lees)
  4. ^ "IMDB". http://www.imdb.com/title/tt0074071/fullcredits. Retrieved on 2007-07-08. 
  5. ^ "Henry Mancini's cameo on Frasier". http://www.destinyland.org/Secret-Henry-Mancini-Cameo-on-Frasier.htm. Retrieved on 2008-09-16. 
  6. ^ Appendix, pg 235. "Did They Mention the Music" (Autobiography with Gene Lees)
  7. ^ Appendix, pg 236. "Did They Mention the Music" (Autobiography with Gene Lees)

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