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Herbie Nichols

 
Artist: Herbie Nichols
  • Born: January 03, 1919, New York, NY
  • Died: April 12, 1963, New York, NY
  • Active: '50s
  • Genres: Jazz
  • Instrument: Composer, Piano
  • Representative Albums: "Complete Studio Master Takes (Herbie Nichols Trio)," "The Complete Blue Note Recordings," "Love, Gloom, Cash, Love"
  • Representative Songs: "The Gig," "2300 Skiddoo," "Chit-Chatting"

Biography

One of jazz's most tragically overlooked geniuses, Herbie Nichols was a highly original piano stylist and a composer of tremendous imagination and eclecticism. He wasn't known widely enough to exert much influence in either department, but his music eventually attracted a rabid cult following, though not quite the wide exposure it deserved.

Nichols was born January 3, 1919, in New York and began playing piano at age nine, later studying at C.C.N.Y. After serving in World War II, Nichols played with a number of different groups and was in on the ground floor of the bebop scene. However, to pay the bills he later focused on Dixieland ensembles; his own music -- a blend of Dixieland, swing, West Indian folk, Monk-like angularity, European classical harmonies via Satie and Bartók, and unorthodox structures -- was simply too unclassifiable and complex to make much sense to jazz audiences of the time. Mary Lou Williams was the first to record a Nichols composition -- "Stennell," retitled "Opus Z," in 1951; yet aside from the song he wrote for Billie Holiday, "Lady Sings the Blues," none of Nichols' work got enough attention to really catch on.

He signed with Blue Note and recorded three brilliant piano trio albums from 1955-1956, adding another one for Bethlehem in late 1957. Nichols languished in obscurity after those sessions, though; sadly, just when he was beginning to find a following among several of the new thing's adventurous, up-and-coming stars, he was stricken with leukemia and died on April 12, 1963. In the years that followed, Nichols became a favorite composer in avant-garde circles, with tributes to his sorely neglected legacy coming from artists like Misha Mengelberg and Roswell Rudd. He also inspired a repertory group, called the Herbie Nichols Project, and most of his recordings were reissued on CD. ~ Steve Huey, All Music Guide
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Herbie Nichols (3 January 1919, New York City – 12 April 1963, New York City), was an American jazz pianist and composer of the jazz standard "Lady Sings the Blues". Obscure during his lifetime, he is now highly regarded by many musicians and critics.

Contents

Life

Nichols was born in San Juan Hill, Manhattan to parents from St. Kitts and Trinidad and grew up in Harlem.[1]

During much of Nichols life he was forced to take work as a Dixieland musician instead of playing the more adventurous kind of jazz he preferred,[2] but he is best known today for his own highly original compositions, program music which combines bop, Dixieland, and West Indian music with harmonies derived from Erik Satie and Béla Bartók.

His first known work was with the Royal Barons in 1937, but he did not find performing at Minton's Playhouse a few years later a very happy experience. The competitive atmosphere of that scene did not suit his personality. However, he did become friends with fellow pianist Thelonious Monk, even if his own critical neglect would be more enduring.

Nichols was drafted into the Infantry in 1941. After the war he worked in various setting, beginning to achieve some recognition when Mary Lou Williams recorded some of his songs in 1952.[3] From about 1947 he persisted in trying to persuade Alfred Lion at Blue Note Records to sign him up.[4] He finally recorded for Blue Note in 1955 and 1956, which led to the issue of three albums. Other tracks from these sessions were not issued until the 1980s. His tune "Serenade" had lyrics added, and as "Lady Sings the Blues" became firmly identified with Billie Holiday. In 1957 he recorded his last album for Bethlehem Records. All of his recordings as leader have been released on CD.

Nichols died from leukemia at the age of 44.

Influence

In recent years his music has been most energetically promoted by Roswell Rudd, who worked with Nichols in the early 1960s. Rudd has recorded or programmed at least three albums featuring Nichols' compositions, including The Unheard Herbie Nichols (1996) and a book The Unpublished Works (2000).[5]

In 1984, the Steve Lacy quintet with George Lewis, Misha Mengelberg, Han Bennink and Arjen Gorter performed the music of Nichols at the Ravenna Jazz Festival in Italy.[6]

A New York group, the Herbie Nichols Project (part of the Jazz Composers' Collective) has recorded three albums largely dedicated to unrecorded Nichols' compositions, many of which Nichols had deposited in the Library of Congress.[7]

Discography

As leader

References

  1. ^ Spellman, A.B. (1985). Four Lives in the Bebop Business. Limelight Editions. pp. 156, 174. ISBN 0-87910-042-7. 
  2. ^ Spellman, pp 155-156
  3. ^ Spellman, p165
  4. ^ Spellman, p168
  5. ^ Kelsey, Chris. "Rosswell Rudd Biography". Allmusic. http://www.allmusic.com/cg/amg.dll?p=amg&sql=11:hifyxqy5ld0e~T1. Retrieved 2008-11-29. 
  6. ^ Layne, Joslyn. "Misha Mengelberg Biography". Allmusic. http://www.allmusic.com/cg/amg.dll?p=amg&sql=11:gifixq85ldhe~T1. Retrieved 2008-11-29. 
  7. ^ Corroto, Mark (2001-11-01). "Strange City: The Herbie Nichols Project". All About Jazz. http://www.allaboutjazz.com/reviews/r1101_147.htm. Retrieved 2008-11-29. 

 
 
Learn More
Love Is Proximity (1995 Album by The Herbie Nichols Project)
The Herbie Nichols Project (Jazz Band, '90s, 2000s)
Dr. Cyclop's Dream (1999 Album by The Herbie Nichols Project)

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